{"id":48783,"date":"2022-05-30T21:00:47","date_gmt":"2022-05-31T02:00:47","guid":{"rendered":"http:\/\/totfc.net\/?p=48783"},"modified":"2022-06-04T21:01:00","modified_gmt":"2022-06-05T02:01:00","slug":"aew-and-the-importance-of-storytelling","status":"publish","type":"post","link":"https:\/\/totfc.net\/?p=48783","title":{"rendered":"AEW and the importance of storytelling"},"content":{"rendered":"<p><img loading=\"lazy\" decoding=\"async\" class=\"border-image alignnone wp-image-48784 size-full\" src=\"http:\/\/totfc.net\/wp-content\/uploads\/2022\/06\/hookhausen.jpg\" alt=\"\" width=\"560\" height=\"315\" srcset=\"https:\/\/totfc.net\/wp-content\/uploads\/2022\/06\/hookhausen.jpg 560w, https:\/\/totfc.net\/wp-content\/uploads\/2022\/06\/hookhausen-300x169.jpg 300w\" sizes=\"auto, (max-width: 560px) 100vw, 560px\" \/><\/p>\n<p><span style=\"font-size: 12pt;\">Despite the fact that I probably come off as someone who hates AEW and and think WWE can do no wrong based on how much criticism I have for AEW, I don\u2019t hate them at all.\u00a0 It\u2019s just that they do so much weird shit that makes me scratch my head, and if there\u2019s anything at all about the promotion that I really don\u2019t like, it would probably be Tony Khan, because he just comes off as this privileged mark with money and means to have created his own toy promotion, and is running it wackily but under the guise that it\u2019s for the fans, and unfortunately a lot of people have gotten drunk off the Kool-aid.<\/span><\/p>\n<p><span style=\"font-size: 12pt;\">In all fairness, I think WWE is pretty putrid these days, and I\u2019m kind of the living embodiment of the popular meme that nobody hates professional wrestling more than professional wrestling fans, based on how it really does seem like I have nothing good to say.\u00a0 However, I am willing to post about the shit that I do like, it\u2019s just that there\u2019s not a whole lot of it these days, unfortunately.<\/span><\/p>\n<p><span style=\"font-size: 12pt;\">Anyway, mostly through scuttlebutt, I\u2019ve been casually following AEW\u2019s progress through the year, and aside from purchasing Ring of Honor, they are making some impactful moves and making a lot of noise in the industry.\u00a0 The AEW x NJPW <em>Forbidden Door<\/em> show they\u2019re going to have is going to be a pretty major deal for better or worse, and despite the fact that I will probably not see it seeing as how I have zero intentions of actually paying to watch a pay-per view anymore, I\u2019ll still be very interested to see how the show shakes out.<\/span><\/p>\n<p><span style=\"font-size: 12pt;\">The thing is though, as much as the internet seems to think it\u2019s going to be the biggest show since the last Wrestlemania where they made up numbers to make it sound like the largest in history, there\u2019s a ceiling to just how good Forbidden Door is going to be.\u00a0 It\u2019s going to be the same ceiling that hindered <em>Double or Nothing<\/em>, or pretty much any other AEW show since its inception: the sheer lack of comprehensive storytelling throughout the promotion.<\/span><\/p>\n<p><span style=\"font-size: 12pt;\">This isn\u2019t to say that there isn\u2019t any storytelling at all, but rather it\u2019s the fact that AEW doesn\u2019t have much quality storytelling, save for a few exceptions where it\u2019s clear that all available attribute points are put into a single arc; usually ones involving Kenny Omega or the Young Bucks, exhibiting nepotism at its most flagrant, seeing as how they\u2019re still VPs of the company, no matter how much power Tony Khan has allegedly stripped them of.<\/span><\/p>\n<p><span style=\"font-size: 12pt;\">Matt Hardy once was on record talking about how <a href=\"https:\/\/www.ringsidenews.com\/2022\/03\/24\/matt-hardy-had-to-tell-jeff-hardy-there-are-no-writers-in-aew\/\">AEW doesn\u2019t have any writers<\/a>, and that much is very obvious considering how paper thin and lacking in any substance the vast majority of the promotion\u2019s storylines end up being.\u00a0 But it also verifies the weakness and validates the importance of quality storyline, because week after week, a promotion can\u2019t slap together these repeatedly inane 5- or 6-man team matches full of big names in an attempt to give as many members of their horrifically bloated roster tv time, and actually expect anyone to care when there\u2019s no story behind it.<\/span><\/p>\n<p><span style=\"font-size: 12pt;\">Like CM Punk just won the AEW World championship from Hangman Adam Page.\u00a0 How did that storyline materialize?\u00a0 Punk got out of his feud with MJF and then one week after a match, he pantomimes he wants a belt.\u00a0 Next thing you know he has a few face-to-face confrontations with Page, and a match is suddenly booked.\u00a0 Seed planted, match had, title swapped, in less than three months.\u00a0 Despite the rise of Hangman being one of the more interesting stories to have happened to the promotion, Tony Khan didn\u2019t know what the fuck to do with him after he had reached the top of the mountain.\u00a0 And unfortunately for Hangman, it\u2019s his ass who has to do the job because of their lack of writing ability.<\/span><\/p>\n<p><span style=\"font-size: 12pt;\">Taz\u2019s son Hook, is a perfect example of the perils of not having writers, because here\u2019s a guy that fans latched onto like gangbusters when he finally debuted, but instead of having him actually grow and make any progress in his character, or give him any meaningful storylines to embark on, AEW has paired him up with fucking Danhausen, whom I just don\u2019t really see the appeal in because I\u2019m old, but you\u2019ve got this young silent killer paired up with basically a circus clown of a character, and somewhere it\u2019s expected that Hook will actually grow from this?<\/span><\/p>\n<p><span style=\"font-size: 12pt;\">To the fairness of AEW, they have demonstrated a legendary ability to open; talent debuts, seeds for stories, general ideas.\u00a0 But that\u2019s about all they can do, is start page 1.\u00a0 I imagine Tony Khan is the kind of guy who has a folder on his desktop with like, at any given time, no less than 58 Untitled-1 (##) with ideas for storylines and bookings, but aren\u2019t more than a paragraph.\u00a0 But instead of actually hashing them out and trying to formulate some quality storylines out of them, he passes them onto the talent, tells them to start them up, and then wing it from there.\u00a0 Last time I checked, professional wrestling and improv aren\u2019t always mutually exclusive, but they also aren\u2019t things that just anyone can do without experience.<\/span><\/p>\n<p><span style=\"font-size: 12pt;\">Keith Lee and Swerve Strickland are good examples of guys who came in to a lot of buzz and impact for two seconds, but then absolutely jack shit was done with them since their debuts.\u00a0 Worse off, they\u2019re now paired as a tag team because the roster is so bloated, and now neither will really have any room to develop as singles guys.\u00a0 Toni Storm and Ruby Soho are also good examples of acquisitions who came in to big pops, but are just treading water.<\/span><\/p>\n<p><span style=\"font-size: 12pt;\">The bottom line is that AEW\u2019s lack of storytelling is always going to be a hinderance, and isn\u2019t helped by the sheer volume of the roster that needs some creative direction.\u00a0 But good storytelling is capable of making diamonds out of one guy, or fifty guys, if it\u2019s done well.\u00a0 But seeing as how AEW has no writers, and the whole show seems to hinge on Tony Khan\u2019s visions, the promotion will always have a ceiling that they\u2019ll struggle to crack through, if they want to have any chance in the future of actually sustaining themselves in the battle to combat the WWE.<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Despite the fact that I probably come off as someone who hates AEW and and think WWE can do no wrong based on how much criticism I have for AEW, I don\u2019t hate them at all.\u00a0 It\u2019s just that they do so much weird shit that makes me scratch my head, and if there\u2019s anything &hellip; <a href=\"https:\/\/totfc.net\/?p=48783\" class=\"more-link\">Continue reading <span class=\"screen-reader-text\">AEW and the importance of storytelling<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[151,83,54,55],"class_list":["post-48783","post","type-post","status-publish","format-standard","hentry","category-brog","tag-blets","tag-observations","tag-wrestling","tag-wwe"],"_links":{"self":[{"href":"https:\/\/totfc.net\/index.php?rest_route=\/wp\/v2\/posts\/48783","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/totfc.net\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/totfc.net\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/totfc.net\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/totfc.net\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=48783"}],"version-history":[{"count":1,"href":"https:\/\/totfc.net\/index.php?rest_route=\/wp\/v2\/posts\/48783\/revisions"}],"predecessor-version":[{"id":48785,"href":"https:\/\/totfc.net\/index.php?rest_route=\/wp\/v2\/posts\/48783\/revisions\/48785"}],"wp:attachment":[{"href":"https:\/\/totfc.net\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=48783"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/totfc.net\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=48783"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/totfc.net\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=48783"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}