Cobra Kai x Champion is straight fire

In my perception, athletic apparel company Champion, is kind of B-level.  In the past, they used to be among the pinnacle of the industry, being the official uniform sponsor of the NBA, among other notable partnerships.  But as time passed, I don’t know who initiated the changes, but Champion kind of fell to the wayside; the NBA seemed to allow individual teams to make their own apparel partnerships, and in most cases, Nike was the brand making jerseys and other apparel.  UnderArmour emerged, and the field began to get very crowded in athletic apparel.

Champion, kind of became a second-tier manufacturer in my eyes, and they weren’t nearly as cool as the aforementioned Nike, UnderArmour, or Adidas, among others.  When I went to Braves Spring Training for the first time, I always thought it was cool that their ST venue was called Champion Stadium, but didn’t realize until I got there that that was on account of the Champion brand sponsoring it, with their wordmark being on the façade of the building.

It made me tilt my head at the low-key lameness of it, in spite of the cool name.  The Braves have since moved out of Orlando, and fleeced the people of Sarasota to build them a $175M facility, but the point remains that even they, abandoned Champion too.

When I saw the mass unveiling of Cobra Kai training gear in season 4 (above image), my jaw did a quarter drop, at just how fucking baller and awesome some of it looked.  As much as I think the Kyler Park character is a total choad and a disgrace to Koreans, the shirt he and Kenny Payne and that rando white guy in the back are wearing, is a training shirt that I must have if/when they become available to the public.  And as the scene unfolds, you see that everyone is wearing some form of Cobra Kai gear, some more obvious than others, but they’re all, straight fucking fire.

And then, I noticed the Champion logos on everything, and suddenly, I’m like okay, okay…  If ever there was a way to climb out of mediocrity, associating themselves with a popular IP like Cobra Kai seems like as good of idea as any, if there ever was one.

Now, I’m no longer thinking Champion is such a B-tier brand, and was actively googling to see if and when there was a chance that all this baller gear was ever going to be available to the public.  And if this link is accurate, then yes, there will be.

Anyway, while I’m on Cobra Kai, let’s talk about season 4, and I think it’s safe to say that there will probably be spoilers written out.

Continue reading “Cobra Kai x Champion is straight fire”

Zombie shark, est. 1979

When I saw the clickbait headline on social media for this, I of course clicked it, but I already knew that this was going to turn into a brog post: Dr. Mario releases what ultimately becomes a zombie shark, off the coast of Spain

To horror fans, all one has to do is say the words “zombie shark,” and literally only one thing pops into their minds: Lucio Fulci’s Zombi 2 film, that very notoriously, contained a sequence, in which a zombie takes on, a shark.

Spoiler alert, as if anyone’s going to read this, drop what they’re doing and rush out to go find out how and where to watch Zombi 2, but the shark rips off the arm of the zombie and more or less “wins” in the sense that it swims away still living.  However, the zombie definitely succeeds at ripping a chunk off of it to eat, but it’s fairly unclear that it landed any actual bites onto the shark, since sharks skin are pretty tough.  But the zombie is all over the shark for some bit of time, so it is presumed that it probably had to have gotten some bites in before its arm is ripped off and the conflict is over.

Well, it only took 42 years but it looks like we’ve got our answer to that specific scene from that documentary.  Clearly, the zombie got some bites in, or perhaps it’s by virtue of the shark ingesting some of that wack-ass green zombie blood, but it clearly got turned, was caught by Dr. Mario, presumably studied because it was a fucking zombie shark, and then released into the wild, where some other sharks whooped its ass, leaving it to actually, ultimately die, finally.

Really though, I’m not sure why it’s some sort of shocker that a shark that’s all mangled open is still searching for food.  When they’re at full health, it’s all sharks do in the first place, I’m not sure why one being practically ripped open would behave any differently, than to seek out food before it eventually succumbed.

All the same, good on the internet for giving all us zombie fans reason to make the never-not entertaining reference to Fulci’s zombie vs. shark, because even to this day, there’s never been a more wildly insane fight sequence than this was.

LoL: Arcane – almost makes me want to get back into League

Being an out-of-touch dad these days, a lot goes over my head as far as things coming and going in popular culture.  As big of a League of Legends fan I was back in the day, you’d have thought that I might’ve been more aware of the Netflix series LoL: Arcane coming out but nope, after hearing some mumbles about League and Netflix, I didn’t hear nor pay any further attention, thinking that it was just ear candy since these days, just about every popular IP ends up going into the rumor mill with a project with Netflix.

Plus, as I grew out of League, and then all the allegations of sexist bro-culture over at Riot Games began emerging as if such weren’t already the case at likely every single gaming company in the world, I kind of just stopped caring.  As much enjoyment I got out of the game, it really was the epitome of an abusive relationship, seeing as how players get their ass kicked at probably a 60% clip even if they’re “good” at the game, and they come back for more, over and over again.

That, and one of those don’t meet your heroes kind of mentalities, I remembered and realized all the interactions and impressions I had of those of Riot Games personalities I’ve ever met, and kind of felt there was a degree of smarmy arrogance, that they were all a little too self-aware of their contributions towards the production of League, and then all the allegations of the toxic corporate culture seem all too relatable.

Regardless, when watching LoL: Arcane, all of the critical thoughts and opinions I might have about Rito and the actual game are all kind of washed away while I’m watching the show, and in its place is just simple enjoyment for a clever, beautifully executed series in my opinion.

Jinx (along with Miss Fortune) was easily one of my favorite and most-played champions, so a series revolving primarily around her, along with the general Piltover/Zaun setting was easy for me to be interested in.  And the mass edits to the lore all seemed to come into play, seeing as how I was pretty intrigued to see that the re-imagining of origins have now placed Jinx and Vi as sisters, which can explain a lot of the original animosity between the characters in-game.

I won’t analyze or spoil any of the plot, but I just want to sing the praises of LoL: Arcane, because I thought it was a very well done series.  The brushed painting style of the animation is refreshing and perfectly executed, and the plot is gritty and very much R-rated, which is interesting given how cartoony and lighter-plot the game is.  

There are easter eggs galore throughout the series, and those familiar with the game will probably have a fun time picking them out and then hypothesizing on plot points, potential future arcs and most importantly, how they tie into future appearances of recognizable champions.

The first six episodes were so well done, it almost makes me want to get back into the game, as abusive of a relationship it really is.  Then I realize that I’m a dad with no time on my hands anymore, and ponder how I even had as much time as I did in the past to play as fervently and obsessively as I used to.  So instead, I’ll just patiently wait for the rest of the series to pan out, and hope that Rito and Netflix can agree to produce more Arcane in the future, because I think there’s still a ton of lore that could make for entertaining television.

Has there been a more legendary of a power move than this?

Obviously, there are probably several comparable examples floating out there in the world, but I’m a dad with an extremely small world these days, so bear with me here.

But I recently saw that Katey Segal has apparently showed up in the ashes of what used to be Roseanne and is now The Connors, seemingly as the love interest of Dan Connor, Roseanne’s widowed husband after her character died of cancellation.  But for lack of better term, Peg Bundy has shown up and completely usurped the role of Roseanne out from Roseanne herself, and I’m left here flabbergasted, wondering if there’s ever been more of a legendary power move in history?

It goes back to the 80’s when not necessarily direct rivals, but definitely there were comparisons between the two actresses, playing similar characters of no-bullshit, smart talking moms between Roseanne and Married… With Children.  To the point where it’s even acknowledge in the roast of Roseanne by Katey Segal herself, and if people didn’t put one and one together before seeing that clips, it’s easy to see the correlations between the two.

And then Roseanne had to go and get herself cancel culture’d, putting the whole reboot of the Roseanne show into a tailspin, but ABC and Disney are clever, and have the financial means to throw infinite money at a problem until it goes away, and it appears that even the social cancellation of the titular Roseanne is not insurmountable.  Killing her name from the series, and renaming it The Connors is one thing, but to more or less flip all of Roseanne’s role and probably future storylines onto Peg Bundy is pretty incredible no matter what way you look at it.

It’s kind of like whenever Ric Flair would get himself in hot water with whatever legal, drugs or one of this 13 ex-wives, and WCW would always have this sudden power vacuum in the main event.  But then they’d poach some WWF main eventer, be it Kevin Nash, Hulk Hogan, Bret Hart or whomever, and they’d instantly step in and bring a modicum of low-adapting stability to the scene and things would resume business as usual until the company imploded in 2001.

Katey Segal stepping in to fill the shoes vacated by Roseanne’s social indiscretions all but solidifies who really was the queen of the old school sitcom moms’ roost, and now not only did she dominated MWC through her original time, she’s dominating someone else’s original IP in the modern age.  If that’s not a power move on the legendary level, then I don’t know what else is. 

That’s kind of interesting

Because I’m a fan of sports in general, I’m exposed to a lot of sports-related news at any given time, regardless of what sport it is.  And since the NBA playoffs are going on currently, I’ve found myself absorbing more information about who’s still in, who’s not, than I probably thought I’d ever care about.

However, one interesting tidbit showed up recently that did pique my interest, and trigger a prompt in my brain to want to write about.  With the Atlanta Hawks not pulling an Atlanta and choking in a critical game 7 situation, and defeating the Philadelphia 76ers, to advance to the Eastern Conference Finals, the final four teams left vying for the NBA championship are the Hawks and Milwaukee Bucks in the east and out west is the Phoenix Suns and Los Angeles… Clippers.

Between these four franchises exists two championships, with none since 1971 and even the Hawks’ title in 1958 was when they were in St. Louis, and therefore not an Atlanta team.  So basically, it’s safe to say that this is a rare year in which a team that’s basically never won an NBA championship is going to win an NBA championship.

It didn’t occur to me that this was such a rarity, one because I don’t really care about the NBA, but two, I had to stop and think about the last two decades to recollect that just about every NBA champion has been a repeater, with teams like the Warriors, Spurs, Heat and Lakers having won the vast majority of the championships, with LeBron James collecting four rings for three different franchises in that time, and even if they didn’t win, they were still the runners-up, clogging up the title scene all the same for an eon.

So despite the fact that the Atlanta Hawks are still in, and are a possibility of hilariously cashing in my newborn baby luck on basketball, there’s no way people like me, in age and in enjoyment of the ironic, can’t not be rooting for an NBA Finals where it’s the Milwaukee Bucks vs. the Los Angeles Clippers.

Because these are the two teams that, growing up in the 90s, were basically the de facto worst teams in basketball.  I mean look at the screen cap above of the 1994 season; even combining the win totals between the Bucks and Clippers was no guaranteed entry into the playoffs, and the only reason why the Bucks weren’t tallied up as dead last in the east was because the Pistons just so happened to allow 1.3 more points per game on average.

And this was just one season; throughout the 90s, both these teams were the teams that everyone forgot about their existence, except when you looked at the schedules of your favorite teams, and saw games against the Bucks and Clippers as basically guaranteed wins.  Nobody ever picked these teams in NBA Jam or NBA Live 199X, including the people who lived in those cities, unless they were trying to troll.

But it’s funny how things change in time, and how it seems to be consistent on how long it takes for the tides to turn, because nearly 25 years later, we’re in a world where the New York Knicks are usually the laughing stock of the NBA, Seattle lost their team outright, and the Golden State Warriors broke the 96’ Bulls win record and have been in five of the last six NBA Finals, winning three championships.

Needless to say, I think sports fans of my general age range should all be salivating at the thought of a Bucks vs. Clippers NBA Finals, because it’ll definitely be a sight to behold, and even more so if both teams bust out throwback unis for one of the game, just to acknowledge the sheer absurdity of the worst teams from the 1990’s to be playing for a championship in the 20’s of the 2000’s.

Albert Pujols is totally going back to St. Louis right?

I haven’t been paying attention to baseball enough this season to know just how poorly Albert Pujols has been.  I mean, I knew he was very much on the decline phase of his career, as Father Time is undefeatable and even the deity-like Albert Pujols would eventually meet his maker as well, but I was still pretty surprised to see when the news broke that Pujols was going to be designated for assignment, which is a way to say released, by the Angels.

I mean this is Albert Pujols we’re talking about; as much as I was amazed by him throughout his career, he just seemed like one of those guys, that if anyone were going to show any ability to stand up to Father Time, it would had to have been him.  The guy has over 600 career home runs, only behind Hank Aaron, Babe Ruth and two cheaters, has over 3,000 hits and has won multiple championships, which makes him an easy first ballot Hall of Famer, and these are the guys that tend to play forever.

But like I said, time catches up to everyone, and even the almighty Albert Pujols has reached the end.  I just never thought he would ever be someone who would have gotten DFA’d, but that just goes to show just how much the game has changed these days, and the Angels, no matter just how much talent they amass, just can’t seem to ever succeed, but by DFAing Pujols, they seem to think that there’s a chance to turn things around despite being last place in the AL West, instead of letting Pujols have a farewell tour, like many of the greats before him have had.

Regardless of the baseball geek logic and arguments, there’s no way Pujols ends his career this way right?  He’s totally got to go back to the St. Louis Cardinals, right?  Sure they’re currently in first place, have Paul Goldschmidt at first, and have literally no need for Albert Pujols, but I’d be hard pressed to believe the vast majority of Cards fans wouldn’t want to see the prodigal son return to St. Louis.

Either way, I don’t really care so much as this is more of one of those icons of a nostalgic time makes the news and gets my mind churning.  About nostalgia.  Because Albert Pujols totally needs to go back to the St. Louis Cardinals, and despite how much I dislike their squeaky clean franchise, it just seems like a storybook ending that could possibly happen, in spite of logic.

Man though, this is just all also a reminder of just how much time flies.  I remember when Pujols signed with the Angels on a ten-year deal, and hearing that this was the final year of said deal, I’m just kind of like wtf, it’s really been ten years?  When I was a kid, there was a big deal when the Washington Bullets signed Juwan Howard to a seven-year deal, and how sad I felt when he almost left before coming back to D.C.  An eternity later, I was living in Georgia, eating out at a restaurant on my own dime, and seeing a Houston Rockets game on television, where Howard was coming off the bench, and was in the last year of that same deal.

Now, I’m seeing the ends of ten-year contracts as if they’re single seasons of a Netflix show, and the professional athletes I’ve watched play their respective games are aging and deteriorating at a rapid pace, and I’m once again reminded of just how fast time seems to fly the older I get.  I feel like in two years, Ronald Acuña, Jr. is going to be 38, playing first base and relying on nothing but home runs to justify his existence in MLB.

Minari: chicken soup for the Korean-American soul

I finally got around to watching Minari.  I didn’t watch it because of all the Academy Award acclaim it was getting, nor did I watch it solely because it was a film about Koreans, starring Koreans and was produced by mostly Koreans.  I’ve been wanting to watch Minari because based on the premise of the film, it was something that I knew was probably going to hit home to a Korean-American person like me, and I went in knowing that there were probably going to be a lot of moments of reflection, reminiscing, comparing and probably shit that was going to make me cry.

Without giving anything away, the basic plot is a Korean family moves from California to Arkansas, primarily so that dad (Steven Yeun) can chase his dream of starting up a farm.  Naturally, this is a cause of culture shock for Koreans to move into rural middle America, and the struggles and rigors of surviving and adapting at the same time.

What was endlessly amusing to me is that I feel like Steven Yeun, since rising as a star from The Walking Dead, I feel like took his appearance in David Chang’s Ugly Delicious to heart a little bit, where Chang’s circle-jerk of celebrity friends was giving him a little bit of shit for being able to make it as a big-time American star in spite of being Korean, and almost since then, has been doing a lot of roles that inject him into his Korean heritage.  Despite the fact that his Korean sounds a lot like most Korean kids who did a lot of their growing up in America, it’s his attempts to sound like fresh-off-the-boat English that had me cracking up. 

But if there’s anything that was truly right about the entire film, it was undeniably Youn Yuh-Jung’s role in the film, playing grandma Soonja.  Obviously her performance was justly recognized seeing as how she was a shoe-in to win best supporting actress and did such, becoming the first Korean actor or actress to win an Academy Award.  But she shines from the moment she shows up in the film, and it makes me reminisce to my own childhood, where my grandma often stayed at my home to fulfill the same role as Soonja did, being the free babysitter for primarily me since I was the baby of the generation.  My grandma wasn’t nearly as hands-on, or quite nearly as sassy or show as much personality as Soonja did, nor was I nearly the shithead to her as David was to Soonja, but it definitely gets the memories flooding through the gates.

Frankly, there’s a lot of parallels to the film I could feel with my own life, seeing as how both my parents were also chicken sexers growing up, and how my family grew up in rural Virginia, which wasn’t nearly as remote as Arkansas, but was still similar in the sense that there probably were like 15 Koreans in the entire town, with some of them being relatives.  And I imagine just about every Korean family in America could probably feel some sort of kinship to the film as I did, and just about everyone in my own family has stated similar feelings themselves.

There’s a lot of subtle symbolism and interpretation necessary in the plot and its happenings throughout the film, and at first blush I was kind of perplexed at the way the film concluded, but when I lay in bed thinking about it, most of it kind of falls into place, and it makes me admire the film even more than I did while watching it.

Bottom line is that the film really is like chicken soup for the Korean-American soul, and although it’s nowhere near as critically acclaimed or attention-getting as Crazy Rich Asians or Parasite, but in my opinion, is still a tremendously important film for Korean or other Asian cultures to try and watch sometime.