Terry Bogard in SF is basically Sonic in Smash

I’m not going to pretend like I follow or even care about the state of the video game industry, beyond if there’s anyone I know within it that relies on it to stay afloat for the health of their wellbeing.  But a while back, I heard that Terry Bogard from the Fatal Fury series was going to be made available as a playable character – in Street Fighter 6; and my eyebrow scrunched and I tilted my head like a dog when hearing something confusing.

Why.. is a Fatal Fury character being released in Street Fighter?

Clearly, somewhere along the timelines of SNK, my guess is that business had to go so tits up at some point to where they began to have to sell off or lease off intellectual property, and stronger entities like Capcom are more than willing to invest in established IPs if they’re made available.  And so, despite being one of the Street Fighter franchise’s most prominent competitors, Fatal Fury has basically relegated themselves to being the uncomfortable victim company in a metaphorical merger.

So Terry Bogard, the de facto main character and protagonist of the Fatal Fury franchise, is now novelty DLC character in the Street Fighter franchise.  Supposedly, Mai Shiranui is on the way as well if she’s not already out, and that seems appropriate too, considering she was the pin-up for basically all of SNK, and was their answer to Chun Li as far as having a strong female character with sex appeal.

But it all seems kind of weird and awkward to see the fate that seems to have befallen SNK to where their strongest characters are basically being loaned to the Street Fighter franchise, despite the fact that at one point, they held their own, and existed as a viable and competitive alternate to them.

It reminds me of when I saw Sonic the Hedgehog as a playable character in one of the Super Smash Bros. games.  The main character of the franchise that was spearheading Sega’s determination to overthrow Nintendo’s position in the video game industry, now just a playable character in one of their massive library of titles.  And I’ve read plenty about the history of Sega and their proud and defiant history of trying to compete and defeat Nintendo, which adds to the feeling of sadness and defeat that they’ve gotten to the point where their IPs were absorbed by Nintendo, and at the mercy of their discretion at what would see the light of day in the future.

That’s kind of what it feels like to me, seeing Terry Bogard, Mai Shiranui and any future Fatal Fury or other SNK characters showing up in Street Fighter or any future Capcom title for that matter.  There’s an air of defeat and quite literal ownage, if it is true that Capcom has purchased the rights to their competitors IPs. 

But let’s not chalk this up as a complete win for Capcom here; no, getting ahold of other existing characters just means Capcom can remain on cruise control as far as creating new and interesting characters goes.  The company hasn’t really had an original idea in seemingly over a decade now, leaning consistently on remakes, remasters, re-releases in all of their signature franchises, like Street Fighter and Resident Evil.  Packaging all their old arcade beat-em-ups into these overpriced collections and hitting them with a high pass filter and claiming they’re remastered.

Instead of attempting to create and innovate, Capcom would rather get throw money and purchase other properties, even of their competitors, and just merge them into their existing machines and hope that people continue to spend their cash on their shit.  And that’s how we end up with Terry Bogard and Mai Shiranui in Street Fighter.  It’ll be fun to see whom they trot out next, surely guys like Andy Bogard and Joe Higashi need to make their way in, but beyond them it’s anyone’s guess at who and how they’ll manage to shoehorn any other Fatal Fury names into a Street Fighter roster without bloating it up to Marvel vs. Capcom 2 proportions.

Let’s talk about how much mobile-first development sucks

This is a topic that has been sitting in my living document of potential writing topics for a while, but never seemed to make it out of the queue, because of well, life.  But the other day, I saw a meme that I’d seen a few times before, but for whatever reason, it bubbled up this topic, and then I found myself in a position and headspace to where I might be able to write about this, finally.

But basically the meme was about how, [paraphrased] my most millennial trait is that large purchases must be done on an actual computer, or whatever equivalent to that general message that exists.  And being a millennial, I wholeheartedly agree, for a myriad of reasons, that large purchases really should be done on an actual computer and not on my phone or any other mobile device that I have.

Flights, vacations, experiences, large expenses, yeah, I don’t want do any of that shit over my phone, because I’ll never fully trust mobile data security as much as I would my own home’s personal wi-fi, not that that’s any better, but it just gives me peace of mind that it is.  Additionally, checking out on my phone leads to all sorts of room for error when pecking in on a mobile keyboard any sort of PII, billing and shipping information, and the last thing I’d want is a critical purchase to fail or bounce, because I entered in something incorrectly on account of being on a little-ass phone.

And then there’s stuff like Rakuten and other shopping plugins that I have installed in my personal computer’s browsers that I don’t have on my mobile devices, that might get me a little bit of cashback here and there; sure, earning 1% back on a $100 purchase might not seem like a lot, but all those nickels and dimes can eventually amount to something in the future, especially if you’re not paying them any attention and they just continue to accumulate quietly.

And finally, I’m old and paranoid, and I like to have records of the things I spend my money on, so I have a penchant to take screen grabs and print to PDF confirmation screens and purchase confirmations, because at some point everyone goes through that paranoia of when a confirmation email doesn’t come immediately, and you’re left wondering if your purchase actually went through, and if you’re actually going to get what you ordered, and that your money wasn’t going to be tossed into the aether, to have to be fought and disputed for in order to retrieve.

So yes, I do believe that big purchases are best done on personal computers, even at the risk of sounding old and dated to a bunch of young shitheads whom I don’t give a fuck what their opinions of me are in the first place.

However the problem is that in this ever-changing and ever-evolving world, is something that I’ve had varying amounts of objection throughout the years, which is mobile-first development – the practice of developing websites and e-commerce platforms that are designed to be optimally used by those on phones and tablets, with the conversely resulting secondary and B-tier performance for those on personal computers.

I’d wager that most people I know have been in situations where they’re trying to do something on the internet, like visit a site, make a purchase or do something at their laptop or their computer, to little success, and then whether it’s themselves or someone within proximity goes “hey, let me try it on my phone,” to where they have instant and easy success – this is a prime example of mobile-first development.

Well anyway, it’s bullshit, and I hate it, that the internet is becoming more and more in favor of mobile-first development, and little by little alienating those people who still use laptops and computers, and gradually phasing out those of us olds who actually like to make purchases of any size on devices that aren’t the same things that we play games on and doom scroll while we’re sitting on the crapper.

Phones are great for making purchases like food orders, or quick rage purchases on Amazon Prime when the store you’re in is out of what you’re looking for.  Tickets, or social media sales platform transactions that aren’t really that big of a deal.  That’s the extent of mobile shopping that I’m interested in.  To each their own, and I’m sure the generations after me are fine with shelling out thousands of dollars worth of travel, electronics and experiences on their phones while sitting in traffic or dicking around on their phone while at work, but my old ass likes the ceremony and ritual of making large impactful purchases from the comfort of my own computer, preferably at home.

Welp, this wasn’t as great of a post as I thought it could’ve been, but whatever.  Mobile-first is bullshit, and it annoys me whenever I identify when companies are obviously putting mobile device commerce at the top of their food chains over all other means of completing transactions.  *coughDELTA

Thoughts on my first GCW live event

Despite the fact that I don’t really have the time to watch nearly as much wrestling as I would like to, whenever there’s a show at Center Stage in Midtown Atlanta, I typically make a conceited effort to go, regardless of the promotion that manages to book the venue.  It’s simply one of my favorite venues to watch live professional wrestling at; it’s a small, intimate venue that lends itself perfectly to watching wrestling, tickets are usually reasonable, there’s no bad seat in the house, and because of its size, Center Stage is perfect for yelling at performers and knowing that they can probably hear you.

A friend of mine gave me the heads up that GCW (Game Changer Wrestling) was coming to Center Stage, a week before a TNA show that I had earmarked, and since I don’t like to leave my house too much I quickly pivoted to plan on going to GCW instead of TNA since I’ve watched TNA (when it was still Impact Wrestling) at Center Stage before, but more importantly, that I’d never seen a GCW show in person before.

GCW is primarily known for their hardcore style, proclaiming to be the successor to ECW, with bleeding performers and penchant for weapons, primarily fluorescent light tubes, but they’re also known for putting on entertaining shows.  I’ve only seen one of their pay-per-views, as well as hundreds of random video clips and I’ve always found them entertaining, but the fact is they’re still like 4th or 5th tier in the current standing of notable promotions out there.  The fact that they still call themselves independent wrestling is amusing, but they’re also nowhere near the big leagues, but regardless, they still put on entertaining shows, and I was looking forward to it.

To cut to the chase, GCW was an awesome show and a fun experience.  Leaps and bounds better than MLW, not nearly as polished as TNA, but nowhere near as raw and amateur as any of the indy shows that I’d been to in the past.  There were no major names with WWE/AEW/TNA experience beyond guys like Joey Janela, Fuego del Sol and a rando booking of Jimmy Wang Yang, and Matt Cardona was only shown in video packages and highlights.  Nick Gage, the supposed heart and soul of the promotion, I don’t even know if he’s even still alive, or incarcerated or whatever, but he wasn’t there either.

In a way, I felt like it was better that way, since there were little to no preconceived notions on any of the talents I got to see.  In a way, it felt very refreshing to come into a show with hardly any knowledge of any of the talent, because it was like a rare chance to feel like a new fan again, to be amazed or surprised at the various levels of talents to which there was plenty of, on the GCW roster.

So the guy that captured my imagination the most was Jack Cartwheel; obviously with a name like that, it was obvious that cartwheels were going to be a part of what this guy did, but to what extent was unknown.  I figured he probably did the top-rope cartwheel DDT that Jake Atlas put on the map during his time in NXT, but as his match against Fuego del Sol progressed, it turned out to be so much more.

Cartwheels to celebrate.  Cartwheels to evade clotheslines and other attacks.  Cartwheels to get in and out of the ring, jumping over the top rope, coming off of the top.  There’s a reason why cartwheel was in his name, and as much as I admittedly thought his whole persona was lame as shit, and assumed he was going to do the job, seeing as how Fuego was the guy that came from a Top-3 promotion, as the match soldered on, and Jack Cartwheel kept spamming more and more cartwheels, he began to win me over.  I began yelling out for more cartwheels, and for the rest of the night, I was yelling at other guys I had little to no clue to whom they were, to do cartwheels.

Jack Cartwheel is a perfect example of a wrestler who appears to be aware of how silly his gimmick is, but has committed to it 100%, owns it and lives it, and spams it so hard, that it’s hard to not get won over by his sheer commitment and dedication to his gimmick.  After his match, which he thankfully won btw, all I wanted was to see more cartwheels.  More Jack Cartwheel!

Otherwise, like I said, the GCW show as a whole was fun and entertaining.  The lineup was a little wonky, and I can comfortably say that after the Jack Cartwheel vs. Fuego match, the card kind of went downhill, not just because I was so high on Jack Cartwheel, but because the paces of the match started to get slower, relying more on hardcore and danger spots, and by the time the main event rolled around where it was GCW Champion Mance Warner vs. some old bald guy who bled like a stuck pig and could barely move, the night had come to a crawl.

But overall, GCW was an awesome show.  If their journeys bring them through Atlanta again in the future, I’m definitely on board to go see them again, especially if they’re booking Center Stage.  And hopefully, Jake Cartwheel will still be on the roster then, and if he’s not, I certainly hope he’s in a better promotion, making good money and getting cartwheels even more over.

Dad Brog (#143): the surprisingly emotional aftermath

It’s not that I’ve gone around and had lengthy conversations about vasectomies leading into my own, but I still feel like there were a few things nobody talks about whenever the subject emerges.  I knew that the type of procedure I was going to have wasn’t going to be bad and in fact was probably one of the more efficient and painless ones, but I’m also someone who hasn’t ever had a surgery of any kind before in my life, so the feeling of being in a medical place for myself and laying back on a table for something done to me was completely foreign.

Not that I didn’t see this one coming, but it’s still very awkward to have people touching and handling your privates, and I found myself staring intently at the tiles on the ceiling and inadvertently holding my breath and feeling my legs go tense from time to time.  Felt like at times my junk were treated like Chinese stress balls the way they were being rolled around, and I get they’re feeling for any things out of the ordinary but was still a completely harrowing feeling all the same.

One thing that nobody that I’ve seen has talked about is the smell; and not from the standpoint that of being downstairs, the first bullet point on my pre-op instructions was to shower and shave fairly close to go-time, but the smell of things that are burned by the laser that my particular clinic was using.  I wasn’t entirely sure if it were errant hair or flesh or blood vessels, I didn’t look down at the procedure the entire time, but despite the fact that the local was doing a good job of nullifying feeling anything other than movement and the pressure of contact, it clearly doesn’t cancel out the scent of burning that emanated from the point of surgery.

However, what it all culminates in, and what serves as the impetus for this post was the surprising wave of emotions that seemed to bubble up after I was done with the procedure, which all in all wasn’t really painful as much as it was just awkward and comfortable as much as your junk being handled for 25 minutes could be.  But when I was done, walked out the door and into the car, I just felt almost like crying.  Don’t really know why, this was all part of the plan and I certainly don’t want to go through the rigors of having another baby, but all the same, this involuntary and reflexive wave of sadness just kind of washed up and I felt pretty sad.

I know I can be a headcase about things, but I feel like I’m kind of on my own here, at least as far as people I know who have also had vasectomies.  I asked a few of my friends if they felt sad afterward, and the consensus is pretty much no, so maybe it is just a me thing, but I’d wager that there are plenty of men out there who can relate, but then against we have people who lose their shit over the opening sequence of Up, and many who don’t too.

If I had to guess, it probably has to do with the sheer finality of the whole thing.  Sure, vasectomies are technically reversible, but it’s one of those things that just because they are doesn’t mean anyone wants to go through with it, and I’m at peace knowing I won’t father any more kids, but it’s just the fact that it’s a decision sealed with a laser that makes it feels a little heavy handed.  For all intents and purposes, this was done to be a permanent measure, and there’s something about said permanence that seems to trigger emotion within me.

Otherwise, what a day it’s been afterward.  Got to go to Willy’s and get some nachos, even if they were prepared horribly by some white guy that looked like Bill Burr, chilled at home while waiting to see if I would have any pain that wasn’t already there from going to the gym for the first time in a month, as my office was shut down due to malfunctioning elevators.  I took a nap for the first time in like forever, and woke up to discover that there was some pretty substantial leadership transitions going on at my company, and that another elevator malfunctioned and we might be back to another shutdown.

But the easy joke is that with me getting to rest, nap and eat rich food brought to me, is that I should have more vasectomies in the future to have these baller kinds of days, but at the same time, I don’t like feeling sad, so it’s really one of those weighing the pros and cons things, and that nothing in my life can happen without there being a correlating reaction somewhere else.

All the same, so ends my lineage as far as I’m concerned, it’ll be up to my kids and my sister’s kids in the future if there’s any hope for my family’s genetics to continue on.

Pretty sure the Dodgers are banking on the world ending

There’s not a lot to like about the Dodgers winning the World Series; it’s precisely what MLB had wanted when they wrote their script for the 2024 season, with golden boy Shohei Ohtani having one of the greatest seasons in baseball history and then capping it off with a world championship.  It validated the importance of spending money, because the Dodgers spent money like they had the infinite money code in Sim City, and there was no plucky Cinderella squad to dethrone them and give hearty lols to baseball fans outside the greater Los Angeles area.

But personally, I think worst of all is that it opened the door for Dodgers fans, most of whom are fairweather front-running troglodytes whom it’s clear to see how short of a time they’ve been Dodger or baseball fans, based on how loud they are on the internet about their sudden unyielding fandom of the team.  I haven’t seen such fervent sore winning from any fanbase, including Philadelphia; those cocksuckers flip a few cars, set fire to them, have a parade, and then it’s back to normal the following week.

The thing is, now that the Dodgers have won an actual championship, as opposed to the Mickey Mouse COVID World Series from 2020, all these slimes claiming to be Dodgers fans are all over the fucking place now, celebrating everything the team does, which also happens to be MLB’s favorite squad, much like all the memes that exist about how the NFL so flagrantly favors the Kansas City Chiefs.

And when there’s such blatant favoritism, then the rich tend to get richer, and the Dodgers have made a lot of news during the offseason, not just with Ohtani winning the National League MVP that was a formality, but the fact that despite the fact that they committed over a billion dollars to free agents last winter, they’ve invented some more currency and have gone ahead and committed even more money to signing Balakey Snell (5 years, $182M) and extending Tommy Edman (5 years, $74M).

Naturally, this raises a lot of questions on how the Dodgers are funding their roster full of All-Stars, MVPs and Cy Young winners, at top-dollar contracts, and the answer is really quite simple: the Dodgers are spamming the ever-living fuck out of deferring money, and are completely comfortable at accruing colossal amounts of debt that will be due to be paid way down the line.

What a lot the people who are crying foul on the internet don’t really understand is that what the Dodgers are doing is 100% completely legal and allowed, it’s just the fact that there’s no team in history that has been this flagrant and so quick and willing to basically sign almost every one of their big-name free agents to deferred money deals.  Most teams are owned and operated by businesses and many businesses tend to err on the side of risk-averse, and being risk-averse usually means an aversion to accruing debts, especially those of which are measured in literal hundreds of millions of dollars.

Continue reading “Pretty sure the Dodgers are banking on the world ending”

LoL: Arcane, season 2 – so unprecedently good

What a week for Netflix-dropping both Cobra Kai S6.2 and Arcane S2 on the same week!  Much to the dismay of mythical wife, I went with Cobra Kai first, primarily on the fact that because the episodes are so short and generally way more digestible, despite my guilty-pleasure love for the show, I really wanted to clear it from the queue so that I could really savor and enjoy Arcane S2, which I knew was going to be the way heavier show.  I regret nothing, and the fact that I’m writing about Arcane and not another post about Cobra Kai says what left a stronger impression in the end.

To cut to the chase, I would go as far as to state without any hesitation or real need to think about it, that Arcane is probably the greatest video game-to-on-screen adaptation, like ever.  The bar of such a category wasn’t really that high to begin with, but I would say that it was previously set at like, a generic office building height of like 16 stories, but then Arcane came along and pushed the bar to the height of like that one gigantic ass building in Qatar or Abu Dhabi that’s considered the tallest building on the planet.

Like, despite my heavy criticism for Riot Games as far as business practices and bad behavior goes, and how critical I am of the League of Legends community, mostly being a nuclear toxic wasteland of the worst human beings in existence, Arcane combatted and overcame these handicaps and still put out an absolutely legendary banger of a program that I’m hard pressed to say anything negative about, because it was just so wonderfully executed from top to bottom.

The art style is breathtaking, the voice acting top-notch, and the writing and storytelling was A+ from start to finish.  There are plenty of easter eggs and references to satiate fans of the game, while not at all being difficult for those who didn’t play to watch without failing to understand what’s going on.

As I said from the first season, it’s all so good, it almost makes me want to start playing the game, and if not for the fact that I’m a parent who never has any time on his hands and can’t fathom the amount of time I sunk into playing League in the past, I would consider re-downloading the game and looking around at the virtual arenas that I dumped a solid 5-6 years of my life into.

Honestly, I don’t even know where to begin on how to praise how good this show is.  They do a bang up job of utilizing existing characters, and the ones they invented for the show meld so seamlessly with them that doesn’t feel forced, feels organic and feels cohesive.  Ambessa and Mel feel like they belong in the original game’s canon all along, and their general arcs and development feed well into the overall storytelling of the show.

Viewers like me become emotionally vested in the characters, and despite the fact that as a player, Jinx was one of my mains, but just in general, I’ve grown tired of the Harley Quinn-type of mentally unstable girl that seems chaotic and unkillable while also happening to be harboring genius level intelligence hidden behind a façade of psycho, by utilizing her history and life as Powder, she’s still a character to get behind, and not tire of her antics when she’s Jinx.  Even though it’s not simple to deconstruct a Harley Quinn-type, Arcane does such in a way that is realistic and allows for actual growth and development instead of plateauing with more of the same psychotic behavior.

The one character I probably had the most feelings about after watching S2 was probably Ekko; I never played him in the game, and I always dreaded seeing an Ekko on the opposite team, but his treatment in the show was done to perfection.  In spite of the fact that he wasn’t nearly as focused on in the first season, he was a major, major player in S2, and despite my general ambivalence for his character based on my history as a player, he was easily someone I was definitely vested in during the show.

I’d be remiss if I didn’t mention that scene in the show with Caitlyn and Vi; like I’m surprised that it happened, and happened so graphically, and there’s a multitude of feelings of surprised that the show and Netflix let it happen, but at the same time, I applaud the acceptance, the portrayal and the acknowledgement of all of the above, and I can sum it up in a singular word of “bold” and much like how I feel about the rest of the show, I think it was done appropriately, and not even from a sophomoric standpoint as much as it’s commendable that it was done in a manner that doesn’t hide from it, feels emotional and real, and probably gave long-time fans who felt similarly a moment to pump their fists in what feels like a metaphorical win.

Oh and the music of the season, my god.  I don’t seek out and look for new music these days, I’m usually content to occasionally stumble across an artist when it’s spoon-fed through me on Pandora or Sirius, but the soundtrack from S2 was out of this world.  I especially love the fact that it was pulling from all sorts of songs of other languages, and I felt like it was a little deliberate nod by Rito to do such, due to the global reach of the game itself, and if there was a soundtrack of it on iTunes, I’d be compelled to actually spend money on it.

As I’ve said countless times in my life when thinking about shows, films, books and any forms of storytelling, endings are the hardest thing in the world to come up with, and big props to Arcane for also not fumbling that aspect of the show.  Seldom are stories ever truly wrapped up in neat little bows, and Arcane is no exception, but at the same time it’s probably for the best, because to my understanding, Arcane may be over, but Rito definitely isn’t going to not want to tap the wells of numerous other League worlds to source future media from, so it’s best to keep things open ended for the sake of future shows or movies.

Overall, I can’t say anything bad about Arcane.  I really can’t.  I would give the show a solid 10/10 and not one of those bullshit reviews where internet reviewers give it a 9.8 or 9.9 out of 10 because people who review shit are hipsters who are convinced that shit isn’t supposed to be perfection, but as far as I’m concerned, I have no justifiable critiques about Arcane.  Art style, direction, voice over work, storytelling, music, plot, absolutely everything was good.  Not even mad that it was just two seasons, because if they dragged it out, it would inevitably open the door for flaws, this was just A++ show execution from top to bottom, and I’d recommend most everyone to watch this show, because it doesn’t take a history of playing League to enjoy it, and it’s just straight up excellent televison.

Fuzzy the Clingstone: as if it were going to be anything remotely interesting

WSB: Braves’ AA-affiliate Columbus Clingstones announce the name of their mascot – Fuzzy

Naturally, I didn’t expect much when I found out that the Columbus Clingstones were seeking out a name for their anamorphic peach mascot.  Not that they’re being forced by the Braves like they once used to, but being a Braves affiliate still means they’re not going to do anything remotely interesting or willing to rock the boat.  I didn’t know, nor did I really care to look into what the other options were,* but considering “Fuzzy” won out, I can’t imagine that they were possibly anything competitively intriguing.

*Fuzzy, Pit, Stoney and Cobbler; yep, nothing exciting

Fuzzy is the name that a three-year old toddler names their favorite stuffed bear.  Or any sort of stuffed thing that comes into their possession that they declare in two seconds that they want to have forever and is already their best friend.  I love my kids, but they’re still too young to be coming up with some seriously clever and/or meta thinking names for the things they want to name yet, but they’re also four and three years old, and I have a hard time believing that of the alleged 675 fan suggestions, they were all toddlers.

Unsurprising though, considering the lukewarm response to naming themselves the Clingstones, a term that most people outside of the southeast have never even heard of, that they would go with an absolute snoozefest of a name like Fuzzy.

I was hoping that the Clingstones would’ve carried on a trope started by the AAA-affiliate of the Braves, when they were crowdsourcing for a new name; they came up with four finalists, had a voting period, and when the vote was over, they announced a name that wasn’t even one of the options to begin with, the Stripers.  In all fairness, the Stripers was way better than all of the available options so it wasn’t all for the worst, and considering what options the people of Columbus had to pick from, it would’ve been both hilarious and productive if the same kind of thing happened here as well.

Frankly, as much as I like the actual mascot of Fuzzy (what can I say, I’m a sucker for anamorphic food mascots), I hate the name.  It would’ve been great if they had their silly little voting period, and then in the end, went ahead and declared that the name of the mascot be Clinger, the Clingstone.

And with a name like that, it can create all sorts of room for interpretation, but most prevalently the fact that a clinger is an allegory for a little turd that is stuck to a creature’s butt, which seems appropriate for the absolute flop of a naming rebrand the Columbus baseball organization did.

It’s like, I really like the colors, the mascot, the general aesthetic of the team; but the names Clingstones and Fuzzy the mascot are just colossal whiffs.  It’s like I wish the team could borrow the Time Stone from Dr. Strange or Thanos, rewind just far back enough to where they got to the point where the brand kid was complete but didn’t have a name, and just re-did reality to where they might have gone with other names before the Clingstones and subsequently, Fuzzy.

But at least it served as impetus to create an image of Fuzzy the Clingstone being the clinger that the names of the team are in my opinion, and poop jokes sell, in my little slice of the internet.