Tag: television

Orange Cassidy: giving credit where it’s due

~ dannyhong ~ Leave a comment

OFC when I actually get the opportunity to write this post, it just so happens to be right after Orange Cassidy finally lost the AEW Intercontinental All-Atlantic International championship after 31 previously successful title defenses.

But it doesn’t matter; all the same, despite the fact of how critical I am of AEW, I still wanted to make this post to give credit to where it’s due, to Orange Cassidy, whom in my opinion, has probably just concluded the greatest championship reign in the promotion’s short history.  Better than Cody’s TNT title run, better than Mox’s first AEW World title run and most definitely better than Jade Cargill’s TBS title run.

Over the last 11 months, Orange Cassidy successfully defended the International championship 31 times after winning it from PAC last October, which is a pretty unprecedented run, especially in today’s day and age of the industry where championships are either seldom defended, or passed around like a hot potato. 

Sure, it might seem silly to applaud the results of a scripted industry, but the fact of the matter is that in spite of the predetermined outcomes, the dancing still has to take place, and over the span of the last year, OC has participated in 30+ high-output matches which over time is a colossal physical workload, that he’s endured and thrived through, bringing the stock of the AEW International championship to quite frankly, the heights of a 1B tier, right behind the World championship.

Admittedly, I wasn’t really that big of a fan of OC, as I thought his whole schtick was too juvenile and apropos to the kid fans of today, but it dawned on me that that’s just exactly what he is.  He’s a guy meant to appeal to the younger audience, the guy that can capture the imaginations of the 17-and younger audience, as well as the younger rung of the vaunted 18-35 male demographic that AEW loves to tout being the kings of.  And the last time I checked, I’m firmly outside of both demographics, so OC is not a guy that’s meant for me no matter how his character is booked.

But work is work, and I have tremendous respect for a guy who can go 11 straight months and performing at the pace in which he does, and who has clearly been working through a lot of aches and pains throughout that stretch, as the amount of RockTape™ on his body seemed to increase every single month.

And 31 title defenses doesn’t account for the times he was involved in programs with Best Friends or with other stable vs. stable feuds in between his singles bouts, which only adds to the workload that was heaped upon him over the last year.  Again, the outcomes might be predetermined, but there’s an expectation of performance in AEW for title bouts, and OC has done a tremendous amount of work over the last year, and it goes without saying that the guy deserves a boatload of credit, recognition and acknowledgment of the effort he’s put in.

In a way, it’s almost a relief that he finally dropped the blet, although I’m perplexed to why it’s going to Jon Moxley who needs a mid-card title win as much as some rich guy needing another million bucks, but I really hope that OC gets to take some time off soon in order to rest his body, because I’ve grown to respect the worker, and I’d like for him to get back to an optimal condition to where he can get back into the game and keep pleasing fans and earning respect from olds like me.

But for what it’s worth, I just wanted to tip my e-cap to Orange Cassidy, for basically being the MVP of AEW over the last year, because as all fans of the WWE Intercontinental championship know, that 1B title is the workhorse blet, and they’re the guys that really shoulder a substantial load that satisfies the wrestling fans, even if they’re not involved in the World title storylines.

Happy Trails, Bob and Arleen

~ dannyhong ~ Leave a comment

Talk about an absolutely brutal week as far as fandoms, nostalgia and symbols of millennial childhood go.  Wrestling fans had to endure the passing of a legend, and a sudden departure of a star that wasn’t anywhere near the heights he was destined for, but then fans of the same television I grew up watching had to bear witness as a legend passed, and an icon that defined basically an entire television series.

I don’t particularly have a ton to say about Bob Barker or Arleen Sorkin, at least nothing new from one of the many countless tributes on the internet there are for either of them, but it hit me enough in the feels when both of them left us to where I still feel like at the very least, documenting it in my own brog to try and emphasize at the very least, my appreciation for them and what they did.

Obviously, at 99 years of age, it’s easy to say that Bob Barker did not leave us to soon, and he most definitely lived a full and successful life and career.  Cue the bittersweet jokes about how if anyone was going to ace the big wheel game of getting as close to 100 without going over, it’s Bob Barker.

But like many, the OG Price Is Right was the show that we all watched when we were home sick from school, or over summer vacations, because at least where I grew up, it was always on at 11 am, obviously not a time in which we could watch it at school.  But Bob Barker’s talent was so effortlessly immense that it didn’t matter if you were nine years old, 29 years old, 59 years old or 79 years old, his delivery, his smooth on-screen charisma and charm made him watchable, made him entertaining and made the show the legendary program it was, all because of him.

I always enjoyed watching the show, playing along with the showcase, screaming at the television when contestants didn’t ever seem to realize that the items on the show were always marked up 5000% and undershot their estimates, and of course loved Plinko.

Drew Carey’s variant of the show is garbage in comparison, and as far as I’m concerned, the show ended when Bob Barker retired.  There was once an incident where a contestant hit the nail on the head in the final showdown at the end of the show, and Drew Carey immediately deadpanned him and killed the episode, because he thought that the guy must have been cheating; most everyone was quick to point out that if that had happened under Bob Barker’s watch, he would have sold it like the greatest achievement of mankind, and made it into a memorable event. 

There are just some things that can never be replaced, and Bob Barker is most definitely one of them.  The show is better off discontinuing, than to let Drew Carey sink the prestige and equity that Bob built with his legendary run.

Continue reading “Happy Trails, Bob and Arleen” →

CHIDI FOR KANG

~ dannyhong ~ Leave a comment

I’ve finally gotten around to starting to catch up to the legion of Marvel films and shows after around the time of like, Ms. Marvel or She Hulk.  Over the last few days, I’ve managed to get through Thor: Love & Thunder, Black Panther 2, and one that I’d earmarked as a source for a future brog post, Ant-Man and the Wasp: Quantumania. 

With Secret Invasion out, I didn’t want to fall further behind, to the point where I’d abandon ship and not watch any of these things for a few years, and then fall completely out of the loop for when some of the more interesting Marvel properties start releasing, and I’ll have missed out on some backstory from required prerequisite viewing.  Sometimes I hate the feeling of obligation to have to watch some things, but at the same time, I am a Marvel fan, and I often times take enjoyment out of watching all these shows and movies in spite of the general sense of superhero media fatigue the internet likes to claim there is.

But as I alluded to, Quantumania was one that I had specifically earmarked, because one, I like Paul Rudd, his portrayal of Ant-Man, and I thought the movie would be entertaining, regardless of how much the internet seemed to shit all over it not long after it had released.  I take internet reviews with not even the metaphorical grain of salt, and they simply hold zero weight at all when it comes to judging most things, and Ant-Man 3 would be no exception.

But two, also not long after the film had released, it was revealed that the guy playing Kang the Conqueror, Jonathan Majors, had some dirty laundry aired out, with the revelation that he was basically an abuser of women.  And in this day and age, as well as Marvel/Disney always trying to maintain their image, it’s safe to assume that we’ve probably seen the last of Jonathan Majors in the MCU.

The problem is, Majors’ role as Kang is quite large, as he’s basically the next Thanos when it comes to being the big bad that all of the current phase(s) of Marvel film and television are building up towards.  So despite it being the correct and appropriate call to 86 the guy for being an abusive asshole, it’s still egg on Marvel/Disney’s face that they have to figure out what to do to replace him in the future.

Really, it shouldn’t be that difficult, because in the era of the Multiverse where just about anything and everything can be retconned and reimagined at a moment’s notice, replacing a character probably isn’t the most difficult thing to accomplish, and I’m sure that by the time the Kang Dynasty storyline begins wrapping up, most people will have forgotten that Jonathan Majors was even the guy first introduced as the character.

However, and to the point of this whole post, I proposed a much more blunt and easier option: just fucking flat out recast the role.  Just like when Terrence Howard was replaced by Don Cheadle for the role of James Rhodes, nobody said shit, there were no sneaky clever jokes, Iron Man 2 just picked right up with Cheadle playing War Machine like he was there the entire time, and not a single soul sold it at all.  Do the same thing with Kang, and despite the fact that he’s already appeared in Loki, and his face was plastered all over Quantumania, just straight up replace the guy and don’t bother with any re-writes or try to reinvent the wheel at this point.

Continue reading “CHIDI FOR KANG” →

Better Call Saul > Breaking Bad

~ dannyhong ~ Leave a comment

It’s not often that a spin-off show ends up being better than its predecessor, but having just completed all of Better Call Saul, I have to say that I think it was better than Breaking Bad.  Obviously, Saul Goodman never exists without Breaking Bad, but from a storytelling, character development, pace of the story and general writing are concerned, I think Better Call Saul was better than Breaking Bad as a whole.

It’s almost like Vince Gilligan took all of the criticism and feedback he heard, willingly and unwillingly after the conclusion of Breaking Bad, and took a lot of the more valid critiques in mind and applied them to Better Call Saul, like it was one gigantic redo, a luxury that so many in the industry don’t get to have.

This isn’t to belittle Breaking Bad at all, it’s still one of the all-time best shows that comes to my mind when I think about the best things I’ve watched in my life, but I just thought that Better Call Saul was just a little bit better, and it’s not just recency bias.

Whereas Breaking Bad was mostly the journey of Walter White from mild-mannered chemistry teacher-turned-drug kingpin with some occasional spotlight onto Jesse Pinkman, Better Call Saul’s tandem storylines between Jimmy McGill and Mike Ehrmantraut basically were two shows merged into one showing complex relationships, inner conflicts and ultimate choosings in paths for the characters with the characters entwining sometimes and at other times being completely independent from the other.

There was something inherently beautiful about the storytelling of Saul, where both Jimmy and Mike were basically both headed on the same character development paths, despite having vastly different backgrounds.  And obviously, it was a treat to see the sprinkling of characters from Breaking Bad begin to make their appearances in this prequel timeline, before things started to get really intense and mold the characters closer to their final forms that they would transform into by the time they start appearing in Breaking Bad.

But if I really had to pinpoint where I thought Better Call Saul really trumped Breaking Bad, it really could be narrowed down to a singular character: Lalo.  My biggest gripe in the world with Breaking Bad was just how shitty it was that the last boss of the series was more or less, a bunch of fairly generic white supremacists.  Uncle Jack and his white supremacist group seemed like such a colossal step down after Walt had been entangled with Gus Fring for the previous seasons, and it just left a sour aftertaste in my mouth to have gone from such brilliance with Gus to some really lame bad guys to end the series with.

Continue reading “Better Call Saul > Breaking Bad” →

Let’s talk about Black Mirror S6

~ dannyhong ~ Leave a comment

Lately, I’ve been taking a break from doing deliveries and using the time to completely unwind and watch television in my evenings, catching up on several shows that have been on my endless notepad document list of things I want to watch.  Where with every series that I catch up on, three more are added to the list, and it’ll probably never come close to being finished.

Regardless, I’m of the type that doesn’t really like to bounce around too much, and once I get locked into a specific series, I pretty much spend every available minute watching that series if I can help it.  I’m currently going through Better Call Saul (fantastic show, btw), but when I got wind that Black Mirror was going to be dropping season 6 soon, I knew that they were going to be an exception that got to jump the queue and interrupt my nightly binges of Saul Goodman.

The good part about seasons of Black Mirror is that they’re short, so there’s not a tremendous time commitment that needs to go to them.  It’s easy to finish a season in a week, over a binge-y weekend, or for those who have little else in terms of responsibilities, in a night if you’re ambitious.

The bad part about seasons of Black Mirror is that they’re short, and if you’re really enjoying all of the stories, it’s over in the blink of an eye, and just like that you’re back to the same place you were last week; in a world where there’s no upcoming new season of Black Mirror and wondering when it is until the next one.

At five episodes in total, it’s up to quality to determine how good of a season S6 was going to be, and when it comes to Black Mirror, I typically judge them on a three-part criteria, where the overall grade is mostly determined on the aggregate.  I judge each episode on: technology, writing and artistry, where the best episodes excel at all of them, where other episodes throughout the series have been up and down in some but not all.

So with all that in mind, let’s talk about Black Mirror S6, and there will probably be spoilers in this diatribe so be warned for all zero people who read my shit.

Continue reading “Let’s talk about Black Mirror S6” →

Identity crisis

~ dannyhong ~ Leave a comment

Just the other night mythical wife said that our household should be What We Do in the Shadows characters for Halloween.  And without any hesitation, she said that I should be Guillermo.

To the credit of that opinion, my face immediately made the same face Guillermo does whenever he looks at the camera after the vampires do something stupid.  But I wasn’t at all impressed at the knee-jerk association.

The lack of excitement of that was obviously noticed, and the back pedaling and explaining begins; he’s a badass vampire slayer, he’s the glue that holds the house together, he’s the guy that’s perpetually on the edge and verge of snapping being sick of everyone else’s shit, and I’m just thinking about the guy that’s fat, gets walked on by everyone around him, and is basically there for comedic relief but usually at his own expense.

Now I love the show, and it’s a fair comp, but the fact of the matter is that Guillermo is kind of the show loser, and it depressed me to be so immediately comped up to him.  He is an awesome character with a lot more depth than all the others, but when you take a step back and look at Guillermo as a whole, he’s a guy with no discernable identity, and spends the vast majority of his existence cleaning up after others and not at all doing anything for himself, much less forming an identity.  He’s the joke, he’s the doormat, he’s the comic relief.

But like I said, it’s not a completely unfair comparison.  I am the guy that keeps my house together; I’m the guy that maintains or manages the landscaping, the (attempted) cleanliness, tries to keep the house in working order and somewhat organized, with little or no help.  I take the vast majority of parenting duties, and any minute where I’m not working my job, I’m spending time with my kids while they’re awake, and it’s not until they are in bed that I have any semblance of downtime, that is when I’m not back to managing the home.

And I am, perpetually on the verge of losing my shit, because my life is not at all easy, I’m overworked, under-helped, taken for granted, and I’ve just been reminded of my general lack of identity in the world other than a dad or a housekeeper.  Both titles are undoubtedly important and I take them seriously, but when I try to picture anyone else thinking about me, I struggle to wonder what in the world words formulate in their minds when they think about me, other than those two things.

Because I don’t know what words formulate in my own mind when it comes to trying to describe myself.  I think I used to be a sports guy, specifically a baseball guy, when I was super into baseball and talking about sports all the time.  I used to be a League guy when I spent so much of my life buried in the League of Legends community.  I used to be the wrestling guy, which might be the closest thing I’m still identifiable to these days, and I most definitely was the belt guy, but the thing is that I’ve gotten pretty much every blet I want and until I have an office again, there’s not much point in getting any others.  Ironically, the one thing that I have staunchly refused to ever give up, being my desire to write, is probably the one thing so few people actually know I do, because I have zero readers and I’m neurotic and don’t want to advertise that I do it, so being a writing guy or a brogger isn’t exactly something anyone would know me for.

But the thing is, other than the latter I don’t think I’m really any of these things anymore.  As my kids came into existence, and my personal time diminished into negligible amounts, all my hobbies and interests fell to the wayside as any time I had to myself was either staring at a wall or trying to motivate myself to write something, usually about how burned out and over my life in general I was feeling at the time, kind of like I’m doing right now.

And so, I don’t really have an identity anymore, I don’t think.  As often as I think I would benefit from a day or two completely by myself to actually rest and recharge, I really don’t know what I’d even do.  I’m so money conscious that I wouldn’t want to spend the money to go hide out at a hotel or something, and I’d feel guilty eating out and spending money that I know I shouldn’t be spending, but I also can’t really expect to get any recharge time when I’m around my kids, because I want to spend time with them, so I’m left in this spiraling swirl of indecisiveness and end up doing nothing but watching television and treading the waters of depression.

Really, I just need this funky emotional wave to pass so I can go about my life without the baggage.  Hopefully I won’t be reminded of how much of a Guillermo I am again any time soon.

Beef: Great show, hits a little too hard for me

~ dannyhong ~ Leave a comment

When I saw a trailer for Netflix’s Beef, I didn’t know much else about the plot other than the fact that the general introduction to the plot was two people having a chance road rage encounter, and it supposedly escalating to comedic hijinks.  But now that I’m finished with the show, yes, the general boiled down plot of it does remain similar to the early perception of what the show could’ve been, but it was also way more complex, way more substantial, way more important for Asian representation on camera, and most notably, way more relatable to Asians, to admittedly uncomfortable levels at times.

Don’t get me wrong, as a whole, I loved Beef.  It was a fantastic show.  But at the same time, it dove into some topics and had dialogue and situations where it kind of mind-fucked me at just how targeted this felt, beyond the fact that the male lead’s name is Danny and he’s Korean, but obviously I know I’m far from the only person much less Asian person who probably deals with a lot of these thoughts, emotions and struggles to where a plot like this can probably impact a lot of people out there.

Aside from the praise for the strong writing and the strong performing of all actors in the show, one thing that I appreciated the most about the show is just how casually but impactfully demolishes the door of Asian stereotypes in film and television, on a global basis.  Koreans in media in both Korea and America are often set to a lot of unwritten rules and guidelines, like when it comes to physical intimacy, sex and dialogue.  When I was growing up and seeing Korean shows or dramas that my mom or grandma would watch, and seeing any sort of meaningful relationships much less physical intimacy just didn’t happen.

As countless American articles have called out, Asian representation in American media is even worse, and Asian men get it the worst, being emasculated left and right, causing generations of Americans to see Asian men as a bunch of auto-cuckold wimps by default.

Beef just goes on like none of the old rules or bars ever existed, and it’s a breath of fresh air to see people, regardless of race, acting like the people of today would conduct themselves.  Danny is allowed to be emotional, introspective and have flaws.  Amy is allowed to be a breadwinner, the alpha in her marriage and stand up to men fearlessly.  Paul is allowed to be sexy and naïve, and I’m glad to see him fight the good fight to hopefully paint Korean men as anything other than either overweight comic sidekick, or a plastic-molded K-pop boy band member.

AND THERE’S FUCKING SEX in the show, involving Asian people, and it’s not like a sensual love making scene to IU singing in the background.  It’s emotional and raw and actual fucking like you’d see in real American media between non-Asian people.  I’m not writing this fact to try and be funny and make this post memorable or anything, it’s that such occurrences really are so rare, that I feel the need to really hammer it out and make sure it’s known.

And in spite of all the heavy swings the show does to break a lot of molds of Asian representation, the show still takes plenty of time to really tell the stories of the Asian sides of all the characters.  The importance of church to Korean-Americans.  The fetishization of Japanese culture when it comes to affluent white people.  And the sheer lack of communication between generations of Asian children with their own parents, which is an unfortunate trope that just about every second-generation Asian child deals with, with their respective parents.

I really enjoyed Beef as a whole.  But I’d be remiss to ignore the fact that on multiple occasions, I found the show really kind of difficult watch and digest at times, just because of the sheer relatability I felt with it.  It was like getting emotionally mind-fucked a few times, and I really wonder if any of my non-Asian friends and extended family that might watch it, will feel the same way I did when watching it.

I’m amazed I managed to write a post about this without resorting to any spoilers, but for what it’s worth to the zero people that read my swill, Beef is something that I highly recommend if you’re in the mood for a dark comedy that relies heavily on dialogue, but is full of substance, humor, and thought-provoking situations.