
I was watching AEW Dynamite the other night, Kenny Omega is cutting a promo, and I’m sitting there with scrunched eyebrows and wondering why all the smarks on the internet think that this guys is wrestling Jesus? There’s no denying that when he’s in the ring he’s capable of god-like performances, but when he’s on the mic, he’s actually really quite cringe-worthy to listen to.
There’s a very obvious reason why he’s been paired up with “Cyrus the Virus” Don Callis, so that he can be the mouthpiece that Omega clearly desperately needs.
Back a few years ago, I remember hearing rumblings from wrestling scuttlebutt about this match that just happened in New Japan that was legendary status. I’d heard Kenny Omega’s name in passing a few times and I’ve obviously heard of Bullet Club, but I didn’t really follow NJPW much then so I knew nothing about him really. But based on just how much buzz Omega vs. Kazuchika Okada was getting, I became curious. It started with a few highlight packages on YouTube which were pretty good, and then I found a video of the entire match, and I remember my eyes bugging out seeing the preceding 1: ahead of the time; an hour long match, really??
I watched the whole thing, and it wasn’t difficult to do at all. Omega and Okada really did put together a legendary match, and one that could very well stand the test of time, and be mentioned in the same breath as legendary clinics like Flair/Steamboat or Steamboat/Savage. It broke the rubric of famed wrestling journalist Dave Meltzer’s rating system, and it was understandable why.
It served as inspiration to me to want a replica of the IWGP World Championship, despite the fact that NJPW doesn’t sell more than 1,000 copies a year, so I knowingly purchased a Pakistani knockoff, because I just wanted one for my collection based on how good Omega/Okada was.
The thing is, Kenny Omega’s general popularity was built on the reputation of a handful of matches with Okada, and his body of work in NJPW, specifically as the Bullet Club “The Cleaner” persona. I’m sure there are superfans out there that cite his pre-Bullet Club otaku gimmicks, and when he was wrestling blow-up dolls for DDT and other wacky shit he did, but for the most part, it’s safe to say Bullet Club and the series against Okada is what put Omega on the map.
I’ve made no secret to how critical I am towards AEW, and how I think it’s really a fed geared towards smarks. And because of this, Omega will always be safe from irrelevance there, but I can’t believe that anyone can be objective about the idea of him being able to become popular from scratch, to American audiences who don’t have any inkling of idea who he was prior to AEW.
Because I have to imagine that anyone who doesn’t know who Kenny Omega was in Japan would probably think AEW Kenny Omega is kind of lame as shit. The lifting of gimmicks from (now) old video games, the shotgun hand pointing, the Terminator crouch before diving out of the ring, the “you can’t escape” spot; these are all kind of lame for American audiences, but were all things he could get away with in Japan, because he’s a fascinating foreigner to Japanese fans. And the fact that he hasn’t really evolved much since moving from NJPW to AEW goes to sell a little bit of narrative that AEW is sort of like a retirement league for himself and the Bucks, because none of them are remotely trying to grow now, and are just rehashing their existing gimmicks to an audience that might not be as familiar with them.






