As my schoolwork has begun loosening up a little bit, I began trying to play catchup on all of the wrestling that I’d missed throughout the last month. Naturally, this would include TNAEWCW, and I got many a great chuckle out of the unimpressive fireworks display they constituted as an exploding ring at their last pay-per-view event that also makes me wonder how their PPV buyrates are in a day where so many people are now used to basically getting PPVs for free through the WWE Network.
Anyway that said, I blew through four episodes of Dynamite just because I wanted to see how a couple of things that I’d heard happened, happened, and as much as I clown on AEW for being TNAEWCW, I still like some of the things that they’re doing, and always do hope that things will eventually get better . . . someday.
A couple of things really stood out when watching a whole bunch of TNAEWCW at one time, and I will disclaim that I fast forward through a whole bunch of the matches themselves, because for a smark like me, the matches themselves don’t always matter so much as I like to see how storylines progress, guys cutting promos, and general flow of segments.
First: AEW really does operate like two separate promotions under the same umbrella. You have one chunk of the roster all in this weird sub-promotion within AEW that revolves around the TNT Championship, and then you have another chunk of the roster that’s entirely focused around Kenny Omega, the Young Bucks, the Elite, and any and all remnants of any sort of Bullet Club/New Japan talents, even if they are Impact guys like Carl Anderson and Luke Gallows, and whomever they’re feuding with at the time, which appears to be Jon Moxley, Christian and for some reason, Eddie Kingston.
There practically no crossover between the two sub-promotions, and the show might as well swap out ropes and mats between segments, they’re so diametrically different from each other. The nepotism that AEW fought in year one is clearly no longer being held back, and now that the inmates run the asylum, they’re letting all their fantasy ideas come to fruition, even if it means lots of actual AEW talents are getting their TV time usurped by guys from other promotions.
Second: Rey Fenix and Britt Baker are the MVPs of AEW, hands down. I’ve been high on both of these talents pretty early on, because it was pretty prevalent that the two of them, regardless of their actual win-loss records or active storylines, are the top male and female talents on the roster, in terms of consistency, workrate and screen impact.