Why Sting failed in the WWE

Firstly, I like Sting.  But when I saw him show up on AEW, my first thought was, “wtf?  He’s . . . [checking my phone for Sting’s Wikipedia page] . . . 61 years old!  Whyyyy??

And then my thoughts swirled around the fact that the show built the entire episode’s identity around his arrival, by constantly lifting Winter is Coming from Game of Thrones, conveniently compounded by the fact that they were wrestling outdoors in 40-50 degree weather, and most wrestling attire isn’t necessarily made for warmth.

But the appearance or the gimmick was no one-off cameo; in subsequent episodes of Dynamite, every time Sting showed up, it was the same song and dance, where the lights go out, fake snow is blown into Daily’s Place, and Sting is standing there, he points a bat, Team Taz runs away from the ring, and then he and Darby Allin stare at each other until JR blathers on about going to commercial, but not of the “restaurant-quality (whatever the fuck that means) picture-in-picture” variety.

Here’s the thing though – he hasn’t done a single spot in the ring, but already I think it can be safely said that he’s had a more successful run in AEW than he ever had in WWE back in 2014.  Frankly in my opinion, Sting in the WWE was never going to work, because Sting was the true one pillar of anti-WWE, seeing as how his entire career he never jumped ship at any point, despite guys like Flair, Arn, Luger, Steamboat, Rude, Goldberg, DDP, and all sorts of legends, having done so at least once in their careers.  Sting was the true bastion of integrity that held his ground and never did go, at least not until so much time had passed, and it seemed like he went solely because of legacy purposes, but honestly, even as a jaded fan, it just seemed like his heart was never in it at all.

Sure, it’s probably because he was immediately buried by Triple H and had his first match be at Wrestlemania, where he lost to Trips, and then nearly had his career permanently ended by a botched powerbomb while working with Seth Rollins, but the fact of the matter is that it’s pretty safe to say that Sting’s run in the WWE was a pretty embarrassing flop.

But the main thing I felt was the reason why Sting failed in the WWE where he seems to succeed and get over everywhere else, is the fact that he had no pop-culture sources that he could steal from.  I mean just look at his general history:

  • WCW, changed his entire gimmick to basically be The Crow; got over, won titles, succeeded
  • TNA, eventually transformed into The Joker from Dark Knight Returns; got over, won titles, succeeded
  • WWE, tried to be just Sting; fail
  • AEW, has adopted the gimmick of basically being a White Walker from Game of Thrones; got over and is currently succeeding; titles yet to be determined

Obviously, the WWE itself is mostly likely the reason why Sting couldn’t lift anything in the first place, as they tread more corporately carefully than everyone else, but the point of this is that as good of a worker as Sting historically is, he hasn’t really been able to get over solely on his own, since like the days of fluorescent tights, the blonde flat-top and colorful face paint.  Frankly, he probably would’ve been better off showing up to the WWE in 2014 with his old surfer Sting persona, it’s not like the WWE had any shortage of dark, brooding, silent icons.

Ultimately, I have a ton of respect for Sting, as he is the aforementioned legendary worker, has accomplished the world over in the industry, and is widely admired and revered as a genuinely good human being, which is more important than everything else mentioned.  But the reality is that his ability to get over throughout the years has leaned heavily on the popular culture being consumed in the world around him, rather than his own personality.  And when he was put into a situation where he had to work without a crutch, it seemed to expose such, especially when compared to when he returned to a setting where he could lift from pop-culture again, and is breaking merchandise sales records.

Every blet has a story

Originally written on December 24, 2020 (I wanted to start the new year with a positive-to-me post)

I recently redecorated my office.  Primarily because I had exceeded too many running medals for my medal bar, and I had exceeded too many blets for my blet wall, and my running medals and my blets are my favorite things to collect, so I decided to do some reconfiguration in order to proudly display all of both that I have.

First, I decided to create a new medal bar that would one, go all the way across the entire room, and two, actually be made of metal.  Not because it would be metal to make it out of metal, but the fact that a large number of medals accumulates weight very quickly, and I simply needed something strong and sturdy to be able to withstand a gradual increase of weight over time because I have no intention of ever stopping running and collecting medals.

So I basically made a new bar out of actual iron pipes and flanges, mounted to the studs, and measures in at 128” long, which basically accomplishes my goal of going across the entire room.  There is now plenty of room for expansion, and I don’t have to fear that they will eventually bend, sag and break, because it is not a weak curtain rod but is made of actual iron.

And then we have my pride and joy, my wrestling blet collection, which simply needed more space in order to display them all.  So I decided to swap walls between the blets and my giant Jinx graphic, because I needed to have one entire wall in order to accommodate all my blets, and Jinx could comfortably go on wall vacated by all the blets.

I simply had to procure more wood to mount more belts onto and do a good bit of patching and repainting to all the walls prior, but in the end, I was able to comfortably get all 18 of my blets up on the wall, and I couldn’t be happier with the way it all turned out.

But the whole point of this post ultimately was the fact that (almost) every blet has a story or an inspiration behind it, and really for nobody’s edification except my own because I can’t really imagine anyone other than me actually caring, I decided to share all of them, because I have 18 fucking blets so that’s a lot of stories or inspirations to relay.

Continue reading “Every blet has a story”

The year-end post, circa 2020

This video by Carters encapsulates how I feel extremely succinctly.  I know 2020 has been a historically catastrophic year by any number of measures, and I’m not going to even try and change anyone’s mind who’ve already decided that there’s absolutely nothing at all redeemable about it.  It’s a fair judgment, and there’s tons of justification to where I just have to shrug and agree that such X and other Y really are terrible things, and leave people alone to continue believing that 2020 was the worst year in human existence.

Frankly, if not for the one obvious event in my life this year, I’d probably be right there with them.  But because of said event, there’s absolutely nothing else that could really occur that can make me possibly think that 2020 was anything other than among the greatest years of my life.  Like many, I too know my share of people whom coronavirus has dually affected throughout the year, or had some very unfortunate events or news take place, and my heart genuinely, sincerely goes out to them, and I wish for nothing but the best for them and their loved ones.

But nothing is going to change my perspective on 2020 being a magnificent year, because nothing has been a greater event in my life than the birth of my daughter, right before all the shit really began to hit the fan.  And throughout the remainder of the year, for every piece of horrible, shitty news, note about someone dying, bad day at work, or any other reason for stress and unhappiness, I was always mere steps away from being able to go pick up my daughter and hold her in my arms and will away the negativity.

As ironic as it may seem, and I’ve said it as much, as much as coronavirus and the global pandemic have been devastating to the world throughout the year, it’s inadvertently put me in the most optimal position in the sense that I’ve gotten to work from home since the shit hit the fan, and I’ve gotten to spend a tremendous amount of time more raising my daughter than if the world wasn’t in lockdown and I had to go back to work in the office while my child would be in a daycare, in the hands and responsibility of people I don’t know. 

I don’t fucking want that, even if there were no coronavirus in play.  I’ve been fortunate and I treasure all the time I’ve had and will continue to have being close to my kid, and it’s ironic that I have to thank the selfish stupidity of ‘Muricans for being so stupid and greedy that they can’t or refuse to comply to the behaviors that would’ve eradicated all of this if we just had some collective cooperation.

But outside of my child and coronavirus, 2020 has been somewhat of an eventful year.  Yes, most of it was bad, but not everything was completely putrid.  And as I tend to do every year, I take some notes on a daily basis of the things that happen that are remotely interesting to me, so I guess behind the jump, we’ll take a look back through the year that everyone loves to hate and can’t wait to see end:

Continue reading “The year-end post, circa 2020”

That’s one way to make AEW more interesting

Unfortunate: Jon Huber AKA Brodie Lee in AEW, Luke Harper in WWE, passes away at the age of 41, due to alleged non-COVID related lung disease

Firstly, I genuinely do feel bad to hear about this story, because Jon Huber was an extremely good wrestler, and it is always a tragedy to hear of a guy leaving the world this soon, especially when he’s leaving behind a wife and two kids.  At 41 years of age, he’s not much older than me, and many of my current friends, which is also very harrowing to hear of.

I had a high opinion of Jon Huber, and it was a running joke between one of my friends and I that he was a picture-perfect future IWGP World Champion if he ever decided to cross the ocean and go to Japan, because the mold of the evil foreign white man that NJPW loved to use to have their heroes pursue for championships was basically built off of guys like him.

Instead, he went to AEW, where he briefly enjoyed a modicum of success, being unveiled as the leader of the Dark Order, having one World title shot at Jon Moxley which he lost, but then squashing Cody Rhodes for the TNT Popeyes Championship, before losing it back to him a month later.  To my knowledge, that was his last appearance, and he never appeared again on television until the news of his passing.

Here’s the thing though: the news is still fresh, the grief among the industry and the fandom is still outpouring, but I hate to be the guy that wades through all the sadness to wonder just what really happened.  From what I’ve heard, Lee passed away from an unnamed “non-COVID” lung issue, but I can’t help but feel all sorts of skepticism for these vague circumstances.

Continue reading “That’s one way to make AEW more interesting”

Advent Beer #20: Märzenbier by Hösl

Earlier in the day, I went to the grocery store to pick up some food stuffs to feed my infant throughout the week.  There was an unnerving amount of anti-maskers there, in spite of the fact that the entrance of the store explicitly says they are required.  Obviously, nobody wants to get into any altercations or get assaulted over mask policies, so this always slides, no matter where you go.

This is where I wish there were Luke Cages all over the place to enforce mask policies, and nobody could fuck with them or even hurt them, even they tried.  Get on that shit, Publix.

Coming home, there was a house with no less than eight cars out front.  I’m assuming someone was having a football party of some sort.  It’s not like coronavirus numbers aren’t on the rise, and large gatherings don’t have something to do with it.

The night prior, there was a house near me that had at least 16 cars parked out front.  The fuck is wrong with everyone?  I hope every anti-masker and every person who arrogantly is helping prolong this epidemic gets fucking coronavirus.  They seem to want it so badly, I think the world owes it to them to oblige them.

Anyway.  Twenty beers down, four to go.  My first impression when I pulled the can out of fridge my first impression was that this looked like the most German can that I’ve seen over the last three weeks.  With a font choice that makes me think of Wolfenstein 3D, and a crest that seems to have lederhosen with an H worked into it, it’s basically the most German design there’s been.

As for the beer itself, it was a nice dark caramel color, and I was beginning to wonder if I was going to get yet another dunkel, which made me excited.  The first sip was met with a toasty flavor, and I thought that perhaps I was getting another dunkel.  The snobs at BeerAdvocate however classify this as a lager, and I’m brought back to earth at how much of a novice I am at being able to classify my own beers.

Holy shit, that finish to TLC – Randy Orton just attempted murder on the Fiend, thus furthering the narrative that he’s completely incapable of putting anyone over, and the company remains implicit to his long-standing dominance.  Better punish that attempted murder with another title shot.

Anyway.  But the fact that I thought this was a dunkel was to say that I thought it was good.  The flavor reminded me of a dunkel since it was kind of toasty, kind of caramel-ly, and not too bitter.  But I guess the revelation that it was not a true dunkel crashes its rankings with me, and compared to all the ones above it, it doesn’t bring enough to the table to overtake.

Regardless, it still sits comfortably in the upper half of the biers, and this is one that I wouldn’t mind having more of again in the future should I come across it.  After all, I’d only have to look for the bier with the lederhosen in its logo.

Current Rankings:

  1. Jubilation Suds (#18)
  2. Bären Weisse (#16)
  3. First Coral (#2)
  4. Kirta (#5)
  5. Turbo Prop (#6)
  6. Schwarze Tinte (#13)
  7. Perlenzauber (#9)
  8. Loncium Vienna Style Lager (#12)
  9. Märzenbier (#20)
  10. Jubiläumsbier 333 (#7)
  11. Zwönitzer Steinbier (#4)
  12. Alpen Stoff (#17)
  13. Erl Hell (#19)
  14. Grandl (#11)
  15. Altbairisch Hell (#15)
  16. Hell (#1)
  17. Tannen Hell (#8)
  18. Tradition (#10)
  19. Hallertauer Hopfen-Cuvee (#14)
  20. Käuzle (#3)

Kenny Omega and a tale of two feds

I was watching AEW Dynamite the other night, Kenny Omega is cutting a promo, and I’m sitting there with scrunched eyebrows and wondering why all the smarks on the internet think that this guys is wrestling Jesus?  There’s no denying that when he’s in the ring he’s capable of god-like performances, but when he’s on the mic, he’s actually really quite cringe-worthy to listen to.

There’s a very obvious reason why he’s been paired up with “Cyrus the Virus” Don Callis, so that he can be the mouthpiece that Omega clearly desperately needs.

Back a few years ago, I remember hearing rumblings from wrestling scuttlebutt about this match that just happened in New Japan that was legendary status.  I’d heard Kenny Omega’s name in passing a few times and I’ve obviously heard of Bullet Club, but I didn’t really follow NJPW much then so I knew nothing about him really.  But based on just how much buzz Omega vs. Kazuchika Okada was getting, I became curious.  It started with a few highlight packages on YouTube which were pretty good, and then I found a video of the entire match, and I remember my eyes bugging out seeing the preceding 1: ahead of the time; an hour long match, really??

I watched the whole thing, and it wasn’t difficult to do at all.  Omega and Okada really did put together a legendary match, and one that could very well stand the test of time, and be mentioned in the same breath as legendary clinics like Flair/Steamboat or Steamboat/Savage.  It broke the rubric of famed wrestling journalist Dave Meltzer’s rating system, and it was understandable why.

It served as inspiration to me to want a replica of the IWGP World Championship, despite the fact that NJPW doesn’t sell more than 1,000 copies a year, so I knowingly purchased a Pakistani knockoff, because I just wanted one for my collection based on how good Omega/Okada was.

The thing is, Kenny Omega’s general popularity was built on the reputation of a handful of matches with Okada, and his body of work in NJPW, specifically as the Bullet Club “The Cleaner” persona.  I’m sure there are superfans out there that cite his pre-Bullet Club otaku gimmicks, and when he was wrestling blow-up dolls for DDT and other wacky shit he did, but for the most part, it’s safe to say Bullet Club and the series against Okada is what put Omega on the map.

I’ve made no secret to how critical I am towards AEW, and how I think it’s really a fed geared towards smarks.  And because of this, Omega will always be safe from irrelevance there, but I can’t believe that anyone can be objective about the idea of him being able to become popular from scratch, to American audiences who don’t have any inkling of idea who he was prior to AEW.

Because I have to imagine that anyone who doesn’t know who Kenny Omega was in Japan would probably think AEW Kenny Omega is kind of lame as shit.  The lifting of gimmicks from (now) old video games, the shotgun hand pointing, the Terminator crouch before diving out of the ring, the “you can’t escape” spot; these are all kind of lame for American audiences, but were all things he could get away with in Japan, because he’s a fascinating foreigner to Japanese fans.  And the fact that he hasn’t really evolved much since moving from NJPW to AEW goes to sell a little bit of narrative that AEW is sort of like a retirement league for himself and the Bucks, because none of them are remotely trying to grow now, and are just rehashing their existing gimmicks to an audience that might not be as familiar with them.

Continue reading “Kenny Omega and a tale of two feds”

Advent Beer #3: Käuzle by Kauzen-Bräu

Man, that episode of AEW Dynamite sure was whack.  A 61-year old Sting showing back up, and then that turrible finish to the main event where it turns out that there’s some cross-promotion going on with Impact wrestling?  I thought AEW was serious about trying to compete, but by intertwining themselves with Impact, they’re a few weeks away from doing some bullshit cup tournaments with no meaning, and having battle royales where eliminations occur when a guy is thrown into the ring.

AEW doing business with AAA and the NWA is kind of cool.  The few guys they have that are allowed to do dates with NJPW make it seem like they’re crossing over.  But working with Impact, which is the hollowed out bones of what used to be TNA, feels like when Sears merged with K-Mart, and it was a pretender with a modicum of reputation, teaming up with a dying animal and in the end both start to sink as a result of the union.

Somewhere, I suspect that the impetus of this joint venture is to ultimately bring together some of the core members of Bullet Club, since Omega and the Bucks are AEW, but Karl Anderson and Luke Gallows are in Impact.

Either way, it’s going to be lame, and whatever equity that AEW might have built up over the last year might seem to be on its way out, and considering the entire promotion loves to use gambling lingo in their ppv names, they’re definitely on the path of cashing out, especially now that that the first year has passed, so the Bucks and Omega are now booking themselves as the promotion’s champions, and they’re getting into bed with a jobber fed like Impact.

Oh wait, this was a supposed to be a post about my German beer advent calendar, right?  Yeah, so today’s brew was Käuzle, a pilsner with a cute little owl on the can.  Because what I do for a living is visual, I most certainly judge books by their covers, and if I were at the store, I’d probably pick a beer like Käuzle, because I like minimalistic designs with animals on them, especially when I can’t make out the German text on it one iota.

However, pictures and can designs don’t always have much bearing on the contents of said cans, and Käuzle, wasn’t necessarily terrible, but of the three beers I’ve had over the three days, this was most definitely the weakest of them all.  Untappd classifies it as a pilsner, and it apparently only has a 3/5 rating, which I’d say is pretty accurate to how I felt about it, if not a little generous.  The flavor is weak, abruptly ends, and is pretty forgettable.  At 4.8% ABV, it’s a little on the weak side, and I liken this to like a German equivalent to PBR or some low-end beer that is mostly good for keeping your buzz going once some other beer has gotten the party started.

Anyway, there’s no way there were not going to be any stinkers in a case of 24 different beers.  And I’m not saying that this Käuzle is that big of a stinker, but it’s definitely the bottom of the rankings after just three days.