Tag: motherland

Korea vs. Everybody: Rosé at the VMAs

~ dannyhong ~ Leave a comment

I’m not entirely sure why this came across my feeds, but it definitely did the trick of triggering my KvE radar and got the gears of wanting to write about it spinning pretty quickly.

TL;DR, Korean pop star Rosé, most notably known for being a member of BLACKPINK, wins MTV Video Music Award for Song of the Year, for APT, her solo track collaboration with Bruno Mars – and the celebrity circle jerk around her goes mild.  Meanwhile, Ariana Grande wins Best Pop Song and everyone in the crowd reacts like new Jordans have been dropped in the hood.

I understand that in the grand spectrum of western celebrity, Rosé, BLACKPINK and K-pop in general aren’t entitled to the adulation that of those already entrenched in American culture, and when it comes down to it, Koreans aren’t that well known among their peers at an American event.  If this kind of event were held in Seoul, people would go gonzo over Rosé’s award, but they’d also probably go ballistic over all the Americans too because if there’s one obnoxious thing about Korean culture is that they’re so enamored and thirsty for American validation, that they kowtow fairly quickly, even when it’s so not deserved.

But what chapped my ass the most was Rosé’s interaction with Daniel Ramos, one of the co-directors of the video.  Rosé tried to initiate some sort of celebratory hug/embrace after winning fucking Song of the Year, and man denied her faster than a woman would shoot down an incel at a bar.

Yes, nobody is required to return an interaction if they don’t want to, but like bruh, Rosé just won you a Song of the Year award, and he brushing her off like there was lettuce on his Subway when he specifically asked for none.

But when Ariana Grande wins, at least what I’d say is a lesser award, everyone in the audience gets out of their seats and is slapping fives and hugs and basically acting like they just witnessed Mac McClung’s latest 10/10 dunk at the dunk contest.

I have no qualms with Ariana Grande, frankly I think she’s quite talented and has a powerful voice that belts out some decent music relatively, but I’m just trying to understand why there’s that much disparity in respect in reaction between two talented pop stars other than nationality.

Fuck it, it’s racism; even if it’s not the malicious brand of it.  It’s typical disrespect for Koreans and what Koreans are capable of.  Fuckin white folks and their cliques of whitewashed star fuckers all disrespecting Rosé and denying her even the most basic of reciprocal respect in her moment of victory.  I bet if Bruno Mars were with her, shit would’ve been way the fuck different.

Would love to have a time machine to be able to tell her that everyone in that venue are a bunch of busters that aren’t worth her validation, and that she should take that VMA award and drop it in the trash like Alundra Blayze and then go back to the Motherland where her talents would be recognized and respected.

It’s shit like this that makes me think the words Korea vs. Everybody, and I feel like I should take it more seriously and maybe use that as my basis for putting my stamp on the internet.

Good intentions, still kind of racist

~ dannyhong ~ Leave a comment

When I saw this photograph of the Atlanta Falcons’ placekicker Koo Younghoe posing up with new Braves’ scrap-bin pickup Kim Ha-Seong where they did/were coerced into a jersey swap, my first reaction was that of a wince.

I understand what was going on, and I imagine both Koo and Kim were smart enough to just go with it for the sake of whitey and the rest of America; and as the title of this post says, I think most Koreans would probably get that the intentions of this obviously orchestrated connection were good, it still gives off a sense of ignorant microaggression, in my personal opinion.

It’s like there’s absolutely no chance that Koo Younghoe was planned in advance to happen to be at ScumTrust Truist Park on this particular day, even if the NFL season was right on the precipice of beginning.  If the Braves really wanted to tie into the start of the Falcons’ season, undoubtedly they would’ve gone after Michael Penix or any of their more popular skill position players, and not the placekicker, no matter how talented and generally likeable that Koo actually is. 

The choice to invite Koo to the ballpark stinks of white people exhibitionism, like when white people are trying to integrate a black person, gay person, or any other individual who classifies as not-straight white people, they go out of their way to dig out any other member of said demographic to help introduce them into the collective.  And I’m going to give benefit of the doubt that both Koo and Kim were aware of what was going on, but like I said, they’re probably smart enough to just go with it, as not to jeopardize their own careers by calling out bullshit when they see it.

I’d wager that Koo and Kim were amenable to each other during this forced interaction, and maybe they did become quick acquaintances from the connection.  Koo probably reinforced the likely things the white people on the Braves told Kim about life in Atlanta, about how Koreans are plentiful here, mostly the students around Georgia Tech, as well as Gwinnett County as a whole, and probably some recommendations on where to get some decent Korean food should Kim be jonesing for the flavors of the motherland.

But the thing is, Kim was born and raised in Korea, played ball in the KBO, and came to America barely five years ago.  Koo was born in Korea, but immigrated to America when he was 12; he went to high school, college and embarked on his NFL career all in America, and in spite of his origin, man has had plenty of time to more or less become a true American in terms of personality and quality of life. 

They really couldn’t be more different beyond their nationality of origin and the fact that they’re both professional athletes.  But that seemed to be good enough for the Braves to go out and invite Koo over to the ballpark to meet up with Kim, because, they’re both Korean, they probably already know each other, and their grandfathers probably had to have served together in the Korean War or some other bullshit assumption.

If the Braves were actually smart, they’d basically have just pointed Kim Ha-Seong straight to Jurickson Profar, since they were already familiar with each other, having been teammates on the Padres.  And they were tight enough to where they referred to themselves as Rush Hour, even as horribly racist as that name would be for a Korean and a black-skinned Venezuelan to compare themselves to Jackie Chan and Chris Tucker, it’s the kind of unity that only comes from actual friendships.

I mean, maybe they did, and they’d already reunited, but they still wanted to introduce Kim to another Korean Atlanta professional athlete, just to show him that more of you chinks are here playing professional sports here after all.

Either way, as well-intentioned as the whole thing was, I’mma just go ahead and declare the thing, racist.  Not necessarily a malicious racist, but still racist all the same.

They wouldn’t do this with a new Dominican pickup, or a black pickup.  But seeing as how Kim is the first Korean Braves player since Jung Bong, they may as well be back to square one with interacting with Korean culture.  I definitely hope Kim stays, because I’ve been following his journey since he posted out of the KBO and made his way to MLB where he was absolutely excellent in his first few years with the Padres, and I genuinely feel the Braves got an absolute steal of a gem in their typical modus operandi of picking through other teams’ scraps, and I think both the Padres and the Rays gave up on him too preemptively, mostly on account of typical Korean disrespect, but I’m hoping he finds success in Atlanta and the Braves can actually have a Korean player that hangs around for more than a split second.

Hopefully, microaggressions like forcing Koreans to interact don’t shy his opinion too much, and he forces Braves Country to realize who the fuck he is, and is a part of the hopeful 2026 re-do of this cesspool of a 2025 season.

Mickey 17 and the Korean curse of producing for The West

~ dannyhong ~ Leave a comment

One of the things I watched during my staycation was Mickey 17, for really no other reason than it was directed by Bong Joon-ho. Parasite was truly a best picture, and I always exert a little more effort to support those from the Motherland, so I had high hopes for Mickey 17, being (I think) Bong’s return to the screens since Parasite.

When the film finally ended, I was left with this disappointed feeling, and worst of all, the feeling that I had wasted my precious time.  At 2:20, it’s what I would classify as “a long movie” and if I’m going to sink that much time into something, I’d hope it’s got some redeeming quality.

Like lots of films, I felt the film prioritized its named stars, leaning on Robert Pattinson, Naomi Ackie and Mark Ruffalo to hard carry the film in spite of the weak story, but obviously a film is only as good as its story, and the cast of the Avengers would struggle to make Mickey 17 decent.

Mythical wife, being a K-pop snob, had begun distancing herself from BTS fandom, once BTS really came into the global mainstream, and wasn’t just a niche phenomenon within Korea and those who knew them from long ago.  She cited that their sound had immediately morphed into a more vanilla, cookie cutter sound, clearly catered to wider, global audiences instead of sticking with the formula that made them who they are.

Frankly, this is nothing out of the ordinary, nor was it remotely surprising to me, because Korea has been notorious for changing shit up in all facets of media when it comes to seeking validation from The West, most specifically from America.

Once anything starts to receive any praise or acclaim from The West, Koreans have shown a tendency to lean hard into it and try to squeeze out more validation, even if it means compromising the foundations of said things.

Music, food and in the case of Mickey 17, film are all fair game when it comes to this general practice, and in the vast majority of cases, it doesn’t result in as much success as they hope it will, and they’ve compromised their concepts and alienated those who were fans before the mainstream rub.

Take Squid Game S3 for example; the first season was brilliant from nearly start to finish.  It couldn’t escape all Korean tropes but frankly those tropes really are things that make Korean media, Korean.  But when S2/3 came, I still enjoyed it, but there were clearly ideas incorporated into it that were clearly influenced by their knowledge that The West, would be watching.

Top from K-pop group Big Bang as the colorful Thanos, spouting horribly broken Engrish every chance he could, the ending that basically had kicked the door down that they want to go Westward Ho.

But nothing was more evident that they’re seeking Western acceptance than the character Hyun-ju, which most casual Americans simply recalled as “the trans one.”  It’s changed a little for the better these days, but LGBTQ+ concepts are still considered taboo and not nearly as accepted as they are in America.  Although I had no problem and appreciated Hyun-ju’s inclusion in Squid Game, there’s no part of me that believes such would have ever happened if not for the influence of potential Western viewers.  In this case it’s a positive result, but I still chalk it up as a decision made to appease The West.

The reason Parasite was so good was that it was inherently a film for Koreans, telling Korean stories and describing Korean struggles. It showed the cultural differences in setting and appearances but at the core of it, it’s a relatable story that sucked audiences from all over the globe in and deserved all the praise and accolade and the Oscar it got.

Mickey 17 was clearly made for The West, with its  Hollywood cast, and evident copious budget.  The core story was an interesting concept that provokes discussion about ethics and morality, but to me, it was like asking Bong Joon-ho to direct Starship Troopers or something out of his element.  It would be like asking Francis Ford Coppola to direct Parasite or something completely different than his own background and expecting it to be not full of holes as the result of cultural unfamiliarity.

Needless to say, in spite of energetic and enthusiastic performances by Pattinson and Ruffalo most notably, they couldn’t rescue a weak story.  Halfway through the film, I started to glaze, and by the time the last quarter was around, I was already dicking around on my phone and half listening.  And by the time the credits started rolling, the seed for this post had already been planted.

I mean, it’s a nigh impossible task to hit a home run after winning an Oscar, so it’s no surprise that Mickey 17 wasn’t that great. But considering the heights that Parasite climbed to, it’s extra disappointing to see just how far down Mickey 17 fell to.

Must every successful Korean thing get white people’d?

~ dannyhong ~ Leave a comment

[This post is about Squid Game S3, there will likely be spoiler-ey words]

However, since I write for basically zero people, it’s merely a formality that has no real meaning.

Anyway, mythical wife and I just wrapped up watching S3 and the supposed finale to Squid Game, and I have a lot of thoughts and feelings about how the finale transpired and the events of the how it all wrapped up.  Fortunately for me, I managed to hold off on watching it for a few days and managed to not get spoiled along the way to which I am very grateful.

So, as far as S3 went, it was as well executed as I would have hoped it would be.  Frankly, the original season was great on its own, and I didn’t think it really needed to have a sequel season(s), but Netflix is rich as balls, money talks, and moar Squid Game we got.  Thankfully, the moar Squid Game was pretty decent as far as sequels go, and wasn’t just a shitty Ocean Twelve-like cash grab of a turd sequel, and although it wasn’t as flawless as the original was, and some Korean storytelling trope cracks did show, overall it was still well acted, visually compelling, and had a storyline that made sense for the most part.

Without giving too much away, one thing I found to be hilarious was when the VIPs showed up to the mysterious island of games, is just how poor the acting was from them.  It’s like Squid Game clearly is a global phenomenon that most any Hollywood A-lister would probably love to participate in, in a cameo capacity, and I imagine it wouldn’t be a difficult ask for any agent to get some known global stars to play the layup roles of the VIPs.

But instead, we get these no-name clown actors whose acting is terrible, and I can’t help that it was probably cast in such a way deliberately, so that the Korean showrunners could passively flex how great their Korean cast was compared to the scab foreign cast who couldn’t act their way out of a preschool play.

Anyway, as the final episode began winding down, I said to mythical wife, that I wouldn’t be the least bit surprised if the episode ended in an open-ended manner, because regardless of their association with Netflix, Korean television shows are notorious for always ending in open-ended manners, because they seem to always want to keep the door open for potential sequel seasons, spin-offs or moar content. 

No matter if this was supposed to be the final season of OG Squid Game, I wasn’t going to be surprised if the general plot was left with gaping holes for moar Squid Game to manifest in the future, because despite their massive steps forward culturally in some regards, Korean media can’t stop being so Korean in others.

[Okay, here come abject spoilers to those who might not have seen it]

Naturally, as all the arcs start wrapping up, there are massive hints that things aren’t going to be over when it comes to The Games, and the season wraps up with a teaser of a new, American, Recruiter character, played by none other than Cate Blanchett, goading some white bum in an alleyway in Los Angeles, in a game of all things, ddakji, leading to the obvious conclusion that Squid Games are most definitely not over, but are now beginning to take place internationally, most notably, America.

Mythical wife had already heard about news that there was going to be a Squid Game: America in the works, and I can’t say that I’m the least bit surprised, but at the same time, I’m also irritated that yet another successful Korean property is selling out for white people to white people all over it, and make their own variation of it.

It’s like Parasite, and the success and buzz of its rise to the top of the mountain couldn’t even cool off before news started swirling about how it was going to be remade by Americans, inevitably going to be cast with an entirely, for lack of a better phrase, deliberately forced woke DEI cast.

It’s like shows like Physical:100 and Culinary Class Wars and Street Food, that were so good in their original Korean iterations, but white people couldn’t just accept watching good television with subtitles on, so instead they just have all their shit remade for the comfort and convenience to white people.

I mean a story like Squid Game isn’t solely exclusive to Korea; despair, poverty, desperation, violence and empathy can be told in any nationality, so I’m sure Squid Game can easily be picked up by any other culture, even if it’s not white people, but it’s just the fact that white people are clearly so eager to white up the property, that they can’t even wait until the flowers for OG Squid Game to stop coming in before they shoe horn their own introduction into the ending of the finale, and set the stage for their impending colonization.

I digress though.  Imitation is the sincerest form of flattery and all that bullshit, and even if the Squid Game creators resisted a white spinoff, white people would just inevitably just rip it off and release something on their own in the future anyway, so might as well have the Korean creators get the bag in the process of having their shit stolen.

It’s just obnoxious how often and how quickly Korean successes become marked for white people-ization, and as much as I loved Squid Game and the cultural phenomenon it became, it irked me to see just how fast white people had to inject their sniveling little tentacles into the property, and sour the general ending for me.

#TRYHARDSZN2025: We’ve finally got some Ivies

~ dannyhong ~ Leave a comment

ABC30: Fresno teen accepted into 15 different schools, including four Ivy League schools

This story is really succinct and lacks a tremendous amount of context, and I can’t seem to find any more information on it, but whatever.  I’ve got our first Ivy League #TRYHARD, as he didn’t get into all of the Ivies like some of the most mega of #TRYHARDs do, but still getting into four of them is still warranting of #TRYHARD status.

Most importantly, he got into Harvard and Yale, which coming from the child of Asian parents, it doesn’t matter if there are actually schools out there better than either of these, Harvard and Yale are the absolute cream of the crop when it comes to college educations, and seeing as how this #TRYHARD is Hispanic, I don’t imagine his parents’ perceptions of college is probably that far off from immigrant Asians.

Overall, 15 schools doesn’t sound like he was trying hard enough, in comparison to the #TRYHARDs he’s unknowingly going up against in the arena of my brog, but since he’s not black, that clearly wipes out all the HBCUs, despite the fact that non-black students can attend them from what I understand.

Additionally, no context of scholarship dollars were mentioned, but I guess that shouldn’t be a surprise considering this one is dealing with Ivy League schools, whom seem to probably think adequate compensation is simply being allowed entry onto their lily white grounds, and that if this #TRYHARD actually wants to attend Harvard or Yale, better be prepared to pony up the $65K a be able to attend, although I heard that Harvard is offering free education to those who can get in, if their family doesn’t make a certain amount.

Either way, I got nothing else, because the story of this #TRYHARD is short and straight to the point of glamorizing the fact that he got into multiple Ivies.  He’ll still be easily defeated by the inevitable kid who will have been accepted into all the Ivies, but for now I’m just glad to find a #TRYHARD to be from outside of Georgia as well as have some Ivy League schools on his resume.

Cobra Kai, fin

~ dannyhong ~ Leave a comment

Over the weekend, when I was having one of those nights where I didn’t feel like I had any real time to do anything, so I was instead just sitting around dicking around on my phone min-maxing my Duolingo XP as well as playing Fire Emblem Heroes, my au pair pokes her head into the media room and asks if I had started watching the final installment of Cobra Kai S6.

I looked at her perplexed and asked if it had dropped yet, and she said that it just released.  I looked at the clock and immediately grabbed the remote, and I said, why the fuck are we not watching it right now then?

We ended up watching four episodes and then it was 1 am, and I said that I needed to stop so that I wouldn’t be butt-tired in the morning, and that I wanted to save the final episode for the following day, preferably in a scenario where mythical wife wasn’t aware that we were going to watch it in front of her, since she’s such a giant fan of the show like we are.

Mission accomplished, and with that, the saga that is Cobra Kai is finally completed.

Frankly, it’s a show that desperately needed finality, not just because it’s the worst show in existence that had no right to be good as it was, but as is the case with any show that features child actors, it’s been like 6-7 years since the show started, and all the youth talent was growing the fuck up faster than kudzu, and the show needed to wrap up ASAP, before Dimitri grew to 7 ft. tall and Kenny turned into Terry Crews.

[Obviously at this point, spoiler alert is on, because I’m probably going to say shit that would be construed as spoilers]

Continue reading “Cobra Kai, fin” →

Of course white people need their own version of Squid Game

~ dannyhong ~ Leave a comment

Shocker: US remake of Squid Game by David Fincher confirmed

Here’s the thing, I actually really like David Fincher.  Man did Fight Club and Mindhunter, two titles I hold in extremely high regard.  But I do harbor some sour grapes for him for being the cocksucker who will apparently be spearheading an American-localization of Squid Game, which seems about as essential as little silicone pot attachments to prop open your lids or hold your ladles.

Obviously, I am hardly a fan of any time Hollywood gets their greedy grubby claws into an idea that is not inherently theirs, but then whitewashes the fuck out of them because white people in America are too xenophobic and/or illiterate to consume anything that isn’t produced in America or has subtitles and requires reading to comprehend.

Squid Game is already an amazing series with fantastic visuals, storytelling, writing, music and overall production, and requires absolutely no remaking.  But Americans are too fucking lazy and unintelligent that one is apparently in the works to be made, which we all know is going to have nothing but bullshit American actors and performers, and out of respect to the Orientals, they’ll probably cast one Asian guy to be the American equivalent of Abdul Ali, who was the token foreigner in Korea, except that’ll probably end up being Henry Golding.

Benedict Cumberbatch will undoubtedly be Gi-Hyun, and the Red Light/Green Light doll will be remade to look like Sabrina Carpenter.  And because they’ll want to have some diversity, and we all know “diversity” in American means “black people,” they’ll have Tiffany Haddish be the Front Man, except that it’s now the Front Woman, where they can kill two birds with one stone by having a black woman in a prevalent role.

Like I said, David Fincher is a good director whom I do like his works, but it definitely is a bitter pill to swallow that he’s taking point on a flagrant example of white washing.  Squid Gmae doesn’t need recreation.  American audiences need better education and reinforced understanding that the world does not cater to them.  Accept that outstanding media can come from other countries and learn how to fucking read subtitles.

As Ho Bong-Joon said,

Once you overcome the one-inch tall barrier of subtitles, you will be introduced to so many more amazing films.

It’s astounding the arrogance of America to take something wildly successful and not requiring of any recreation, and doing it anyway, and wasting inevitably an ungodly amount of money and resources to do so, when instead better stories and content could have been created instead.

I want to say that I’ll refuse to watch an inevitable Squid Game remake, but I’m not going to kid myself, curiosity and the inevitable want to make a scathing comparison might make me do so, regardless of my vitriol for the idea in the first place.  The want for brog content is endless, and if it inspires writing, I’m usually game for just about anything.

**I actually gave this some more thought after I had initially written this, and I think I’ve figured out why there is a perceived need for a white people version of Squid Game.  I’ve seen a lot of memes and reels about Squid Game as of late, and I’ve noticed that almost all of them are referring to characters solely by their player numbers.

And it’s my belief that this spurred the want for a variant of Squid Game where the characters can have good ol’ American names like Dave or Harold, so that white people can avoid the indignity of being exposed for not being able to, or having to suffer the potential embarrassment of having to pronounce ching-chongey foreign names like Gi-Hun, Sae-Byeok, Geum-Ja or Abdul Ali, when they want to inevitably talk about Squid Game with other people.

Because if there’s one thing white people really dislike, it’s feeling self-conscious about potentially sounding racially insensitive about other cultures, so it seems like classic white people logic to instead of learning how to properly pronounce Korean names to just instead drop millions on millions of dollars to just remake Squid Game altogether, where Gi-Hun can go by Timothee, Dae-Ho can be Kaiden, Nam-Gyu can be Trent and In-Ho can be Hunter.

Now it makes perfect sense to why a white people version of Squid Game even needs to come to fruition.