Marvel Comics imagined by someone who doesn’t know Marvel Comics

The following is a painting by the world renown famous Thomas Kincade Studios®.  From what the product description states, this is supposed to represent the Battle of Wakanda, that I have no idea is actually sourced from, but my knee-jerk reaction was that this was just a hilariously bad imagining of the climactic fight from Avengers: Infinity War.

Because Thanos’ forces weren’t Skrulls, nor did they have the Hulk/Wolverine Hulkerine abomination in their ranks, and I didn’t know why one of the troglodytes had Loki horns and was carrying Stormbreaker.  Nor was Storm involved in the battle, much less any mutants at all because phase one of the MCU most definitely didn’t have any of the M-words anywhere, at least in name.

But in all fairness, the product description actually discloses that it’s some other battle of Wakanda, and discloses the Skrulls by name, so it really isn’t just a tragically terrible imagining of the Infinity War battle, as much as I would have loved for it to have been.

All the same, it’s still terrible in its own right, and there’s a legendary degree of shark-jumping and DJ Tanner wrestling in play here with Disney actually allowed for the vaunted Marvel comics to do a collaboration with Thomas Kinkade, which is best known for the overly fluffy artwork of horses, cottages and forest fantasy scenes on plates and forgettable artwork hanging at your white grandma’s house.

And all the same, it’s fairly clear that whomever did paint this horrendous piece probably doesn’t know Marvel comics at all.  I know there were other super Skrulls that emerged throughout the years, but most all comic followers usually are aware of the OG Super Skrull and that his additional powers were only that of the four members of the Fantastic Four.

I just love how there’s the primary focal point of the Skrull army being some nondescript super Skrull who is as big as the Hulk, has one flaming arm of Human Torch, and is sprouting Wolverine claws out of the other.  And then you have the other hulking Skrull in the background carrying two Asgardian weapons, leading one to believe that if these are the bad guys, how are they worthy to be holding two Asgardian weapons?

And then there’s the weird golem in the background that looks like a cross between Mach I Iron Man and Juggernaut, but for some reason he has Thing’s arm.  Furthermore, none of the Skrulls have the multiple cleft chins that they’re pretty known for physically.

But what I like about this piece is that due to the multiple points of focus, and the strange right-to-left directionality of the conflict, and to those who might actually not follow comics and were to look at this, it really is kind of ambiguous to whom the artist of this piece had envisioned the bad guys to be.  For all the casual viewers would know, the Skrulls are the ones defending their land and their futuristic looking city in the background from an army of invading black people, and not vice versa.

Considering the general demographic of Thomas Kinkade’s usual consumer base, this was either done intentionally, or completely unconsciously by the artist.  Neither of which is good, but at least it’s something for comic fans to all collectively point and laugh at.

Starting at $950, the fuck out of here

Ho hum, just more Korea > Japan

Not surprising when you think about it: Korean webtoons surpassing Japanese manga in terms of popularity, profitability

Usually in my friends’ group chat, we talk about politics, futbol (right now), and an inordinate amount of conversation about fried chicken.  But out of the blue one of my friends posts this story, and it’s definitely the type of story that chubs me up, about how Korean webtoons are surpassing Japanese manga.  And when you stop and think about the state of the world and how in spite of what I primarily do for a living, everything is advancing towards a digital medium, it’s a pure no-brainer and not at all surprising.

Everyone has a phone, Korean or Japanese.  Or French, Portuguese, German, American or Canadian for that matter.  And regardless of one’s attitude about such a notion, among everyone who has one, the vast majority of these users are probably looking at their phones way more than they should be.  That being said, at least in Asia, it’s not a surprise that Korean webtoons are passing Japanese manga in popularity and profitability.

It really does boil down to the adage that the medium is the message, and that if you’re not using the right medium, the message might as well not exist.  The fact that webtoons are accessible on mobile devices that everyone already is carrying in the first place, will always make them more appealing than the need for a physical edition, or worse of, having to go hunt down the physical edition and risk not getting it.

But what I love about the article is the also-obvious observation of Japan’s tendency to be too Japanese, and always try and justify instances where they’re falling behind in the world under a bullshit veil of traditionalism and art.  Sure, there is some weight to the argument, but in the sheer rat race of the world and business, printed manga isn’t going to be able to keep up with the rise of artists who learn how to cater their art style to a digital medium.

If someone tells me about the next Squid Game or Itaewon Class and I’m interested, I’m going to want to check it out immediately.  Sure, it would be cool to have a physical edition of something, but as far as a customer experience goes, being unable to get it will definitely sour me on the property, even though such was out of their control.  But being able to hop on my phone and download it immediately and be immediately able to check it out, that’s the very definition of convenience and an immediate win for webtoons.

I understand the tradition argument, and there is merit to having physical shit.  But what all this really boils down to is the obvious conclusion that is the title of this post: ho hum, another instance where Korea has shown their superiority over Japan.  No matter how much all the fucking weebs of the world try and defend it, it’s hard to compete tangible evidence of dollars yen won.

Happy trails, Batman

This one really hurts: Kevin Conroy, the voice of Batman from Batman the Animated Series, passes away at the age of 66

I remember I was in the fifth grade when Batman the Animated Series debuted on FOX Kids. It was slotted at 4:30 after Tiny Toons and Animaniacs.  I was dubious about how good it could be, considering it was intended to be a kid-friendly cartoon, and to that point I was already aware that Batman comics were pretty heavy-handed, gritty and violent.

Despite my skepticism, before I knew it, I was hooked on the show, and I was amazed at how the show reimagined the entire property to be kid-friendly but still tell great stories and implement all sorts of Batman expanse and really open my horizons to more characters, villains and arcs.  Without the show, I never would have become as big of a fan of Batman in general.

Before I can go off in the wrong direction with this, it all really started with Kevin Conroy’s performance as both Batman and Bruce Wayne.  Unlike the Adam Wests and Michael Keatons who  portrayed live-speaking Batmans before the cartoon, Conroy transforming his voice to adeptly transition between the two personas really raised the bar of what the character should have always been portrayed like.

It only happened a few times in the life of the show, but I always got a tremendous kick out of whenever Batman in full Batman gear, would use the Bruce Wayne voice, usually over the speaker phone in the Batcave.  And his eyes were always animated more happy and not the angry stern look that Batman typically has, and once the phone calls were terminated, we’d immediately be back to the cold and calculated Batman voice before the episode resumed.

The point of all this is that as far as I’m concerned, Kevin Conroy is to me, truly the one and only Batman, as I am sure he is to all sorts of Batman fans out there that share my sensibilities.  His passing is one that genuinely hurts and really does take chunks of our collective childhoods with him into the grave, because he really was one of the actual voices of my generation’s childhoods.

On a personal level, Kevin Conroy’s passing truly is up there with Sonny Chiba and Bobby Heenan for me. His portrayal of Batman really was one of those things that helped raise and shape me, and there’s a very clear reason why he was always tapped to reprise the role for all sorts of shows and video games, long after the Animated Series had ended its original run.

So happy trails, Mr. Conroy.  You will forever be remembered as the official voice of Batman, and although comics live forever, the world is a poorer place without your talents and legacy.

Let’s talk about Moon Knight and Ms. Marvel

As is often the case, I’m late to the party on both of these shows.  Full disclosure, I have no knowledge of the Moon Knight character whatsoever, all I knew was that he existed, because Wizard magazine once made a joke about him being mistaken for Space Ghost, but otherwise, I went into the show with absolutely zero knowledge of the character, at all.  As for Ms. Marvel, this is a lot of gray area, because in the comics, Ms. Marvel is Carol Danvers, which movie goers have already been introduced to as Captain Marvel, so again, I went in blind to the adventures of Kamala Khan, the teenager.

By virtue of living under the rock of parenthood, I’ve been fortunate enough to have avoided the vast majority of chatter when it comes to both of these shows.  I’d only heard bits and pieces, like subjective opinions of Moon Knight, and I knew that Ms. Marvel has been somewhat completely re-imagined to feature a teenager, and a Muslim one at that, but neither really deterred me from going into them, because as a fan of the MCU, I still feel that it’s somewhat necessary to watch every piece of Marvel programming that is released, with the expectation that the knowledge will be useful when they converge storylines in the future.

Going in chronological order, I finished Moon Knight before going into Ms. Marvel, and I have to say that in more ways than one, one of these is very much not like the other.  One show I thought was good, entertaining and refreshing, while the other one was completely horrendous, and I would dare say be arguably one of the worst editions into the entire MCU, and all of its extended reaching properties.

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I am all in for Gus Fring as Professor X

Impetus: Giancarlo Esposito reveals that he has had meetings with Marvel people for a future role, expresses desire to be Professor X

My knee-jerk reaction to the idea of Gus Fring being Professor X, was absolutely all aboard the train.  I get that aside from Captain Picard, the role of Charles Xavier was basically designed to be for Patrick Stewart, but in the age and in light of pursuing change and pursuing the future, I’m hard pressed to imagine anyone more succinctly qualified for the role of Professor X than Giancarlo Esposito.

Like many, my first real exposure to Esposito was him playing Gus Fring in Breaking Bad, and as far as characters go, he’s easily up there as some of my all-time favorites, because I love characters that are cerebral, command respect, and play the long game like a chess grandmaster.  I get that throughout his career since, he’s basically been bad guy after bad guy after bad guy, but there’s absolutely no reason to believe that he wouldn’t be capable of playing the cerebral, respect commanding, long game-player like Professor X, plus it’s not like Xavier didn’t make some fucked up choices in his life either.

Esposito is polished, annunciates intelligently and in the manner you’d expect to hear from Professor X, and has been entrenched in sci-fi/comics long enough to where it probably wouldn’t feel inorganic or phony on his part when playing the role.  There is absolutely zero reason why he wouldn’t make an excellent Professor X.

Unfortunately, to no surprise, there are plenty of people out there that don’t agree with my enthusiasm for the idea of Gus Fring as Professor X.  And the funny-not-really-funny thing about the internet and social media and how we’re spoon-fed occasional comments, is when you see the remarks from people you know, and you’re reading words that don’t really sound that intelligent or, in the case of what I saw, were good examples of peoples’ white privilege soaking through the sponge.

Because in spite of many peoples’ best attempts to try not to be racist but not doing a very good job of doing it, the seemingly number one reason for any sort of opposition of the idea of Giancarlo Esposito as Professor X, really boils down to the fact that he’s not white.  I understand that there’s an expectation set by decades of seeing a lily-white Caucasian Professor X in comics and FOX properties, but we live in a world where change is inevitable and is happening very rapidly.  But you could go back to 1963 and change the skin tone of Professor X to absolutely any color at all, and it wouldn’t have altered the course of history one bit.

He’d still have has had his legs crushed by the Shadow King.  He still would have gone toe-to-toe with Phoenix on the psychic plane.  He still would’ve gotten shot by Stryfe and been the first guy to have the Legacy Virus.  He still would’ve mind-fucked hundreds of people and become Onslaught.  And so forth and so forth.  A black Xavier, Hispanic Xavier, Asian Xavier wouldn’t have changed the course of the character’s history one bit.  Just because he was white in six decades worth of comic books doesn’t mean he couldn’t be presented as non-white in what would be at the very most, a series of films.

But seeing people take shots at his polish, his acting ability and other reasons to criticize the guy when they’re really just objecting to the fact that his skin tone doesn’t match Ben Affleck’s, is insulting and is bullshit.  When the day is over, the right performer should be the one to get the role, regardless of the color of their skin.  I mean, look at the shitty 2003 Daredevil speaking of Ben Affleck.  The film was horrendous, but one of the few things they did get right was casting a very black Michael Clarke Duncan as the role of the historically very white Kingpin.  Regardless of skin color, Duncan is a tank of a man who commands a room, has swag and is convincingly physically invincible, much like the character he portrayed.  Naturally, there was much complaints about that as well, but to its credit it still came to fruition.

Plus, Patrick Stewart isn’t getting any younger.  Y’all remember seeing his cameo in [spoiler redaction]?  Eyes all sinking in with age, not entirely sure the wheelchair was just a prop.  When he was a layup for the role of Professor X, those Bryan Singer X-Men flicks were literally two decades ago.  Stewart is 82 years old.  Eighty-two years old.  At the very most, Professor X was probably in his early fifties in the comics, in “present” canon.  Absolutely no disrespect to Picard.  He is the living embodiment of how Professor X was originally portrayed.  But my man is getting old.  He is old.  He doesn’t need to be continued to be trotted out, and then get the digital Luke Skywalker treatment.  Let the change happen.  Change.  Is.  Needed.

Hopefully the stiffs at Disney/Marvel/ESPN/FOX will be capable of not caving into their white racist brethren when it comes time to eventually start casting for the introduction of mutants into the MCU, and make the right fucking call: Giancarlo Esposito as Professor X.

The Clock King is most definitely the worst villain ever

A long time ago, I posed the question if The Clock King really was a villain, in the grand spectrum of things.  That he really was just a punctual and time-considerate individual in a world full of shitheads that don’t have such qualities, and he’s the one that gets painted to look like the bad guy, and eventually a member of Batman’s rogues gallery.  Back then, it didn’t really seem fair to me that he was considered a villain and I wanted to open that discussion to my then-six readers.

But after a weekend like this past one, and 2+ years of parenting, all I can really think of now is that not only is The Clock King most definitely a villain, he’s without a shadow of a doubt the greatest evil in all of comics.  Worse than Darkseid, worse than Doomsday, worse than the Joker.  Worse than Thanos, worse than Kang, worse than Onslaught.  Shit, it transcends comic books, and The Clock King is the greatest evil in the history of, history.  Worse than Hitler, worse than bin Laden, worse than Trump.

Obviously this goes into the obvious notion that there is no greater force in existence than the passage of time, and how it’s unfeeling, unbiased, impervious by nobody, and never ending.  Which means those who wields it to greatest effect, like The Clock King, are basically the worst people ever.

At this current juncture of my life, there’s seldom any time in which I am not up against a clock on a fairly regular basis, and there are times in which it becomes absolutely maddening and fills me with despair and levels of stress that I have a hard time coping with.  By individual nature, I am a punctual person who believes in punctuality and adequate lead time; I hate to rush, I like getting to my destinations early, and as a worker I believe that 15 minutes early is on time and on time is late.

But since I’ve gotten older and had kids, my agenda is always packed full of things for other people, I’m routinely stretched past capacity, and I’m way more prone to being late to things, and I concern myself that I’m developing a reputation of being flaky and unreliable.  Or just a typical parent maybe.  Regardless, it goes against everything that I’ve always put a lot of conscionable effort into maintaining, and I have a hard time dealing with the seemingly endless stress that comes with being up against the clock.

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The forced watching of Doctor Strange 2

The worst part about big blockbuster and/or Marvel films is the feeling that if you don’t see it immediately, as in opening night immediately, you will inevitably get spoiled in some capacity within the next 24 hours.  Be it some passing graphic on social media, a news feed analyzing a massive spoiling plot point, or some rando internet friend who thinks they’re way more clever than they actually are and giving away something critical, if you don’t watch the film with some sense of urgency, you will without uncertainty, have something ruined for you.

Ironically, I’m not even really that big of a fan of Doctor Strange.  I wasn’t ever a fan of his in the actual comic books, despite knowing he was something of a big deal considering just how many crossovers he ended up in.  The MCU, as it has demonstrated on numerous occasions, made him somewhat cool and digestible, and I think Benedict Cumberbatch has breathed adequate life into the character. 

The first film, I didn’t even see in a theater and instead watched it on an international flight, since I had 8-13 hours to kill in the air, which wasn’t too bad.  The funny thing is that he’s way more interesting in other characters’ films than his own, but obviously for the sake of moving the entire MCU phase plot along, of course he’s going to get his own film(s) from time to time.

Spider-Man: No Way Home was a no-brainer of a film that had to have been seen with urgency and I’m glad that I did.  And Doctor Strange was pretty good in that film as well as an extremely critical player in the grand spectrum of the plot.  But ultimately, it ended up being more obnoxious and feeling like a sense of inconvenience that I had to put forth the same effort in order to see Doctor Strange 2, even if it seemed like this was going to be a critical film in the overarching MCU phase storyline; it’s still Doctor Strange, a character that I’ve always been kind of ambivalent about, in general.

Regardless, mythical wife and I made a point and made some arrangements to where we were actually able to go out for a night and watch Doctor Strange 2: The Multiverse of Madness.  My general theater experience was tarnished by the shitty quality of service we had and I never got my actual fucking entrée and they had the audacity to try and get me to pay for it, but as far as the film itself went, it wasn’t that bad.

Cumberbatch once again makes Doctor Strange not so much of a square, and injects some actual personality into the character.  And I suppose it’s not too much of a spoiler to say that the film basically ends up becoming the film sequel to WandaVision, seeing as the Scarlet Witch was primarily featured in the post-credit preview of the film after Spider-Man, not to mention Elizabeth Olsen is very predominantly featured on all film advertising.

As predicted, the film does kind of blow open the MCU in general, and between this film, the events from the Loki television series, and a lot of the shit alluded to in No Way Home, it’s almost brain-bending on how Marvel is even going to proceed from here, not to mention they’ve unlocked the ultimate plot devices that effectively allows any and all properties to be retconned and revised at a moment’s notice.

But as a standalone film, I’d say that DS2 is about a 6-7 out of ten.  A lot of crowd-popping cameos and ah-ha moments don’t really mask that the core plot of the film was a little on the weaker side of things, and there’s some pretty big plot holes that are poked open in WandaVision that beg to be asked.  The film effectively acts more like a vehicle to the overarching phase and tends to lose track of the fact that it’s still supposed to be about Doctor Strange, but all in all, I was still entertained and walked out of the theater ready to discuss and try to suppress excessively mansplaining anything that mythical wife might not have been familiar with.

However, back to the original hypothetical, on whether or not Doctor Strange 2 is worthy of being a must-see on an opening day?  I wouldn’t say so.  But solely because of the fact that I didn’t want to be spoiled to any MCU-isms and ah-has, I still felt like I was forced to do so, which makes me feel a little bit resentful of the way social media and the internet has created such a dynamic.  Fuckin’ ruins everything.