Tag: wrestling

Thoughts on my first GCW live event

~ dannyhong ~ Leave a comment

Despite the fact that I don’t really have the time to watch nearly as much wrestling as I would like to, whenever there’s a show at Center Stage in Midtown Atlanta, I typically make a conceited effort to go, regardless of the promotion that manages to book the venue.  It’s simply one of my favorite venues to watch live professional wrestling at; it’s a small, intimate venue that lends itself perfectly to watching wrestling, tickets are usually reasonable, there’s no bad seat in the house, and because of its size, Center Stage is perfect for yelling at performers and knowing that they can probably hear you.

A friend of mine gave me the heads up that GCW (Game Changer Wrestling) was coming to Center Stage, a week before a TNA show that I had earmarked, and since I don’t like to leave my house too much I quickly pivoted to plan on going to GCW instead of TNA since I’ve watched TNA (when it was still Impact Wrestling) at Center Stage before, but more importantly, that I’d never seen a GCW show in person before.

GCW is primarily known for their hardcore style, proclaiming to be the successor to ECW, with bleeding performers and penchant for weapons, primarily fluorescent light tubes, but they’re also known for putting on entertaining shows.  I’ve only seen one of their pay-per-views, as well as hundreds of random video clips and I’ve always found them entertaining, but the fact is they’re still like 4th or 5th tier in the current standing of notable promotions out there.  The fact that they still call themselves independent wrestling is amusing, but they’re also nowhere near the big leagues, but regardless, they still put on entertaining shows, and I was looking forward to it.

To cut to the chase, GCW was an awesome show and a fun experience.  Leaps and bounds better than MLW, not nearly as polished as TNA, but nowhere near as raw and amateur as any of the indy shows that I’d been to in the past.  There were no major names with WWE/AEW/TNA experience beyond guys like Joey Janela, Fuego del Sol and a rando booking of Jimmy Wang Yang, and Matt Cardona was only shown in video packages and highlights.  Nick Gage, the supposed heart and soul of the promotion, I don’t even know if he’s even still alive, or incarcerated or whatever, but he wasn’t there either.

In a way, I felt like it was better that way, since there were little to no preconceived notions on any of the talents I got to see.  In a way, it felt very refreshing to come into a show with hardly any knowledge of any of the talent, because it was like a rare chance to feel like a new fan again, to be amazed or surprised at the various levels of talents to which there was plenty of, on the GCW roster.

So the guy that captured my imagination the most was Jack Cartwheel; obviously with a name like that, it was obvious that cartwheels were going to be a part of what this guy did, but to what extent was unknown.  I figured he probably did the top-rope cartwheel DDT that Jake Atlas put on the map during his time in NXT, but as his match against Fuego del Sol progressed, it turned out to be so much more.

Cartwheels to celebrate.  Cartwheels to evade clotheslines and other attacks.  Cartwheels to get in and out of the ring, jumping over the top rope, coming off of the top.  There’s a reason why cartwheel was in his name, and as much as I admittedly thought his whole persona was lame as shit, and assumed he was going to do the job, seeing as how Fuego was the guy that came from a Top-3 promotion, as the match soldered on, and Jack Cartwheel kept spamming more and more cartwheels, he began to win me over.  I began yelling out for more cartwheels, and for the rest of the night, I was yelling at other guys I had little to no clue to whom they were, to do cartwheels.

Jack Cartwheel is a perfect example of a wrestler who appears to be aware of how silly his gimmick is, but has committed to it 100%, owns it and lives it, and spams it so hard, that it’s hard to not get won over by his sheer commitment and dedication to his gimmick.  After his match, which he thankfully won btw, all I wanted was to see more cartwheels.  More Jack Cartwheel!

Otherwise, like I said, the GCW show as a whole was fun and entertaining.  The lineup was a little wonky, and I can comfortably say that after the Jack Cartwheel vs. Fuego match, the card kind of went downhill, not just because I was so high on Jack Cartwheel, but because the paces of the match started to get slower, relying more on hardcore and danger spots, and by the time the main event rolled around where it was GCW Champion Mance Warner vs. some old bald guy who bled like a stuck pig and could barely move, the night had come to a crawl.

But overall, GCW was an awesome show.  If their journeys bring them through Atlanta again in the future, I’m definitely on board to go see them again, especially if they’re booking Center Stage.  And hopefully, Jake Cartwheel will still be on the roster then, and if he’s not, I certainly hope he’s in a better promotion, making good money and getting cartwheels even more over.

It’s almost as if Kenny Omega didn’t work for another promotion

~ dannyhong ~ Leave a comment

YT: Kenny Omega makes his first appearance in six months at New Japan Pro Wrestling’s Power Struggle show, promotes potential match at NJPW WrestleDynasty

One of the things that I’ve been saying, even since the inception of All Elite Wrestling, is that Kenny Omega’s heart has never left Japan, despite the fact that he is one of the founders and is a vice president of AEW.  If I had to guess, he left and helped start AEW because Tony Khan was paying truckloads of money to everyone to help get the promotion started, not to mention that he kind of hit a ceiling in NJPW.

Aside from the money, it was an opportunity to really shape and create and cement his legacy as one of the greatest talents to ever exist in the business of professional wrestling, and I can’t fault the guy at all for taking the bag and trying to secure his financial future while he was still a hot commodity in the industry.

But let’s try and be objective here, his body of work under the AEW banner pales in comparison to all the performances he’s put on while under an NJPW flag.  Yes, it’s debatable that he was younger, more prime, more spry while he was with NJPW, and his deteriorating health really started to come into play after AEW was launched.  All valid points; but I counter with his matches with Will Ospreay a year+ ago when they were doing several AEW vs. NJPW cross-promotions.

No doubt Ospreay is a world-class talent that is capable of having great matches with most anyone, but it’s not like he had to carry Omega; something about Omega wrestling Ospreay in Japan, the guy pulls out a legendary match out of nowhere and then has an encore performance against Ospreay again when the time came for him to return the favor.  Wrestling in Japan and against NJPW talent really brings the best out in Omega, and if this isn’t a sure-fire tell that the man really has never taken his heart out of Japan, I don’t know what is.

Getting back to the linked video though, this was a spirited, heartfelt promo in my opinion, of Kenny Omega being where he’s clearly the most comfortable, in Japan, speaking Japanese, to fans whom he can relate to, appreciate him, and shares a mutual respect for, and not the snarky, sarcastic overboard hipster fans that tend to make up the majority of AEW fanbase.

Listening him put over New Japan, the country of Japan, and how much he loves it, I can’t help but wonder what goes on through the mind of Tony Khan, his boss in AEW, when he sees his very own, highly-paid and highly-respected talent gushing so hard over his former employer?  It’s obvious that Omega has a higher regard for everything Japan over his actual employer, and I can’t help but feel embarrassed for TK and AEW that he’s putting them over so hard, because I’m hard pressed to recall at any point where he’s ever been so heartfelt and genuine to an AEW crowd.

Either way, when it really comes down to it, I really just hope that Kenny Omega has the opportunity to regain his health, and get back into the wrestling ring, because the industry as a whole is better with Kenny Omega in it.  I want the guy to be happy, because when his heart is into it, there legitimately are fewer better in the business that can put on an incredible match, but I’m dubious that whatever he does under an AEW banner would ever be able to compete with anything he does under an NJPW one.

I will never understand the repeated 50/50 booking of Bron Breakker

~ dannyhong ~ Leave a comment

I was chatting with some of my bros about Jey Uso’s long-awaited singles championship when he won the Intercontinental blet from Bron Breakker, and my first remark was along the lines of, well I hope they don’t give the blet right back to him in 3-4 weeks, because this has basically been the exact recipe that the WWE has been doing with Bron Breakker since he debuted back in 2021.

For whatever reason, Bron Breakker always has two matches with a guy when there’s a title involved, and by the time the second match is over, Breakker is the one coming out with the title.  50/50 booking in professional wrestling is when two sides trade wins, with the goal of each party getting an opportunity to look like the stronger side once, but in the end the benefit is minimal if at all, because both parties will have taken an L.  It is often criticized by the fan community and I can’t say that I disagree with the notion, and I’d rather a guy be used sparingly and sell a feud on character work and promos as opposed to there being a series of matches where both guys come out no better than which they started.

Like, here’s a list of Bron Breakker’s championship 50/50s since emerging in the WWE ecosystem:

  • Tommaso Ciampa: Loses on 10/26/21. Wins NXT Championship on 01/04/22
  • Dolph Ziggler: Loses NXT Championship on 03/08/22. Wins NXT Championship on 04/02/22
  • Sami Zayn: Loses on 07/06/24. Wins Intercontinental Championship on 08/03/24
  • Jey Uso: Loses Intercontinental Championship on 09/23/24. Wins Intercontinental Championship on 10/21/24

Like, I’m not pulling this pattern out of my ass, since Bron Breakker has emerged onto the scene, this has been precisely how he’s been booked, and I don’t know why.  After three years, he’s proven himself to be a tremendous talent, very much the genetic heir to his family lineage from his dad Rick Steiner and uncle Scotty.  He’s demonstrated the ability to work with all sorts of styles of workers, from all-around talents like Ciampa and Ziggler, small technicians like Carmelo Hayes, to bruisers like Gunther. 

50/50 booking should be reserved for guys greener than Breakker, but I feel like they’re doing it anyways, because of his general age.  Pro-wrestling has this archaic philosophy that everyone should pay their dues and apparently for a very long time.  Furthermore, a guy like Breakker has to always be weary of being accused of succeeding on account of nepotism, so I have to assume that all this 50/50 booking is being done to help him pay his dues, despite the fact that I think it’s doing more harm than it is good to have him eat so many losses, when he’s clearly set up to be one of the torch bearers for the company in future years.

So I guess writing things out, I kind of answered my own question to why Bron Breakker is being 50/50 booked so much.  I don’t necessarily agree with it, but as long as some old philosophies remain, even the most talented of guys will have to learn to eat some shit sandwiches because all their predecessors did too.

That being said, the tease of Bron Breakker vs. Jacob Fatu will be interesting.  I would’ve said that the new Bloodline would be beginning an amassing of titles with Jacob getting his first taste of singles gold, but that would be problematic when it would come time for Solo to try and nab one of the World titles, and I think we all know nobody’s dethroning Cody or Gunther.  But let’s not pretend like the ol’ E won’t 50/50 Bron against Jacob Fatu as well for a fairly meaningless title change just to help advance the Bloodline storyline which is in my opinion starting to border on becoming dragged out too long and with too many players in place.

But hopefully, the E will just stop booking him like this inexperienced rookie, and just let him have a monster run with the gold, because I genuinely believe he’s the future, and it’s important for him to be established as such, when the time comes for him to start being the man.

Even if when he is in performance mode, he’s the color of Hulk Hogan mixed with a Costco rotisserie chicken.

Stop trying to make Saudi Arabia happen

~ dannyhong ~ Leave a comment

One of the best parts about the largely mid Bad Blood PPV PLE was when Triple H came out to make an announcement, which turned out to be about one of the Saudi Arabia shows that pretty much nobody in the Western Hemisphere gives two shits about let alone recognizes as being remotely canonical in the WWE storyline ecosystem, and there were noticeable boos coming from the crowd.

Atlanta, it’s times like these in which I am proud to be one of us.

Seriously though, to top it all off, they unveiled a brand new blet, dubbed the Crown Jewel Championship, that would be awarded to the winners of the respective champion vs. champion matches between the men’s champions and the inferior gender Arabs hate but pretend to tolerate and give rights to in order to futilely gain acceptance from the rest of the world women’s champions.

And of course, I fucking hate them, as much as I fucking hate the Saudi Arabian shows that the WWE continuously forces down the throats of its viewers like they have the ability to single-handedly erase centuries of primitive cultural behavior.  Notice that unveiled was only a men’s variant of the Crown Jewel blet, contrary to the week prior where they unveiled a men’s and women’s rebranded NXT championships.

Honestly, I wouldn’t be the least bit surprised if there were no actual women’s Crown Jewel blet created, but Hunter going on live television and proclaiming that there would be one, forces the Royal Family to shell out a small mint to create a women’s variant of it, lest the almighty accusations of false advertising and poor optics ding their already-fragile reputation to places outside of the Middle East.

On paper, Cody Rhodes vs. Gunther should be a pretty good match, but as is often the case at these Saudi shows, it’s like the talent knows they don’t have to push the gas all the way down, not to mention that they’ll probably be in like Jeddah or Riyadh where it’ll be 104F outside, so they’ll err on the side of caution, and the match will feel neutered and nowhere near as good as people know it could be, if it were at like Wrestlemania or SummerSlam.

But Liv Morgan vs. Nia Jax for the women’s Crown Jewel blet?  I enjoy Liv, appreciate her love for the business not to mention the snack she is to eyes like mine, but there’s no way she’s going to defeat Nia Jax, without a tremendous amount of monkey business from maybe the recently returned Raquel Rodriguez.  Even if Tiffany Stratton cashes in and steals the title away from Nia before the event, Liv vs. Tiffy doesn’t sound as good to me either, because as high as I am on Stratton, she’s still green and I’d rather her first championship reign come when she’s a little bit more ready for it than I think she is now.

So once again, Nia will probably come out on top at a Saudi show, but in a different perspective, I guess it’s good that the E utilizes Crown Jewel to be the place to burn a stinker of a program, so that it doesn’t have to be run in a place that might actually appreciate it.

I’d really love to see both Liv and Nia come out in boring, sterile putty patrol-gray outfits with no personalities, as sort of a protest for the gross second-rate Sharia law bullshit they have to adhere to.  And also, after Nia defeats Liv, she gets blind-sided by Raquel and then Tiffy comes out, cashes in, and basically walks out with two blets, with the Women’s championship as well as the bullshit Crown Jewel blet.

No matter though, I don’t really care who wins what at this bullshit show, because I’m long past over the E tryna make Saudi Arabia a thing.  There’s no way in hell I’ll be able to watch it live, even if I wanted to, in my dad schedule, and if I’m not watching something live, I’m inevitably going to skip through 80% of the show when I watch the replay later, because ain’t nobody got time to watch every single minute when the finishes are just a few clicks away.

Also, what does this new blet mean for Braun Strowman’s ugly-ass Saudi blet he won at the “Greatest” Royal Rumble?  Does this replace it?  Is it a separate title?  Does it matter?  Does anyone actually care?  Nah.

NXT’s new blets are a let down

~ dannyhong ~ Leave a comment

In case you missed it, as part of the show’s official launching on theCW Network, NXT has rebranded and as a part of the rebranding, have unveiled new and updated championship blets.

In one hand, this should’ve been predictable if I were to even think of the possibility of redesign, seeing as how for the last few years, through NXT 2.0, and whatever the gold logo’d variant after it was called, the title blets had remained almost entirely the same from their last versions from the Triple H black and gold branded NXT; most identifiable by the giant X’s in the middle of the logo on all titles in circulation.

But on the other hand, I’m very unimpressed by the new blet designs for their top men’s and women’s titles, and I can only imagine how vanilla and boring the tag team blets are going to be, and possibly the North American blets if they choose to redesign considering how little the NXT logos were on those.

Renderings of the blets outside of the shiny television lights don’t do them any favors, and you can see how generally lacking in thought and design there is behind the new blets.  They’re regurgitating the straps from the black and gold era which is clearly dictating the design of the plates as a whole, and there’s really not a whole lot of innovation with these updated designs.

NXT grew to a point where NXT championship reigns were being widely accepted as world title reigns for superstars fortunate enough to get to that level, but with the blets looking like this, I’m thinking that they’re reverting back to looking like developmental champions rather than actual world title caliber.

Art nerd philosophy [one] is that fewer things are indicative of mediocrity than constantly rebranding and changing the aesthetics, because changes are only being made at a superficial level, and not necessarily to the more important functional and systemic ones.  NXT 2.0 was a pretty comprehensive rebrand from top to bottom, all the way to execution, but it really wasn’t when 2.0 ended, and other than moving networks, I can’t really imagine what functional and systemic changes they have in store for theCW-NXT (CWNXT?).

But as observed above, they’d been operating NXT 2.0 with even older NXT title blets for so long, that by now a full comprehensive rebranding isn’t necessarily a bad idea either, it’s just that I don’t care much for the “design” of the identity or the blets themselves because of:

Art nerd philosophy [two] is that on a long enough timeline, everyone’s logo and identity seems to inevitably turn into one of being in Arial/Helvetica, specifically a variant of Helvetica Neue.  There are countless examples out there of notable companies and corporations that have rebranded for almost no justifiable reasons, but always tend to take a timeless classic logo, and make an updated version where any script or character is stripped and is usually replaced by some boring, soulless, vanilla sans-serif font, usually wrapped in some rhombus.

NXT is no exception to this rule, with the new logomark being literally the letters in Helvetica Neue 95 Black with a little bit of manual kerning to have the characters butt into each other, but is otherwise another example of a boring, vanilla and soulless rebranding.

Why companies are so hell bent to not go back to logos that worked is beyond me, Burger King has reverted back to an old iteration of their older logos, why can’t NXT go back in time and revert back to the Hunter-era of NXT’s branding?  Then the blets wouldn’t have had to have been re-designed and recreated, but typing that out I’m reminded of the fact that the goal is to push and sell merchandise, so I supposed going back in time is kind of counterproductive to that objective.

Either way, even if I had the fluid disposable income to get more blets for the collection I can’t display, I have zero interest or desire to pick up a replica of this new CWNXT championship blet.  My NXT collection is already well-represented with a Hunter-era NXT championship and North American championship, and I don’t see any need to add to it from a mediocre pool.

Thoughts on my first MLW show

~ dannyhong ~ Leave a comment

As the consummate pro wrestling hipster that tends to favor indy and smaller promotions when it comes to watching wrestling live, when MLW announced they were making a stop in Atlanta, and at Center Stage theater no less, my absolute favorite venue to watch wrestling at, I was excited when I got some of my boys together to go watch.

Despite knowing of their existence, some of the notable names to have emerged from them, and their general hierarchy in the power rankings of professional wrestling promotions, I’d never actually been to an MLW show before.  In the past, I just wasn’t that interested, and perhaps I didn’t respect them enough, but as my general appreciation for indy and smaller promotions has grown, I was looking forward to giving them a shot.

After all, they still managed to command Center Stage, a venue historic in the annals of wrestling promotion, having hosted everyone at some point, from the NWA, WCW, ECW to smaller rackets like NXT, TNA and GCW, so it should be a considered a rub in the positive direction if MLW could promote at Center Stage.

And leading up to the event, the card was coming together to be somewhat respectable, with noteworthy names and matches assembling, featuring guys like Matt Riddle, Kenta, TJP, Satoshi Kojima and PWI’s #10 wrestler* Mistico among others; but I obviously preface with that “on paper” disclaimer, because when it comes to smaller promotions, historically a lot of workers tend to work down to the level of their show, and I’ve been disappointed more often than not when it comes to actual performing.

*I say this dripping with sarcasm, because as decent of a worker he is, Mistico is definitely no top-10 wrestler, and I feel that he’s the equivalent of a DEI inclusion onto the list, solely to represent both lucha libre and a smaller promotion like MLW

What we were unaware of, was the fact that this was a double-taping, with MLW taping some online show called Pit Fighters, where supposedly every match was some gimmick, revolving around “X region of the world” and “deathmatch” and we were exposed to this really hackneyed card of matches where it would be a Tae Kwon Do match, a boxing vs. BJJ match where Donovan Dijak interfered and rescued the segment, and in one Taipei Death Match, which was surprisingly brutal, to where I was hollering that this was a snuff film, it actually featured a worker that was actually Korean in Ikuro Kwon, whom I had to look up as actually being born in Korea, so that’s actually kind of cool.

But all in all, Pit Fighters was a real chore to sit through, and I kind of felt bad for the friends of mine whom I roped into coming with me, having to sit through the bullshit, but fortunately things picked up a little bit, when we got to the actual live-airing of the MLW FIghtland show that we had originally expected the whole thing to be.

However, much like I had pointed out, despite some of the matches on the card sounding pretty decent, it overall was kind of meh.  Kenta and TJP had an okay match, but nowhere near as good as they’ve gone up against each other in NJPW, Dijak and Timothy Thatcher also was better when they faced off in NXT, and I don’t even really remember many of the other matches at this point, it was such a forgettable card.

The one thing that really made me want to write about this though, was throughout the whole night of taping,** there was one group that kept showing up through the night, which consisted of Bobby Fish, CW Anderson, Brock Anderson and this kid I’d never heard of before in BRG – Brett Ryan Gosselin.

**it should also be pointed out that the taping I think was done out of order, so the Pit Fighters that taped before Fightland, was actually intended to air after Fightland, so there was some wonky narratives going on

And they would proceed to declare themselves “The Rogue Horsemen,” and I’m not so certain that I wasn’t the only person in the theater to audibly groan at such a grasp at relevancy, and one my friends and I kept saying and agreeing that it was the saddest looking stable we’d ever seen in our lives.

So this kid, BRG, I can respect the showmanship and the B+ charisma he has on the mic, but he’s basically a Temu version of MJF, which is funny because so many people have called MJF a Wish version of The Miz, but regardless, BRG’s schtick just seems so regurgitated and he relies too much on cheap heat and calling the audience idiots, so I guess he’s exactly where he belongs in a 4th-5th tier promotion like MLW.

In all fairness, I like Bobby Fish, but the man is not getting any younger, and the numerous injuries he piled up in his later years in NXT as well as AEW have definitely taken their toll on him, but the man really is a tag team guy, that even in a small pond like MLW probably won’t be able to handle the toll of singles.

CW Anderson, I was actually surprised to hear and see him come out, because the last time I had seen him was in like 2019 at a really raw indy show in rural Virginia, where he wrestled The Hurricane in a high school gym.  But the man literally debuted in ECW in 1999, and he looked 40 then, which means he’s actually held up pretty well to only look 60 now.

But he’s teamed up with Brock Anderson, the son of Arn Anderson, in the obvious designated tag team of the stable.  The thing is with Brock is that despite being Arn’s son, he apparently got none of his dad’s talent, and Brock looks like a guy that’s in wrestling because plan A didn’t work, but neither did plans B through F, and he’s in the business pretty much out of no better options and that his dad’s name gives him the foot into any door.  He’s out of shape and poorly trained, and it was no more evident in his talent level than when The Andersons had a tag match, it was ancient CW who started the match instead of the younger Brock.

Honestly, the most memorable things that happened in the night for me, were an appearance by Ernest “the Cat” Miller who hilarious did absolutely nothing at all when he served as a special guest scorekeeper in whatever convoluted wrestling/jiu-jitsu match that Matt Riddle was in.  Also, JBL showed up during the Andersons’ match against the Bomaye Fight Club, dropped their big guy with a short-arm Clothesline From Hell, and whispered something to Brock Anderson, which I’m hoping is not a precursor for him eventually jumping ship to the WWE, especially since Arn is back in their good graces, but it was cool to see JBL continuing his random appearing in various other promotions as of late.

Overall, being two consecutive shows in one night, the whole experience dragged on quite a bit, due to the general mediocrity of the talent.  The show started late, at like 7:20, and didn’t end up ending for about four hours, and by the end of the show, my friends and I were pretty exhausted and ready to get the fuck out of the city.

Bottom line is that if MLW comes through Atlanta again, I’ll either go by myself, or take a pass.  I’m glad I went just to experience it and learn more about what an MLW show is like, but like I said, I don’t think it’s something I need to do again any time soon.

I can’t wait for Xavier Woods’ heel turn

~ dannyhong ~ Leave a comment

Lots of long-time wrestling fans are smarter than people like to give them credit for.  The wrestling industry is at its best when they treat the fans with a modicum of respect for their intelligence and don’t go out of their way to dumb things down that questions it instead.

At this point, I can confidently believe that Xavier Woods’ heel turn isn’t so much just being hinted or teased, it’s definitely something that’s going to happen with the only question really being is just, when?

As much as I was a fan of the group, let’s not deny the fact that The New Day has been dead for the better part of the last few years.  One member of the squad has always been injured at various points throughout this span, and as much yeoman’s work the other two have done in their absence, the fact of the matter is that The New Day has always been a three-man group, and whenever it’s unable to be such, it means that The New Day isn’t really there.

With the unfortunate neck injury that has basically retired Big E at this point was really the nail in the coffin for the group, and it’s like Xavier Woods and Kofi Kingston have just been chugging along under The New Day banner, mostly out of a general lack of ideas of what to do with them in the meantime.  They’re both trustworthy hands, their brand is still popular and easy to stay over, but the reality remains that them and the group have just been a dead idea walking.

And then they just plucked Odyssey Jones out of NXT and went boom, you’re The New Day member #3, and I’m just like, nah dog, I’m fuckin out.  No disrespect to Odyssey, but it’s kind of low-hanging fruit and insulting that they just take a big black wrestler and throw him into The New Day with the express purpose of replacing Big E’s spot.

However, the best thing to emerge from this is that it appears that The New Day are back in the general plans of Creative™, and the wheels are in motion for the ultimate dissolution of the group together, culminating with what appears to be a heel turn for Xavier Woods, who has been the one member of the group to have been overlooked and not given a genuine chance at singles success for over a decade now.

They’ve teased Woods’ seeming lack of satisfaction of the inclusion of Odyssey Jones, there’s been remarks on live television about how Woods is the only member of the original squad to never have won a singles championship, and Woods himself has been doing an excellent job of facial expressions, body language and subtle, non-verbal performing that’s adding to the fuel that something is about to catch fire.

The only problem is that when the match is lit, and heel-Woods is initiated, I have this sneaking suspicion that the result isn’t necessarily going to be what the WWE is going to hope is going to happen, and the fans are going to pop like motherfuckers when it happens.

Kind of like when Becky finally snapped and decked Charlotte Flair during the pre-The Man days, the crowd went bonkers in support of Becky’s heel turn, because Becky Lynch was a performer that the fans had gotten to know, earned their respect, and drew empathy from the notion that they’d been held down and been a bridesmaid far too many times.

I feel like Xavier Woods is in a similar boat, and regardless of how he’s portrayed on television, he’s been building his personal brand for the better part of the last 10+ years on the internet, utilizing Up Up Down Down for people to get glimpses of Austin Creed, and there’s probably a notable amount of overlap between fans of Austin Creed and fans of Xavier Woods, and I predict that when Xavier Woods finally, goes heel and beats the fuck out of Odyssey Jones with a chair, and then plasters Kofi Kingston with a shot to effectively close the book on The New Day, people are going to pop, because the spotlight will suddenly be on Austin Creed, a guy that’s never really had the opportunity to have it, and they will all be excited to see how he handles being given the ball.

Just the thought of singles feuds for Xavier Woods, with inevitably Kofi, Sami Zayn and Jey Uso definitely seem like the types of programs that would get me to actually put effort into keep up to date with the product, but the question really is when they’re going to happen.  All the same, I can’t wait for it when it does, and let’s hope Creative pulls the trigger at the appropriate time, and doesn’t wait too long like they used to do so often throughout the early 2000’s.