I think the Bloodline has DJ Tanner Wrestling’d

Only the longest of my zero readers know that DJ Tanner Wrestling-ing is my personal evolution to jumping the shark, and in the case of this particular topic it’s relevant since this is yet another post about, professional wrestling.

Anyway, over the weekend the WWE did their best to surprise the Universe by introducing Tanga Loa into the company, when he interfered during the Bloodline vs. Kevin Owens and Randy Orton tag match.  A few weeks ago, they had brought in Tama Tonga to join forces with Solo Sikoa, whom the storyline has as being the guy now assuming control over the Bloodline, with the long-deserved hiatus of Roman Reigns after Wrestlemania. 

And with that, both members of the Guerillas of Destiny (GoD) have made their way to the WWE after a long and fruitful career overseas in NJPW.  Both have aligned with Solo, and are representing the new age of the Bloodline.  I doubt that they’ll still be called GoD once the dust settles from their arrival, but to those that are familiar with them, they’ll always be GoD.

Personally, I’m high on GoD, and loved their work in Japan.  It was the highlight of the evening when NJPW had a tour stop in Atlanta, where the main event was the Guerillas winning the IWGP Heavyweight Tag Team championships, and above all else, I love that they’re the son and the adopted son of the baddest man on the planet, Haku.  That alone gives them a 10 in toughness, because I can’t imagine anyone raised by Haku would be anything short of being the polar opposite of a pussy.

I am excited for their arrival in the E and the sheer potential they bring by both being in the company, but at the same time, I still can’t help but have this feeling that they’ve caused the whole trajectory of the Bloodline to DJ Tanner Wrestle, mainly because of the simple fact that they’re not actual bloodline to the Anoa’i family.

In fact, they’re not even Samoan, but Tongan.  I know that white people can’t tell Asians and island boys apart, and there are a lot of similarities between the cultures, but the fact of the matter is that Tama Tonga and Tanga Loa aren’t related to the Anoa’i family nor are they Samoan, so having them be a part of the Bloodline seems kind of shark-jumpy in my opinion.

I know that Haku is super tight with many Anoa’i members, and as Rikishi once said, us island boys have to stick together, but it does feel like a little bit of a cop out to just slap GoD into the Bloodline and hope that nobody questions the genealogy here just because they’re all from island origins.

Sure, they did it already with Sami Zayn being the Honorary Uce, but the difference here is that they weren’t trying to hide the fact that he wasn’t Samoan and related to an Anoa’i, and I’m not saying that they might not do the same with GoD, but so far, they also haven’t made any attempt to dispel it either.  I have this suspicion that unless they get some heat from any Polynesian groups, who demand specificity, the WWE is just going to hope that fans at home assume that GoD are Anoa’i and don’t question it.

Don’t get me wrong, I’m stoked that GoD are now a part of the E.  They will inject a viable tag team into the division of whichever show they land on, and I’m sure fans are already salivating at the idea of an inevitable GoD vs. the Usos matchup, because a Bloodline civil war does seem like it’s the obvious end game coming once Roman Reigns’ vacation is up.

It’s just details matter to me, and two guys whom aren’t even blood-related themselves, joining up with a faction called the Bloodline to which they’re not related to, seems a little DJ Tanner Wrestling-ey in my opinion.  I get why they did it, and honestly from their perspective, as far as being fast-tracked to the main event and making money, they’re probably not sweating it, but it doesn’t change the fact that the execution of it, holistically as a whole, does seem forced and just a little bit DJ Tanner Wrestling-ey.  Creative might surprise me and spin a magnificent story, as they did over the last two years of Roman’s reign, but seeing as how they blew the wad at Mania, I’m not optimistic that this long-term story will be worth the wait if all the moving parts happen in the manner that I think they will.

Let’s talk about the WWE’s new tag blets

In one of those I should’ve seen it coming but I didn’t, the WWE has recently redesigned and unveiled new tag team championship blet designs.  Over the last few years, almost all the blets have been systematically been redesigned from top to bottom, except for the tag blets, which were still red for RAW and blue for Smackdown. 

Blets being in the middle of a reign didn’t seem to matter for when to unveil new designs, as Roman Reigns, Asuka and Rhea Ripley all received the new versions of the blets that they had held, but for whatever reasons, the Usos having the combined tag team championships on lockdown didn’t warrant swapping of those designs, but seeing as they were broken up and sent off to different shows seemed as good as time as any for the E to finally unveil new titles.

When the new World Tag Team Championships were unveiled on RAW, one I was happy for the Miz and R-Truth, two WWE lifers who are the consummate pros who do anything and everything they are asked for, do it well, and always manage to get absolutely anything over.  But two, my knee-jerk reaction to these blets were that I was relieved to see that they were finally gold blets again, seeing as how fewer things made the tag titles feel lesser-tier over the last 10+ years than the fact that they were bronze and then silver plates.

The shade of gold, amount of flourish and the weird griffin chimaera creatures made me think that this perhaps could’ve been a previous version or option of the World Heavyweight championship blet that ultimately ended up looking like a spin-off of the old WCW big gold blet in terms of its general shape and composition.

But overall, I do really like the new World Tag Team blets, except for one thing – the font they used on it.  Not digging the spiky, Glaive-like typeface they used, and it looks like they’re trying to be a 2005 RAW graphic package with it.  Furthermore, the type is just too fucking large, and much like my general aesthetic preference when it comes to clothing, I think when apparel requires too much text to explain it, then it’s design that is not optimal.

If the fonts were smaller, I could overlook the undesirable typeface selection, but overall, I’m pleased with the way the new World tag blets look.  Not sure if I’d want to own one, but typically a really good discount has gotten me possession of other blets I’ve felt similarly about.

Obviously, once RAW had unveiled new tag blets, among the first thoughts I had was pondering what Smackdown was going to do, because it was obvious that they were going to get a redesign as well.  But the question was, was it going to be carbon copies of the RAW titles, but with blue paint behind the globe and type?  Or was it going to be something completely independent?

Fortunately, the answer was just days away, when Smackdown unveiled the WWE Tag Team championships, with blets that looked completely different from their RAW counterparts.  Immediately, my eyes noticed the familiar shape of the center plate, which was an obvious throwback to older tag team blet designs, that had what I like to jokingly call the nutsack shape, because for whatever reason, the bottom has two bulges like a pair of testicles.

Regardless of the homoerotic comparison, my knee-jerk reaction was still positive.  I liked that it was a completely different design, and this will prevent any future embarrassing title swaps in future draft storylines.  It’s general design is much more muted and subdued than the World tag blets with its design being more etched and not molded.  In doing so, it does look like a cheaper blet in comparison, but as far as design goes, it’s a preferable design over its counterpart.

The font treatment is much more subdued and exactly how I prefer it, and the throwback shape of it is pretty much all that it needs to have to be the preferable of blets between the two.

What it all boils down to is if I had to pick one, which would I go with, and that would be the Smackdown WWE Tag Team blets.  The homage to the classic design is fantastic, and even though the World is the more detailed and nicer looking blet, the font is a turn-off for me

Either way, I’m glad to see that the E has redesigned both, because in the future when the tag blets are used as a prop or a means to reward two mildly over singles guys, at least they’ll look good holding some actual gold straps instead of silver-plated toy-looking blets.

Wrestlemania XL brought to you by, MAGAlcohol

Originally I had intended on this post being a part of the post I had made about how Wrestlemania basically sold out as hard as a NASCAR event with how many sponsorships they’ve piled into the production of their grandest event of the year™, but I felt that it had some legs of its own and I had lots of jokes and puns that I thought were the best things ever, cementing my obvious status as the dad who makes dad jokes that are only hilarious to myself.

Among the numerous sponsors that the WWE allowed to dump money into ‘Mania this year, this particular one stood out leaps and bounds above the others for me, one because of just how uncomfortably white-wing it comes off, but also finding out that they’ve basically bought Cody Rhodes and plastered their branding all over his American Nightmare™ bus, but we’ll circle back to that part later in the post.

On purpose, I’m not going to use mention their name because fuck them for being some creepy dog whistle white-wing racist undertone company, but as if that doesn’t set the stage enough, that’s basically the gist of what their commercial and branding seems to exude.

It starts with a catch-phrase that does rhyme but doesn’t necessarily roll off the tongue so easily, and I want to play the Stewie Griffin game with their name, because of the “wh” in it, and that serves to ramp up the difficulty in saying their name or mocking their jingle.

But as the commercial continues to unfold, it’s as if they’re continuously doubling and tripling down on their pride of being whiter than, well, a right-wing gathering, because as the scenes change to larger and larger groups of what appears to be solely white people, it’s apparent that this is a company that really gives no flying fucks about DEI and they want viewers to know that.

They even have a ridiculous line where they ponder why Moscow gets the mule, and while looking up the YouTube video to take a screen grab from, they’ve already posted a recipe for “American Mule” which is basically the exact same thing as a Moscow Mule except not Russian; which in itself is laughable considering so many orange guy disciples love Russia as much as he does.

As the commercial ends, only one word or phrase popped into my head: MAGAlcohol, because that’s precisely what the fuck this shit actually is. 

I’m not much of a vodka drinker, other than the sparse times where I like a cranberry vodka, but I kind of feel bad for the spirit itself.  MAGAlcohol makes me not want to have any vodka in general, because it’s murdering the entire category for me as if it were a white cop pressing his knee on a defenseless black man’s neck on asphalt.

Getting back to Cody Rhodes, I was abhorred when footage of him arriving to the Linc was shown, and Corey Graves was being a good soldier, by not failing to mention that his entire bus was also co-sponsored by MAGAlcohol, and I could feel my eyes widen at the disgusting sight of it.  Just when I was beginning to soften my stance on Cody Rhodes, and beginning to turn face on my opinion of him, he has to go and associate with MAGAlcohol, and I’m pumping the brakes at how much I want to support him. 

In some regards, I get it, he’s the American Nightmare, his ring attire is basically a Homelander from The Boys skin, and he’s a white guy from Georgia.  There’s few guys at his stature in the business that would be as worth co-sponsoring as Cody Rhodes.

But he’s also a pretty sensible, intelligent human being, from what I can surmise from interviews and the way he conducts himself in and out of the business.  I would’ve assumed that he would’ve been a little more cerebral than to associate himself with a company that clearly has no hidden agenda on whom they want their demographic to be.

Oh and his wife is also black.  I know that Brandi Runnels seems to be as white-washed as perhaps I am, but when push comes to shove, white folks wouldn’t hesitate to throw her under the bus if there was an incident that needed a minority scapegoat and she was within eyesight.

Perhaps it was out of his control, and it was the bigwigs at the E that forced it onto him.  But I would’ve also figured Cody, by now, and at his position within the company, would have the ability to veto this if he really wanted to.  But as so many legends in the business have so often said, the business is all about as making as much money as you can, because there will come a day when you can do it anymore.

Not that I think Cody was starving before his associate with MAGAlcohol, but accepting more money when you’re already rich is among the whitest things a white guy can do, so unfortunately, as much as The Story has been compelling, there is a little turd in the celebratory punch bowl, that most definitely does not make it go down so sweetly.

Re: the literal selling out of Wrestlemania

Normally, I’d wait until both nights of Wrestlemania had passed before passing on any sort of judgment, but this is fresh on my mind, and I’ve got this small window of time to write where it’s not enough to take a nap or do anything other than knock out a quick brog post.

The title of this post is not indicative to what I thought the quality of the show, at least Night 1 was for Wrestlemania, but it’s to refer to the fact that this show, and probably going forward future shows, had more sponsorships than a NASCAR race.  Prime energy drink, Snickers, Dude Wipes, Credit One, some Insurance company, and some super creepy right-wing sounding vodka company that I’ll circle back to later, but it was evident that every match had a sponsor, commercials were being aired in between every match for non-premium Peacock subscribers.

Very literally, Wrestlemania sold the fuck out.  They’re probably making millions of dollars in doing so, and I don’t judge that, but for a company that used to have zero in-ring sponsorship and usually relying on a singular chief sponsor per show, it is a stark contrast of the yesteryears, the generations of wrestling fans are hell-bent on creating a rift from then and now.

Prime had the top turnbuckle, and their logo emblazoned in the center of the ring, and it made Cody Rhodes look like he was kissing the Prime logo during his entrance.  Dude Wipes appeared to sponsor more matches than anyone else, and there’s something to be said the demographic when company that manufactures basically baby wipes for grown men has such sponsorship flex during a professional wrestling event, especially the magnitude of Wrestlemania.

My brother was the one who pointed it out, but he brought up the query on if it was fucked up or not, that the match that had a team of three black women, was the only match of the night to have been sponsored by WingStop.  I didn’t notice it at first, but once it was pointed out to me, I couldn’t not see the giant-ass WingStop logo lighting up the LED apron board and on the ring barrier throughout the match, and it definitely falls into the category of that’s fucked up.

Like seriously, surely there are marketing people at the E, and at some point, they’re milling among themselves, or coordinating with their sponsors, namely the WingStop people, and somewhere at some point, while divvying up the on-screen advertising, made the conscious decision that the match featuring Naomi, Bianca Belair and Jade Cargill, was the appropriate time to advertise WingStop.  Not that I was trying to be an eagle eye, but I don’t recall seeing them advertise again after that match.

I haven’t paid that much attention to the card for Night 2, but I do know that there is a match featuring Bobby Lashley and the Street Profits, and I have this sneaking suspicion that WingStop might be the chief sponsor for that match too now.

Everyone else can get Dude Wipes for the colossal amounts of shit that much be swirling around the city of Philadelphia’s sewer systems from 150,000 neckbeard wrestling fans converging in a single location.  Too bad most of them will believe their claim that they’re flushable, because there’s no such thing as a flushable wipe, and the streets of Philly are destined to be overflown by sewage at some point sooner rather than later.  But I guess such wouldn’t really be that far off from daily life up there.

The Power of The Rock

By now, everyone knows that The Rock is back in the WWE, presumably just for Wrestlemania SZN, but the reality is that he’s still back on television, making appearances here and there to hype up the event.

His return has sparked a lot of debate among the general wrestling community, and there are some pretty concrete sides on the field: those fans who dislike when guest stars pop up during Mania SZN, just to hype up the event, and ultimately vanish into thin air once Mania is over, and then there are fans who love it when part-timers like The Rock, Stone Cold Steve Austin, or the Undertaker show up for Wrestlemania, because they’re legends, they’re icons from their era, or whatever reason.

Typically, I’m often times in the camp of not really preferring when guests show up for Wrestlemania, because I’m of the mindset that the people who carry the company week in and week out, should be the ones to get the biggest billings at the biggest show of the year.  And in lots of cases, I don’t want to see some older performer who’s rusty, out of shape, and incapable of putting on a good show any more, having the opportunity to do so, and denying one of the aforementioned week in and week out guys in the process.

Stone Cold Steve Austin had a respectable program two years ago, but I’d still maintain that it had largely to do with the fact that a very respectful and capable Kevin Owens was carrying him, and let’s not forget all the times in history we’ve seen the Undertaker, Mick Foley, Hulk Hogan and even Triple H gear up for Wrestlemania, only to be one of the least impressive contributors on the card.

But The Rock, I have to say that he’s just on another level when it comes to drumming up excitement and hyping up a program.  For starters, mythical wife, who actually did watch a little bit of Attitude-era wrestling when she was a wee lass, heard completely independently, that The Rock was back, and put forth her own independent effort to check out his first promos.

Since then, The Rock set an incendiary blaze on the internet wrestling community, diving up the fanbase entirely, and even forcing me to soften my stance on Cody Rhodes, and then adjusted based on the crowd feedback, and has gone full-ass heel mode, and has returned to his Attitude-era roots and is once again doing the lord’s work when it comes to cutting promos and building up hype for a show.

Obviously, I look forward to Wrestlemania just about every year, but I have to say that I’m really looking forward to Wrestlemania this year.  Even if it’s going to be in a cesspool like Philadelphia, I know the crowd will be hot, because Philly fans get hot for wrestling, and The Rock, being the mutant athlete he is, is sure to still be capable of putting on a decent match.

Despite the fact that when The Rock came back, I was just kind of like oh cool, I have to say that the way he just so effortlessly creates excitement and drums up anticipation for the event, is truly why he is the most electrifying man in sports entertainment.  It’s just so easy and organic for him, and now I’m looking more forward to this year’s Wrestlemania than I have in prior ones.  The card seems wildly predictable in what’s going to happen, but it doesn’t change the fact that I’m looking forward to it this far out, and that, really is the power of The Rock.

WTF is AEW doing #302

I’m not entirely sure if Tony Khan thinks he’s being clever, subtle or he’s flagrantly doing it on purpose, but pretty much every wrestling fan on the planet knew that BIG BU$INE$$ in BO$$TON was going to be the debut of Mercedes Mone.

Say what you will though, I’ve been critical about Mercedes over the last year and change, but I’m also critical because I care.  I was a fan of Sasha Banks, dubious in which the circumstances she left under, but happy to see when she re-emerged in Japan, won titles there, and even predicted her inevitable path that would take her to AEW.

And as much as I like the work possible by guys like Will Ospreay and Kazuchika Okada, their arrivals in AEW didn’t really make me stop what I was doing and carve out time to see them.  But knowing that March 13th, BIG BU$INE$$ FROM BO$$TON was going to be the arrival of Mercedes Mone, I made the conscious effort to carve out time from my generally time-starved life, to tune in and watch, because I was looking forward to seeing Mercedes Varnado, back in professional wrestling.

However, having watched BIG BU$INE$$, my thoughts were making these posts pondering whatever the fuck AEW is doing, because I just have a hard time wrapping my brain around their general MO.  I get that I probably fall into the category that’s been so indoctrinated with how the WWE operates, that anything alternative to it just seems rather perplexing, but I’ll also say that I had no problems being a fan of WCW and ECW and to some degree, old NWA-TNA back before the days of Impact.  In fact, I’m still a fan of Impact now that they’re back to being TNA, but it’s just AEW, and now the AEW-controlled Ring of Honor, that I’m just so often scratching my head about. 

I want to like the product as their diehard fans do, but there’s just so much going on that I can’t find the ability to be a fan of the promotion as a whole as much as I just like cherry-picked aspects of the company, like Toni Storm, Will Ospreay, Daniel Garcia, and my growing respect for Orange Cassidy.  And I think it’s very amusing that the some of the guys that are doing the best work for the promotion, are all former WWE hands, like Storm, Christian, Swerve and Samoa Joe.

But back to BIG BU$INE$$, it was obvious the entire show was produced structured around Mercedes getting to open the show, as well as close it out.  Because in no logical reality should a match between Willow Nightengale and Riho be the main event of a show, especially one that had Samoa Joe vs. Wardlow and Jay White vs. Darby Allin on the card.  There are three former TNT champs, a former IWGP champion, and the current AEW champion, and they all played the undercard, just to ensure that Mercedes Mone got to close the show out, even if it meant main eventing a match between two girls who were literally Ring of Honor dark match talent not even a full year ago.

Now I was happy to see Mercedes, but I couldn’t help but feel like the arena wasn’t doing her any favors.  I felt like the acoustics in the arena murdered her entrance music, it was hard to hear the crowd actually chanting C-E-O for her, and when she got on the mic to speak, the echo sounded as if the Boston Garden hadn’t updated their equipment since Greg the Racist Valentine cut his scathing promo with terribly racist undertones. 

She cut a good promo, gave love to Eddie Guerrero, and it will be interesting to see how things transpire, because in AEW there’s either really good workers (Toni, Britt, Purrazzo) and then there’s everyone else.  This won’t be like CM Punk coming in to a sea of talent, Mercedes will have to put on her carry boots on every night, and it’ll be telling to see how she measures up to this responsibility.

Again though, I don’t think it was right to structure the entire show around ensuring Mercedes got to close out the show, especially with the talent they lined up in order to make that happen.  I know the logical program is to work in Willow Nightengale since it was her that Mercedes got hurt against, but she’s still green as baby shit, and I can’t imagine that Mercedes isn’t going to have some PTSD having to work with the person who basically cut her entire NJPW deal short.

But then again, this is why this series of posts is titled what they are, because when the day is over, I really have no fucking clue to what AEW is doing.  And because of that, it really doesn’t matter if they have Mercedes Mone, Kazuchika Okada, or even Will Ospreay, unless they find the magic formula that gives them logical, watchable weekly programming, on top of their propensity to put on above-average pay-per-views, they’re never going to be seen as a superior product than the WWE.  I know they and their brainwashed fans insist that that’s not what the goal is, but everyone knows that’s full of shit.  They all want to have their cake and eat it too, which is that they need to be the #1 promotion, so they can all revel in being #1; but it’s never going to happen if AEW continues to operate in the manner that basically makes AEW, AEW.

Happy trails, Virgil

Lonely no more: Mike Jones, better known as former WWE wrestler, Virgil, passes away at the age of 61

I know it seems like every single wrestler from yesteryear that passes away was a favorite of mine in some way shape or fashion, and after twenty years of brogging, there’s no shortage of wrestler eulogies that I’ve written in my own way, at this point.

But Virgil, this guy, was truly a guy that I can’t say was necessarily a favorite of mine, but he was something of an icon in his own way, that I was fixated with, pretty much from the time I learned of his existence until the day he passed.

When I first got into wrestling, a lot of it had to do with the fact that I actually got into a WWF video game first, the arcade version of WWF Superstars, before I actually parlayed it into indulging in the real life variant of the game on television, into the life-long fandom that still maintain today. 

In the game, the final bosses were the tag team of “Million Dollar Man” Ted DiBiase and Andre the Giant; but before you actually started playing against them, there’s like a 12-second cutscene prior to the match where you see “Mean Gene” Okerlund interviewing both DiBiase and Andre, but also standing with them was a jacked black guy in a shiny tuxedo counting money.

When I started watching wrestling, and the first time I laid eyes on the real-life Million Dollar Man, sure enough, there was the same jacked black guy accompanying him, holding the money, and that was when I first learned of the existence of the real-life Virgil.

Little did I know that he was named Virgil, as a personal attack from Vince McMahon to rival promoter/booker/wrestler Dusty Rhodes, whose real name was actually Virgil, and in only a manner that could come from Vince McMahon, he slapped basically a slave persona onto a black man and called him Virgil.

But throughout the years, it became quickly apparent that despite Virgil’s imposing stature and menacing scowl, he was tantamount to the WWF’s punching bag to the stars, and in just a few short years of getting into wrestling, I’d seen Virgil get his ass beat by Hulk Hogan, the Ultimate Warrior, Macho Man Randy Savage, and Hacksaw Jim Duggan among others.  He was a jobber before I even knew what a jobber was, a term I wouldn’t learn until like 12 years later.

Continue reading “Happy trails, Virgil”