Tag: wwe

I like to imagine phone calls between Kazuchika Okada and Shinsuke Nakamura

~ dannyhong ~ Leave a comment

A few days ago, the wrestling internet made a classic big deal over the breaking revelation that the WWE’s Shinsuke Nakamura picked up NJPW-but working programs for-AEW Minoru Suzuki from the airport and hung out together.  OMG the scandal, one of them is definitely jumping ship, etc, etc.  Internet wrestling fans are special like that.

A few months ago, there was some buzz surrounding the free agency of Kazuchika Okada, as he was wrapping up his obligations in Japan, that seeing as how he didn’t re-sign with NJPW, it was a foregone conclusion that he was definitely coming to America, but the question really was, the WWE or AEW?  I mean, if I were a betting man, I’d have put a sizeable amount on AEW, but the thought of him going to the WWE was plausible enough to where many began to analyze the sudden push of Nakamura into a program against Cody Rhodes, as evidence of the willingness of the WWE to give Japanese guys high profile opportunities.

Regardless, Okada went to AEW, and Nakamura’s push came to about as sudden of a stop as it had started, but after watching the main event to AEW’s super television show aptly titled Blood and Guts, where Okada, who was previously regarded to be basically NJPW’s John Cena over the last 15 years, was relegated to this glorified hardcore brawl, where the man was undoubtedly out of his element, and performed as such too.

The same Okada, who basically had some of the greatest wrestling matches not just in modern history, but arguably of all-time, was hanging around inside double steel cages, trying to avoid being on camera as much as possible.  All around him were thumbtacks, steel chairs, ladders, and one of his most notable moments in the match was when Swerve Strickland put a staple in his middle finger, when he was merely just trying to flip the bird because he’s an evil heel and that’s what bad guys do.

Eventually, he would be “taken out” during a commercial break that didn’t even get JR’s Restaurant Quality Picture-in-Picture™ and was hiding for the remaining minutes of the shitshow, and it goes without saying that there’s no single part of me that doesn’t feel that AEW is wasting and squandering the talents of a guy like Kazuchika Okada (and Mercedes Mone but that’s a different story).

I like to imagine a scenario where after a debacle like this one, one random evening, Okada calls up Nakamura, assuming that they’re friends because they’re both Japanese, both professional wrestlers, and have a positive relationship built when they were both in NJPW.

Okada asks Shinsuke if he saw his match at Blood and Guts, and of course Nakamura didn’t, because he’s on the road and didn’t have a chance to see it.  Okada goes into mansplain mode about how intense it was, how into the marky AEW crowd was, and all the cool shit they got to do in the ring.  Meanwhile, Nakamura responds with an unimpressed mmhmm, while he describes how he had to lose to Logan Paul at a house show in Sheboygan, Wisconsin in the second match of the night, but at least he didn’t have to land on any thumbtacks or have his finger staple gunned.

They proceed to talk about their respective lives in their respective promotions, where they both wax poetic about how they were the literal kings of NJPW, and how they’re basically organizational filler in America.  But Okada gets defensive and talks about how he’s a champion, Nakamura rebuts that AEW/ROH has like 53 active championship belts.  Okada talks about how he’s featured on television as opposed to Nakamura, but Shinsuke says he’d rather not be on television than be portrayed like a clown when he was a god in Japan just four months ago.

And then Nakamura then goes on the offensive to talk about how even though he’s an afterthought right now, he still works a soft schedule, gets to travel internationally on the WWE’s dime, and gets to experience a lot of the world, all while not having to be put in uncomfortable clusterfucks and wrestle on thumbtacks and staples.

Okada responds with the likely reality that he makes way more money than Nakamura does, but then the older and wiser Shinsuke responds that they’ve both already made big fortunes in wrestling already, at what point does all these extra dollars even matter?

And with the Okada rage hangs up the phone, while Shinsuke Nakamura scoffs and laughs at the dead air suddenly at his ear.

This is the kind of bullshit that goes on through my head these days when I’m not in dad-mode, and this is probably why I can’t even begin to start making my life’s fortune on some stupendous side hustle that would undoubtedly take off to the moon if I could just get off my ass and stop brogging about professional wrestling fan fiction.

TIL: Mercedes Mone’s creative control clause

~ dannyhong ~ Leave a comment

I didn’t watch AEW’s Forbidden Door (3) pay-per-view because one, who in the world actually pays for a ppv anymore these days, two, the card seemed entirely way too predictable, and I called like 90% of the card correctly and 100% of the singles matches, and three, there were probably 3-5 other things that I’d rather have done with that time in my life instead.

Naturally, as stated, the card was ridiculously predictable, and much like the years before this one, almost all of the New Japan guys and all of the CMLL guys from Mexico took the losses in their matches, and for some reason, AEW keeps feeding Orange Cassidy to the next big thing in New Japan, with it being the very obvious Zack Sabre, Jr. who was one of two NJPW guys to actually come out with a W.

For obvious business reasons, it was a foregone conclusion that Jon Moxley was going to drop the belt to Tetsuya Naito, because fuck if NJPW would allow a guy in another promotion to continuously hold their top prize any longer than this, but good for Mox to be able to lay claim that he’s held World championships in the WWE, AEW and NJPW among numerous other titles he’s held in his career.

But if there were any other guarantees on the night, it was that Mercedes Mone was without any question, going to defeat Stephanie Vaquier and walk out with the NJPW Strong women’s championship, and be a double champion.  I mean really, I don’t like to bet on things, but if I knew of a safe and legal way to gamble, I would’ve felt comfortable dropping like $500 Mercedes was going to take the W in their match.  I mean the NJPW Strong women’s championship was basically created for her, and if not for a Shrek-green Willow Nightingale legit injuring her, she probably would’ve been the NJPW Strong champion when she debuted with AEW.

Back to the title of this post though, it was afterward through scuttlebutt did I learn that Mercedes Mone actually has creative control baked in to her AEW contract.  Obviously, this doesn’t look like anything to anyone who doesn’t follow professional wrestling, but basically it means that Mercedes Mone has legitimate legal veto power over the way she is booked in the company.

In other words, if she shows up to the arena one day, and Tony Khan says to her, “Hey Mercedes, I’m going to have you lose tonight to Kris Statlander and drop the TCM belt to her” she could actually say “no, that doesn’t work for me brother” and force TK to go back to the drawing board and book a better scenario for her, and there’s really nothing that he can do about it.  He can’t flex his position as owner of the company or that he’s the boss, because he gave her creative control in her contract.

For context, there are only two other instances I can think of where wrestlers had any degree of creative control in their contracts, which was Hulk Hogan during his time in WCW, where he had full creative control, and where he has been alleged and accused of various instances where he utilized it in order to maintain a high-stature within the company.  The other was Bret Hart, who had a degree of creative control baked into his WWE contract if he were ever to be on his way out, so that the company couldn’t bury him on the way out and make him look like a putz going to another employer.

Hart really didn’t get to use his control due to the Montreal Screwjob, but Hogan, as mentioned was alleged to have flexed his power numerous times throughout his WCW tenure, and there are many stories and accounts out there from former colleagues and wrestlers who claim that he did.

What I’m getting at is that it’s a really dangerous sword to give to just anyone, because there’s never any guarantee that someone with it, won’t just go into business for themselves and ensure that they’re always in a position of looking strong and prominent, and suppress the rise of any potential partners to draw money with.

And yet, Mercedes Mone has creative control in her deal.  I don’t care enough to dive deeper to find out just how much of it she has, or what if any conditionals exist with the deal, but the point is she still has it, and I can’t help but feel that that’s a really dangerous thing to give to a person like her, whom for all intents and purposes I do like as a performer, but I also think she’s kind of a spoiled entitled brat who has demonstrated a tendency to cry foul and walk away when things haven’t looked too great for her character’s portrayal.

I mean, even before I found out that she had creative control, I would’ve bet a large sum of money that she was going to beat Vaquier, but now the perception is murky on if it happened because it was the best business decision, or if it happened because she pulled her CC card and made it happen.

Even before finding out she had CC, I had already fantasy booked her future where she would undoubtedly go on a blet collecting saga, because that seems to be the well that AEW and TK seem to repeatedly dip into in order to cement guys as legends, like they did with Kenny Omega, and also did with FTR, and it seems like they’re doing the same with Mercedes Mone.

Without question, she’ll probably collect one of the women’s titles from Ring of Honor, whether it’s taking down Athena for the ROH’s women’s title, or perhaps she’ll keep her sights on television titles, and be the one to part the ROH Women’s TV title from Billie Starkz.  And then when Stephanie Vaquier comes back for a rematch, she’ll probably demand that it can’t be for free, and that she needs to put her CMLL Women’s championship on the line for a shot to get the NJPW Strong women’s blet back, and then collect a fourth belt.

And as long as AEW has their open door policy with NJPW, this keeps the chances alive that Mercedes will go on to re-capture the IWGP Women’s championship, or maybe she’ll stealthily slide her way into the partnering Stardom promotion, and start hoovering up blets there too.

Eventually, it culminates with her setting her sights on Toni Storm and the AEW Women’s championship, and despite the fact that I think Storm has been the legitimately best thing in the entire company, all it takes is a little bit of flexing of that CC clause, and she’ll complete the god-tier run of collecting blets.

Would it be best for business?  Probably not.  But when you give an inmate creative control, you put yourself in a position to where that doesn’t matter if that’s what they want.

And as a fan, that wouldn’t work for me.  Brother.

I think the Bloodline has DJ Tanner Wrestling’d

~ dannyhong ~ Leave a comment

Only the longest of my zero readers know that DJ Tanner Wrestling-ing is my personal evolution to jumping the shark, and in the case of this particular topic it’s relevant since this is yet another post about, professional wrestling.

Anyway, over the weekend the WWE did their best to surprise the Universe by introducing Tanga Loa into the company, when he interfered during the Bloodline vs. Kevin Owens and Randy Orton tag match.  A few weeks ago, they had brought in Tama Tonga to join forces with Solo Sikoa, whom the storyline has as being the guy now assuming control over the Bloodline, with the long-deserved hiatus of Roman Reigns after Wrestlemania. 

And with that, both members of the Guerillas of Destiny (GoD) have made their way to the WWE after a long and fruitful career overseas in NJPW.  Both have aligned with Solo, and are representing the new age of the Bloodline.  I doubt that they’ll still be called GoD once the dust settles from their arrival, but to those that are familiar with them, they’ll always be GoD.

Personally, I’m high on GoD, and loved their work in Japan.  It was the highlight of the evening when NJPW had a tour stop in Atlanta, where the main event was the Guerillas winning the IWGP Heavyweight Tag Team championships, and above all else, I love that they’re the son and the adopted son of the baddest man on the planet, Haku.  That alone gives them a 10 in toughness, because I can’t imagine anyone raised by Haku would be anything short of being the polar opposite of a pussy.

I am excited for their arrival in the E and the sheer potential they bring by both being in the company, but at the same time, I still can’t help but have this feeling that they’ve caused the whole trajectory of the Bloodline to DJ Tanner Wrestle, mainly because of the simple fact that they’re not actual bloodline to the Anoa’i family.

In fact, they’re not even Samoan, but Tongan.  I know that white people can’t tell Asians and island boys apart, and there are a lot of similarities between the cultures, but the fact of the matter is that Tama Tonga and Tanga Loa aren’t related to the Anoa’i family nor are they Samoan, so having them be a part of the Bloodline seems kind of shark-jumpy in my opinion.

I know that Haku is super tight with many Anoa’i members, and as Rikishi once said, us island boys have to stick together, but it does feel like a little bit of a cop out to just slap GoD into the Bloodline and hope that nobody questions the genealogy here just because they’re all from island origins.

Sure, they did it already with Sami Zayn being the Honorary Uce, but the difference here is that they weren’t trying to hide the fact that he wasn’t Samoan and related to an Anoa’i, and I’m not saying that they might not do the same with GoD, but so far, they also haven’t made any attempt to dispel it either.  I have this suspicion that unless they get some heat from any Polynesian groups, who demand specificity, the WWE is just going to hope that fans at home assume that GoD are Anoa’i and don’t question it.

Don’t get me wrong, I’m stoked that GoD are now a part of the E.  They will inject a viable tag team into the division of whichever show they land on, and I’m sure fans are already salivating at the idea of an inevitable GoD vs. the Usos matchup, because a Bloodline civil war does seem like it’s the obvious end game coming once Roman Reigns’ vacation is up.

It’s just details matter to me, and two guys whom aren’t even blood-related themselves, joining up with a faction called the Bloodline to which they’re not related to, seems a little DJ Tanner Wrestling-ey in my opinion.  I get why they did it, and honestly from their perspective, as far as being fast-tracked to the main event and making money, they’re probably not sweating it, but it doesn’t change the fact that the execution of it, holistically as a whole, does seem forced and just a little bit DJ Tanner Wrestling-ey.  Creative might surprise me and spin a magnificent story, as they did over the last two years of Roman’s reign, but seeing as how they blew the wad at Mania, I’m not optimistic that this long-term story will be worth the wait if all the moving parts happen in the manner that I think they will.

Let’s talk about the WWE’s new tag blets

~ dannyhong ~ Leave a comment

In one of those I should’ve seen it coming but I didn’t, the WWE has recently redesigned and unveiled new tag team championship blet designs.  Over the last few years, almost all the blets have been systematically been redesigned from top to bottom, except for the tag blets, which were still red for RAW and blue for Smackdown. 

Blets being in the middle of a reign didn’t seem to matter for when to unveil new designs, as Roman Reigns, Asuka and Rhea Ripley all received the new versions of the blets that they had held, but for whatever reasons, the Usos having the combined tag team championships on lockdown didn’t warrant swapping of those designs, but seeing as they were broken up and sent off to different shows seemed as good as time as any for the E to finally unveil new titles.

When the new World Tag Team Championships were unveiled on RAW, one I was happy for the Miz and R-Truth, two WWE lifers who are the consummate pros who do anything and everything they are asked for, do it well, and always manage to get absolutely anything over.  But two, my knee-jerk reaction to these blets were that I was relieved to see that they were finally gold blets again, seeing as how fewer things made the tag titles feel lesser-tier over the last 10+ years than the fact that they were bronze and then silver plates.

The shade of gold, amount of flourish and the weird griffin chimaera creatures made me think that this perhaps could’ve been a previous version or option of the World Heavyweight championship blet that ultimately ended up looking like a spin-off of the old WCW big gold blet in terms of its general shape and composition.

But overall, I do really like the new World Tag Team blets, except for one thing – the font they used on it.  Not digging the spiky, Glaive-like typeface they used, and it looks like they’re trying to be a 2005 RAW graphic package with it.  Furthermore, the type is just too fucking large, and much like my general aesthetic preference when it comes to clothing, I think when apparel requires too much text to explain it, then it’s design that is not optimal.

If the fonts were smaller, I could overlook the undesirable typeface selection, but overall, I’m pleased with the way the new World tag blets look.  Not sure if I’d want to own one, but typically a really good discount has gotten me possession of other blets I’ve felt similarly about.

Obviously, once RAW had unveiled new tag blets, among the first thoughts I had was pondering what Smackdown was going to do, because it was obvious that they were going to get a redesign as well.  But the question was, was it going to be carbon copies of the RAW titles, but with blue paint behind the globe and type?  Or was it going to be something completely independent?

Fortunately, the answer was just days away, when Smackdown unveiled the WWE Tag Team championships, with blets that looked completely different from their RAW counterparts.  Immediately, my eyes noticed the familiar shape of the center plate, which was an obvious throwback to older tag team blet designs, that had what I like to jokingly call the nutsack shape, because for whatever reason, the bottom has two bulges like a pair of testicles.

Regardless of the homoerotic comparison, my knee-jerk reaction was still positive.  I liked that it was a completely different design, and this will prevent any future embarrassing title swaps in future draft storylines.  It’s general design is much more muted and subdued than the World tag blets with its design being more etched and not molded.  In doing so, it does look like a cheaper blet in comparison, but as far as design goes, it’s a preferable design over its counterpart.

The font treatment is much more subdued and exactly how I prefer it, and the throwback shape of it is pretty much all that it needs to have to be the preferable of blets between the two.

What it all boils down to is if I had to pick one, which would I go with, and that would be the Smackdown WWE Tag Team blets.  The homage to the classic design is fantastic, and even though the World is the more detailed and nicer looking blet, the font is a turn-off for me

Either way, I’m glad to see that the E has redesigned both, because in the future when the tag blets are used as a prop or a means to reward two mildly over singles guys, at least they’ll look good holding some actual gold straps instead of silver-plated toy-looking blets.

Wrestlemania XL brought to you by, MAGAlcohol

~ dannyhong ~ Leave a comment

Originally I had intended on this post being a part of the post I had made about how Wrestlemania basically sold out as hard as a NASCAR event with how many sponsorships they’ve piled into the production of their grandest event of the year™, but I felt that it had some legs of its own and I had lots of jokes and puns that I thought were the best things ever, cementing my obvious status as the dad who makes dad jokes that are only hilarious to myself.

Among the numerous sponsors that the WWE allowed to dump money into ‘Mania this year, this particular one stood out leaps and bounds above the others for me, one because of just how uncomfortably white-wing it comes off, but also finding out that they’ve basically bought Cody Rhodes and plastered their branding all over his American Nightmare™ bus, but we’ll circle back to that part later in the post.

On purpose, I’m not going to use mention their name because fuck them for being some creepy dog whistle white-wing racist undertone company, but as if that doesn’t set the stage enough, that’s basically the gist of what their commercial and branding seems to exude.

It starts with a catch-phrase that does rhyme but doesn’t necessarily roll off the tongue so easily, and I want to play the Stewie Griffin game with their name, because of the “wh” in it, and that serves to ramp up the difficulty in saying their name or mocking their jingle.

But as the commercial continues to unfold, it’s as if they’re continuously doubling and tripling down on their pride of being whiter than, well, a right-wing gathering, because as the scenes change to larger and larger groups of what appears to be solely white people, it’s apparent that this is a company that really gives no flying fucks about DEI and they want viewers to know that.

They even have a ridiculous line where they ponder why Moscow gets the mule, and while looking up the YouTube video to take a screen grab from, they’ve already posted a recipe for “American Mule” which is basically the exact same thing as a Moscow Mule except not Russian; which in itself is laughable considering so many orange guy disciples love Russia as much as he does.

As the commercial ends, only one word or phrase popped into my head: MAGAlcohol, because that’s precisely what the fuck this shit actually is. 

I’m not much of a vodka drinker, other than the sparse times where I like a cranberry vodka, but I kind of feel bad for the spirit itself.  MAGAlcohol makes me not want to have any vodka in general, because it’s murdering the entire category for me as if it were a white cop pressing his knee on a defenseless black man’s neck on asphalt.

Getting back to Cody Rhodes, I was abhorred when footage of him arriving to the Linc was shown, and Corey Graves was being a good soldier, by not failing to mention that his entire bus was also co-sponsored by MAGAlcohol, and I could feel my eyes widen at the disgusting sight of it.  Just when I was beginning to soften my stance on Cody Rhodes, and beginning to turn face on my opinion of him, he has to go and associate with MAGAlcohol, and I’m pumping the brakes at how much I want to support him. 

In some regards, I get it, he’s the American Nightmare, his ring attire is basically a Homelander from The Boys skin, and he’s a white guy from Georgia.  There’s few guys at his stature in the business that would be as worth co-sponsoring as Cody Rhodes.

But he’s also a pretty sensible, intelligent human being, from what I can surmise from interviews and the way he conducts himself in and out of the business.  I would’ve assumed that he would’ve been a little more cerebral than to associate himself with a company that clearly has no hidden agenda on whom they want their demographic to be.

Oh and his wife is also black.  I know that Brandi Runnels seems to be as white-washed as perhaps I am, but when push comes to shove, white folks wouldn’t hesitate to throw her under the bus if there was an incident that needed a minority scapegoat and she was within eyesight.

Perhaps it was out of his control, and it was the bigwigs at the E that forced it onto him.  But I would’ve also figured Cody, by now, and at his position within the company, would have the ability to veto this if he really wanted to.  But as so many legends in the business have so often said, the business is all about as making as much money as you can, because there will come a day when you can do it anymore.

Not that I think Cody was starving before his associate with MAGAlcohol, but accepting more money when you’re already rich is among the whitest things a white guy can do, so unfortunately, as much as The Story has been compelling, there is a little turd in the celebratory punch bowl, that most definitely does not make it go down so sweetly.

Re: the literal selling out of Wrestlemania

~ dannyhong ~ Leave a comment

Normally, I’d wait until both nights of Wrestlemania had passed before passing on any sort of judgment, but this is fresh on my mind, and I’ve got this small window of time to write where it’s not enough to take a nap or do anything other than knock out a quick brog post.

The title of this post is not indicative to what I thought the quality of the show, at least Night 1 was for Wrestlemania, but it’s to refer to the fact that this show, and probably going forward future shows, had more sponsorships than a NASCAR race.  Prime energy drink, Snickers, Dude Wipes, Credit One, some Insurance company, and some super creepy right-wing sounding vodka company that I’ll circle back to later, but it was evident that every match had a sponsor, commercials were being aired in between every match for non-premium Peacock subscribers.

Very literally, Wrestlemania sold the fuck out.  They’re probably making millions of dollars in doing so, and I don’t judge that, but for a company that used to have zero in-ring sponsorship and usually relying on a singular chief sponsor per show, it is a stark contrast of the yesteryears, the generations of wrestling fans are hell-bent on creating a rift from then and now.

Prime had the top turnbuckle, and their logo emblazoned in the center of the ring, and it made Cody Rhodes look like he was kissing the Prime logo during his entrance.  Dude Wipes appeared to sponsor more matches than anyone else, and there’s something to be said the demographic when company that manufactures basically baby wipes for grown men has such sponsorship flex during a professional wrestling event, especially the magnitude of Wrestlemania.

My brother was the one who pointed it out, but he brought up the query on if it was fucked up or not, that the match that had a team of three black women, was the only match of the night to have been sponsored by WingStop.  I didn’t notice it at first, but once it was pointed out to me, I couldn’t not see the giant-ass WingStop logo lighting up the LED apron board and on the ring barrier throughout the match, and it definitely falls into the category of that’s fucked up.

Like seriously, surely there are marketing people at the E, and at some point, they’re milling among themselves, or coordinating with their sponsors, namely the WingStop people, and somewhere at some point, while divvying up the on-screen advertising, made the conscious decision that the match featuring Naomi, Bianca Belair and Jade Cargill, was the appropriate time to advertise WingStop.  Not that I was trying to be an eagle eye, but I don’t recall seeing them advertise again after that match.

I haven’t paid that much attention to the card for Night 2, but I do know that there is a match featuring Bobby Lashley and the Street Profits, and I have this sneaking suspicion that WingStop might be the chief sponsor for that match too now.

Everyone else can get Dude Wipes for the colossal amounts of shit that much be swirling around the city of Philadelphia’s sewer systems from 150,000 neckbeard wrestling fans converging in a single location.  Too bad most of them will believe their claim that they’re flushable, because there’s no such thing as a flushable wipe, and the streets of Philly are destined to be overflown by sewage at some point sooner rather than later.  But I guess such wouldn’t really be that far off from daily life up there.

The Power of The Rock

~ dannyhong ~ Leave a comment

By now, everyone knows that The Rock is back in the WWE, presumably just for Wrestlemania SZN, but the reality is that he’s still back on television, making appearances here and there to hype up the event.

His return has sparked a lot of debate among the general wrestling community, and there are some pretty concrete sides on the field: those fans who dislike when guest stars pop up during Mania SZN, just to hype up the event, and ultimately vanish into thin air once Mania is over, and then there are fans who love it when part-timers like The Rock, Stone Cold Steve Austin, or the Undertaker show up for Wrestlemania, because they’re legends, they’re icons from their era, or whatever reason.

Typically, I’m often times in the camp of not really preferring when guests show up for Wrestlemania, because I’m of the mindset that the people who carry the company week in and week out, should be the ones to get the biggest billings at the biggest show of the year.  And in lots of cases, I don’t want to see some older performer who’s rusty, out of shape, and incapable of putting on a good show any more, having the opportunity to do so, and denying one of the aforementioned week in and week out guys in the process.

Stone Cold Steve Austin had a respectable program two years ago, but I’d still maintain that it had largely to do with the fact that a very respectful and capable Kevin Owens was carrying him, and let’s not forget all the times in history we’ve seen the Undertaker, Mick Foley, Hulk Hogan and even Triple H gear up for Wrestlemania, only to be one of the least impressive contributors on the card.

But The Rock, I have to say that he’s just on another level when it comes to drumming up excitement and hyping up a program.  For starters, mythical wife, who actually did watch a little bit of Attitude-era wrestling when she was a wee lass, heard completely independently, that The Rock was back, and put forth her own independent effort to check out his first promos.

Since then, The Rock set an incendiary blaze on the internet wrestling community, diving up the fanbase entirely, and even forcing me to soften my stance on Cody Rhodes, and then adjusted based on the crowd feedback, and has gone full-ass heel mode, and has returned to his Attitude-era roots and is once again doing the lord’s work when it comes to cutting promos and building up hype for a show.

Obviously, I look forward to Wrestlemania just about every year, but I have to say that I’m really looking forward to Wrestlemania this year.  Even if it’s going to be in a cesspool like Philadelphia, I know the crowd will be hot, because Philly fans get hot for wrestling, and The Rock, being the mutant athlete he is, is sure to still be capable of putting on a decent match.

Despite the fact that when The Rock came back, I was just kind of like oh cool, I have to say that the way he just so effortlessly creates excitement and drums up anticipation for the event, is truly why he is the most electrifying man in sports entertainment.  It’s just so easy and organic for him, and now I’m looking more forward to this year’s Wrestlemania than I have in prior ones.  The card seems wildly predictable in what’s going to happen, but it doesn’t change the fact that I’m looking forward to it this far out, and that, really is the power of The Rock.