Tag: comics

Isn’t it obvious what makes Invincible invincible?

~ dannyhong ~ Leave a comment

Over the last two weeks or so, my daily routine has gotten to the point where I can afford to watch a little television every night, and chip away at the queue of shows and programs that I’ve wanted to watch over the last year.  Obviously, this will come back to a screeching halt once #2 comes into the picture, but for the time being, I’m trying to enjoy the feeling of a little bit of expendable downtime again, and soaking in all the stories that I’m hearing good about, and getting to experience them myself.

Among the things recently watched would be Amazon’s Invincible; I’m so long out of comics, I had no idea what this property even was, but from what I can tell it’s by Robert Kirkman, the guy who made The Walking Dead, and it seems to be something of a lampooning of lots of popular superhero comic stories, while having its own cohesive storyline.

As a whole, I found season 1 to be pretty enjoyable.  It’s fairly obvious what properties are being emulated in some characters, and there’s something about the general goriness of the series that kind of takes the veil of the sidelines off of traditional superhero stories, because obviously there is such a thing as collateral damage, and whenever any invasion or attack occurs, there are going to be people negatively affected.

But a comprehensive review isn’t the point of this whole post; it’s the answer to the question in the headline of this post, because I think it’s pretty obvious where Invincible’s overall superhuman aspects originate from, and it’s most definitely not because he’s a half-Viltrumite.

Like I said, I went into this as blind as Ray Charles’s long-decomposed remains, so I had no idea that Mark Grayson’s mom was Korean, therefore making Invincible half-Korean in addition to being a Viltrumite.  That said, it becomes clearer than crystal to why Invincible is basically invincible, warranting being a mega super hero worthy of his own comic and television series. 

Frankly, the only thing that gives it away is this little piece of framed artwork in the background of the Grayson’s household.  And then I notice the way Debbie Grayson is drawn, and then the black hair on mother and son makes some sense.  Also, the fact that both characters are voiced by Stephen Yeun and Sandra Oh, actual Koreans, and the animation credits are basically a rollcall of a Shinsaegae employee roster, and it all makes perfect sense to just how inherently of a Korean operation this whole thing is.

Either way, Korean or not, I enjoyed Invincible.  The fact that it’s so very Korean in the roots only makes it that much more enjoyable for me, and I look forward to seeing how the story unfolds in future seasons.

Venom 2: Poor Woody

~ dannyhong ~ Leave a comment

I saw an ad on theFacebook for a second Venom movie, and my first thought was, surprisingly, whyyyyyyy?  I never saw the first one because I thought it couldn’t possibly be anything but suck, and although from what I read, lots of critics seemed to agree with that assessment, the almighty financial results seemed to prove contrary to that notion, grossing $856 million during its run.

So regardless of if the movie’s story, plot, acting or production sucked, it’s still a success if it rakes in money, and if it rakes in money, a sequel is all but inevitable.  So here we are, on the doorstep of a Venom 2, the sequel to a movie that has everything to do about Spider-Man but somehow doesn’t have a single thing to do with Spider-Man.

Frankly, I could save all zero of my readers the trouble and just say to go back and read the post about the first Venom (above) and just swap out “Tom Hardy” with “Woody Harrelson,” because the sentiment is exactly the same for Woody as I felt for Tom Hardy.  In spite of the star power a guy like Woody can bring to the table, and in spite of all the positive credibility he’s built up over the last decade with stuff like True Detective and getting into the Star Wars universe, he’s pissed his chance to get implemented into Marvel, by tying himself up to a Sony Pictures Marvel film and not a Marvel Studios Marvel film.

By doing so, not only does he follow in the footsteps of a guy like Tom Hardy who blew his shot at getting onto the money printer bus of the Marvel Cinematic Universe, he’s also going to be mentioned in the same breath as the walking STD Jared Leto whom last I heard, was going to be in a Morbius film, which is another Spider-Man sub-property that will try to have a film that has nothing to do with Spider-Man.

Frankly, I’m lukewarm on Tom Hardy, and I couldn’t think any less of Jared Leto, but I actually like Woody Harrelson.  I’m sad for him that his people have steered him into such a stinky detour into the Marvel family, and I figure he could’ve been so much better as a lesser character in the MCU than a pretty high-tier villain in the Sony…verse, because at least he’d have an actual adversary to go up against.

I don’t have any doubts that Woody will probably be able to squeeze a good bit of watchability portraying Cletus Kassady who eventually becomes Carnage, but when the day is over, it’ll be like polishing a turd.  With no fucking SPIDER-MAN to ultimately oppose him, there’s only so much road for he and Venom to actually be able to go down before they run into a brick wall of failure because you can’t really have a bunch of villains going at each other without their origin being seemingly legally forbidden from interacting with them.

Either way, much like the first Venom, I have zero intention of watching the second.  I wouldn’t watch either of them short of being paid to do so, and even then I’d probably demand my professional freelance hourly rate in order to do so, and I’d probably still bitch about wanting my money back afterward.  I shed exactly one tear for Woody’s involvement in this film, and wish that he could’ve been some rando third-tier property in the MCU than to be a first-tier villain under Sony.

We were there first

~ dannyhong ~ Leave a comment

I think?  Who really knows when this show was actually filmed, and whether or not it happened before my wedding.

Anyway, just finished watching The Falcon and the Winter Soldier.  At first, I thought it was just okay, and that it felt more like a transitional Marvel property show, that helped tie up a lot of loose ends throughout Phase One, as opposed to something that was sowing seeds for future potential phases.  Like WandaVision laid down a lot of groundwork for future plots, and I had expected similarly from the adventures of Sam and Bucky, and what I would expect from most other future Marvel television shows on Disney+.

But then the fifth episode happens, and shit suddenly gets very real, the plots get very deep very quickly, and by the time I finished the sixth and final episode of the series, I’m thinking, damn, this show was really god damn good.

Anyway, if I keep trying to write about the show, I’ll inevitably end up spoiling something, so I’ll refrain from going on about the show, except for the fact that it was really good, I enjoyed it, and it was yet another outstanding edition to Marvel’s screen adaptation equity.

I don’t think it’s a spoiler, but the above image is a scene from one of the episodes, that looked just a teensy-bit familiar to me.  Had to rewind, pause, and summon mythical wife to come take a look too.

But adding to the list of Georgia locations that are filmed and delivered as somewhere else, the Historic DeKalb Courthouse where I got married, was used as, well, a courthouse of some sorts, for a government hearing in the Falcon and the Winter Soldier.  At least it was actually used as its historic roots once were.  But it tickled me all the same, to see a place I’m quite familiar with, being used in an outstanding piece of television.  Multiple times.

I would like a small Batmobile to curate my lawn pls

~ dannyhong ~ Leave a comment

You know what I’ve found out to be an extraordinarily harder task than I imagine it would be?

Finding a landscaper.

With baby #2 on the way, and my general limits already pressed past capacity on a regular basis, mythical wife and I decided that perhaps we’re long overdue to just hire landscapers to take care of cutting the grass and making it HOA/NIMBY Karen-proof at the very least.  I had done it for the vast majority of the time we’ve lived here, and it’s never been easy because I have a lot of grass I’m expected to cut, so we’ve decided to bite the bullet and just pay people to take care of the problems that we don’t want to deal with.

I would say that 75% of the homes in my neighborhood have landscapers, but getting any of them to come and service my property has proven to be as frustrating as one of those speedbike levels in Battletoads.  For the landscapers that have actual names, branding or contact information on their company’s vehicles, literally none of them ever return my phone calls or reply to my emails.  For landscapers that people have referred me to, it’s easy to speak to any one of them once, but again, getting any sort of follow-up is pulling teeth.  And then, there are all sorts of landscapers with no identifiable affiliation that are teams of efficient Hispanic men who show up, get the job done, and then gtfo before I can get shoes on and try and stop them to ask for service; those are the types of guys I’d want, but it’s like they’re a shiny Pokémon and hard to catch.

I think I’ve finally gotten someone now, but it’s only been one cut so far, and this guy services one of my neighbors, so the jury’s still out on his affordability, but I have to say that I never would’ve thought it would be such a colossal pain in the ass to get a landscaper, and I hope I don’t have to deal with this again any time soon.

Anyway, because theFacebook is scary and clearly listening in on conversations and/or my general rants about the frustrations of landscaping, I started getting targeted ads for this robotic mower made by Husqvarna, that looks like a miniature Batmobile.  Now there’s a rich guy’s house outside my subdivision, where I’ve driven past, and seen a little robotic mower doing its job at the edge of his property; it looked like a little lawn version of a Roomba.

It also felt a little Black Mirror-ish to me that the idea of robotic mowers exist now in the first place, because it’s one part the pinnacle of human laziness, that robots that cut grass have emerged in the real world, but also to go back to that Black Mirror thought, one step closer to having machines dominate us like Maximum Overdrive. 

Regardless, something that looks like a Roomba doesn’t seem as insidious or intimidating if they were to go rogue and try to kill humanity, I feel like I could probably stomp on it like a goomba from Super Mario Bros. if one tried to revolt against its makers and snuff out the rebellion.

But one that looks like Husqvarna’s Batmobile?  This little motherfucker looks like it might have some machine guns that will emerge from some hidden compartments and end my life if it chose to.  It basically looks like it was already sprayed with that shit from Transformers that turned a Nokia into a killer robot, except that the Batmobile is just laying dormant in standby mode and not yet ready to kill everything in sight.  It looks like it’s ready to team up with the robot dogs from that one episode of Black Mirror to go on hunting sprees for remaining human life.

All the same, if it didn’t cost $4,000, I think I’d want one.  The idea that this little murder mower would run constantly in order to keep the lawn short always versus landscapers coming weekly/bi-weekly is appealing in that I’d have to interact with nobody ever, and on a long enough timeline, it would probably pay itself off fairly efficiently.  But a $4,000 tab is a tough pill to swallow, when there are several other things that I’d probably want to do with my property to where that would be better spent in a lump sum.

But it would be great at deterring assholes who let their dogs shit on my property, if something that looked like the Batmobile were patrolling my yard, to menacingly threaten people and their pets away.

Can people on the internet just shut the fuck up

~ dannyhong ~ Leave a comment

I know it’s a rhetorical question with the answer being a very obvious NO, but still, I really really really wish people could just shut the fuck up all the time sometimes.

One of the things that I thought was refreshing about WandaVision was the fact that I was completely blind going into it.  I had no earthly idea on what was going to happen, how it came to be, the general players of the series, and most importantly, zero idea to what the source material(s) was going to be.

As much as I enjoyed large swaths of the MCU Phase 1, everyone knew what the source material was, and everyone basically knew how it was going to end.  Most everyone who read comic books at all during the 90s knew what The Infinity Saga was, and it was always widely available in trade paperbacks, or people could just look on Wikipedia to get straight to the point of how it all played out.  Although MCU took tons of liberties on how things transpired, there was a very basic and inevitable conclusion to the journey, and it was pretty much as expected through and through.

After a little bit of a hiatus, restructuring and Didney engulfing even more properties and licenses, the next phase has been launched, primarily with the Disney+ deployment, and the early installment of the series starts with WandaVision.

It’s weird, I have no idea what’s really going on, but there are hints and glimpses of things to come which all seems pretty interesting.  But I’m also loving the general creativity of the visuals, the entertaining journey through time, and just how everything is so crisply presented.

One thing I noticed early on was that despite the supposed 35-minute run times of each episode, around 7-8 minutes of it is dedicated to the credits; it was pointed out to me that the filming of the show, as well as all other future TV series, were basically filmed like movies, but then broken up into episodes, so it seems apparent that each episode seems to be running the full ending credits for what amounts to a film; it’s kind of annoying, and deceptive to the run time, but after realizing that there’s no mid or post credits scenes, I haven’t bothered sitting through them again.

But that was clearly just me; because I try to practice what I preach, I won’t get into the granular details of what’s already been revealed to me because people on the internet can’t shut the fuck up, and are even worse at blurting out spoiler-y clickbait headlines, but I was scrolling through theFacebook, I noticed this headline about how some particular words used in the lengthy credits for WandaVision give some pretty predominant hints on what is to come, plot-wise, and because of the aforementioned inability to shut the fuck up, they basically go on to name it in the subtext, visible in plain sight, plain as day.

So great, now that I’ve seen that, things kind of make a little more sense, and I can kind of see the wireframes of how the show is going to get to such a narrative.

Because a bunch of nerds have to know what the source material or end game of the series is, they have to ruin it for people like me, who simply want to enjoy the ride, not think too fucking hard about things, and accept things as they’re presented to me.

It’s times like this I loathe the internet and social media especially, but because I don’t want to be an island of a person again, it’s not something that I can just walk away from cold turkey.  But god damn does it infuriate me from time to time, and it’s sad that the world is so dependent on it that we can’t seem to operate without.

Why Sting failed in the WWE

~ dannyhong ~ Leave a comment

Firstly, I like Sting.  But when I saw him show up on AEW, my first thought was, “wtf?  He’s . . . [checking my phone for Sting’s Wikipedia page] . . . 61 years old!  Whyyyy??”

And then my thoughts swirled around the fact that the show built the entire episode’s identity around his arrival, by constantly lifting Winter is Coming from Game of Thrones, conveniently compounded by the fact that they were wrestling outdoors in 40-50 degree weather, and most wrestling attire isn’t necessarily made for warmth.

But the appearance or the gimmick was no one-off cameo; in subsequent episodes of Dynamite, every time Sting showed up, it was the same song and dance, where the lights go out, fake snow is blown into Daily’s Place, and Sting is standing there, he points a bat, Team Taz runs away from the ring, and then he and Darby Allin stare at each other until JR blathers on about going to commercial, but not of the “restaurant-quality (whatever the fuck that means) picture-in-picture” variety.

Here’s the thing though – he hasn’t done a single spot in the ring, but already I think it can be safely said that he’s had a more successful run in AEW than he ever had in WWE back in 2014.  Frankly in my opinion, Sting in the WWE was never going to work, because Sting was the true one pillar of anti-WWE, seeing as how his entire career he never jumped ship at any point, despite guys like Flair, Arn, Luger, Steamboat, Rude, Goldberg, DDP, and all sorts of legends, having done so at least once in their careers.  Sting was the true bastion of integrity that held his ground and never did go, at least not until so much time had passed, and it seemed like he went solely because of legacy purposes, but honestly, even as a jaded fan, it just seemed like his heart was never in it at all.

Sure, it’s probably because he was immediately buried by Triple H and had his first match be at Wrestlemania, where he lost to Trips, and then nearly had his career permanently ended by a botched powerbomb while working with Seth Rollins, but the fact of the matter is that it’s pretty safe to say that Sting’s run in the WWE was a pretty embarrassing flop.

But the main thing I felt was the reason why Sting failed in the WWE where he seems to succeed and get over everywhere else, is the fact that he had no pop-culture sources that he could steal from.  I mean just look at his general history:

  • WCW, changed his entire gimmick to basically be The Crow; got over, won titles, succeeded
  • TNA, eventually transformed into The Joker from Dark Knight Returns; got over, won titles, succeeded
  • WWE, tried to be just Sting; fail
  • AEW, has adopted the gimmick of basically being a White Walker from Game of Thrones; got over and is currently succeeding; titles yet to be determined

Obviously, the WWE itself is mostly likely the reason why Sting couldn’t lift anything in the first place, as they tread more corporately carefully than everyone else, but the point of this is that as good of a worker as Sting historically is, he hasn’t really been able to get over solely on his own, since like the days of fluorescent tights, the blonde flat-top and colorful face paint.  Frankly, he probably would’ve been better off showing up to the WWE in 2014 with his old surfer Sting persona, it’s not like the WWE had any shortage of dark, brooding, silent icons.

Ultimately, I have a ton of respect for Sting, as he is the aforementioned legendary worker, has accomplished the world over in the industry, and is widely admired and revered as a genuinely good human being, which is more important than everything else mentioned.  But the reality is that his ability to get over throughout the years has leaned heavily on the popular culture being consumed in the world around him, rather than his own personality.  And when he was put into a situation where he had to work without a crutch, it seemed to expose such, especially when compared to when he returned to a setting where he could lift from pop-culture again, and is breaking merchandise sales records.

I wish for the 2.5 hours I lost back

~ dannyhong ~ Leave a comment

My job put me in a shitty mood today, which sucks, but for the sake of writing out a post of criticism, it’s actually kind of advantageous.  I tend to believe that intent is sharpest when paired with an emotion that rides along the same wavelength, so when I’m in a pissed mood, lighting into something might be the right mindset for doing such.

Frankly, I knew what I was getting into when I sat down to watch WW84 because making a title card “Wonder Woman 1984” would have been the hardest thing to do for this day and age where people can sparsely be expected to use vowels when writing their shorthand bullshit, even in a professional working environment.

But I had already heard that this movie wasn’t good, and I’d seen the memes, my favorite of them being the title of this post because I felt the exact same way after watching it.  However, out of one part morbid curiosity and another part simply because Gal Gadot is gorgeous and I could probably put up with watching Boys Don’t Cry or The Boy With the Striped Pajamas if had Gal Gadot in it, I decided to watch it anyway.

Despite knowing that it probably wasn’t good, and despite knowing that it was 2.5 hours long and I could have done a myriad of things with 2.5 hours instead of watching WW84, I did something stupid and watched WW84.

And it sucked.  Unsurprisingly.  Frankly, in spite of the praise of the original Wonder Woman received, I didn’t think it was particularly close to as good as the praise it was getting, and I hate to sound completely sexist, but I think films like it and shows like Jessica Jones get a bump in credit solely for the fact that they’re stories about strong female leads with mostly female production crews.  Frankly, the gender of casts and crews are irrelevant to me, and I’d rather not know it at all as long as captivating and entertaining stories and presented to me.

Regardless, it goes without saying that the original Wonder Woman was easily the strongest DC property film since the Christopher Nolan Batman trilogy, and easily the best DC flick in the supposed Justice League universe they’ve tried to cobble together with most notably a Ben Affleck Batman.

But ultimately, that’s like saying the least stinkiest turd in the punch bowl because for whatever reason, DC Comics can’t seem to get their shit together when it comes to translating their properties into film.  Wonder Woman was alright, which makes it the strongest DC film in their respective universe, but honestly, I’d rather have watched episodes of the lowly Iron Fist or the fairly mediocre Defenders shows than DC’s top film.

I kind of feel bad for DC comics.  Because in the actual world of comic books, DC has plenty of quality properties and capable writers and some legendary stories told.  Batman alone carries DC comics way more than any single Marvel property can take credit for carrying Marvel Comics.  But no matter what, they just can’t seem to make good movies, and it’s almost as inevitable that a non-Batman DC movie is going to suck as much as the Braves will always collapse in the most embarrassing or heartbreaking fashions possible.

So needless to say, a sequel to a marginal quality film was bound to be a downhill ride no matter what, and to WW84’s credit, they basically lived up to expectation.  Thank goodness this never made it to theaters, because I already want my money back for it wasting 2.5 hours of my life, despite watching from the comfort of my own home on HBOmax.