Tag: television

Every baseball kid’s dream ending, starring Freddie Freeman

~ dannyhong ~ Leave a comment

Bottom of the ninth tenth, down a run, bases loaded, two outs; in the World Series.

The only thing more that there could’ve been was a full-count, but Freddie Freeman had to go ahead and remove that extra drama by instead blasting the first pitch he saw deep into the outfield stands of Dodger Stadium, and just like that, the Dodgers and their $241M payroll burst from the jaws of defeat against the Yankees and their $309M payroll to take the critical first game of the 2024 World Series.

If this game had ended in a similar fashion at the bat of anyone other than Freddie Freeman, this post doesn’t exist.  Especially Shohei Ohtani, and especially Max Muncy whom I think is the living embodiment of the meme of the guy that is part of the group project that gets an A but doesn’t actually do anything but gets to talk about the A like he did.  If Ohtani delivered the game-winning hit, I don’t post.  If it were Muncy, I don’t post.  Even if it were half-Korean Tommy Edman, I still have a literal list of topics that I’d rather spend my time writing about.

But Freddie Freeman is a guy whom it is impossible for a person like me to feel even the slightest amount of malice or disdain for, even if his actions result in outcomes that I did not want, like the Dodgers getting any sort of wins over the Yankees in the World Series.  Dare I say, when he clobbered that first pitch and in that split second where he and only he knew it was gone, and he begun holding his bat up triumphantly like an Olympic torch, only for nanoseconds later the rest of the his teammates and all the fans in Dodger Stadium realized it was headed out and began their approving roaring, I felt happy for him and only him alone, because that’s what Freddie Freeman means to me.

I mean, this is the dream outcome of the dream scenario that every baseball kid dreams about in their backyard, at some points in their lives, and Freddie Freeman just fulfilled it better than anyone could have possibly done.  In a sport that tracks absolutely every single play, instance and scenario, this was literally the only time in the history of the game, where a World Series game had ended in a walk-off grand slam.

Sure, I’m sure there will be lots of challenges and rebuttals that the only thing that tops this is a walk-off grand slam to outright win the World Series or comparing it to Joe Carter’s Series-ending walk-off three-run blast in 1993, but if we could just kick the nerds out of the room for just a second, and simply marvel at the magical moment we just witnessed.

Back to reality though, nothing changes with the fact that I still want the Yankees to win it, for the sake of my wife and her family, and the put a damper on Ohtanimania, and this heartbreaking L belongs to nobody but Yankee skipper Aaron Boone.  Why he trotted out a cold and rusty Nestor Cortes to face three-straight MVPs in extra innings is a decision that I already question, and imagine armchair baseball strategists and Yankee fans all around also question.

Aside from the fact that Cortes was colder than a pint of Häagen-Dazs buried at the bottom of a chest freezer in the garage, having not pitched since September, he’s a junk ball starting pitcher that relies on deception and trickery over having sheer, stuff, to get batters out, much less three straight MVPs in Ohtani, Mookie Betts and Freeman. 

Personally, I have this belief that starting pitchers are not ideal candidates to come out in relief, especially in extra innings, because pitchers are often neurotic creatures optimally comfortable in defined roles, and a guy like Cortes has been a starter for most of his Yankee career, and starting pitchers are mentally okay with an occasional hit and an occasional run, because as starters, they have the cushion of knowing they’ve got several innings behind and beyond them for the team to battle on their behalf.  All that cushion vanishes in late and extra innings, and more often than not, starting pitchers don’t fare well in those scenarios.

In all fairness, Cortes did manage to get demi-god Ohtani out, thanks to the gutsy selfless crashing into the stands catch by Alex Verdugo, but when I heard that Mookie was getting the intentional walk so that they could go lefty-vs-lefty with Freeman, my face literally made the wince emoji .

Now Aaron Boone has been applauded before in understanding modern baseball strategy, but going Cortes vs. Freeman will be one that I’m sure many will be questioning for a long time, especially if the Dodgers outright win the World Series.  Freddie Freeman is a career .273 hitter against lefties with an .804 OPS which is nerd speak for he hits left-handed pitching very well.  Conversely, Mookie Betts has never recorded a hit off of Nestor Cortes; granted, both sample sizes are extremely small, limited to a single game earlier in the season, but when it comes down to it, I would rather have taken my chances on Betts than Freeman, but I guess it doesn’t matter anymore.

It’s a shame too, because a lot of standout Yankee performances are wiped out in this loss; Gerrit Cole’s six innings because apparently 5-6 innings is applause worthy in today’s baseball, the aforementioned Alex Verdugo catch into the stands, Giancarlo Stanton continuing his torrid postseason run with another home run, and for me, Jazz Chisholm Jr.’s bonkers baserunning in the tenth that gave the Yankees their one-run lead going into the final frame is a shame to have wiped by Boone’s questionable management.

Make no mistake though; in order for this moment to be preserved in immortality, the Dodgers must win outright.  Much like Chisholm Jr.’s baserunning will be forgotten in the loss, Freddie Freeman’s walk-off grand slam will be reduced to a statistical anomaly if the Dodgers don’t win the whole thing.  And as much as I have genuine love in my heart for the man, I’m still pulling for the Yankees, and hope that this one magic moment is the extent of Freeman’s contributions to the Dodgers’ cause.

FOX’s Shohei Ohtani coverage is out of control

~ dannyhong ~ Leave a comment

Let’s get one thing out of the way – I have no dislike for Shohei Ohtani.  Even if he is Japanese and the world has basically fetishized him into oblivion, I don’t have any beef with the guy.  He legitimately is basically the greatest player to have played the game of baseball at this point and seems like a pretty humble and level-headed human being.

But the way FOX and the rest of the media world has continuously forced him down the throats of every baseball fan, sports fan or just television watcher, is definitely making me sour on the concept of Shohei Ohtani, and it goes without saying, is among the chief reasons why not one iota of my being won’t be rooting for the Dodgers to take the L in the World Series.

Nobody likes being told what to do.  I don’t like being told what to do.  I definitely don’t like being told what I need to like, and the way FOX has gone so ridiculously out of the way to put Ohtani on this pedestal has been ridiculous and embarrassing frankly, and not even being teammates with Freddie Freeman, whom I will always be a fan of, and would ordinarily be okay with him winning another World Series with someone else as long as it weren’t with the Dodgers.

The “X Time Away from Shohei Ohtani” was mortifying to discover that FOX was doing, and I’m glad to have been watching more AL playoffs as opposed to the NL, because it seemed inevitable that the Dodgers were going to win the pennant after vanquishing of the Padres, and although I didn’t witness any of these obnoxious bumpers myself, I saw plenty of screen caps and memes enough to know just how much I hated them.

This is the kind of thing that would make me hope for failure and ineffective at-bats, but because he really is that incredible of a baseball player, of course he delivered in many of these long-called for at-bats, which added to the e-bile I felt in my thoughts about the Shohei Ohtani coverage.

Like, whether it’s on television, or on various social media platforms, or ESPN or any other sports sites, one of my go-to snarky remarks is that I can hear the Oriental gong going off whenever Shohei Ohtani is being discussed, because that’s just how much he has caught the imagination of the collective world with his baseball talents.  It’s almost obnoxious to know that he’s actually a pretty decent dude, notwithstanding the potential gambling problem/scandal from the start of the season which was kind of refreshing to think that amid all of his Mr. Perfect-isms, he was flawed too like the rest of us.

Either way, I thought that I would have more to say about the subject than this, but I basically got my point across.  Enough with the Shohei Ohtani coverage, and at this point, him winning the World Series with the also-insufferable Dodgers is the absolute worst-case scenario there is as far as baseball is concerned.  It validates flagrant spending, egregious marketing of Japanese superstars, and makes a whole lot of obnoxious front-running Dodgers fans happy, which I can’t abide for.  I’d rather side with the devils I know, and actively root for the Yankees, if for nothing at all, would make mythical wife and my mother-in-law really pleased to see the Commissioner’s Trophy being hoisted in the Bronx.

But my parting thought, as insufferably obnoxious the Shohei Ohtani coverage and the Japan fetish has been these playoffs and this season, shoutout to Tommy Edman for being the NLCS MVP; that’s right, a half-KOREAN guy being the best player on the Dodgers for going 11-for-27 with an OPS of 1.023 and a home run.

Suck it, weebs

Stop trying to make Saudi Arabia happen

~ dannyhong ~ Leave a comment

One of the best parts about the largely mid Bad Blood PPV PLE was when Triple H came out to make an announcement, which turned out to be about one of the Saudi Arabia shows that pretty much nobody in the Western Hemisphere gives two shits about let alone recognizes as being remotely canonical in the WWE storyline ecosystem, and there were noticeable boos coming from the crowd.

Atlanta, it’s times like these in which I am proud to be one of us.

Seriously though, to top it all off, they unveiled a brand new blet, dubbed the Crown Jewel Championship, that would be awarded to the winners of the respective champion vs. champion matches between the men’s champions and the inferior gender Arabs hate but pretend to tolerate and give rights to in order to futilely gain acceptance from the rest of the world women’s champions.

And of course, I fucking hate them, as much as I fucking hate the Saudi Arabian shows that the WWE continuously forces down the throats of its viewers like they have the ability to single-handedly erase centuries of primitive cultural behavior.  Notice that unveiled was only a men’s variant of the Crown Jewel blet, contrary to the week prior where they unveiled a men’s and women’s rebranded NXT championships.

Honestly, I wouldn’t be the least bit surprised if there were no actual women’s Crown Jewel blet created, but Hunter going on live television and proclaiming that there would be one, forces the Royal Family to shell out a small mint to create a women’s variant of it, lest the almighty accusations of false advertising and poor optics ding their already-fragile reputation to places outside of the Middle East.

On paper, Cody Rhodes vs. Gunther should be a pretty good match, but as is often the case at these Saudi shows, it’s like the talent knows they don’t have to push the gas all the way down, not to mention that they’ll probably be in like Jeddah or Riyadh where it’ll be 104F outside, so they’ll err on the side of caution, and the match will feel neutered and nowhere near as good as people know it could be, if it were at like Wrestlemania or SummerSlam.

But Liv Morgan vs. Nia Jax for the women’s Crown Jewel blet?  I enjoy Liv, appreciate her love for the business not to mention the snack she is to eyes like mine, but there’s no way she’s going to defeat Nia Jax, without a tremendous amount of monkey business from maybe the recently returned Raquel Rodriguez.  Even if Tiffany Stratton cashes in and steals the title away from Nia before the event, Liv vs. Tiffy doesn’t sound as good to me either, because as high as I am on Stratton, she’s still green and I’d rather her first championship reign come when she’s a little bit more ready for it than I think she is now.

So once again, Nia will probably come out on top at a Saudi show, but in a different perspective, I guess it’s good that the E utilizes Crown Jewel to be the place to burn a stinker of a program, so that it doesn’t have to be run in a place that might actually appreciate it.

I’d really love to see both Liv and Nia come out in boring, sterile putty patrol-gray outfits with no personalities, as sort of a protest for the gross second-rate Sharia law bullshit they have to adhere to.  And also, after Nia defeats Liv, she gets blind-sided by Raquel and then Tiffy comes out, cashes in, and basically walks out with two blets, with the Women’s championship as well as the bullshit Crown Jewel blet.

No matter though, I don’t really care who wins what at this bullshit show, because I’m long past over the E tryna make Saudi Arabia a thing.  There’s no way in hell I’ll be able to watch it live, even if I wanted to, in my dad schedule, and if I’m not watching something live, I’m inevitably going to skip through 80% of the show when I watch the replay later, because ain’t nobody got time to watch every single minute when the finishes are just a few clicks away.

Also, what does this new blet mean for Braun Strowman’s ugly-ass Saudi blet he won at the “Greatest” Royal Rumble?  Does this replace it?  Is it a separate title?  Does it matter?  Does anyone actually care?  Nah.

NXT’s new blets are a let down

~ dannyhong ~ Leave a comment

In case you missed it, as part of the show’s official launching on theCW Network, NXT has rebranded and as a part of the rebranding, have unveiled new and updated championship blets.

In one hand, this should’ve been predictable if I were to even think of the possibility of redesign, seeing as how for the last few years, through NXT 2.0, and whatever the gold logo’d variant after it was called, the title blets had remained almost entirely the same from their last versions from the Triple H black and gold branded NXT; most identifiable by the giant X’s in the middle of the logo on all titles in circulation.

But on the other hand, I’m very unimpressed by the new blet designs for their top men’s and women’s titles, and I can only imagine how vanilla and boring the tag team blets are going to be, and possibly the North American blets if they choose to redesign considering how little the NXT logos were on those.

Renderings of the blets outside of the shiny television lights don’t do them any favors, and you can see how generally lacking in thought and design there is behind the new blets.  They’re regurgitating the straps from the black and gold era which is clearly dictating the design of the plates as a whole, and there’s really not a whole lot of innovation with these updated designs.

NXT grew to a point where NXT championship reigns were being widely accepted as world title reigns for superstars fortunate enough to get to that level, but with the blets looking like this, I’m thinking that they’re reverting back to looking like developmental champions rather than actual world title caliber.

Art nerd philosophy [one] is that fewer things are indicative of mediocrity than constantly rebranding and changing the aesthetics, because changes are only being made at a superficial level, and not necessarily to the more important functional and systemic ones.  NXT 2.0 was a pretty comprehensive rebrand from top to bottom, all the way to execution, but it really wasn’t when 2.0 ended, and other than moving networks, I can’t really imagine what functional and systemic changes they have in store for theCW-NXT (CWNXT?).

But as observed above, they’d been operating NXT 2.0 with even older NXT title blets for so long, that by now a full comprehensive rebranding isn’t necessarily a bad idea either, it’s just that I don’t care much for the “design” of the identity or the blets themselves because of:

Art nerd philosophy [two] is that on a long enough timeline, everyone’s logo and identity seems to inevitably turn into one of being in Arial/Helvetica, specifically a variant of Helvetica Neue.  There are countless examples out there of notable companies and corporations that have rebranded for almost no justifiable reasons, but always tend to take a timeless classic logo, and make an updated version where any script or character is stripped and is usually replaced by some boring, soulless, vanilla sans-serif font, usually wrapped in some rhombus.

NXT is no exception to this rule, with the new logomark being literally the letters in Helvetica Neue 95 Black with a little bit of manual kerning to have the characters butt into each other, but is otherwise another example of a boring, vanilla and soulless rebranding.

Why companies are so hell bent to not go back to logos that worked is beyond me, Burger King has reverted back to an old iteration of their older logos, why can’t NXT go back in time and revert back to the Hunter-era of NXT’s branding?  Then the blets wouldn’t have had to have been re-designed and recreated, but typing that out I’m reminded of the fact that the goal is to push and sell merchandise, so I supposed going back in time is kind of counterproductive to that objective.

Either way, even if I had the fluid disposable income to get more blets for the collection I can’t display, I have zero interest or desire to pick up a replica of this new CWNXT championship blet.  My NXT collection is already well-represented with a Hunter-era NXT championship and North American championship, and I don’t see any need to add to it from a mediocre pool.

Writing out the quiet part?

~ dannyhong ~ Leave a comment

Over the last few weeks, I’ve been chipping away at FX’s The Bear.  It’s a show that was always on my radar as something that I should see, and there was plenty of reason for me to be interested in it on its own.  After going through all of Shameless, I was high on Jeremy Allen White, and FX has a history of putting out shows that seem to be right up my alley, and furthermore, among the team that was making The Bear reality was Hiro Murai, who directed numerous episodes of Atlanta, another show that I was very high on and enjoyed.

Admittedly, The Bear starts off a little slow, and it did take me a little time before the show clicked and I realized that I did in fact enjoy the show, but I have to also say that it’s a show that’s kind of hard to watch, because how heavy-handed the show feels sometimes, especially from the standpoint that pretty much everyone has their own wars they fight on a daily basis, be it with themselves, their families, from their pasts to their presents, and often times television is supposed to be an escape from the hardships of life, and I find it difficult to instead be watching the hardships of fictional characters instead.

Like, I can’t really binge The Bear.  This truly is a show that probably is best watched on a weekly basis, so you can decompress and digest each individual episode, before your energy bar of watching stressful situations is replenished and the following week’s episode can tax you next week instead.  Every time Carmy and Richie have a knock-down drag-out screaming match, I can feel my own anxiety rising, and it’s a testament to both actors and their on-screen chemistry that they can do that to viewers with having such explosive arguments that feel genuine and stressful just to watch, but it adds to why I have a hard time watching more than a single episode at a time.

But recently, I got to thinking, in light of hearing of all the Emmy acclaim that The Bear has been reveling in, was to compare the sheer volume of Emmy consideration and success The Bear had, compared to Atlanta.  After all, the shows are very similar in the fact that they’re both on FX and considered psychological comedy-dramas, not to mentioned the aforementioned directing by Hiro Murai in both series.

It’s probably not popular, and something that I wouldn’t write out in a public forum, but I would go so far as to say that The Bear is basically the white version of Atlanta, in the way that the show is presented, the style of situational humor, and that both are listed as comedies, but although I do get some laughs from some of the scenarios they present, I usually go to bed thinking about the last episode and how fucking depressing they are. 

Frankly the only differences is that one show takes place in Atlanta with black people revolving around a rap career, and the other show takes place in Chicago with mostly white people revolving around a restaurant business.

Needless to say, it was of no surprise to compare the apples and find out that The Bear blows Atlanta out of the water when it comes to Emmy nominations much less actual Emmy wins, and I feel like I’m kind of writing the quiet part out loud a little bit with the not-so subtle accusation of the overtly white-favoritism of The Bear compared to when Atlanta was tearing up FX in their four seasons.

Don’t get me wrong, I’m enjoying The Bear, and I still love Lip Gallagher, and I’m very enamored by the many of the other characters and actors in the show.  I’m not trying to demean The Bear and say it’s not as good as Atlanta, not in the least bit  But I just see a lot of parallel with Atlanta, and feel that without Atlanta, The Bear doesn’t even exist, and I’m more just irked by the obvious racial bias in heaping mountains of praise onto The Bear, when Atlanta was doing the same thing just a few years ago to way less perceptive results.

I can’t wait for Xavier Woods’ heel turn

~ dannyhong ~ Leave a comment

Lots of long-time wrestling fans are smarter than people like to give them credit for.  The wrestling industry is at its best when they treat the fans with a modicum of respect for their intelligence and don’t go out of their way to dumb things down that questions it instead.

At this point, I can confidently believe that Xavier Woods’ heel turn isn’t so much just being hinted or teased, it’s definitely something that’s going to happen with the only question really being is just, when?

As much as I was a fan of the group, let’s not deny the fact that The New Day has been dead for the better part of the last few years.  One member of the squad has always been injured at various points throughout this span, and as much yeoman’s work the other two have done in their absence, the fact of the matter is that The New Day has always been a three-man group, and whenever it’s unable to be such, it means that The New Day isn’t really there.

With the unfortunate neck injury that has basically retired Big E at this point was really the nail in the coffin for the group, and it’s like Xavier Woods and Kofi Kingston have just been chugging along under The New Day banner, mostly out of a general lack of ideas of what to do with them in the meantime.  They’re both trustworthy hands, their brand is still popular and easy to stay over, but the reality remains that them and the group have just been a dead idea walking.

And then they just plucked Odyssey Jones out of NXT and went boom, you’re The New Day member #3, and I’m just like, nah dog, I’m fuckin out.  No disrespect to Odyssey, but it’s kind of low-hanging fruit and insulting that they just take a big black wrestler and throw him into The New Day with the express purpose of replacing Big E’s spot.

However, the best thing to emerge from this is that it appears that The New Day are back in the general plans of Creative™, and the wheels are in motion for the ultimate dissolution of the group together, culminating with what appears to be a heel turn for Xavier Woods, who has been the one member of the group to have been overlooked and not given a genuine chance at singles success for over a decade now.

They’ve teased Woods’ seeming lack of satisfaction of the inclusion of Odyssey Jones, there’s been remarks on live television about how Woods is the only member of the original squad to never have won a singles championship, and Woods himself has been doing an excellent job of facial expressions, body language and subtle, non-verbal performing that’s adding to the fuel that something is about to catch fire.

The only problem is that when the match is lit, and heel-Woods is initiated, I have this sneaking suspicion that the result isn’t necessarily going to be what the WWE is going to hope is going to happen, and the fans are going to pop like motherfuckers when it happens.

Kind of like when Becky finally snapped and decked Charlotte Flair during the pre-The Man days, the crowd went bonkers in support of Becky’s heel turn, because Becky Lynch was a performer that the fans had gotten to know, earned their respect, and drew empathy from the notion that they’d been held down and been a bridesmaid far too many times.

I feel like Xavier Woods is in a similar boat, and regardless of how he’s portrayed on television, he’s been building his personal brand for the better part of the last 10+ years on the internet, utilizing Up Up Down Down for people to get glimpses of Austin Creed, and there’s probably a notable amount of overlap between fans of Austin Creed and fans of Xavier Woods, and I predict that when Xavier Woods finally, goes heel and beats the fuck out of Odyssey Jones with a chair, and then plasters Kofi Kingston with a shot to effectively close the book on The New Day, people are going to pop, because the spotlight will suddenly be on Austin Creed, a guy that’s never really had the opportunity to have it, and they will all be excited to see how he handles being given the ball.

Just the thought of singles feuds for Xavier Woods, with inevitably Kofi, Sami Zayn and Jey Uso definitely seem like the types of programs that would get me to actually put effort into keep up to date with the product, but the question really is when they’re going to happen.  All the same, I can’t wait for it when it does, and let’s hope Creative pulls the trigger at the appropriate time, and doesn’t wait too long like they used to do so often throughout the early 2000’s.

Ted Lasso S4 announcement? Not sure how to feel

~ dannyhong ~ Leave a comment

Source: Ted Lasso season 4 appears to be imminent as options on several key actors appear to be picked up

I’m not sure how to feel about the escalating possibility that there might be more Ted Lasso.  In one hand, the show was the best show that I’d seen in a very long time, and I hold it up in similar regards to Parks & Rec as an all-time personal favorite.  I remember watching the first episode and thinking not long into it that I just knew I was going to love the series, and in the blink of an eye, I was wrapping up the third and final season, feeling sad that such a quality series was coming to an end, but also feeling happy at the general positivity of the series as a whole, and the neat and clean way they seemed to wrap everything up in the end.

To me, season 3 ended with the show seemingly knowing and at complete peace with itself at the conclusion of the series.  Sure, there were some open-ended doors opened for all of the characters, but that’s also a metaphor of life in that just because a singular arc ends doesn’t mean it’s the end of life itself.  But nothing to indicate that there would really be any possibility of there being any future seasons of the show once it all wrapped up.

Obviously, money is the ultimate equalizer and reason for any closed books to be opened back up and retconned in the name of producing moar, so in that regard, I’m also a little sad and apprehensive to hear about the possibility of more Ted Lasso because at this point, I can’t help but wonder if it can possibly be as good as the original three seasons were.

I’m trying not to give anything away, but the way the series wrapped up in S3 kind of makes it hard for the original series to continue on.  Perhaps all of this activity regarding performer options being picked up is going to culminate in a spinoff series of some sort which I’d find more palatable than trying to re-started Ted Lasso itself, but the way the internet is abuzz, they’re almost certain that it’s going to be a S4 of Ted Lasso instead.

And like I said, I’m not sure whether to be happy and excited for it, because I loved the show so much, but in the other hand I’m skeptical and don’t think there’s any way they can recapture the magic once again, especially when they will have to undo a lot of the finale to S3 in the process.

Either way, I guess that’s really the all I have to opine about the topic; I had marked this as something that I wanted to brog about, but it turns out that there’s not really that much for me to say without repeating myself three times over, but whatever show comes out of all of this, whether it’s Ted Lasso S4 or something Ted Lasso-adjacent, I’m going to be watching it anyway, because as a fan of the OG, it really goes without saying that I’ll give anything related to the show a chance to hopefully bring me back to television viewing enjoyment bliss.