
SI: Pro Wrestling Illustrated drops their Top-250 women wrestlers, topped off by Mercedes Moné
I had to laugh when I saw this list, because not only do I disagree that Mercedes Moné isn’t the #1 female wrestler this year, I barely think she’s top-5, and mostly on account of industry impact and not necessarily strength of work. Also, I always love how whenever people make all-industry encompassing lists, there’s always what seems like some forced integration of talents from promotions not in the Americas.
Obviously I can’t speak for anyone but myself, but I have this suspicion that short of having infinite time on your hands, there aren’t a lot of people who contribute to a North American publication are always up to the minute on all of the wrestling going on in AAA, CMLL, New Japan and in the case of this women’s list, Stardom.
Don’t get me wrong, any time I see Stardom highlights, they’re incredible, they’re intense, and Japanese women work with a level of stiffness that would make Fit Finley, Vader and Gunther wince and cringe while watching. Their level of in-ring work probably eclipses a lot of the women on PWI’s or anyone’s top-women workers lists, but the problem is that most people aren’t on top of their product like they are with the mega promotions of the Americas, and I say all this to preface and cover the fact that when it comes to listing talent, I simply cannot factor them in, due to general unfamiliarity.
But if I were to make a top-5 or top-10 list, it all starts with Iyo Sky, whom not only is the best female wrestler of 2025 in my opinion, she’s frankly the best wrestler in general throughout the calendar year. She’s had incredible matches all year long with Rhea Ripley, Stephanie Vaquer, Naomi and Bianca Belair, and I’m still hard pressed to think of a single match this year better than Iyo vs. Ripley at Evolution.
#2 is Toni Storm, because she’s not only the hard carry of AEW’s entire female roster, she’s arguably the most entertaining talent they have on their entire roster outright. I know I get critical about AEW in general, but there’s no questioning my love for Timeless Toni, and she’s simply the greatest character to have emerged from that land of chaos. But the main reason I don’t rank her above Iyo is that when it comes to in-ring work, Toni is nowhere close to Iyo’s level. Which is ironic, because young Toni was an absolute technician in the ring, but over the years, she’s clearly put way more work into her character, and less in the ring, and maybe it’s just the general green-ness of AEW’s women’s roster, it’s harder to find high quality matches that don’t devolve too hard into props, weapons and gimmick, versus just straight great wrestling matches.
#3 goes to Stephanie Vaquer who had the year of all years, having won three* different championships throughout the calendar year. She’s a counting stat monster, having won the NXT North American and NXT Women’s championships, and then moving up to the main roster where she eventually won the WWE Women’s World championship. She’s also a master technician in the ring, and frankly in pure technical skill, she’s probably better than Iyo, but she also hasn’t been really tested into a real masterpiece, save for her match against Giulia in NXT.
*I don’t count the blood money Saudi blet as a championship
#4 would be Rhea Ripley, for whom was the main reason why Iyo is #1, because it takes two to tango, and her and Iyo are basically one of this generation’s rivalries that could be on the echelon of Stone Cold Steve Austin and the Rock or Ric Flair and Ricky Steamboat, because the two just have such nuclear chemistry where every time they get in the ring together, it’s brilliance, regardless of if there’s an extra player involved or not. Frankly, the only reason she’s not higher is because she didn’t get as many matches, and with talents like Vaquer which helped push Iyo over the top.
And #5 is where I’d put Mercedes Moné, and like I said, it’s mostly on account of her impact on the business and not necessarily her strength in the ring. She’s (still) horrible on the microphone, and staying on the train of AEW nerfing women’s technical skill, her in-ring work in AEW is nowhere as clean as it was when she was still in the E. It’s ironic that AEW keeps spamming the narrative that it’s where the best wrestle, but that must apply to men only, because a lot of the women known for great talent, aren’t having their best work under the Turner banner.
However, what Mercedes has been doing all year, touring the indies and getting out in the world and lighting fires, collecting blets not-withstanding, is unprecedented, and in a holistic sense, worth giving her some rank on a top-women’s list. Bonus points for the rumored stories about how she’s donating a ton of her independent bookings to local charities of the places she’s touring, and despite my general critical skepticism of her, I do think she’s doing a lot of good with her platform, albeit while obnoxiously leaning into the heel persona, but deserves does deserve respect.
#6-10, I would put rank, in this order: Athena, Tiffany Stratton, Asuka, Naomi, Becky Lynch.
Toni Storm might be the hard carry of the AEW women’s division as far as presence and entertainment go, but Athena is honestly, the best pure wrestler that exists in the AEW/ROH ecosystem. As far as my previous comment about how AEW nerfs talent, Athena has remained immune, and has demonstrated to have good, watchable matches with anyone she’s been paired up with, and her match against a motivated Mercedes Moné is probably the AEW/ROH women’s match of the year as far as I’m concerned. The endless ROH Women’s champion might not have a large pool of talent to work with, but it’s not just for lack of better options that she’s been holding her title for nearly three straight years.
Tiffany Stratton, is one of those talents that as far as her character went, had a really quiet year in general. After winning the WWE Women’s championship, cashing in on Nia Jax, she had one heated program with a 60%-ready Charlotte Flair for Wrestlemania, but really not much else throughout the rest of the year except repeated matches trying to carry Jade Cargill.
I feel like one of the comps I think for Tiffy is that of Mr. Perfect, in the sense that her character work is still pretty uncomfortable and needs work, but once she steps into the ropes, she’s a natural in the ring. She’s managed to pull off respectable carry jobs on Cargill, and didn’t get outclassed when in the ring with a master like Vaquer and frankly dropping the title in her fourth or fifth match to Cargill can only help her grow some more, now unburdened with the duty of having to be the champion.
As far as Asuka and Naomi rank for me, Asuka is very much someone on the upswing, having returned in the middle of the year, and has been one of the most entertaining and watchable character on television as she’s working the heel sempai role to Kairi Sane and gaslighting Iyo Sky, and if she pulls this off for a whole calendar year, there’s no doubt that she’s a top-5 next year.
Naomi on the other hand, would have been an easy top-5, as her heel turn, Money in the Bank win and cash-in, and rise to the Women’s World championship were all booked outstandingly, and she was really picking up steam and momentum to be the top female heel in the company, but ol’ Big Jim decided to derail her career once again, and she’s been knocked out of the ring for the next year on account of having gotten pregnant. I mean there’s fewer better reasons to go on the shelf, but the unfortunate byproduct of it was that it happened right at the biggest push of her career. But if she can come back and pick up where she left off, there’s little reason to believe that she couldn’t get back to that upper tier.
And #10 I have to give to Becky Lynch, even in spite of how unpopular she is among the unwashed masses of the internet. Her character work has been upper-tier, playing the obnoxious, gaslighting heel, and her in-ring work will probably never be above a 6/10, but she’s one of the few workers, male or female, that still understands telling stories in the ring, working body parts and maximizing her skillset to work logical and digestible matches. But she’s clearly accepting of what’s asked of her at this current juncture, which is to remain in the mid card, elevate the Women’s Intercontinental championship and bringing the best out of lesser talents, like her current endless feud with Maxxine Dupri. As much as the internet pretends to hate her and call her shit like Becky Hogan, I think she’s a consummate professional and a team player and seems to be down and willing to do anything that is asked of her, and doing it well. She deserves better than what internet fans and PWI think of her.
The point to this whole diatribe is that PWI’s women’s rankings are dumb, and they clearly put way too much weight in Mercedes’ blet count, and not nearly enough on the bodies of work and the impact of character development, ring talent and entertainment, and artificially injected some Stardom names to make them look worldly.