Who does Roki think he’s fooling?

MLB: .com makes a point to let everyone know that next big Japanese shit, pitcher Roki Sasaki will not be signing with the Yankees

Back in like 1998, there was an episode of WCW Monday Nitro where Bret Hart was cutting a promo in the ring with Mean Gene Okerlund, going on about whatever Bret Hart martyr speak he was gushing about at the time, most likely his beef with the nWo.  And then without any notice, Brian Adams, formerly Crush of WWE just meanders into the ring to confront Bret.

At the time, the nWo was wildly more popular than anything WCW-branded, and the nWo was seemingly adding new members left and right, whether they were WCW guys turning coat, or guys just coming into the company just being introduced as new nWo members.

Brian Adams was pretty much a guy that had been primarily a bad guy heel character throughout his whole career to this point, so he seemed like a natural fit for the nWo.  Furthermore, he came into the ring wearing all black and a black trench coat, and the most cliched trope in history at the time was opening a coat and revealing a nWo shirt underneath, oh what a dastardly bad guy.

Basically, Adams got on the mic and told Bret Hart that he would have his back in his plight against the nWo, but absolutely anyone with even just a quarter of a brain knew what was going to happen.  Neither Bret or Mean Gene were remotely convinced, and even the crowd, and WCW crowds were a very different breed of dumb wrestling fans, could smell the most obvious of rats in the history of attempted trickery.

Sure enough, they didn’t even bother to save it for a later segment much less a future show, and Adams opened his coat to reveal the nWo shirt that even Ray Charles could see was there, and Bret got a beatdown when the rest of the gang showed up.

Roki Sasaki is basically Brian Adams, and pretty much every baseball fan on the planet knows he’s going to end up on the Dodgers.  No matter what he says, no matter what bullshit media reporting is done that he’s “giving everyone a chance,” and trying to convince people that there’s a possibility he ends up anywhere other than the Dodgers.

A guy who probably speaks no English isn’t going to want to go to any place not a small market with absolutely no Japanese presence much less Asians in general.  He’s not going to Milwaukee, Kansas City, Cincinnati, and I highly doubt Atlanta, Tampa Bay, Oakland Las Vegas Sacramento, or Baltimore were any of the 20 teams that were reportedly interested because Japanese hot shits require this thing called money to even be invited into the conversation.

Japanese hot shits want money, and want comfort.  So they require a big market, preferably one with Japanese and other Asian people, to have some remote chance that they can get a taste of home when they’re playing abroad.  This is why New York, Chicago, Boston and Los Angeles are always in the conversation whenever Japanese hot shits are on the market, but when it comes down to it, Los Angeles always covers multiple bases because they offer money, comfort of demographic, and the shortest flight distance to Japan, which is why they typically have the highest success rate at landing them.

Geography is undefeated. 

Nobody’s buying it, and nobody really even cares.  At this point, it’s more exasperating that they’re wasting people’s time at even bothering to exert time and energy into this sad ruse, and baseball fans just want him to go ahead and declare the Dodgers his choice of destination, have his shitty little press conference, put on his jersey and shut the fuck up so we can move onto the next storyline, or even the arrival of Spring Training.

Furthermore, the Dodgers have been low-key tampering with the whole thing, with golden boy Shohei Ohtani probably having all sorts of conversations and being in his ear trying to recruit him, since they were national team teammates.

Money isn’t going to be an issue, because the Dodgers would probably defer 60%+ of the contract until like 2040.  The only real issue is that the Dodgers frankly don’t need Roki, because they already have a full pitching rotation with Yoshinobu Yamamoto, Balakey Snell, Tyler Glasnow, Dustin May, and eventually Ohtani himself, but there’s always the possibility that Ohtani just goes another season as just a DH while he recovers, and the Dodgers aren’t the type of team to not pick up a hot shit free agent because they have no need, so much as they can deny others from getting them.

The only question mark and viable alternative to the Dodgers are the San Diego Padres, who also fulfills a lot of the Japanese hot shit checkboxes, but they also play in paradise.  Plus, the fact that Yu Darvish is already there is the safety net that holds some legitimate weight for Japanese guys.

But if I’m a betting man, when Roki does peel off his black trench coat, I still got the Dodgers shirt on underneath.  In the cyclical ecosystem of baseball, the rich tend to get richer, before they eventually age out, crash out and bail out before they actually deal with any sort of adversity, many years down the line.

Does anyone else think this is kind of fucked up?

In light of the recent meme-ization of Hulk Hogan getting boo’d the fuck out of the debut of RAW is Netflix, one of my boys shared with the brochat that the Iron Sheik was jumping on the dog pile of shitting on the Hulkster.

Entertaining as the thought of such is, one prevalent thought quickly rose to the top of mind – The Iron Sheik is dead, and has been since 2023. 

Most fans of his colorful Twitter account learned that it was one of his nephews that ran the account, but by and large it was safe to assume that the opinions and general vibe of it was still fairly reflective of the opinions of the actual Iron Sheik.

But the fact that whomever was in charge of it, is still running the account, effectively LARPing as the Iron Sheik now?  Nephew or any other family member or not, something about this just doesn’t seem right.

Am I the only one who thinks this is kind of fucked up?

I know I’m missing a lot of context to why this is occurring, perhaps Sheik still has a lot of debts, as many older wrestlers from the 80s were prone to getting themselves into, and maybe Sheik’s old Twitter account is still monetized or still capable of generating some degree of income and it’s going toward that.  Or maybe it’s just the nephew who’s pocketing the money, or maybe there’s no money at all and he just likes the attention that running the account and mouthing off in the voice of his dead uncle is how he gets his jollies. 

But all the same, it just seems fucked up to me that someone, regardless of whom, is still operating the account and continuing to blast off on topical matters in the voice of the late Iron Sheik.  I know it’s probably hard to want to walk away from a popular device as such, but the man endured the pro-wrestling business in the 70s and 80s, let him rest and not be used as a means to get cheap attention.

Thoughts on the RAW is Netflix debut

I was looking forward to the debut of RAW on Netflix, because I hadn’t seen an episode of RAW in close to almost a decade, since my house had long since cut the cables, and I could usually keep up with the product solely on YouTube highlights or just catching the PPVs PLEs.  Furthermore, being a monumental debut class of episode, I had expectations that the WWE was going to put their best foot forward and have a loaded show.  If the Saturday Night’s Main Event revival they had a month ago was any indication to how they were going to treat special events, I thought the E was ready to pop off, and I was excited to see what was going to happen.

And of course, there was the whole curiosity of what the E was going to do on Netflix, as far as the freedom to push boundaries were going to be, since this isn’t cable television and they aren’t beholden to the television rating standards, I was curious to see what, if any, behavioral changes that were going to take place.  However, they are still a publicly traded company, with collaborative programming still on cable television, so it wasn’t any surprise that they still kept it fairly PG, aside from The Rock saying ‘bullshit’ at one point.

Overall, the show was decent, but I’d be lying if I didn’t have all sorts of opinions and criticisms for it, mostly the fact that the episode was a little bit drowned in the pomp and celebration of the move to Netflix, with all sorts of appearances, cameos and segments that chewed up time, drug on a little bit, and most importantly, got in the way of actual wrestling product.  The three-hour show had a total of four matches, and on paper they sounded good, but I don’t know what it was, but they were all pretty underwhelming in the grand spectrum of things.

The matches were sloppy and got sloppier as the night progressed, and honestly a Seth Rollins vs. CM Punk match could have been on a Wrestlemania card without anyone  questioning it, but as far as I’m concerned it was the worst match of the night for the RAW is Netflix debut.  I don’t know whether their personal beefs interfered with their ability to do business, or if there were any subtle instances of trying to sabotage one another, but the whole match was kind of clunky, and I felt like it was a good example of two talented guys that just didn’t click in the ring.

It’s like the talent caved into the magnitude of the scenario, which is funny considering all of these specific performers have worked multiple Wrestlemanias among other big shows at this point, and those shows are usually two to three times the size of this episode of RAW.

But the biggest thing in my opinion was the fact that the crowd was absolutely dead as fuck.  This was something my bros and I discussed in our group chat during the show, but my consensus was that the crowd was a dead crowd, and I always believe that performers really can feed off of the fans, and hot crowds can really inspire stalwart performances, and since the RAW is Netflix show was held in Los Angeles, primarily full of people who just wanted to there for the hot ticket, but not really because they’re actual wrestling fans, it led to an arena that was full, but full of mostly casuals who don’t know the nuances of a show, intricacies of existing storylines, or have any genuine fandom for any of the workers.  This was an event, and casuals want to be seen at events, and actual wrestling fans that feed a show their energy, weren’t there, be it being priced out or simply incapable of getting in because of the fairweather scenesters were boxing them all out.

Sure, guys like The Rock and John Cena got some big reactions.  Roman Reigns got a decent pop, as did Rhea Ripley, Seth Rollins and CM Punk.  Jey Uso didn’t get the raucous reaction that he normally has been getting, as the most over guy in the company currently.  Dominic Mysterio and the New Day, who have been getting absolutely drowned out by boos and heat in the last few months, I’m convinced had to have boos piped into the arena because of how lukewarm the dead crowd was.

It’s like the people in attendance had it in them to have initial reactions to everything they saw, but by and large were sitting on their hands for the remainder of every segment, reacting to big spots and probably whatever the actual fans dispersed throughout the arena were reacting to and going along with it.  It was almost like watching a New Japan show, by how non-plussed the fans were, except whereas the Japanese chalk it up to cultural meekness and lack of expression, the LA scenesters were dead because they’re not really wrestling fans as much as they wanted to be at a big event so they could boast about it on social media.

I get it, it was important for the E to put their best foot forward, have it in LA and pack it with as many execs, celebrities and people who might actually gain more exposure, but in the process, they priced and pushed out actual fans from attending and it led to a dead crowd that didn’t help the general uninspired performing from the workers on the card.  Wrestlemanias and big shows get away with celeb-stacking and posturing, because they’re held at giant venues where the majority of the audience can still be actual fans, but the dinky Intuit Dome with their capacity of like 16,000, had the majority of the attendance being casuals and/or scenesters, and it was painfully obvious.

However, if there was one segment where the crowd woke up and came to life that truly stood out, was when Hulk Hogan made his appearance and was absolutely booed the fuck out of the building.  It was like the fans were told that they had a finite amount of booing that they were allowed to do, and they passed on using any of it on Dom Mysterio or The New Day and absolutely unloaded on Hulk Hogan.  Unsurprisingly, this was my most notable and entertaining moment of the evening where the most emotion was elicited from me, in the form of laughter.

The funniest part about it all was that how out of touch Hulk Hogan is with the world and the current state of the industry, is that he stood there, somehow surprised that a California crowd was booing him into oblivion when just less than three months ago, he was ripping his shirt and cutting a cringeworthy promo in support of the orange turd prior to the election.  Poor Jimmy Hart standing there with his longtime friend, waving Old Glory, complicit by association, taking tons of shrapnel.  And then Hogan just goes straight into his babyface promo, putting over Netflix, putting over his beer company, and putting over the company, while everyone is still just booing the fuck out of him.

The power of a crowd when they get hot!

Take all the pomp and circumstance, and the whole Netflix narrative out of the night, and this was an extremely mediocre show.  The matches were average at best, the crowd was dead as fuck, and not even all the special appearances did much for me.  A tremendous amount of time was spent on showing off celebrities and speaking segments, and in true first-world wrestling smark problems, the lack of formal commercial breaks really cramped my style of multitasking while watching wrestling like I used to.

The good news is that whether it was intentional or not, the RAW on Netflix bar has been set at not a tremendously high level, and the brand can only go upward from here, and the sky’s the limit.  I’m sure once the novelty of being on Netflix wears out, and regular fans are allowed to start going back to the shows, business will get back to normal, and as far as the E is concerned, that’s probably exactly where they want to be.

I will never understand the repeated 50/50 booking of Bron Breakker

I was chatting with some of my bros about Jey Uso’s long-awaited singles championship when he won the Intercontinental blet from Bron Breakker, and my first remark was along the lines of, well I hope they don’t give the blet right back to him in 3-4 weeks, because this has basically been the exact recipe that the WWE has been doing with Bron Breakker since he debuted back in 2021.

For whatever reason, Bron Breakker always has two matches with a guy when there’s a title involved, and by the time the second match is over, Breakker is the one coming out with the title.  50/50 booking in professional wrestling is when two sides trade wins, with the goal of each party getting an opportunity to look like the stronger side once, but in the end the benefit is minimal if at all, because both parties will have taken an L.  It is often criticized by the fan community and I can’t say that I disagree with the notion, and I’d rather a guy be used sparingly and sell a feud on character work and promos as opposed to there being a series of matches where both guys come out no better than which they started.

Like, here’s a list of Bron Breakker’s championship 50/50s since emerging in the WWE ecosystem:

  • Tommaso Ciampa: Loses on 10/26/21. Wins NXT Championship on 01/04/22
  • Dolph Ziggler: Loses NXT Championship on 03/08/22. Wins NXT Championship on 04/02/22
  • Sami Zayn: Loses on 07/06/24. Wins Intercontinental Championship on 08/03/24
  • Jey Uso: Loses Intercontinental Championship on 09/23/24. Wins Intercontinental Championship on 10/21/24

Like, I’m not pulling this pattern out of my ass, since Bron Breakker has emerged onto the scene, this has been precisely how he’s been booked, and I don’t know why.  After three years, he’s proven himself to be a tremendous talent, very much the genetic heir to his family lineage from his dad Rick Steiner and uncle Scotty.  He’s demonstrated the ability to work with all sorts of styles of workers, from all-around talents like Ciampa and Ziggler, small technicians like Carmelo Hayes, to bruisers like Gunther. 

50/50 booking should be reserved for guys greener than Breakker, but I feel like they’re doing it anyways, because of his general age.  Pro-wrestling has this archaic philosophy that everyone should pay their dues and apparently for a very long time.  Furthermore, a guy like Breakker has to always be weary of being accused of succeeding on account of nepotism, so I have to assume that all this 50/50 booking is being done to help him pay his dues, despite the fact that I think it’s doing more harm than it is good to have him eat so many losses, when he’s clearly set up to be one of the torch bearers for the company in future years.

So I guess writing things out, I kind of answered my own question to why Bron Breakker is being 50/50 booked so much.  I don’t necessarily agree with it, but as long as some old philosophies remain, even the most talented of guys will have to learn to eat some shit sandwiches because all their predecessors did too.

That being said, the tease of Bron Breakker vs. Jacob Fatu will be interesting.  I would’ve said that the new Bloodline would be beginning an amassing of titles with Jacob getting his first taste of singles gold, but that would be problematic when it would come time for Solo to try and nab one of the World titles, and I think we all know nobody’s dethroning Cody or Gunther.  But let’s not pretend like the ol’ E won’t 50/50 Bron against Jacob Fatu as well for a fairly meaningless title change just to help advance the Bloodline storyline which is in my opinion starting to border on becoming dragged out too long and with too many players in place.

But hopefully, the E will just stop booking him like this inexperienced rookie, and just let him have a monster run with the gold, because I genuinely believe he’s the future, and it’s important for him to be established as such, when the time comes for him to start being the man.

Even if when he is in performance mode, he’s the color of Hulk Hogan mixed with a Costco rotisserie chicken.

Stop trying to make Saudi Arabia happen

One of the best parts about the largely mid Bad Blood PPV PLE was when Triple H came out to make an announcement, which turned out to be about one of the Saudi Arabia shows that pretty much nobody in the Western Hemisphere gives two shits about let alone recognizes as being remotely canonical in the WWE storyline ecosystem, and there were noticeable boos coming from the crowd.

Atlanta, it’s times like these in which I am proud to be one of us.

Seriously though, to top it all off, they unveiled a brand new blet, dubbed the Crown Jewel Championship, that would be awarded to the winners of the respective champion vs. champion matches between the men’s champions and the inferior gender Arabs hate but pretend to tolerate and give rights to in order to futilely gain acceptance from the rest of the world women’s champions.

And of course, I fucking hate them, as much as I fucking hate the Saudi Arabian shows that the WWE continuously forces down the throats of its viewers like they have the ability to single-handedly erase centuries of primitive cultural behavior.  Notice that unveiled was only a men’s variant of the Crown Jewel blet, contrary to the week prior where they unveiled a men’s and women’s rebranded NXT championships.

Honestly, I wouldn’t be the least bit surprised if there were no actual women’s Crown Jewel blet created, but Hunter going on live television and proclaiming that there would be one, forces the Royal Family to shell out a small mint to create a women’s variant of it, lest the almighty accusations of false advertising and poor optics ding their already-fragile reputation to places outside of the Middle East.

On paper, Cody Rhodes vs. Gunther should be a pretty good match, but as is often the case at these Saudi shows, it’s like the talent knows they don’t have to push the gas all the way down, not to mention that they’ll probably be in like Jeddah or Riyadh where it’ll be 104F outside, so they’ll err on the side of caution, and the match will feel neutered and nowhere near as good as people know it could be, if it were at like Wrestlemania or SummerSlam.

But Liv Morgan vs. Nia Jax for the women’s Crown Jewel blet?  I enjoy Liv, appreciate her love for the business not to mention the snack she is to eyes like mine, but there’s no way she’s going to defeat Nia Jax, without a tremendous amount of monkey business from maybe the recently returned Raquel Rodriguez.  Even if Tiffany Stratton cashes in and steals the title away from Nia before the event, Liv vs. Tiffy doesn’t sound as good to me either, because as high as I am on Stratton, she’s still green and I’d rather her first championship reign come when she’s a little bit more ready for it than I think she is now.

So once again, Nia will probably come out on top at a Saudi show, but in a different perspective, I guess it’s good that the E utilizes Crown Jewel to be the place to burn a stinker of a program, so that it doesn’t have to be run in a place that might actually appreciate it.

I’d really love to see both Liv and Nia come out in boring, sterile putty patrol-gray outfits with no personalities, as sort of a protest for the gross second-rate Sharia law bullshit they have to adhere to.  And also, after Nia defeats Liv, she gets blind-sided by Raquel and then Tiffy comes out, cashes in, and basically walks out with two blets, with the Women’s championship as well as the bullshit Crown Jewel blet.

No matter though, I don’t really care who wins what at this bullshit show, because I’m long past over the E tryna make Saudi Arabia a thing.  There’s no way in hell I’ll be able to watch it live, even if I wanted to, in my dad schedule, and if I’m not watching something live, I’m inevitably going to skip through 80% of the show when I watch the replay later, because ain’t nobody got time to watch every single minute when the finishes are just a few clicks away.

Also, what does this new blet mean for Braun Strowman’s ugly-ass Saudi blet he won at the “Greatest” Royal Rumble?  Does this replace it?  Is it a separate title?  Does it matter?  Does anyone actually care?  Nah.

NXT’s new blets are a let down

In case you missed it, as part of the show’s official launching on theCW Network, NXT has rebranded and as a part of the rebranding, have unveiled new and updated championship blets.

In one hand, this should’ve been predictable if I were to even think of the possibility of redesign, seeing as how for the last few years, through NXT 2.0, and whatever the gold logo’d variant after it was called, the title blets had remained almost entirely the same from their last versions from the Triple H black and gold branded NXT; most identifiable by the giant X’s in the middle of the logo on all titles in circulation.

But on the other hand, I’m very unimpressed by the new blet designs for their top men’s and women’s titles, and I can only imagine how vanilla and boring the tag team blets are going to be, and possibly the North American blets if they choose to redesign considering how little the NXT logos were on those.

Renderings of the blets outside of the shiny television lights don’t do them any favors, and you can see how generally lacking in thought and design there is behind the new blets.  They’re regurgitating the straps from the black and gold era which is clearly dictating the design of the plates as a whole, and there’s really not a whole lot of innovation with these updated designs.

NXT grew to a point where NXT championship reigns were being widely accepted as world title reigns for superstars fortunate enough to get to that level, but with the blets looking like this, I’m thinking that they’re reverting back to looking like developmental champions rather than actual world title caliber.

Art nerd philosophy [one] is that fewer things are indicative of mediocrity than constantly rebranding and changing the aesthetics, because changes are only being made at a superficial level, and not necessarily to the more important functional and systemic ones.  NXT 2.0 was a pretty comprehensive rebrand from top to bottom, all the way to execution, but it really wasn’t when 2.0 ended, and other than moving networks, I can’t really imagine what functional and systemic changes they have in store for theCW-NXT (CWNXT?).

But as observed above, they’d been operating NXT 2.0 with even older NXT title blets for so long, that by now a full comprehensive rebranding isn’t necessarily a bad idea either, it’s just that I don’t care much for the “design” of the identity or the blets themselves because of:

Art nerd philosophy [two] is that on a long enough timeline, everyone’s logo and identity seems to inevitably turn into one of being in Arial/Helvetica, specifically a variant of Helvetica Neue.  There are countless examples out there of notable companies and corporations that have rebranded for almost no justifiable reasons, but always tend to take a timeless classic logo, and make an updated version where any script or character is stripped and is usually replaced by some boring, soulless, vanilla sans-serif font, usually wrapped in some rhombus.

NXT is no exception to this rule, with the new logomark being literally the letters in Helvetica Neue 95 Black with a little bit of manual kerning to have the characters butt into each other, but is otherwise another example of a boring, vanilla and soulless rebranding.

Why companies are so hell bent to not go back to logos that worked is beyond me, Burger King has reverted back to an old iteration of their older logos, why can’t NXT go back in time and revert back to the Hunter-era of NXT’s branding?  Then the blets wouldn’t have had to have been re-designed and recreated, but typing that out I’m reminded of the fact that the goal is to push and sell merchandise, so I supposed going back in time is kind of counterproductive to that objective.

Either way, even if I had the fluid disposable income to get more blets for the collection I can’t display, I have zero interest or desire to pick up a replica of this new CWNXT championship blet.  My NXT collection is already well-represented with a Hunter-era NXT championship and North American championship, and I don’t see any need to add to it from a mediocre pool.

I can’t wait for Xavier Woods’ heel turn

Lots of long-time wrestling fans are smarter than people like to give them credit for.  The wrestling industry is at its best when they treat the fans with a modicum of respect for their intelligence and don’t go out of their way to dumb things down that questions it instead.

At this point, I can confidently believe that Xavier Woods’ heel turn isn’t so much just being hinted or teased, it’s definitely something that’s going to happen with the only question really being is just, when?

As much as I was a fan of the group, let’s not deny the fact that The New Day has been dead for the better part of the last few years.  One member of the squad has always been injured at various points throughout this span, and as much yeoman’s work the other two have done in their absence, the fact of the matter is that The New Day has always been a three-man group, and whenever it’s unable to be such, it means that The New Day isn’t really there.

With the unfortunate neck injury that has basically retired Big E at this point was really the nail in the coffin for the group, and it’s like Xavier Woods and Kofi Kingston have just been chugging along under The New Day banner, mostly out of a general lack of ideas of what to do with them in the meantime.  They’re both trustworthy hands, their brand is still popular and easy to stay over, but the reality remains that them and the group have just been a dead idea walking.

And then they just plucked Odyssey Jones out of NXT and went boom, you’re The New Day member #3, and I’m just like, nah dog, I’m fuckin out.  No disrespect to Odyssey, but it’s kind of low-hanging fruit and insulting that they just take a big black wrestler and throw him into The New Day with the express purpose of replacing Big E’s spot.

However, the best thing to emerge from this is that it appears that The New Day are back in the general plans of Creative™, and the wheels are in motion for the ultimate dissolution of the group together, culminating with what appears to be a heel turn for Xavier Woods, who has been the one member of the group to have been overlooked and not given a genuine chance at singles success for over a decade now.

They’ve teased Woods’ seeming lack of satisfaction of the inclusion of Odyssey Jones, there’s been remarks on live television about how Woods is the only member of the original squad to never have won a singles championship, and Woods himself has been doing an excellent job of facial expressions, body language and subtle, non-verbal performing that’s adding to the fuel that something is about to catch fire.

The only problem is that when the match is lit, and heel-Woods is initiated, I have this sneaking suspicion that the result isn’t necessarily going to be what the WWE is going to hope is going to happen, and the fans are going to pop like motherfuckers when it happens.

Kind of like when Becky finally snapped and decked Charlotte Flair during the pre-The Man days, the crowd went bonkers in support of Becky’s heel turn, because Becky Lynch was a performer that the fans had gotten to know, earned their respect, and drew empathy from the notion that they’d been held down and been a bridesmaid far too many times.

I feel like Xavier Woods is in a similar boat, and regardless of how he’s portrayed on television, he’s been building his personal brand for the better part of the last 10+ years on the internet, utilizing Up Up Down Down for people to get glimpses of Austin Creed, and there’s probably a notable amount of overlap between fans of Austin Creed and fans of Xavier Woods, and I predict that when Xavier Woods finally, goes heel and beats the fuck out of Odyssey Jones with a chair, and then plasters Kofi Kingston with a shot to effectively close the book on The New Day, people are going to pop, because the spotlight will suddenly be on Austin Creed, a guy that’s never really had the opportunity to have it, and they will all be excited to see how he handles being given the ball.

Just the thought of singles feuds for Xavier Woods, with inevitably Kofi, Sami Zayn and Jey Uso definitely seem like the types of programs that would get me to actually put effort into keep up to date with the product, but the question really is when they’re going to happen.  All the same, I can’t wait for it when it does, and let’s hope Creative pulls the trigger at the appropriate time, and doesn’t wait too long like they used to do so often throughout the early 2000’s.