I kind of have to respect Mercedes’ game

I didn’t mention it because life has a tendency to get all up in the way, but a little before Labor Day, I made a small trip, and my first destination was Philadelphia, where I met up with some friends so we could watch AEW live, on account of a childhood friend we have who is on their payroll and could hook us up with some tickets.  However, it wasn’t just watching AEW live, it was watching AEW live at the, now 2300 Arena, formerly known as the notorious ECW Arena, known for being the home to, Extreme Championship Wrestling.

This was very much as case of being more interested in seeing my friends and the venue itself as opposed to the actual product being shown, but honestly, it wasn’t that bad of a show, since the narrative of the whole night was leaning hard into the fact that they were at the ECW Arena.

It also didn’t hurt that our seats were front row.

Anyway, there really was no point to mentioning all that other than to just mentioned that I went to see the ECW Arena for the first time which I really enjoyed, and the whole point of this post is to, once again, talk about Mercedes Moné, seeing as how she’s hoovered up a 12th blet, and has been proclaiming herself to be better than Ultimo Dragon, and apparently, I’m not sure what prompted it, but also better than Bret Hart.

Little does she probably realize that kayfabe or not, by bringing up Bret Hart’s name in such a manner will embark her on a personal beef with the Excellence of Execution for the better part of the next three decades, but that’s neither here nor there.

Loosely tying back into my experience at the ECW Arena, I did get to see Mercedes live, in an in-ring promo where she was glorifying some new backyard promotion’s title win.  Despite being in the front row, nobody could really hear anything, because whether it’s AEW’s equipment being shitty, or the acoustics of the ratty old ECW Arena, nobody was getting any audio, but it didn’t really matter because in spite of the backhanded praise I have planned for this post, it doesn’t change the fact that she still gives really shitty promos, and on the trading card talent scale, her promos are probably at like a 2 out of 7, primarily on account of the fact that she’s not afraid to speak, it’s just she sucks at it.

But that was back on Labor Day, and as of now, Mercedes now holds 12 different blets, and finally lots of the internet are finally beginning to acknowledge that in spite of the number of blets, only nine of them are actually titles, considering the number of asterisks surrounding several of them, like the Owen Hart Tournament blet being a trophy and not an actual title, the Queen of Southside blet being technically retired and not an active blet, and I’m guessing the recently won Ring of Honor Women’s Television blet has an asterisk on account of it being an interim title, despite the fact that Red Velvet wouldn’t have a chance against Mercedes in a clean bout.

I’ve said it before, on account of some of them being not actual titles, and many of them being titles for a bunch of backyard promotions nobody had ever heard of, this whole blet collector arc for her is mostly meaningless, and if that makes me a hater to say such things, so be it, but it’s my version of the truth as far as I can see it.

I could argue with troglodytes on the internet about this topic, but I really do not want to, which is why it ends up being a brog post on a brog that nobody reads, but I have to say that I think I’m beginning to see what her large scale scope game is in doing all of what she’s doing, and if such really is the case, I think I do feel that I should respect her in this regard, because when the day is over in the wrestling business, it’s better to be hated and analyzed and criticized over being respected, heroic, but otherwise invisible.

And Mercedes is doing a masterclass job of doing what she’s doing, and getting people noticing and getting people talking.  Shit, as much criticism I have for what her character is doing, this is like my fourth or fifth post about specifically her, so whatever she’s doing is working, and in that regard, she has my respect.

And what she’s doing specifically, I would say is ragefarming, because between being the cockiest heel since prime Ric Flair, Mercedes is also taking her arrogance to the internet, dropping quotes and sound bytes, saying shit that is deliberately and tactfully setting wrestling fans off and getting them talking and interacting and engaging with her, with websites and groups and other outlets that are all scrambling to monetize the exposure.

Speaking of Flair, he used to explain that the point of being a good heel is to be so disliked and hated, that people start getting antsy and itching to see you lose, and one of the true arts of the business is being such to where they will be willing to pay money to see it happen, and I think Mercedes is doing an outstanding job of fulfilling that first part, but me personally I don’t like paying to watch wrestling other than live, but I am going to be excited if and when she starts having to drop all these blets back to their respective promotions.

In the grand spectrum of her career, it will be easier for her to parlay being a legendary heel back into a respectable face, as opposed someone who has to build up their fame and resume, and when the day comes, which I predict might be around next Thanksgiving, when Mercedes goes back to the WWE and becomes Sasha Banks again, she’s going to get a real needle-moving reaction, one way or the other, so the Four Horsewomen can have a massive blowup program with Asuka’s Team Japan with Iyo Sky, Kairi Sane and Giulia in a passing of the torch.

However, I still think the most defining period of Mercedes’s journey right now will be when it comes time for her to start returning the favor to all these companies whose blets she has right now.  My general scrutiny is that she may have stretched herself too thin to it almost being a no-win situation; if she bleeds her titles back piece meal, nobody will notice, but if she goes on a big tour of dropping titles in a sequence, a long string of L’s is going to make her look weak, and history has shown that Mercedes is not a fan of taking too many L’s in general.

If she pulls the losing her smile card, and starts relinquishing titles without having to take any defeats, it effectively kills whomever she does it to, and that’s just not good business at the end of the day, but I wouldn’t put it past Mercedes to keep this in mind if the thought of taking some losses starts to make her lose sleep.

Frankly, the only viable solutions are that a lot of companies will have to have some horsey, multi-women matches where Mercedes can drop blets without always having to take any pins or submissions, or she needs to start a feud with someone in AEW that reaches the level of hate that AJ Styles has reached in feuds with Dominic Mysterio or LA Knight, where they will be willing to cross seas and oceans in order to interfere in their matches and cost them in title defenses, thus keeping her somewhat strong in requiring interference in order to lose.

But anyways, because I’ve clearly got Mercedes unfortunately living rent-free in my head, and I’ve made yet another lengthy post overanalyzing what she’s doing, I’m wrap this up.  I think I’ve said everything that I’ve wanted to say this time, and normally I’d say I hope to not touch on this subject again, but there’s too much wrestling fandom and likely mileage in the Moné-train to not.

However, credit to where it’s due, Mercedes the Ragefarmer is holding a masterclass at ensuring people are noticing and people are talking, and in the wrestling industry such does require talent, and knowledge to parlay such reactions into positive, profitable careers.

The James Gunn Superman: Not bad, DCU

Perhaps it was the sporadic clips of the film I’d catch occasionally on theFacebook algorithm, but I finally broke down and decided to actually watch the James Gunn variant of Superman.  And I have to say that the general takeaway from the experience was that it wasn’t a DC comics flim that left me wondering why DC even bothers trying to compete in the comic book film space in the first place.

Considering how low the bar is for DCU films, I do have to admit that JG Superman was pretty decent.  For starters, they jump right into the film without any sort of lore-building for Superman, because at this point in existence, it’s a safe bet that anyone who is taking the time to watch this film more than likely already knows the general nuts and bolts about the character without needing to expend 30 minutes of build-up.

That being said, that’s one of the endearing things about the film, is the fact that they don’t really treat the viewer like they’re idiots.  That, and occasionally injecting some moments of levity and humor, like the MCU had been doing over the last few decades was a good touch to help give brief reprieves and passive reminders that this was still a comic movie and comics are supposed to be entertaining and sometimes humorous.

Mr. Terrific was probably my favorite character in the film, and I’ll be honest I have no idea who he was prior to this, but after watching the film, I’m more inclined to Google him and learn more about him, and potentially be excited to see him again if he ever pops up in a future DCU production in the future.

But I think what made the film better than most other Superman films in the past, is the fact that this was a very vulnerable and generally nerfed edition of Superman.  As the comics have demonstrated throughout history, when Superman is too overpowered, he gets old, really, really quickly.  Like it’s no fun at all if every adversary is a finger flick away from defeat, and there are all sorts of plot holes that can emerge from an over-reliance on Kryptonite in order to create any modicum of adversity to ‘ol Kal-el.

However, JG Superman starts off the flick by getting his ass beat, and throughout the duration of the film, without giving too much away, Supes definitely gets his ass beat up quite a few times, and actually faces hardship and difficulty throughout the film, and although we the viewers all know he’ll prevail in the end, at least we might actually feel like he’s earning it, instead of just spamming his god-like power minutely and winning decisively.

That’s really all this post is about, the JG Superman was a DCU film that didn’t suck.  I don’t feel compelled to blurt out hater-iffic bullshit like, stick to animation, why does DCU even try, and things that thousands of other nerds on the internet have probably already said before.  Sure, it is mostly on account of it following a lot of MCU tropes, but if something works and you’re not utilizing it, that’s on you.

It will be interesting to see if the DCU can actually parlay this variant of Superman into an actually decent overarching DCU universe, much like Marvel did, and if they can built up a streak of positive equity, or if it will crash and burn like a lot of their previous attempts to world-build.

The Dodgers are inevitable

Here’s the thing about writing about baseball playoffs: if you don’t write for a living and are financially obligated to have the time necessary to write about baseball at a moment’s notice, you’re probably not going to do so until you have available time to do so.  Which then makes you me, where I never have any time to write about things on a moment’s notice no matter how much I might think I have something that will read remotely readable, so you get to it when you can get to it.

However, the baseball playoffs go at such a rapid pace, if it takes me about 5-7 days to get to something, literally two rounds of the playoffs could have ended by then, which is sort of what did happen to me in this case.

At first, I wanted to write about Balakey Snell, and add onto how he clearly saves all of his effort for second half of the year, after he absolutely shut down the Reds in the Wild Card round.  The man has made a career of dodging work in the first halves of the seasons, with the two exceptions being the two years where he played with his balls on fire in order to win Cy Young Awards, which coincidentally aligned up with upcoming arbitration and free agent payday, to which once he got a contract, he’d loaf the first half of every year, faking injuries and suppressing his talent, and then going gangbusters the second halves of every year like clockwork.

But then the Dodgers won two games immediately to advance out of the Wild Card round, and onto the Phillies, where I wanted to write about the joys of watching two teams I dislike having to duke it out amongst each other, and when push came to shove, I’d have to support the Phillies over the Dodgers because frankly I don’t give a shit who wins the World Series – as long as it’s not the Dodgers.

Unfortunately, the Dodgers breezed through the first two games of the series, and put the Phillies on the brink of elimination, and mythical wife put game 4 on television as background noise, leading me to passively watch as I witnessed players on both teams flailing away pitifully as if it were me playing a video game, racking up strikeout after strikeout, and I actually found the game to be almost unwatchable, at how place discipline has clearly eroded tremendously over the last decade in which I’d gradually reduced how much baseball I watched.

I got triggered over how the TBS broadcasters, one of which turned out to be former Brave Jeff Francoeur, whom I’d had a contentious opinion of over the years, but the two of them just could not stop fellating themselves over Japanese rookie, Roki Sasaki, whom the Dodgers had decided to stash away entirely, unleashing him as their tentative playoff closer, which was working to great effect.

To Roki’s credit, he did pitch masterfully, pitching three perfect innings in relief, but at the same time the Phillies would have swung at kickballs being rolled on the ground by virtue of their complete lack of plate discipline, but it was obnoxious as fuck listening to the commentary of two dorks with the same gigantic weeb fetishes that MLB really loves  to push.

But then the Phillies were eliminated and it was onto the NLCS, in the blink of an eye.  In the first game, Balakey Snell pitched another gem, going eight, near-perfect innings, adding to the ridiculous talent suppression narrative, but before I could write about that, game 2 happened the following night where Yoshinobu Yamamoto pitches a complete game, the Dodgers win, and the sports world is jizzing all over the place at A Glorious Nippon baseball player demonstrating such brilliant mastery in the playoffs, much to my annoyance.

Meanwhile, golden boy Shohei Ohtani has been completely invisible for the second October in row, going 1-for his last like 20 or so at-bats, but nobody wants to dare hear ill about their demi-god.

I had a great analogy for a writing topic about how MLB feels like the League of Legends LCS scene where every team in every region came to the collective conclusion that they need to import as many Korean players onto their teams as they could, leading to a few years of hilarity where teams all over North America, Europe, China and even teams in Brazil, all had two Korean players on their rosters. 

And how MLB feels like it’s headed in that direction where teams are going to be scrambling to gobble up Japanese players because they’ll all buy into the notion that they need them in order to compete, and that the Dodgers are just one of the earliest teams to really exploit the system, much like teams like Fnatic, LMQ and G2 were early adopters of hoarding Koreans in LCS, before all teams eventually picked up on it and began poaching Koreans left and right.

But that brings us to the present, where the Dodgers won game 3 of the NLCS, where they now have a near-lock to make the World Series because no team except 2004 Boston Red Sox had ever come back from an 0-3 series deficit to win four in a row, and everything I wanted to make dedicated posts about are already in the past and not worth dedicating entire posts about anymore.

And all I really have to say at this point is the subject of this post – the Dodgers are inevitable.  They didn’t just buy themselves a loaded roster, they bought themselves a loaded roster, intelligently.  That’s the one major separator from them and every other team in baseball history that has thrown cash around like they were at a strip club, but resulted in no positive results.  Sure, some of them were victimized by the hot team, but this era of Dodgers has appeared to be hot team-proof.  No hot team or higher seed really makes a difference when they get loaded up into a short series with a team that has this much pitching depth, amassed effective relievers from other teams, and has this many available bats on their roster, all of which seem to be drunk enough on the Kool-Aid to not be letting any toxic egos into the equation.

I doubt I’m the only one who came into the playoffs with this sense of dread at seeing the Dodgers in, because most anyone who follows the game knows that they’re the team to beat, no matter where they were seeded going into it.  And sure enough, the Dodgers did what they were built to do, which is that they decimated the Reds and the Phillies, and have decimated the Brewers and by the time this day is over, could very well be en route to the World Series, yet again.

Like I said, I really don’t care who ultimately wins the World Series, but I really hope it’s not the Dodgers.  The fact that I would have preferred the Phillies over the Dodgers speaks volumes for those who know me.  If I had a preference, it’s the Seattle Mariners I’d rather see become champions for the first time in their franchise history, but I have no beef with the Blue Jays either.

But regardless of who comes out of the AL, I don’t like either of their chances against the amount of ammunition the Dodgers have, and they’re currently playing in a dominant manner that’s giving me some serious 2005 White Sox vibe, where their starters are just on another planet right now, delivering dominating performance one right after the other after another.  Even if they got completely bodied by the Angels all year.

This is most definitely one of those cases where I’d love to be wrong, and being right about an inevitable fucking Dodgers victory, will bring no joy whatsoever.

Oh, Atlanta #897

Urbanize Atlanta: legendary gentleman’s club/piece of iconic real estate aka The Cheetah to become lame student housing for Georgia Tech

A long time ago, when I moved back out to the ‘burbs, I had a moment of feeling that I would miss living and/or working within the city.  There was a piece of me that felt some sort of importance to have proximity to the city in order to have a feel for the pulse of it, and that residing outside of it would make me lose touch with all the news and happenings within Atlanta city proper.

Sure, it is accurate to say that I’ve lost touch with the general, boots-on-the-ground minutiae of the city, but it’s still entirely possible to keep up with the general main happenings in and around the city by virtue of, the internet.  There are plenty of sites and outlets that do a good job of keeping me abreast to stuff like restaurants and events, not that I have a tenth of the extroverted desires to go out in the world anymore for the most part.

But when the day is over, I just don’t really give a shit anymore about needing to know much about what’s going on in the city like I used to.  I don’t miss going into the city, and I feel no real need to have a finger on the pulse of it anymore.  The pandemic only accelerated this detachment from things, but it’s like every time I do go into the city, I’m always surprised to see new things, and alterations to the general city skyline, primarily within a 2-mile radius around Georgia Tech; encapsulating Midtown, and the at some point-christened West Midtown neighborhoods.

In the past, I used to work pretty much right next to The Cheetah, right in Tech Square.  There was a break room that I used to sit in to eat my lunch that had a window that looked right out onto Spring Street, and The Cheetah, and not much else, because at the time there was only a giant-ass dead lot that was used for pay parking.

I’ve never really been one for strip clubs, since there’s little more of a turn off knowing that the broads prancing around trying to separate you from your cash, resent your existence by being there, and a headcase like me needs to have some degree of emotional connection in order for my wires to heat up.  But all the same, I always respected the existence of The Cheetah, as it was kind of an icon of the city, often in the same breath as other notorious locations in the city like The Clermont Lounge, Murder Kroger, Center Stage, Little Five Points, etc.

Plus, I really enjoyed it when I found a random $20 bill on the sidewalk while I was passing by, and it helped contribute to my very first iPad acquisition way back in the day.

But in spite of my general ambivalence for strip clubs, it did give me a case of meh-face when I learned that The Cheetah was next on the city’s chopping block in order to make room for more lame student housing.  Like, there are so many other dilapidated and/or useless plots of land remotely close to Georgia Tech that could make for land for student housing as opposed to sacrificing The Cheetah.  And it’s not like over the span of the last decade there aren’t like 5-6 other new student housing buildings that have popped up to house all these Georgia Tech nerds.

I dunno, it just leaves me feeling sour, knowing that Atlanta seems to slowly be sacrificing all of the little quirks and idiosyncrasies that made Atlanta, Atlanta, the way they keep cannibalizing shit with character for boring ass shit like moar student housing, egregiously priced condominiums, or corporate headquarters.  It’s like they’re going to run out of insufferably elevated words and names to use for all these soulless towers at the rate they’re going, and the last time I was in the city, for a wrestling show at Center Stage, there were literally two new apartment towers that had sprouted up that weren’t there just months prior.

When the day is over, I’m not going to lose any sleep over the demise of The Cheetah.  But it’s stuff like this that makes it easier to reinforce the notion that I don’t miss being in the city or needing to be close to the city, at all.  Almost all of the restaurants I used to like to go to are all gone, and little landmarks that I could always give people ten-cent tours over are all being razed for boring shit.  It makes me sad knowing that the city that I do rep is voluntarily forfeiting their character and charm, over the need for a bunch of useless and aesthetically soulless real estate that contributes very little to the long-term life of Atlanta.

The Substance was one of the best movies I’ve seen in a long time

In one hand, I don’t throw this claim around lightly – I think that I can be picky about the things that I really like, and I’ve been told a bunch of times in my life that I’m a difficult person to impress, where it’s not necessarily intended to be that complimentary as much as it is an accusation of being excessively picky.

However, in the other hand, I don’t watch a tremendous amount of movies to where I’m remotely close to some wizened film expert whose opinion should be taken beyond a grain of salt, and I’d be the first person to disclaim such when explaining why I liked this movie, or any film that anyone wishes to discuss with me.

Anyway, The Substance: I do believe that it was one of the best movies I’ve seen in a long time, and it was one of those situations where I’m ¾ through the film and I’m just thinking about how interesting and enjoyable of a watching experience the whole thing had been, and coming to the conclusion that this really has been one of the better films I’ve seen in a long time.

It’s interesting too, because I recall this movie came out quite some time ago (2024), long enough to where I remember it being talked about on The Howard Stern Show, when I still had a SiriusXM preview active,  since there’s a tremendous amount of skin shown in the film.  But for people like me, if it’s not available on a streaming service, it might as well not exist, and just recently did it makes its way onto HBO Go Max Max, thus coming into official existence as far as I was concerned, and mythical wife went ahead and started up when we were at one of those weird crossroads where we didn’t want to start another show, and just wanted something singular and hopefully entertaining to be a pallet cleanser in between shows, and for me it was one of those welp, it’s started, time to watch it, experiences.

From start to finish, I found the film to be cinematographically wonderful, with lots of colorful and aesthetically stimulating shots and scenes, the art direction was inspiring and I loved the whole branding mission The Substance parent company embarked on with their dedication to branding everything they produced as far as packaging and messaging went.  The score was catchy and I enjoyed the rhythmic techno beat that seemed to permeate throughout the whole film.

The word I’d use to best describe The Substance is “visceral” because man, do they not shy away from close-in macro shooting of anything from slovenly scarfing down shrimp cocktails, administering stitches, to all sorts of gruesome, gory, taboo acts that make people like me cringe and/or whip out my phone and try to look away instead of watching more.

And of course, the story was thought-provoking and poignant and if it makes me think about life, and what I’d do in such circumstances, then I think it’s a case of upper echelon storytelling.

The ending section of the film goes so off the rails and bonkers, that I have to imagine that it was probably a wildly entertaining sequence to have been present in a theater full of people when it occurred.  And when it concludes, I was left having felt entertained, satisfied and in an overall good headspace because I had been entertained and inspired, and eager to sing the praises of the film for succeeding at all of the above.

I told mythical wife after we were done watching it, that I thought that this was probably the best movie I’d seen the whole year, and in the grand spectrum of things, it really was one of the better films that I’ve seen in a long time.  I still think about it, and one of the biggest compliments I could give a film is that if I were to walk into a room and it were on, I’d watch it again without much complaint about needing to better utilize my limited free time and watch things that I hadn’t seen before.

Shitty game alert for parents #2: Crazy 8’s by GamesHub

I don’t know how my family came upon this game, but when my kids brought it out and asked if they could play, my knee-jerk reaction was, oh cool, this seems like a pretty age-appropriate game that my kids can probably get.  But after about 15 minutes and the game not ending, my mind started formulating this post, and pondering that if I really wanted to commit, I could probably create a lengthy series of questionable toys/games being made, for the kids of today.

The premise of Crazy 8’s is kind of like a really junior-fied version of Uno; the cards have colors and numbers, and the objective of the game is to empty out your hand before everyone else.  8’s act as the wild cards that the player who plays it can dictate what number or color comes next.  There is no calling for Uno, nor are their any malicious Draw Twos or Fours, but the way the game is, there may as well be Draw Twelve, due to the systemic flaws of this game in general.

In all fairness, it’s not really so much a shitty game as it is just poorly balanced and becomes a nigh impossible game to win under certain conditions, especially when playing against a five- and four-year-olds who want to try and bend the rules as soon as their attention span begins to wane.

Basically, there is an extremely disproportionate amount of yellow and greens versus all the other colors; 12 yellows, eight greens, four reds, blues, pinks and four eights.  The number 10 cards effectively add four yellows and blues due to them being two digits of different colors, but the point remains that there are way too many yellows and greens, and not enough of any other color.

As games progress, and everyone gets a gist of the rules, inevitably player 1 has no reds or pinks after another player 2 plays an 8 and asks for one of them, so player 1 keeps picking cards until they can find a red or a pink or an eight, but because there’s so few number of cards in general, player 2 or 3 is already sitting on all the reds and pinks, so player 1 ends up with a boatload of yellows or greens, and the game turns into this perpetual stalemate of changing up the colors with eights, nobody having the swapped color, and then another eight being played on top of it, and asking for a color that nobody else has.

My kids and I have played five games of this, two of which I won, #2 won once, and the other two my kids losing interest because they wouldn’t ever end.  My kids became wise enough to the game’s system to know that I probably had all the green cards, and every time I played an eight and declared the next card to be green, they’d just draw out enough cards to get another eight, and switch it back to pink, and then the cycle would just repeat until we realized it was a push.

Even expanding on the rules and trying to incorporate accessories like party hats or glasses as a variable to switch things up fell flat, because there just aren’t enough cards or variables to make it a viable expansion.

Either way, this is a game that has some potential, but the lowest of ceilings of quality before any players with brains basically break it due to critical systemic flaws.

So, shitty game alert it has, and I would advise all other parents not to spend any money on this, and even consider covertly regifting it if acquired as a gift.

Seems kind of ironic to me

I was driving home one day, and I decided to take an alternate route, because it might be a little longer as far as street distance goes, but there are fewer lights, and I was in one of those moods where I was over all the red lights that I seemed to be hitting.  There’s a point on this route where there’s this farm, that I’ve come to know as being owned by some obvious hard-right-wing nutjobs, as indicative by all the hard-right-wing signs that they plaster all over their property.

MAKE AMERICA GREAT AGAIN
PRAY FOR AMERICA
LET’S GO BRANDON
KEEP AMERICA GREAT
AMERICA FIRST

And the list goes on and on and on.  There’s pretty much no matter, no election or no opportunity missed by the people who live on this farm to spout their views or automatic support for whomever is repping the right.  In one hand, I kind of respect and wish that the not-left had such devout, obsessed and dedicated to voting and supporting their cause, and perhaps every single political arena wouldn’t be so fucking one-sided.  But in the other hand, fuck these shitheads and their support of just about everything I disagree in.

Anyway, as I was passing by today, there was a sign in their primary viewing sign space, that said: WE ARE CHARLIE.

I scrunched my brow at this one, and at the next red light I stopped at, I whipped out my phone to google it because I was curious.  Of course it had to do with the fairly recent assassination of some right-wing nutjob who had the same name, and I felt a microsecond of embarrassment at not realizing that sooner but on that same note I actively avoid politics as if discussing them will give me COVID.

Unsurprising, his death made him into a martyr to the right, and I guess saying WE ARE CHARLIE is some sort of defiant solidarity, and basically the white people version of everyone else saying that they are George Floyd, Sandra Bland, or any person that dare ever stood on the other side of the fence.

However, I couldn’t help but feel that there was some severe irony in the phrasing of WE ARE CHARLIE, because the very first thing that came to my mind is that “Charlie” was the nickname/slang/slur that US soldiers used to describe the opposing Vietcong forces during the Vietnam War.

Every skirmish was, against Charlie.  Charlie ambushing US forces.  Fuckin’ Charlie all over the place.  Spraying Agent Orange in the jungle to weed out Charlie.  Etcetera, etcetera.

Charlie is a term that has some hard negative connotation, especially for those who served, come from military backgrounds, or were impacted or affected by Vietnam in some way, shape or form.

And now we have white folks all over the American landscape who are now defiantly and proudly proclaiming to be, Charlie.  Okay

The ironic thing is that the Vietnam War more or less ended in 1975, which is just 50 years ago.  Across America and the rest of the world, there are still living people who fought in it; there are people who have killed, are widows and fatherless children from the conflict,  in the name of war, still alive today.  I can’t imagine that a lot of these people are all too thrilled to be seeing the word Charlie being used in such pro hard-right-wing propaganda, especially those who have and still suffer the effects of loss, death and PTSD.

Or perhaps I’m being presumptuous and giving too much credit to right-wing supporters to have the morals that would put something like this into question, and even they have no problem dropping their stigmas over the word Charlie and are more than happy to take it back if it supports their idiot beliefs.

Given the nature of modern politics, it’s probably the latter, unfortunately.

Because like I said, I saw this sign on a farm.  Farms are usually family joints passed down generations, and I’m going to go out on a limb and take a guess that if the owner of this farm didn’t fight in Vietnam, they’re probably descendants of someone who did, and because politics are unfortunately often times practically genetic at the success rate of offspring buying into their parents’ beliefs, I’d wager that through the 80s, 90s, 00s to up until a month ago, the name Charlie was probably something that was probably spit out, with some resentment, as opposed to being a phrase of solidarity and left-wing defiance.

One thing that I thought about though, that would be ironically funny, but not that funny because the loss of life isn’t really a laughing matter in most cases, but piggybacking onto the recent termination of AOL dial-up service, I’m imagining a scenario where the elderly final users of the service, now without any real internet service to brainwash them any further, have no idea about the whole Charlie situation, and have no clue that being Charlie is considered a good thing among their right-wing brethren.

And then ‘ol Hershel is going down the road in his 1957 Chevy pickup, and he drives past a house with a big ass WE ARE CHARLIE sign in their yard, triggering his PTSD.  Naturally he is packing, and he parks his truck, grabs his double barrel shotgun that’s on a mantle behind the driver’s seat, and storms into the house, and blows the fuck away out of some right-wing family.  Took care of that fuckin’ Charlie.

Right-on-right crime, just like the actual Charlie incident, from what I’ve heard.

Like I said, the loss of life in any case isn’t really that funny under most circumstances, but I’m just being honest here, if I were ever to catch wind that a scenario like this actually happened, I have to admit that I’d be kind of amused.