Writing out the quiet part?

Over the last few weeks, I’ve been chipping away at FX’s The Bear.  It’s a show that was always on my radar as something that I should see, and there was plenty of reason for me to be interested in it on its own.  After going through all of Shameless, I was high on Jeremy Allen White, and FX has a history of putting out shows that seem to be right up my alley, and furthermore, among the team that was making The Bear reality was Hiro Murai, who directed numerous episodes of Atlanta, another show that I was very high on and enjoyed.

Admittedly, The Bear starts off a little slow, and it did take me a little time before the show clicked and I realized that I did in fact enjoy the show, but I have to also say that it’s a show that’s kind of hard to watch, because how heavy-handed the show feels sometimes, especially from the standpoint that pretty much everyone has their own wars they fight on a daily basis, be it with themselves, their families, from their pasts to their presents, and often times television is supposed to be an escape from the hardships of life, and I find it difficult to instead be watching the hardships of fictional characters instead.

Like, I can’t really binge The Bear.  This truly is a show that probably is best watched on a weekly basis, so you can decompress and digest each individual episode, before your energy bar of watching stressful situations is replenished and the following week’s episode can tax you next week instead.  Every time Carmy and Richie have a knock-down drag-out screaming match, I can feel my own anxiety rising, and it’s a testament to both actors and their on-screen chemistry that they can do that to viewers with having such explosive arguments that feel genuine and stressful just to watch, but it adds to why I have a hard time watching more than a single episode at a time.

But recently, I got to thinking, in light of hearing of all the Emmy acclaim that The Bear has been reveling in, was to compare the sheer volume of Emmy consideration and success The Bear had, compared to Atlanta.  After all, the shows are very similar in the fact that they’re both on FX and considered psychological comedy-dramas, not to mentioned the aforementioned directing by Hiro Murai in both series.

It’s probably not popular, and something that I wouldn’t write out in a public forum, but I would go so far as to say that The Bear is basically the white version of Atlanta, in the way that the show is presented, the style of situational humor, and that both are listed as comedies, but although I do get some laughs from some of the scenarios they present, I usually go to bed thinking about the last episode and how fucking depressing they are. 

Frankly the only differences is that one show takes place in Atlanta with black people revolving around a rap career, and the other show takes place in Chicago with mostly white people revolving around a restaurant business.

Needless to say, it was of no surprise to compare the apples and find out that The Bear blows Atlanta out of the water when it comes to Emmy nominations much less actual Emmy wins, and I feel like I’m kind of writing the quiet part out loud a little bit with the not-so subtle accusation of the overtly white-favoritism of The Bear compared to when Atlanta was tearing up FX in their four seasons.

Don’t get me wrong, I’m enjoying The Bear, and I still love Lip Gallagher, and I’m very enamored by the many of the other characters and actors in the show.  I’m not trying to demean The Bear and say it’s not as good as Atlanta, not in the least bit  But I just see a lot of parallel with Atlanta, and feel that without Atlanta, The Bear doesn’t even exist, and I’m more just irked by the obvious racial bias in heaping mountains of praise onto The Bear, when Atlanta was doing the same thing just a few years ago to way less perceptive results.

Oh, Ratlanta #488

Fox5Atlanta: Atlanta named in the top ten most rat-infested cities in the country (#10)

I’m not even going to try and defend the city, or think of any excuses to why this is.  There have been plenty of times in my life where I’ve thought to myself, or out loud, the phrase, what a fucking shithole when going around and about the city.  Short of any of the areas where the gentrification bombs have exploded, there’s lots of parts of Atlanta that are complete shitholes, that I’m not the least bit surprised to hear that the aggregate of the city breaks the top-10 in most rat-infested cities in America.

What I do find ironically offensive and laughably embarrassing is Atlanta’s ranking in comparison to supposed less-rat-infested cities that I would’ve figured to be way bigger shithole rat-infested places than Atlanta.  Like come on really, Baltimore (#11) is a less rat-infested city than Atlanta?  Seriously?  I find that very hard to believe.  Sure, it’s just a difference of one spot separating the two, but like in any competition, a one-point win is still a win.

I also heavily argue Detroit (#16) and Miami (#22) as somehow being less rat-infested than Atlanta is.  I’ve been to both those cities too, and much like Baltimore, they’ve all seemed like bigger shitholes that would have rat infestations than Atlanta does.

The funny thing is that no matter how long I’ve been down here, walked streets, and been around old Turner Field especially, I’ve actually never seen a rat in the wild.  Dead or alive.  I know they’re out there, and I’ve definitely seen places that have clearly been occupied by rats, but I’ve never actually seen one out in the wild.  I have seen rats in Baltimore and Miami though, with the latter not being more than just two months ago when I was barely in city proper for a few hours prior to the start of my cruise.

Perhaps all these other cities with surprisingly low rankings are just so plagued with squalor that nobody’s just contacting Terminix and boosting their numbers, and the rats are just overrunning these entire cities?  Seems more plausible than being ranked better than Atlanta is.

But metrics are metrics, and as much as I ironically want to cry foul and point out that there seems to be a correlation between rat-infestation and general size of markets, it’s not something worth the effort to debate.  When it comes to arguing over who’s more rat-infested it’s like asking yourself if you’d rather have herpes or the clap, because no matter what side of the argument you come out on, you’re still fucked.

Thoughts on my first MLW show

As the consummate pro wrestling hipster that tends to favor indy and smaller promotions when it comes to watching wrestling live, when MLW announced they were making a stop in Atlanta, and at Center Stage theater no less, my absolute favorite venue to watch wrestling at, I was excited when I got some of my boys together to go watch.

Despite knowing of their existence, some of the notable names to have emerged from them, and their general hierarchy in the power rankings of professional wrestling promotions, I’d never actually been to an MLW show before.  In the past, I just wasn’t that interested, and perhaps I didn’t respect them enough, but as my general appreciation for indy and smaller promotions has grown, I was looking forward to giving them a shot.

After all, they still managed to command Center Stage, a venue historic in the annals of wrestling promotion, having hosted everyone at some point, from the NWA, WCW, ECW to smaller rackets like NXT, TNA and GCW, so it should be a considered a rub in the positive direction if MLW could promote at Center Stage.

And leading up to the event, the card was coming together to be somewhat respectable, with noteworthy names and matches assembling, featuring guys like Matt Riddle, Kenta, TJP, Satoshi Kojima and PWI’s #10 wrestler* Mistico among others; but I obviously preface with that “on paper” disclaimer, because when it comes to smaller promotions, historically a lot of workers tend to work down to the level of their show, and I’ve been disappointed more often than not when it comes to actual performing.

*I say this dripping with sarcasm, because as decent of a worker he is, Mistico is definitely no top-10 wrestler, and I feel that he’s the equivalent of a DEI inclusion onto the list, solely to represent both lucha libre and a smaller promotion like MLW

What we were unaware of, was the fact that this was a double-taping, with MLW taping some online show called Pit Fighters, where supposedly every match was some gimmick, revolving around “X region of the world” and “deathmatch” and we were exposed to this really hackneyed card of matches where it would be a Tae Kwon Do match, a boxing vs. BJJ match where Donovan Dijak interfered and rescued the segment, and in one Taipei Death Match, which was surprisingly brutal, to where I was hollering that this was a snuff film, it actually featured a worker that was actually Korean in Ikuro Kwon, whom I had to look up as actually being born in Korea, so that’s actually kind of cool.

But all in all, Pit Fighters was a real chore to sit through, and I kind of felt bad for the friends of mine whom I roped into coming with me, having to sit through the bullshit, but fortunately things picked up a little bit, when we got to the actual live-airing of the MLW FIghtland show that we had originally expected the whole thing to be.

However, much like I had pointed out, despite some of the matches on the card sounding pretty decent, it overall was kind of meh.  Kenta and TJP had an okay match, but nowhere near as good as they’ve gone up against each other in NJPW, Dijak and Timothy Thatcher also was better when they faced off in NXT, and I don’t even really remember many of the other matches at this point, it was such a forgettable card.

The one thing that really made me want to write about this though, was throughout the whole night of taping,** there was one group that kept showing up through the night, which consisted of Bobby Fish, CW Anderson, Brock Anderson and this kid I’d never heard of before in BRG – Brett Ryan Gosselin.

**it should also be pointed out that the taping I think was done out of order, so the Pit Fighters that taped before Fightland, was actually intended to air after Fightland, so there was some wonky narratives going on

And they would proceed to declare themselves “The Rogue Horsemen,” and I’m not so certain that I wasn’t the only person in the theater to audibly groan at such a grasp at relevancy, and one my friends and I kept saying and agreeing that it was the saddest looking stable we’d ever seen in our lives.

So this kid, BRG, I can respect the showmanship and the B+ charisma he has on the mic, but he’s basically a Temu version of MJF, which is funny because so many people have called MJF a Wish version of The Miz, but regardless, BRG’s schtick just seems so regurgitated and he relies too much on cheap heat and calling the audience idiots, so I guess he’s exactly where he belongs in a 4th-5th tier promotion like MLW.

In all fairness, I like Bobby Fish, but the man is not getting any younger, and the numerous injuries he piled up in his later years in NXT as well as AEW have definitely taken their toll on him, but the man really is a tag team guy, that even in a small pond like MLW probably won’t be able to handle the toll of singles.

CW Anderson, I was actually surprised to hear and see him come out, because the last time I had seen him was in like 2019 at a really raw indy show in rural Virginia, where he wrestled The Hurricane in a high school gym.  But the man literally debuted in ECW in 1999, and he looked 40 then, which means he’s actually held up pretty well to only look 60 now.

But he’s teamed up with Brock Anderson, the son of Arn Anderson, in the obvious designated tag team of the stable.  The thing is with Brock is that despite being Arn’s son, he apparently got none of his dad’s talent, and Brock looks like a guy that’s in wrestling because plan A didn’t work, but neither did plans B through F, and he’s in the business pretty much out of no better options and that his dad’s name gives him the foot into any door.  He’s out of shape and poorly trained, and it was no more evident in his talent level than when The Andersons had a tag match, it was ancient CW who started the match instead of the younger Brock.

Honestly, the most memorable things that happened in the night for me, were an appearance by Ernest “the Cat” Miller who hilarious did absolutely nothing at all when he served as a special guest scorekeeper in whatever convoluted wrestling/jiu-jitsu match that Matt Riddle was in.  Also, JBL showed up during the Andersons’ match against the Bomaye Fight Club, dropped their big guy with a short-arm Clothesline From Hell, and whispered something to Brock Anderson, which I’m hoping is not a precursor for him eventually jumping ship to the WWE, especially since Arn is back in their good graces, but it was cool to see JBL continuing his random appearing in various other promotions as of late.

Overall, being two consecutive shows in one night, the whole experience dragged on quite a bit, due to the general mediocrity of the talent.  The show started late, at like 7:20, and didn’t end up ending for about four hours, and by the end of the show, my friends and I were pretty exhausted and ready to get the fuck out of the city.

Bottom line is that if MLW comes through Atlanta again, I’ll either go by myself, or take a pass.  I’m glad I went just to experience it and learn more about what an MLW show is like, but like I said, I don’t think it’s something I need to do again any time soon.

Thoughts about the supposed Goonies 2

It’s hard to tell what’s real and what isn’t these days, and what’s declared to be real actually remaining real after a little bit of time, but for better or worse, at the time I’m writing this, it sounds like a 40-years later The Goonies sequel is really going to be happening.

My knee-jerk reaction is basically oh god please no whyyyyyy because I really wish Hollywood could leave things that are dead and resting, dead and resting, but seeing as how it seems like allowing The Goonies to have that privilege is coming off the table, might as well allow the ball to continue to roll and brog about it, since it’s evident that this has been on my mind over the last few days while I’ve been waiting for the smoke to clear on whether it’s legit or not, as well as trying to carve time out to write.

Needless to say, I’m not that thrilled with one of my legitimate all-time favorite stories of my childhood being drug out of the 80s just to capitalize on the low-hanging fruit of nostalgia, but what can I say, money is what makes the world go round.  And as Cobra Kai has proven, not every instance of a nostalgia-driven encore is entirely turrible, and although the likelihood isn’t high, I can only hope for the best as far as it concerns The Goonies.

Frankly, if this was ever going to happen, I feel like they’re 10-15 years too late, especially considering the fact that the intention seemed to always have been to bring back as much of the original cast as possible.  All of the OG cast at this point are all too fucking old to be parents to the next generation of Goonies, and they’re at this weird transitional age where they’re too old to be parents to kids but rather teens that are probably older than the original crew, but also a little too young to convincingly be grandparents to the next generation.

But push comes to shove, I’m going to have to assume that the children’s cast of this supposed sequel are probably all going to be the grandchildren of the original Goonies; Josh Brolin is 56 and Sean Astin is 53, and neither are going to convince anyone that they’re any younger than that, so as much as television and film likes to try to convince us that 30 year olds can portray teenagers with attitude, I think it’s probably best to age them up and make them grandparents instead.

Which would probably help to make more plausible the inevitable casting of minorities in the next generation of Goonies, because in the DEI world we live in now, it goes without saying that the next generation is guaranteed to not be a white boys + Data group, and is definitely going to be a little more colorfully diverse by the time this film comes supposedly drops in 2026 or so.

That being said, let’s hypothesize the next generation of The Goonies, apples to apples, because I think it’s obvious that it’s got to be the descendants of the original crew that will comprise the kids’ cast.

  • Mikey will be represented by his granddaughter to be the leader of The New Goonies™; naïve and adventurous, and willing to believe in the remnants of One Eyed Willy’s treasure in the caves.
  • Brand will have married a black woman after Andi dumps him after high school, and their biracial daughter will then have married a black man, and therefore can cast a black male actor to be the descendant of Brand. He will naturally be the muscle and the big brother of the crew.
  • Chunk’s (despite the fact that Jeff Cohen lost all his chunk and is rather fit these days) grandson will be the most likely original Chunk, as in be a chubby Jewish boy who will somehow end up in a Hawaiian shirt and plaid pants, and act as the primary comic relief because it’s funny because he’s fat.
  • Mouth’s grandson will probably be ambiguously biracial, and I foresee someone looking like the next generation’s Mario Lopez will be playing this role. He will undoubtedly be as snarky and blabbermouthed as his grandfather.
  • Data being pretty traditionally Chinese despite the fact that Ke Huy Quan is from Vietnam, will have a granddaughter representing his role, and although she won’t have the trench coat or the backpack full of gadgets and crowd-control inventions, will still be the techie brains of the crew who will probably be good at MacGuyvering shit for the team when they need it.
  • And because the white quotient is starting to get outnumbered, Andi will have a cute granddaughter that probably will look like Sabrina Carpenter taking her place in the next generation, so that Brand can have a potential romantic interest, as well as giving the next generation of young boys something to be confused about through their own respective adolescences.
  • Which brings us to Stef, whom Martha Plimpton has accepted with grace as being the “last” one, will undoubtedly have had an adopted son/grandson, probably white, so that white people still have a slim majority in representation because that’s how Hollywood be, will resume Stef’s legacy of being the tail end of the team, and to provide as much contribution as his grandmother.

As for the actual plot of this film, who really knows what it’s going to be about.  If Chris Columbus and Richard Donner couldn’t figure something out throughout the last 30 years of Donner’s life, I don’t have much faith that anyone else is going to have any better ideas, but it really doesn’t matter. 

If this is going to work, it’s going to have to take place in Astoria, it’s going to have to involve the remains of One Eyed Willy’s treasure, because everyone knows at the end of the OG, the Inferno sails away into the Pacific Northwest, so I’m going to guess that there’s still caches of treasures in the remains of the caves, or perhaps additional ships that The New Goonies can go search for, but as long as the spirit of the film doesn’t stray too far from the original, it stands to believe that this might be able to be as popular with the next generation of kids as the original was to my own childhood.

What kind of irks me though is that I legitimately had plans on saying fuck it, and going to Astoria for my next birthday, by myself, because it’s something that I’ve always wanted to do in my life, and I’m no longer going to expect or even attempt to bring anyone along for the ride, because of people I know, nobody really wants to do this except for me.  Hopefully news of moar Goonies in the future doesn’t re-ignite other OG fans to want to make the same pilgrimage, and ruin my original fandom spurred on by news of a supposed sequel in the works.  Or worse off, by the time I get there, filming has started and I get monstrously cockblocked at seeing all of the original stuff that I had always wanted to see and walk in my own nostalgic life.

Only time will tell, and if any of this shit impacts my future travels, it’s only a question of just how pissed and disappointed it’ll make me.

Who would have guessed a business geared almost entirely to white guys would struggle?

Sauce: Topgolf to be spun off, out of Callaway’s portfolio, owned

I don’t really know why, but hearing about the general suffering and decline of Topgolf makes me happy.  I don’t really like or care for golf, and I’ve been to a Topgolf like twice; primarily because they were work team outings, and the pressure for the optics of being present outweighed my general ambivalence for golf, plus there was free food and drink, and it was on company time, so it beat being at work, working, but for the most part, I wasn’t impressed at all, and was just as happy to leave (early) as I was getting to imbibe on company-paid comestibles.

But really, I have no stake in Topgolf, and yet it still makes me feel smug satisfaction at hearing about their company’s struggles, bad enough to where Callaway the golf company, has expressed their intent to effectively boot them out of their portfolio, and leave them hanging as a standalone company, as opposed to being part of their family.  Frankly, I didn’t know Callaway was big enough of a company to have a portfolio beyond golf clubs and apparel, but seeing as how 60% of the United States is white, I guess it shouldn’t be that big of a surprise.

I guess it’s because at the very root of things, I see Topgolf as a wholly unnecessary thing that the world doesn’t need, as well as tremendous wastes of space.  I mean seriously, in the space of any Topgolf could be an entire subdivision of single-family homes.  A moderately aesthetically pleasing condominium along with some small businesses and restaurants.  Pretty much anything is more societally efficient than some gaudy monuments to the whitest activity in history than a giant ass field, with some 250 ft. poles and nets for people to whack golf balls around on.

Seeing a Topgolf anywhere tells me everything I need to know about a specific region, and typically wherever there’s a Topgolf, I generally know that the surrounding area is going to be a really kind of douchey, overly-white people vibe, and I probably wouldn’t enjoy myself at any surrounding restaurants or businesses within a few mile radius.

Needless to say, it brings me smug satisfaction to hear that they’re not doing as financially well as their investors hope they would be doing, because what a surprise, a business that primarily caters to a really niche, predominantly white community, would inevitably begin to decline once people realized how stupid it was to whack golf balls all day long, and there being little room for business evolution or diversity in services, other than overpriced food and booze.

I’m hoping for the day in which I’ll drive through the City of Atlanta again, and the Topgolf that’s in Upper West Midtown is closed down, and probably replaced with a CubeSmart.  I don’t like CubeSmarts either, but frankly in a tale of two evils, they can at least be serviceable and useful to people of all walks of life, and not be just some niche douchey white guy thing like Topgolfs are.

Happy Trails, Walt that doesn’t suck up all my money

AP: Walt Ehmer, CEO of Waffle House, dies at the age of 58

I don’t know anything about this man, Walt Ehmer, but I can say that I am a fan of the company that he ran for the last 22 years, and for that reason alone he has my respects and condolences to hear about his passing.  And like the title of this post says, he’s a Walt that hasn’t been hoovering up my money for the last decade, and has in fact, been saving me money conversely with Waffle House’s reasonable prices for unhealthily satisfying garbage food, to which I give the man even more respect for bringing me pound-for-pound happiness that’s hard to match.

It might seem like this is leaning towards being satirical in nature, but the passing of Waffle House’s CEO really is sad news to hear, not just from the standpoint that all loss of life is usually sad, but because I really am a fan of Waffle House, the brand, the company and the product, so it is sad to hear that they lost their commander-in-chief, at such a relatively young age, at just 58 years.

For many years, Jen and I had a Christmas tradition of going to Waffle House on Christmas Day, because I didn’t really want to go home, and we were as close to as family as we had for each other.  I would get a grand slam and a waffle, and for several of those years, I didn’t yet know that I had an intolerance to eggs, and would suffer the consequences of my breakfast choices later, chalking it up solely to being greasy Waffle House, but it never deterred me nor tarnished my opinions of the food in general, and I really enjoyed all those relaxing Christmas mornings of getting Waffle House with one of my closest friends among the other vagabonds who opted to have chill Christmases too.

Waffle House trips were always on the table after drunken Halloween parties, New Years parties or any other social event that ended in later hours where my friends and I would be buzzed, didn’t want the night to end yet, and greasy hashbrowns and waffles sounded like an incredible idea.  No matter how many other people shared the same sentiment and as crowded as they always were, we were never in a position where we had to get turned away or look for somewhere else to go, because we would always be seated, always be served, and no matter how inebriated I might’ve been in any of those visits, I always treated the staff politely and with respect, because there’s more merit to being a happy drunk than an asshole who starts fights.

Which brings us to the obvious cult classic of Waffle House, the knock-down, drag-em-out, World Star battle royales that have occurred at the restaurants since the inception of the company, and long under the guidance of Walt Ehmer as well.  There’s pretty much no such thing as a Waffle House fight that wasn’t viral, wasn’t entertaining in their own ironic way, and wasn’t memorable in some way, shape or fashion.  The fact that a Waffle House Fight™ occurred pretty much every single week somewhere in the vast network of 1,900+ stores across the east coast, and the company just keeps chugging along goes to show the gritty resilience of the brand and company, that I’m not going to just credit Ehmer for, but he had to have known that they were going on, but frankly if he’s as southern educated as a Georgia Tech Trustee chairman would be, knew that if it wasn’t broke, don’t fix it.

I digress, this isn’t supposed to be waxing poetic about how great Waffle House is, but to pay my respects and bid happy trails to the guy that’s been holding the ship steady for a company that has provided such greatness, so that effect, happy trails, Walt, and let’s hope that whomever succeeds you is as successful at not rocking the boat and keeping things status quo as well as you did.

Columbus Clingstones: what, you were expecting something better from a Braves affiliate?

MiLB: Atlanta Braves’ AA-affiliates formerly known as the Mississippi Braves, formally change their name to the Columbus Clingstones, with their move to Columbus, Georgia

Originally, I was excited at the notion that along with the move out of racist-ass bumfuck Pearl, Mississippi, the Double-A Braves would be getting a brand-new team name and identity, steering them away from the homogenized and stuffy Also-Braves of Mississippi.  The AA Braves could have the opportunity to be an actual, fun, minor league team instead of being a minor league squad beholden to the stuffy and constricting brand standards of the Atlanta Braves Corporation, as they had been over the last, well since the existence of Braves Minor League Baseball.

But at the same time, I knew that I had to temper my expectations, because baseball in general doesn’t like to rock the boat too much, and for every Lehigh Valley Iron Pigs, Rocket City Trash Pandas, Hub City Spartanburgers or any chintzy and creative minor league squad that appears out of nowhere, there are four other boring teams out there, like the Salem Red Sox, St. Lucie Mets, Fredericksburg Nats, and other squads that put the bare minimum of effort into their existences, and hope that by solely being present and loosely affiliated with their parent clubs, they will draw attendance.  And if I had to wager what side of the spectrum that an Atlanta Braves affiliate was going to lean towards, it definitely wasn’t going to be on the side where “fun” was, because fun doesn’t always necessarily equate to cashmoney.

So I was about as surprised as learning that global warming isn’t fake news when the news finally broke, of what the new Columbus Baseball Club was going to call themselves, and it was the Columbus Clingstones.

As I imagine most people’s reactions probably were, mine was first and foremost, what the fuck is a clingstone?

According to Google AIoverlord:

A clingstone is a type of stone fruit with flesh that sticks firmly to the pit, making it more difficult to remove than other fruits. Clingstone peaches are a common example of this type of fruit. 

And my first reaction was, oh, so there’s a difference between the peaches I like, where the pit falls right off, and the peaches that I always regret buying, where the flesh sticks to the pit and I always feel like I’m wasting delectable peach flesh when I have to cut around it to enjoy my fucking fruit, and it turns out that I’m not a fan of actual clingstones, and I’m most definitely not a fan of the name, Columbus Clingstones.

So, it figures that the Braves dropped the ball when it came to having a minor league affiliate with a name that is of below-average excitement.  Don’t get me wrong, I like the Emperors of Rome, and I like the clusterfuck that ended up with the Gwinnett Stripers, but the team had an opportunity to rise into the upper echelon of memorable and noteworthy minor league squads, but to no surprise, much like the organization’s entire modus operandi, stick to something vanilla, safe, boring and mostly forgettable in the vast pool of minor league baseball teams.

I will say though, as not mad just disappointed I am in the lame as name of Clingstones, I do have to give credit to the merch team, for running with the lameduck ball they were handed.  Although I’m not a fan of actual clingstone peaches, I still love peaches the fruit, and they are easily in my top-3 favorite fruits.  And I have a soft spot for mascots that are basically just inanimate objects given eyes and limbs, so that being said, I do appreciate the branding that the Clingstones have done, even if I think the name is booty.

That being said, I do want a shirt of the peach mascot, and I would consider getting a 59fifty cap if there’s a variant where it’s just the peach mascot, but I wouldn’t want anything that actually said Clingstones on it, because that’s how much I loathe the name.

So overall, the name is trash, but the execution of the branding has been done pretty well.  Unfortunately, the name is still set in stone at this point, and there’s no part of me that doesn’t connote the prefix “cling” as a negative, from clingy people to turds that cling to the tips of your dog’s fur after they take a crap that they end up wiping on your floor, so the general consensus to the whole unveiling of the Braves’ AA affiliate is a net-negative.  But then again, expecting anything dynamic and exciting out of the Atlanta Braves organization, even if they’re not officially owned by them anymore, is still like expecting to win a lottery, and this all frankly comes as no surprise.