Great, now I have to defend the influencer

I didn’t think I’d find a way to organically work this Keyboard Warriors logo I made into a post, and would have to dedicate an entire post to it, but sometimes the internet provideths

The skinny: 21-year old TikTok influencer makes posts about purchasing a home free and clear, The Internet responds with venom, resulting in the influencer tearfully apologizing for being out of touch with people with don’t make as much money as her

Welp, I never thought I’d ever be in the position for wanting to defend an influencer, but here we are.  I’m on the side of the influencer, and when it really comes down to it, I just feel that everyone who is throwing stones her way is, a jealous fatty.

Because I’ve seen enough people do exactly what this little chica does whenever they buy a home: they fucking announce it to the world on social media, because no matter what way you put it, it is a tremendous achievement, that anyone who gets into the position of entering homeownership should be proud of.

I purchased my first home at 22 years of age.  I obviously wasn’t an influencer or in any field nearly as lucrative as this kid was in, and I most definitely wasn’t free and clear from the onset.  But I still delved into the world of homeownership at a very young age, and it was truly for the best as I’d begun accumulating experience that I feel has been valuable as I’d evolved my living situations since then.

The influencer isn’t really that special in the sense that she got a home at a young age.  Any 20-something that’s remotely responsible with their finances could probably make it happen.  The only real difference between her and the vast majority of the world is that she happens to make her living in a form that is oft-seen as insufferable, obnoxious, and generally not popular with the cynical segment of the world, in spite of the fact that those who succeed at it tend to make lucrative livings from doing such.

And this is where I think it’s pretty petty, ripe with jealousy, and sour grapes from the people who are casting rocks in her direction, but mostly jealousy at the fact that she has managed to get into a position to where she could achieve free and clear homeownership.  I mean, I’m envious over the fact that she’s free and clear, but I don’t hold it against her; if I had the ability to just completely pay off my mortgage, I’d most definitely wipe that shit out too.

But it sucks that she has to endure such abuse from the peanut gallery, just because she happened to have gotten the right combination of finding a working formula, luck in gaining exposure, and the appeal to get lucrative sponsorships and means to make the copious amounts of money needed to afford the lifestyle.  Because I’d wager my house that anyone who flung bile at her, if they were in her position, they’d most definitely be buying real estate and doing exactly what she did too.

The fact that she felt the need to apologize was completely unnecessary and I don’t think she owes anyone an apology for being successful.  And I’m spending a lot more time white knighting for this kid than I thought I would deem necessary, but the point is, this is a scenario where The Internet sometimes makes the wrong choices of picking people to vilify, and picking on an influencer just because the majority of the people wish they could have her success, is one of them.

Now wait for her adventures as the world of homeownership comes closing in on her.  Home repairs, being responsible for fucking everything in the house, taxes, homeowner associations or any of the niggling things about homeownership that often makes us sometimes go “I understand the appeal of renting,” begins.  That can be the content insufferable anons can get up on their high horses about instead, but those who have already taken first swings, are already playing from behind.

Let’s make a deal

I saw this article about how the internet went bonkers because supposed-to-have-been-cancelled Awkwafina was in some Disney commercial during the Super Bowl, because prior to the release of Shang-Chi, the internet was offended because she spoke with too much of an urban black affect that she was clearly maliciously culturally appropriating and therefore needed to be boycotted and cancelled.

And after rolling my eyes at the pitiful double standard that it’s okay to lecture and bully Asian people on race because the white people world is so collectively afraid of black people, I just thought that the cool kids world needs to be proposed this idea:

If Asian people can’t speak with black people affects, then black people can’t get tattoos of Asian language.  Deal?  

Seriously.  Speaking on behalf of all Asian people, we will stop speaking with any sort of rapper or black person affect, but all black people, from rappers to NBA players, are prohibited from getting tattoos of any Asian characters on their bodies.  No kanji, no hangul, no katakana, none of it.  And we Asians will never put an affect in our speech, ever again.

Like, I don’t know where people get the nerve to pick this battle so often.  As if Awkwafina is the first person in history that wasn’t black to speak like black people do.  You don’t see the internet trying to cancel Eminem or Pitbull or any other not-black rapper that’s ever made money spitting rhymes.

This is a classic textbook example of Margaret Cho’s observation about how white people love to lecture Asian people on race because they’re afraid to say this stuff to black people.  The internet all white-knighting for black culture at the expense of Asians, because we’re seen as docile and subservient and okay to try and boss around because they know they can’t get away with doing such towards black people.

All the while, all sorts of not-Asian people all think it’s okay and acceptable to tattoo Asian characters on their bodies – because it fucking is.  Freedom exists, and although it might seem silly, white people, black people, Hispanic people, or whatever race there is, is free to tattoo Asian characters on their bodies, and not be criticized to the point where they are suggested to be cancelled.

People who lose their minds over how Awkwafina speaks need to get off their high horses, off her nuts and off of the nuts of Asian people in general, because they’re embarrassing themselves by feeding into a bullshit double standard that they’re too stupid to realize that they’re committing.

Suggesting cancelling someone over how they think someone is speaking is fucking idiotic and anyone who buys into that should cancel themselves for how stupid believing it actually makes them.

China and Japan being jealous fatties over Squid Game makes me smile

I’m not sure how theFacebook algorithms got me so good, but I guess I shouldn’t have been surprised to see that there was a site actually called Koreaboo and it wasn’t just a slang term that I used amongst my friends.  And obviously a site with such a name would have an obvious bias, but there were some interesting articles that piqued my interest and served as a little bit of fuel for some words to be spit up.

Obviously, when something becomes white hot popular as Netflix’s Squid Game has been, there are all sorts of detractors that come out of the woodwork or go out of their way to go all contrarian on it; I’d be the first to admit that I’ve most definitely done that on all sorts of things that I was late to the party on, so I just decided to shun it instead of embrace it late.

Naturally, since Squid Game game to the world courtesy the entertainment kings of Asia in South Korea, this would draw the skepticism, ire and jealousy from those in other, lesser Asian countries.

China, in spite of their general fear of Korean media, and even going so far as to basically ban K-Pop, citing that Chinese men needed to be more masculine and not as seemingly as fluffy as K-Pop boy band stars, responds to Squid Game, by basically ripping the whole fucking show off in order to create a variety show.

I mean, this was about the least surprising thing in the world as China as a country gives absolutely no fucks when it comes to copyrights and intellectual properties, and counterfeits anything and everything at all, without any shame.  It’s like that internet rule where if it’s ever existed, there’s porn of it on the internet, but if there’s anything that’s ever existed, it has most definitely been ripped off in China.

Titled literally “Squid’s Victory,” it will be something of a variety show or a game show, where people will play kids games for cash prizes.  So unfortunately, there will be no people killing themselves for money, but as the above title card shows, there’s literally zero shame by the Chinese company of ripping off the title card of the Korean Squid Game.  Little else is known yet of Squid’s Victory, but I’m going to go out on a limb and assume that whatever set the show will take place on will have all sorts of maze-like colorful doors and stairs that is a completely original idea.

And then we have the Japanese, who are of course jealous over the juggernaut that Squid Game, going as far as to proclaim it’s position on Netflix rankings had to be due to some sort of cheating manipulation, and then proclaiming that Japan had the OG lock on the death game genre, which they’re not entirely wrong with, seeing as how Battle Royale came out two decades prior.

The real salt emerges when pondering why Squid Game is so popular globally, while films like Battle Royale really only won over weebs and convention nerds, which is a pretty easy question to answer, because the quality of the writing, the acting, and simply the plot itself was just far superior when comparing the two stories.  Firstly, live-action Japanese actors can’t act for shit, and as entertaining of a film Battle Royale was, the acting is pretty terrible save for Takeshi Kitano himself.  Then the fleshed out plot of Squid Game, centralized around the despair people feel when they’re economically facing drowning in poverty is something that people can relate to a whole lot better than getting randomly selected in a government lottery to have to fight to their death without any choice.  And of course, there’s the obvious medium, where just everyone can access Squid Game, and unless you purchased a VCD or a region-free DVD on eBay, there was no real way to watch Battle Royale.

Regardless, seeing the jealousy bubble up from entire countries over the success of Squid Game is very amusing to me, and now that Korea has set the bar so high, it’s going to be amusing to see what all these lesser countries do to try and get a piece of the yellow fever for Asian media that the rest of the world is starting to get, thanks to Korea.

You’re welcome, China, Japan and all you other 개새끼 countries.

This just makes me want to see it more

Funny how things work out: segment of internet looking-for-things-to-get-mad-about-people decide to get mad over Awkwafina’s “blaccent,” citing cultural appropriation, racism, hypocrisy or all of the above; and declare a boycott to Marvel Studios’ Shang-Chi and the Legend of the Ten Rings.

I’ve actually never heard of the property Shang-Chi ever, until news of an actual Marvel film featuring Asian people began to emerge.  I have zero clue to the property, whether it features mutants, or supers based on myth, magic or cosmic, or if Shang-Chi ever crossed paths with any X-property, the Avengers, or even had a run-in with Juggernaut since it seems like at some point, everyone has a run in with Juggernaut.

That being said, I kind of wasn’t really that interested in seeing it, because in spite of the equity that the Marvel Studio sand the MCU had built, it was beginning to feel a little bit like a checkbox situation where kind of like how Black Panther lit a fire under the black community, and based on how Crazy Rich Asians performed at the box office, Disney and Marvel decided to take a stab at tapping into the Asian community with a Marvel film, with an Asian-based story.

I wasn’t interested in seeing what I thought was going to be the affirmative action of the MCU, even if it had the legendary Tony Leung in it, making me wonder just how many times if at all, showed up in American film.

But as is often the case, when news like this hits, and I see people on the internet acting like buffoons, all it really serves is to make me want to defy them and see their stupid efforts fail, and therefore go see Shang-Chi.  Not quite to the point where I want to risk my health and go out into a theater, but I definitely have some intention to watch this now, for sure.

I mean seriously, people getting upset over the way Awkwafina speaks?  Because she occasionally uses a black affect when speaking, as if the terms wiggers and chiggers haven’t been a thing for the last 25 years, but is only taboo when a celebrity does it? 

Would Eminem have a career at all, if he showed up in this generation?  He’s white and therefore should not be rapping, because that might be considered cultural appropriation since apparently only black people are allowed to rap and speak in a certain manner.

Anyway, my favorite part of the article was when they cited that this isn’t the first time people had wanted to boycott Awkwafina:

It is worth noting that similar accusations of culture appropriate were lobbied against the Asian American actress when she voiced the dragon Raya in Raya and the Last Dragon, currently available on Disney+ and made 122.7 million USD at the Box Office 

So the SJWs didn’t learn their lesson from Raya and they think they’ll fare much better with Shang-Chi?  Yeah, I look forward to seeing just how much money Shang-Chi is going to bulldoze in when it drops, and see just how effective these so called boycotts are actually going to be.

Let’s not even discuss the thousands of people out in the world that aren’t Asian, but have some sort of Asian text tattooed onto themselves.  I’d wager there’s a substantial overlap of non-Asians with Asian characters tattooed on themselves with those who are pretending to be outraged and claim they’re going to boycott.

It’s okay though.  The internet doesn’t need to find out when these peoples’ friends talk about how decent of a film it might actually be, and whether it’s peer pressure, hypocrisy, or just being full of shit, they’ll still watch it anyway, all the same.

This is where the ‘You Sold Out’ chants would start


The funny thing is most people weren’t aware how close Greg Valentine and JYD were in real life, in spite of this horrifically racist promo from 1985

That is, if the WWE actually had live crowds anymore.  The inspiration of this post comes from news that NBC’s Peacock streaming service, which acquired the entire WWE Network library and has formally liquidated it as of a few days ago, has begun going through their archives and scrubbing all sorts of perceived racist content.

I’ll be the first to admit that professional wrestling has a long history of having done some racist shit during its existence; but that can be said about absolutely everything that’s been around as long as the business has.  If Dr. Seuss, the freaking godfather of children’s literature was found out to have made some racist illustrations way back in the day, it should be no surprise when Triple H had a feud with Booker T with some severely racist undertones not so way back in the day.

Racist shit is all pretty bad stuff, but it happened, will always happen, and in spite of all the rah-rah rhetoric that’s thrown around left and right these days, I unfortunately wouldn’t wager a single penny that it’s ever going to go away any time soon.  It’s sad to admit that, but would you rather I lie about how I feel?

But one consistent opinion I have is that I am absolutely not a fan of any sort of revising of history, no matter what it is that’s trying to be canceled, censored, hidden or deleted from the past.  It doesn’t matter if it’s confederate statues or episodes of Community, I abhor the idea of anything that’s been created being deleted because they’re perceived as offensive.

Personally, it’s not so much it’s because I’m callous and fucked up and want racist shit to exist in plain sight of everyone, as much as I firmly believe that creators of these things need to own that this shit has happened, but most importantly, that they’ve (hopefully) learned something over the passage of time, and that such opinions and thoughts might not be their actual beliefs today.

The mistakes of the past are lessons for the present, of things that should be avoided, should be corrected, and should be worked towards improving upon, and not buried in the closet, stashed in a plastic Publix bag and hidden inside of an Amazon Prime cardboard box behind a larger box that was never unpacked from the last time you moved homes.

NBC going through the WWE video library and trying to scrub out racist content is no exception to these opinions of mine, and I wince and look at NBC with disgust at their cowardly attempt to hide the past instead of trying to learn from it.  When this stuff was all on the WWE Network, the WWE just slapped a disclaimer on all old content, succinctly explaining the content of these programs reflect their original air date’s time and ideals, and that not everything is applicable to modern times.  But NBC being so lily white homogenized, just would rather delete it from existence, to where, as Winston Churchill once said,

Those who fail to learn from history are condemned to repeat it

Imagine one or more of Triple H and Stephanie McMahon’s kids; if the WWE Network still existed when they’re old enough to watch some of the old content, they’d eventually come across the aforementioned HHH vs. Booker T feud.  Daddy could easily get in front of the topic, and explain to his kids the implications of the storyline, that they were wrong, that he was just acting, but to not replicate that sort of behavior or thinking.  It could be an actual teachable moment.

But in the Peacock world we’re living in now, his kids will never see that daddy portrayed an arrogant racist in a storyline, and one day, someone will find a clip on YouTube of daddy saying “you people” to a black man, and Hunter’s kids will come to their own conclusions and realize that daddy is racist.

He’s also into necrophilia when he was feuding with Kane, but for some reason, NBC seems to think that racist content is just a little bit more offensive, and his kids would be able to see that regardless of the platform but anyway.

The point is, I really dislike that NBC is doing what they’re doing, but frankly I’m disappointed that the WWE liquidated their fantastic network in the first place to sell to NBC.  I know coronavirus really put the hurt on the industry, due to the complete tanking of live events and all the revenue that comes with that, but this shit will pass, but what’s done is done, and WWE sold their shit out. 

I don’t know if they ever knew just how influential they were to the world we’re in now, where damn near every media company has an app now, and as much as none of them really would want to admit it, almost everyone’s eyes were on the WWE Network when they launched, and it was through them, most realized that they could survive and thrive on that model too.

But now they’re a tiny cog in a larger machine, that’s also going through their hallowed libraries and censoring all of their old shit that they think might hurt someone’s feelings.

You-Sold-Out!  You-Sold-Out!

Re: The Atlanta Asian Spa Murders

I have a lot of thoughts on this topic.  Very few of them coherent.  Every day since the news broke of a white guy too heavily armed, killing eight people in the Metro Atlanta region, way too close to where my family and I live, it’s been a shit show all over social media and the internet with all the news, opinions and just, overwhelming chatter going on.

There’s so much noise, that I can’t really find the capacity to formulate rational thoughts on the topic.  There’s nothing I could say that hasn’t already been said by someone else, from all ends of the spectrum.  I don’t know whether to be upset, mad, frustrated or annoyed, by all the perceived rhetoric, white privilege, seemingly fake and topical social activism, and all the sudden allies in arms for Asian communities.

Frankly, I just don’t have the time to think much about it, and I honestly would rather not, not because I don’t care, quite the contrary, but because I just have way too much going on in my life at home, that it’s really hard to find the capacity to think about much else that happens outside of it.

But because the internet doesn’t know how to ever shut the fuck up, it’s impossible to avoid and it’s impossible to not be exposed and revealed to fresh information as it’s constantly coming out, in spite of the embarrassingly high amount of empathy and consideration given to a mass murderer simply because of the lack of color in his skin.  So here we are, where I feel like I have to say something in spite of how much I really wish I didn’t, but I feel like if anything at all, I’ll look back at this post when the On This Day plug-in brings it back up in a future year(s) and go oh yeah, that shit DID happen, and America didn’t change one fucking iota as a result of it and all the non-Asian allies went back to their regularly scheduled lives the following Monday when Falcon & The Winter Soldier dropped on Disney+ and everyone moved onto the next shiny topic.

So all I’ll really say is that only in America can people get so misdirected by fighting over what the intent of murders were, that the actual murders themselves are basically rendered secondary in importance.  As if there’s any difference in a sexual motivation or racial one, when eight people are fucking dead, not to mention that it’s very fucking possible for it to have been both at the same time.

To once again say that America Sucks is among the grossest understatements there could possibly be, and this is one of those times where I just want everyone to shut the fuck up.  About their rage, about their convenient recency bias support of Asian communities, and just stop fucking talking and recognize that a bunch of people were gunned down by an angry white guy who was having a really bad day.

I fucking hate this place, sometimes.

Seriously, Eddie?

As an actual Asian person who earnestly cares about actual Asian representation in film, theFacebook has gotten wind that they can target me movie trailers for movies starring Asian people and I’ll probably actually give more than the passing glance or hide-from-X treatment that I give the fast majority of other targeted ads.

Recently, I saw this preview for this film called Boogie, which is the directorial debut of Eddie Huang, the guy who made Fresh Off the Boat, a series that I really wanted to hate based on the horrible title, but ended up watching way more of than I care to admit and actually liking a lot of it.  The premise of the film is pretty simple: charismatic and athletic Chinese guy living in New York, aspires to play basketball professionally, but has to overcome all sorts of stereotypes, oppression and racism to strive towards his goals.

I’m typically on board for all Asians vs. the World kind of plots, especially ones that feed the observational narrative of the racist double-standard that exists within all races in the world, towards Asians.  However, there was one thing that instead has piqued my curiosity, and really makes me skeptical of the, planning of the film, regardless of how the story and film actually pans out.

The titular character is played by some guy named Taylor Takahashi, and my very first thought was, really?  A Japanese guy to play a Chinese guy?  Not that there’s anything inherently wrong with that concept, it’s just that this seems like one of those characters that I feel like would probably have been a little more appropriate if it were actually being played by a Chinese person.

Look, I’m all about guys like Randall Park and Ken Jeong being arr rook same’d and getting cast as Chinese guys, because they’re still getting paid and go get it if it’s offered, but the same rhetorical question applies to them as it does for Taylor Takahashi: were there seriously no talented Chinese actors to play these roles?  Or I guess more accurately, was there any genuine effort in trying to cast any talented Chinese actors for these roles?

Like, in the case of the Boogie preview, I’m having a hard time digesting and a hard time not laughing, when a Japanese guy is reciting lines about how stereotyped we Chinese are, and how he’s got 2,000 years of Chinese oppression on his shoulders that he’s trying to overcome so he can be what sounds like a fictional version of Jeremy Lin.

I know I clown on China a lot being Korean and all, but real talk here is that I’m very aware that in a country with a population of a gabillion, there are bound to be quite a number of talented, bilingual, and physically comparable actors as Taylor Takahashi, who probably would be slightly more believable and convincing to play the role of Boogie, than a guy that’s inherently of Japanese descent.

So egg on Eddie Huang’s face for what I think is kind of an embarrassing faux pas here.  Looking at all promotional material for Boogie, it’s embarrassing to see the three marquee names, being Takahashi, Paige and Jackson, in a movie that’s basically about Chinese culture living in New York.  But Huang’s kind of become a giant king of the twinkies anyway, or as what I saw a friend say on the internet being an Uncle Tong, so I guess it’s no surprise that he’s utilizing all these non-Chinese guys to promote his own stories of ironic appropriation and further exploitation of his own culture in order to stay relevant and famous.