Tag: nostalgia

Happy Trails, Mt. Mutombo

~ dannyhong ~ Leave a comment

It might not be one of my most prevalent Dannyhong-isms, like Sonny Chiba, lobsters and truckloads full of food spilling onto Georgia highways, but I’ve always been a big fan of Dikembe Mutombo, and hold him in a similar esteem as I do a lot of the random things that I’m fiercely devoted to.  So to hear about his unfortunate passing at just the age of 58, genuinely, really makes me sad and regardless of the fact that the Braves miraculously managed to eke their way into the playoffs on this bonus day of baseball, I still consider the day completely ruined on the news of Mutombo.

Admittedly, a lot of my earliest fandoms of Dikembe were along the lines of irony and stemmed mostly from the fact that he had a name that sounded silly to my American ears, and teenage me would butcher it in all sorts of ways, but still be picking the Denver Nuggets in NBA Jam, because Mutombo had a max stat in defense, and Mahmoud Abdul-Rauf had a max stat in three-pointers, and they were a way better team than most realized.

But also, being a Georgetown guy, he was somewhat local to where I had grown up, and thanks to the fact that I was a Knicks fan, which meant I was a Patrick Ewing fan, which meant that I knew all about his history, including Georgetown, and along with Alonzo Mourning, I had an interest in him early on.  Among the numerous great stories about Mutombo that will surely bubble up in the wake of his passing, one of the funniest ones will be how he would go into local area bars, and in his big booming, accented voice, query to female patrons, “WHO WANTS TO SEX THE MUTOMBO?”

Irony aside, in 1994 I became an actual fan of Dikembe Mutombo the basketball player, when in the playoffs, he led the #8 seed Denver Nuggets to become the first #8 seed to topple a #1 seed, when they defeated the 64-win Seattle Supersonics in five games.  Seriously, Mutombo’s defense was other-worldly during this series, and he swatted 31 blocks in the five games, which is about a third of what the best defenders in the league were doing in 82.

Rudy Gobert is a stalwart defender today, but Dikembe’s performance in the 94 first round is a true masterclass of defense, and watching a man go from blocking a few shots, to completely rendering an opposing offense petrified of going into the paint, lest Mutombo block another shot or two.  Even beasts like Shawn Kemp and the 6’10 Detlef Schrempf were turned into Muggsy Bogues under the living tree that was Mt. Mutombo guarding the rim.

I’d always followed his career, from where he basically had a second home when he was traded to the Atlanta Hawks, and became a perennial all-star for them, and some more playoff successes, in spite of never winning a championship himself.  And no matter where he landed, I was always willing to cheer for the guy, even when playing for teams like the 76ers, Nets, Rockets and even the Knicks.

However, as incredible of a basketball career Dikembe had, what’s more important is the fact that he will always be remembered as a true humanitarian, who was always at the forefront of NBA charitable initiatives.  The man was always involved in charitable efforts, especially when they pertained to matters in Africa, and the Congo native never, ever missed any chance to give back to his home.  The man basically built a hospital completely out of his own pocket.  He suited up with Hakeem Olajuwon in 2015 to play in the first NBA (exhibition) game in the continent of Africa despite the fact that both were long past their playing days, but it was way too historic and important of a game for them to not participate.

And I can’t talk about Dikembe Mutombo without bringing up his Geico commercial, which is one of the greatest commercials of all time.  Oh, and his partnership with Old Spice, where he was the star of his very own 8-bit video game, Dikembe Mutombo’s 4.5 Weeks to Save the World.

Like a guy like Sonny Chiba was to my life, Dikembe Mutombo wasn’t just a person, a basketball player, a humanitarian, a meme; he was in a way, a way of life.  I’ve always tried to give defense the respect it deserves in sport, and I always put a lot of personal weight in good deeds and humanitarian efforts.  Mutombo’s name is one that’s always at the top of mind when coming up with names for use in video games, trivia names.  His iconic finger wag, and quotes like “NO NO NO” or “NOT IN MY HOUSE” are used without concern or care if anyone knows where they stem from or not.

It’s cliché to say that a piece of one’s self is killed when an important person, place, or thing is ended, but in the case of Dikembe Mutombo, I do feel like a little piece of me, and probably everyone else who thought highly of him, died a little bit today.  But a guy as influential as Dikembe Mutombo was, it should be easy to keep his memory alive, with stuff as simple as finger wags or quotes, of a guy that the world simply did not deserve.

Thoughts on my first MLW show

~ dannyhong ~ Leave a comment

As the consummate pro wrestling hipster that tends to favor indy and smaller promotions when it comes to watching wrestling live, when MLW announced they were making a stop in Atlanta, and at Center Stage theater no less, my absolute favorite venue to watch wrestling at, I was excited when I got some of my boys together to go watch.

Despite knowing of their existence, some of the notable names to have emerged from them, and their general hierarchy in the power rankings of professional wrestling promotions, I’d never actually been to an MLW show before.  In the past, I just wasn’t that interested, and perhaps I didn’t respect them enough, but as my general appreciation for indy and smaller promotions has grown, I was looking forward to giving them a shot.

After all, they still managed to command Center Stage, a venue historic in the annals of wrestling promotion, having hosted everyone at some point, from the NWA, WCW, ECW to smaller rackets like NXT, TNA and GCW, so it should be a considered a rub in the positive direction if MLW could promote at Center Stage.

And leading up to the event, the card was coming together to be somewhat respectable, with noteworthy names and matches assembling, featuring guys like Matt Riddle, Kenta, TJP, Satoshi Kojima and PWI’s #10 wrestler* Mistico among others; but I obviously preface with that “on paper” disclaimer, because when it comes to smaller promotions, historically a lot of workers tend to work down to the level of their show, and I’ve been disappointed more often than not when it comes to actual performing.

*I say this dripping with sarcasm, because as decent of a worker he is, Mistico is definitely no top-10 wrestler, and I feel that he’s the equivalent of a DEI inclusion onto the list, solely to represent both lucha libre and a smaller promotion like MLW

What we were unaware of, was the fact that this was a double-taping, with MLW taping some online show called Pit Fighters, where supposedly every match was some gimmick, revolving around “X region of the world” and “deathmatch” and we were exposed to this really hackneyed card of matches where it would be a Tae Kwon Do match, a boxing vs. BJJ match where Donovan Dijak interfered and rescued the segment, and in one Taipei Death Match, which was surprisingly brutal, to where I was hollering that this was a snuff film, it actually featured a worker that was actually Korean in Ikuro Kwon, whom I had to look up as actually being born in Korea, so that’s actually kind of cool.

But all in all, Pit Fighters was a real chore to sit through, and I kind of felt bad for the friends of mine whom I roped into coming with me, having to sit through the bullshit, but fortunately things picked up a little bit, when we got to the actual live-airing of the MLW FIghtland show that we had originally expected the whole thing to be.

However, much like I had pointed out, despite some of the matches on the card sounding pretty decent, it overall was kind of meh.  Kenta and TJP had an okay match, but nowhere near as good as they’ve gone up against each other in NJPW, Dijak and Timothy Thatcher also was better when they faced off in NXT, and I don’t even really remember many of the other matches at this point, it was such a forgettable card.

The one thing that really made me want to write about this though, was throughout the whole night of taping,** there was one group that kept showing up through the night, which consisted of Bobby Fish, CW Anderson, Brock Anderson and this kid I’d never heard of before in BRG – Brett Ryan Gosselin.

**it should also be pointed out that the taping I think was done out of order, so the Pit Fighters that taped before Fightland, was actually intended to air after Fightland, so there was some wonky narratives going on

And they would proceed to declare themselves “The Rogue Horsemen,” and I’m not so certain that I wasn’t the only person in the theater to audibly groan at such a grasp at relevancy, and one my friends and I kept saying and agreeing that it was the saddest looking stable we’d ever seen in our lives.

So this kid, BRG, I can respect the showmanship and the B+ charisma he has on the mic, but he’s basically a Temu version of MJF, which is funny because so many people have called MJF a Wish version of The Miz, but regardless, BRG’s schtick just seems so regurgitated and he relies too much on cheap heat and calling the audience idiots, so I guess he’s exactly where he belongs in a 4th-5th tier promotion like MLW.

In all fairness, I like Bobby Fish, but the man is not getting any younger, and the numerous injuries he piled up in his later years in NXT as well as AEW have definitely taken their toll on him, but the man really is a tag team guy, that even in a small pond like MLW probably won’t be able to handle the toll of singles.

CW Anderson, I was actually surprised to hear and see him come out, because the last time I had seen him was in like 2019 at a really raw indy show in rural Virginia, where he wrestled The Hurricane in a high school gym.  But the man literally debuted in ECW in 1999, and he looked 40 then, which means he’s actually held up pretty well to only look 60 now.

But he’s teamed up with Brock Anderson, the son of Arn Anderson, in the obvious designated tag team of the stable.  The thing is with Brock is that despite being Arn’s son, he apparently got none of his dad’s talent, and Brock looks like a guy that’s in wrestling because plan A didn’t work, but neither did plans B through F, and he’s in the business pretty much out of no better options and that his dad’s name gives him the foot into any door.  He’s out of shape and poorly trained, and it was no more evident in his talent level than when The Andersons had a tag match, it was ancient CW who started the match instead of the younger Brock.

Honestly, the most memorable things that happened in the night for me, were an appearance by Ernest “the Cat” Miller who hilarious did absolutely nothing at all when he served as a special guest scorekeeper in whatever convoluted wrestling/jiu-jitsu match that Matt Riddle was in.  Also, JBL showed up during the Andersons’ match against the Bomaye Fight Club, dropped their big guy with a short-arm Clothesline From Hell, and whispered something to Brock Anderson, which I’m hoping is not a precursor for him eventually jumping ship to the WWE, especially since Arn is back in their good graces, but it was cool to see JBL continuing his random appearing in various other promotions as of late.

Overall, being two consecutive shows in one night, the whole experience dragged on quite a bit, due to the general mediocrity of the talent.  The show started late, at like 7:20, and didn’t end up ending for about four hours, and by the end of the show, my friends and I were pretty exhausted and ready to get the fuck out of the city.

Bottom line is that if MLW comes through Atlanta again, I’ll either go by myself, or take a pass.  I’m glad I went just to experience it and learn more about what an MLW show is like, but like I said, I don’t think it’s something I need to do again any time soon.

Thoughts about the supposed Goonies 2

~ dannyhong ~ Leave a comment

It’s hard to tell what’s real and what isn’t these days, and what’s declared to be real actually remaining real after a little bit of time, but for better or worse, at the time I’m writing this, it sounds like a 40-years later The Goonies sequel is really going to be happening.

My knee-jerk reaction is basically oh god please no whyyyyyy because I really wish Hollywood could leave things that are dead and resting, dead and resting, but seeing as how it seems like allowing The Goonies to have that privilege is coming off the table, might as well allow the ball to continue to roll and brog about it, since it’s evident that this has been on my mind over the last few days while I’ve been waiting for the smoke to clear on whether it’s legit or not, as well as trying to carve time out to write.

Needless to say, I’m not that thrilled with one of my legitimate all-time favorite stories of my childhood being drug out of the 80s just to capitalize on the low-hanging fruit of nostalgia, but what can I say, money is what makes the world go round.  And as Cobra Kai has proven, not every instance of a nostalgia-driven encore is entirely turrible, and although the likelihood isn’t high, I can only hope for the best as far as it concerns The Goonies.

Frankly, if this was ever going to happen, I feel like they’re 10-15 years too late, especially considering the fact that the intention seemed to always have been to bring back as much of the original cast as possible.  All of the OG cast at this point are all too fucking old to be parents to the next generation of Goonies, and they’re at this weird transitional age where they’re too old to be parents to kids but rather teens that are probably older than the original crew, but also a little too young to convincingly be grandparents to the next generation.

But push comes to shove, I’m going to have to assume that the children’s cast of this supposed sequel are probably all going to be the grandchildren of the original Goonies; Josh Brolin is 56 and Sean Astin is 53, and neither are going to convince anyone that they’re any younger than that, so as much as television and film likes to try to convince us that 30 year olds can portray teenagers with attitude, I think it’s probably best to age them up and make them grandparents instead.

Which would probably help to make more plausible the inevitable casting of minorities in the next generation of Goonies, because in the DEI world we live in now, it goes without saying that the next generation is guaranteed to not be a white boys + Data group, and is definitely going to be a little more colorfully diverse by the time this film comes supposedly drops in 2026 or so.

That being said, let’s hypothesize the next generation of The Goonies, apples to apples, because I think it’s obvious that it’s got to be the descendants of the original crew that will comprise the kids’ cast.

  • Mikey will be represented by his granddaughter to be the leader of The New Goonies™; naïve and adventurous, and willing to believe in the remnants of One Eyed Willy’s treasure in the caves.
  • Brand will have married a black woman after Andi dumps him after high school, and their biracial daughter will then have married a black man, and therefore can cast a black male actor to be the descendant of Brand. He will naturally be the muscle and the big brother of the crew.
  • Chunk’s (despite the fact that Jeff Cohen lost all his chunk and is rather fit these days) grandson will be the most likely original Chunk, as in be a chubby Jewish boy who will somehow end up in a Hawaiian shirt and plaid pants, and act as the primary comic relief because it’s funny because he’s fat.
  • Mouth’s grandson will probably be ambiguously biracial, and I foresee someone looking like the next generation’s Mario Lopez will be playing this role. He will undoubtedly be as snarky and blabbermouthed as his grandfather.
  • Data being pretty traditionally Chinese despite the fact that Ke Huy Quan is from Vietnam, will have a granddaughter representing his role, and although she won’t have the trench coat or the backpack full of gadgets and crowd-control inventions, will still be the techie brains of the crew who will probably be good at MacGuyvering shit for the team when they need it.
  • And because the white quotient is starting to get outnumbered, Andi will have a cute granddaughter that probably will look like Sabrina Carpenter taking her place in the next generation, so that Brand can have a potential romantic interest, as well as giving the next generation of young boys something to be confused about through their own respective adolescences.
  • Which brings us to Stef, whom Martha Plimpton has accepted with grace as being the “last” one, will undoubtedly have had an adopted son/grandson, probably white, so that white people still have a slim majority in representation because that’s how Hollywood be, will resume Stef’s legacy of being the tail end of the team, and to provide as much contribution as his grandmother.

As for the actual plot of this film, who really knows what it’s going to be about.  If Chris Columbus and Richard Donner couldn’t figure something out throughout the last 30 years of Donner’s life, I don’t have much faith that anyone else is going to have any better ideas, but it really doesn’t matter. 

If this is going to work, it’s going to have to take place in Astoria, it’s going to have to involve the remains of One Eyed Willy’s treasure, because everyone knows at the end of the OG, the Inferno sails away into the Pacific Northwest, so I’m going to guess that there’s still caches of treasures in the remains of the caves, or perhaps additional ships that The New Goonies can go search for, but as long as the spirit of the film doesn’t stray too far from the original, it stands to believe that this might be able to be as popular with the next generation of kids as the original was to my own childhood.

What kind of irks me though is that I legitimately had plans on saying fuck it, and going to Astoria for my next birthday, by myself, because it’s something that I’ve always wanted to do in my life, and I’m no longer going to expect or even attempt to bring anyone along for the ride, because of people I know, nobody really wants to do this except for me.  Hopefully news of moar Goonies in the future doesn’t re-ignite other OG fans to want to make the same pilgrimage, and ruin my original fandom spurred on by news of a supposed sequel in the works.  Or worse off, by the time I get there, filming has started and I get monstrously cockblocked at seeing all of the original stuff that I had always wanted to see and walk in my own nostalgic life.

Only time will tell, and if any of this shit impacts my future travels, it’s only a question of just how pissed and disappointed it’ll make me.

Every Braves fan can hear the gears grinding

~ dannyhong ~ Leave a comment

Sauce: Dodgers release Jason Heyward, he is free to sign anywhere that will take him

Anyone who’s been paying attention to the Braves this year has probably noticed that the team is operating on its usual Barves-ey cheapskate bullshit, picking up inexpensive castaways, cuts and releases from all the other teams in the league and trying to pawn them off like they’re the answers to the team’s woes and shortcomings.

However, the Braves have been pretty flagrant this year by picking up, almost exclusively, former players, with the hopes that the fans are as dumb as they hope they are (but surprisingly, aren’t) and put happy memories and false optimism on the obvious facts that these guys were all available because they’re not playing as well as they once did in a previous time, like 2021.  Eddie Rosario, Jorge Soler and Luke Jackson are some of the guys re-acquired by the team, with Rosario not only having been cut by the Braves, but he’s also, at the time of me writing this, just freshly cut from the Mets, after already being cut by the Nationals earlier in the year.

Soler hasn’t been terrible, but he also hasn’t been the World Series monster MVP he was in 2021, and Luke Jackson has been what he’s always been – a mediocre reliever, that no longer has Will Smith and a healthy Tyler Matzek and a pre-sucking AJ Minter to hide behind in the bullpen and is getting exposed as of late.  In other words, the Braves picked up mediocre product before the deadline and shouldn’t be surprised by getting mediocre return in investment.

But with the news of Jason Heyward’s release by the Dodgers, I feel like there’s no way in hell that I’m the only Braves fan whose blood went cold upon hearing it, because I think we all collectively knew the second we saw it, what some extreme cheapskate bean counters at The Battery were thinking when they saw it – pick ‘em up!

Believe me, Jason Heyward’s regular season debut on the Opening Day of 2010 is still one of the most magical sports memory I’ll ever have.  The super-typed 20-year old rookie phenom blasting a three-run home run in his very first at-bat against the Chicago Cubs is still stuff of legend, and having a monster rookie season, en route to being one of the core players of the organization for the next few years, all fantastic memories.

Heyward himself was always a stand-up player, a great role model for kids, and a guy that any organization would be happy to have.  I have no ill-will towards the man whatsoever, and I like him personally, but when it comes to his place currently as an active baseball player, I would rather the Braves not Barves, and pick him up, and try to convince fans that they can fix him back to being an All-Star, and insist on trotting him out on the regular, when the team is still somehow, miraculously in the thick of things when it comes to playoff position.

There’s a reason why the Dodgers released him, in favor of Chris Taylor of all people, and any contender like the Braves should probably think twice before considering picking him up, unless they want absolutely nothing but a 9th inning defensive replacement for a corner outfielder.

But I have this sinking feeling that the Braves aren’t going to listen to any logical arguments against Jason Heyward’s return to the team, and are going to be looking at dollar signs, exposure, newspaper articles and editorials about the prodigal son’s return home to Atlanta, and pick him up anyway soon.  The loss of Ronald Acuña, and the tumultuous health of Michael Harris II, outfield depth is stretched thin as it is, but Heyward’s .208 batting average this year really isn’t going to help out.

And these are the things that separate the Braves from being among the league’s elite, in spite of their general, miraculous on-field winning record.  I guess I should be fortunate that the organization continues to field a playoff-caliber team, but at the same time, I kind of wish they’d blow it all up, in order to build a World Series championship-caliber team, but I digress.

As much as I like and admire Jason Heyward the person, as a baseball player, his best years are long beyond him, and the further he stays away from the Braves, the better off the team will ultimately be.

I always forget there are four NBA teams in California

~ dannyhong ~ Leave a comment

While scrolling through some sports headlines, I saw one that stated that the Sacramento Kings had landed DeMar DeRozan, for three years and $74M dollars.  My first thought was simply, oh yeah, the Sacramento Kings are an NBA team.

I simply had forgotten that they existed.

It occurred to me then, that pretty much at no point in my entire sports fan life, have I ever really been able to immediately recall that there are four NBA teams in the state of California.  The Lakers are easy to remember, the Clippers are easy to remember as the team that isn’t the Lakers, but at varying points in my life, I always forget about one of the teams between the Warriors and the Kings.

Usually it correlates with which one of them sucks because sucky teams are easy to lose track of, but one of my friends recently reminded me that it was the Kings that actually eliminated the Warriors from this past year’s playoffs, but it didn’t really matter because they had been living in the shadow of the Warriors for so long now, that they’re still basically an invisible market.

Back to the original point though, I like DeRozan as a player, but the fact that he’s going to the Kings, it’s a good thing that he’s getting paid a fat contract, because he’s definitely going to be an invisible player for the next three seasons, barring any opt-out clauses or drama-filled trade sagas that could occur along the way.  Because the Warriors still have a few years left in the tank before they really start to suck, and until Steph Curry hangs up his shoes, the Warriors are always going to be relevant, and there simply isn’t going to be any room for any awareness for the Kings short of a breakout star and/or deep playoff run.

It’s funny though, because as long as I’d been paying attention to basketball, I can definitely recall the years where the Kings were the kings, and the Warriors were invisible, and when the Warriors were pretending to be Ultimate and the Kings ceased to exist.

When I first really got into basketball, the Warriors were the good team because they had the Run TMC backcourt of Tim Hardaway, Mitch Richmond and Chris Mullin which was fun, fast and exciting to watch.  Although the Warriors were still a fringe team, they were exciting, while I didn’t even know where in the country Sacramento was at that age.

Eventually, as is inevitable in the world of sports, the Warriors would eventually become the laughing stock of the NBA, winning 19-28 games a season, years after Run TMC and trading Mitch Richmond and Chris Webber away.  And it would be Chris Webber who would transform the Kings into contenders, and teamed up with guys like Mike Bibby, Peja Stojakovic and Vlade Divac, the team would really challenge the league, and if not for existing at the same time as a prime Kobe/Shaq Lakers squad that had Robert Horry on it, they probably could’ve won a championship and really put Sacramento on the map for good.

But that window of contention would eventually close, and the Warriors would draft Steph Curry, Klay Thompson and Draymond Green, pick up Andre Iguodala, hire Steve Kerr as head coach, and the rest is history.  The Warriors would go on to become one of the greatest squads in history, making the Finals an absurd amount of times, winning multiple ships, and putting their stamp on the record books, both team and individual.  It’s safe to say that the Splash Bros changed the entire game, and the influence is palpable with ballers all over the world flinging three-pointers like it’s the only option on the court.

Meanwhile, the Kings have taken the backseat once again, and whenever the topic of the NBA comes up, I always have to stutter and stall whenever the obscure trivia comes up of, name all four NBA franchises in California, because I simply forgot they fucking existed.  Sure, they’re on the rise again, but we’re reading a pivotal point in the timeline of the modern NBA, where it could really go either way, whether the Warriors make all the right moves and climb back up the standings of contenders, or they slowly begin their ride into the sunset as Steph winds his career down, while the Kings capitalize on draft picks and acquisitions like DeRozan.

And five years from now, who will be the contender, and who will be the forgotten fourth team in California?  I don’t know, but what I do know is that whomever is the shitty team then, is the team that I’ll definitely forget exists.

The world no longer has the greatest living center alive

~ dannyhong ~ Leave a comment

RIP: Bill Walton passes away at the age of 71

I don’t even remember who preceded Bill Walton on the NBA on NBC broadcasts throughout the 90s, but when I had really gotten into basketball, my memories of watching hoops always had the voice of Marv Albert and someone else in it.  Maybe it was Paul Westphal or Doug Collins, I don’t remember, but what I do remember is when Bill Walton joined Marv Albert behind the desk, and the two of them commentated on some of the greatest games of basketball I’ve ever watched.

I didn’t know really anything about Bill Walton when he took over the broadcasting duties, except for the fact that he was a former NBA player from yesteryear.  I didn’t know that he was some beatnik hippie player who played for the Portland Trailblazers and the Boston Celtics, and I frankly didn’t know anything about his career, playstyle or any remote idea of his general numbers.  The internet didn’t really exist then, much less have an online database where I can satiate any curiosity of any player of any time in history these days.

Honestly, at first, I found Walton to be kind of obnoxious, from his nasal-ey voice, tendency to go off on tangents about things that weren’t basketball, and inject a little too much opinion and editorial into his commentating style.  I didn’t need to hear about the famines in Sri Lanka, while I’m sitting at the edge of my seat watching Patrick Ewing trying to come out victorious over the Indiana Pacers.  I didn’t need to hear about how he was happier being the greatest sixth man ever for the Celtics instead of being the star in Portland when I was amped up watching Anfernee Hardaway prepare for some last second heroics against the Hakeem Olajuwon and the Houston Rockets.

But as the years passed, the sound of Bill Walton grew into a familiar comfort, and as I grew older and my general brain began to expand, the things he would drone on and on about during the span of a basketball game became entertaining.  Especially when while he was doing it, Marv Albert was being the studious straight man calling the action to the book, along with his iconic YESSSS calls whenever Michael Jordan drilled a fadeaway in John Starks’ face.

One of my favorite Bill Walton cliches, before the phrase meme even came into existence, were all the times throughout the decade where Walton would make remarks or insinuations that he was a better center than Shaquille O’Neal.  Which was laughable, considering Walton was a lanky white guy who excelled at set play team basketball while Shaq was probably the single greatest dominating physical force in the history of the game, but it never stopped old Bill Walton from trying to hint that he was always a better player than him, mostly because of his superior free throw percentage and ability to pass the ball.

My friends and I would often do bad impressions of Bill Walton whenever we talked hoops, and it always boiled down to a caricature quote of him saying:

I know a better center than Shaq.  Me.

Oh and how we ended up loving Bill Walton in the end.  Eventually, NBC would foolishly lose the license to the NBA, and it would be quite some time before Bill Walton would be back in the booth with any regularity, and by then, I had already long phased out of my love for hoops, the NBA and having time in general to watch basketball.

But I have memories as recent as just a few years ago, of where Bill Walton was doing some guest commentary during a college basketball game, and in true classic Bill Walton, the man would just not shut the fuck up about topics that had to do with anything other than basketball, like some of the turmoil going on in Syria or some other third world country.  The guy doing the play-by-play was probably getting annoyed, but I definitely was enjoying it the whole time, because despite the fact that time had aged and eroded Bill Walton physically, he was still the same beatnik underneath it all, and his past basketball accolades always got him in the door to be on television to talk about absolutely anything but basketball; during basketball games.

At 71 years of age, the man had lived a fairly full life, close to general life expectancy.  Probably a lot of the psychedelic drugs he did as a devout Dead Head probably shaved a few years off, but it’s probably hard to argue that he didn’t live his life to the fullest.  It does make me sad to learn that the greatest living center is no longer among us, and he clearly impacted my life to the point where his passing warrants a post in the brog.

Happy trails, Bill Walton – you certainly were a better center than Shaq was, at quite a few things.

X-Men ’97: the speedrun for those with ADHD

~ dannyhong ~ Leave a comment

I just finished watching X-Men ’97 on Disney+ and hoo boy do I have a lot of opinions.  I don’t quite really know specifically where I stand on it on how good I thought it was, but this is where I’m hoping that writing out my thoughts might help me come to a conclusion.

This is also where I disclaim that there is the possibility that I give some things away by virtue of feeling unable to avoid specificity but hopefully I don’t, but it’s not like I have any readers at all, so this is just old habit of trying to be courteous when I really don’t have to be.

1.
First of all, regardless of where I land on my overall opinion, one thing is very clear in my opinion: the show operated at a breakneck pace, and there was basically no time to breathe throughout the season as the show went from storyline into the next into the next and into the next without any pauses in the action, minus one specific Jubilee mini-arc.

The show tackled numerous actual storylines that I could recall from the days when I was a massive X-Men reader, but it was almost laughable at just how little time was dedicated to what were epic arcs in the comics, rendered to literally 5-6 minutes in the show.  Like for example Inferno, with Madelyne Pryor becoming the Goblin Queen; this was an epic event that transcended the X-universe and even bled into other Marvel properties, but in X97, Inferno literally starts and ends within a ten minute window, leaving me with this great big feeling of, wtf.

One of the most iconic moments from the Fatal Attractions storyline was tucked into one of the last episodes of the season, and given the sheer lack of context and time given to everything else, honestly probably didn’t even need to occur, but by this point of the show, they were clearly so determined to cram in as many X-storylines as possible and using as little airtime as possible to do so, so here we went.

The best way I would describe X97 is exactly what the title of this post is – it’s X-Men comics presented in a medium that caters to those most likely with ADHD and are incapable of sitting through multiple seasons worth of storytelling to get around several epic story arcs when they can all be crammed into the confines of a ten-episode season.  I used to think that when I was a kid, I probably was an undiagnosed ADD kid because of my sheer struggles to pay attention and listen and follow directions, but after watching X97, I don’t really think that that could’ve been the case.

2.
The X-Men, and mutants in general seemed to have been nerfed as fuck throughout this show.  All throughout the season, mutants were getting their asses handed to them by humans that had Sentinel tech, as well as Sentinels themselves, in contrast to the original 1992 series where Sentinels were about as capable as the Putty Patrol from Power Rangers at neutralizing their intended targets.

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