A microcosm of what’s wrong with the airline industry

I’m sitting at the gate, awaiting my flight.  I’m going to DCA, so I can go help my dad out with some stuff that I really shouldn’t have to help out with except for the fact that my dad isn’t a very capable individual and has increasingly just been chalking everything up to aging and doing his best to live out The Korean Story™.

I don’t often disclose my personal expenses, but in this case, this round trip to and from Washington DC is running me $570.  Way back, when AirTran still existed, I could get this exact RT for $159 if I played my cards right.  Full fare, and not when I had the ability to fly standby on a moment’s notice.  Obviously, inflation is a very real and unfortunate thing, and it’s been nearly 20 years since I used to be able to get those reasonable and cost-efficient fares, but the fact that it’s gone up 350% seems outlandish and reeks of white people greed.

The gate I’m sitting in is relatively deserted.  Flying on a Wednesday night is great in that regard.  The aircraft will more than likely have upwards of 140 seats all in all, but if I had to guess, maybe barely 50% of the aircraft will be full.  If I were still doing the standby thing, I’d be doing a dance at the gate because I would have a 100% chance of getting on this flight.

That said, there’s absolutely little reason why this fare should have been remotely close to $570.  There used to be a time when flight fares would fluctuate somewhat on account of the demand of a particular flight, and a flight like this should probably have been cheaper than what I was forced to pay just so I could help out a family member, because clearly there was not a heavy demand for the flight.  I’d hate to imagine what it might have cost to go Friday through Sunday.

I used to be salty when this route had gone up to like $379 from all carriers, but now I’d be doing cartwheels if I could get a RT for under $400 these days.

A few weeks ago, there was an article where Delta’s CEO Ed Bastian was quoted, saying shit along the lines of blaming low-cost carriers AKA Spirit and Frontier, for the degradation of airline passenger behavior throughout the country.  My knee-jerk reaction at hearing this was, sure, yeah, a lot of unruly people do fly Spirit and Frontier, that’s not entirely wrong, my own criticism has ol’ Ed Bastian in the crosshairs, because man is clearly so out of touch with the people that he probably doesn’t seem to realize that most people are probably unruly because they’ve been given no choice in life but to pay egregious fares in order to travel, and whether they take a low-cost carrier along with all the other unruly poors, or they shell out money they probably can’t afford in order to travel, they’re going to be bitter and pissed off about it in the end all the same.

I know that I’m feeling quite salty and full of piss at having to shell out $570 to make a routine flight to a destination not even two hours of airtime away.  I just happen to have a little more restraint and keep my vitriol and venom encased in harmless text on a brog that nobody on the planet reads except for me, as opposed to feeling entitled to dress like a 2000’s-era NBA player, and act about as much of a shithead as one.

Ed doesn’t seem to grasp that if Delta would ease off the gas on their price gauging and make flying a little more accessible to the people, not only would everyone flock to Delta if they’re the first ones to cut costs, it would then force all the other carriers to follow suit in order to keep up, and if the royal everyone, is just a little bit happier about not going as broke in order to travel, the civility of airline passengers would inevitably improve.

And then Ed’s completely out-of-touch analysis of the masses would begin to improve, traveling would stop feeling like such a colossally insufferable experience, and call me crazy, everyone would probably make more money in the end, because that’s often just what happens when consumers are actually made happy sometimes.  There’s enough empirical evidence to show the sheer profitability of people not being shitheads to the masses, and hopefully the airlines will rediscover this and the skies may become a little friendlier when they come to that revelation.

Score a point for staggered episodic television

An interesting thing happened to me recently – I caught up with a bunch of television and I had nothing to watch.

I was on the treadmill doing some incline walking, and I had reached the end of episode S0504 of Stranger Things.  But as the credits began rolling, there was no rapidly scrolling next episode button ready to shotgun me into the ensuing episode.  I had reached the end of what was released, because Netflix has strayed from what made them who they are and like many of the bigger titles they’ve dropped over the last few years, they’re deliberately staggering the release of them, presumably to maximize how long they can milk content to their viewers, but more likely to ensure that those pleebs sharing passwords have a little more difficult as far as trying to bilk trials and get all the content for free in a concentrated amount of time.

Later on in the evening, mythical wife and I were watching S0203 of Culinary Class Wars, and Korean television is notorious and deliberate in how they break episodes apart.  So when the episode ended, at an obvious cliffhanger as far as delivering results of cooking challenges go, the same thing occurred; credits begin, no next episode button.  Returning to the landing page of the show, is the becoming all-too familiar sight of “New episodes releasing on X date” prompt on the following episode, and suddenly we no longer have anything to watch.

Combined with shows that already operate in weekly episodic releases like Pluribus, and Disney+ and even HBO Max are known to stagger their content with shows like Daredevil: Born Again and even silly crap like The Chair Company, and it’s apparent that the pendulum of television consumption has already passed the precipice where all shows were required to drop entire seasons at a time, lest they would be doomed to fail, to kind of swinging back in the direction of olden times, where such is no longer a requirement in order for a show to succeed.

The funny thing is, I don’t really hate it.  Anymore, at least.  Sure, there are times where I get lost how into a show I start becoming, and it’s a definite do not want moment when you realize that there is no next episode available to watch, and you have to wait for it, but at the same time, for people like me, who always feel strapped for time, the forced break from spending more time watching television isn’t necessarily always a bad thing.

I caught up with Pluribus and thought to myself, welp, with no more episodes to watch, I may as well go do something else, and although what I may or may not have done after watching television might not necessarily have been more productive or satisfying, but the point remains is that I did them 60-90 minutes earlier than I would have, had I watched, just one more.  And being able to tackle those things 60-90 minutes earlier means I wound down my day that much sooner, and I ultimately get more sleep which is always a good thing considering I have to get up at ass o’clock every single day without exception.

Also by not having shows drop entire seasons at a time also helps eliminate that FOMO or rather, fear of not getting spoiled, because inevitably there are people, websites, social channels and/or other internet entities that speed run every new piece of media that comes out, and then spoils the ever-living fuck out of them on social media platforms for people to accidentally see while they’re doomscrolling.  I have to say it’s liberating knowing that within a short amount of time, I’m caught up and at the same stage of Stranger Things as the vast majority of enthusiasts of the show, and that there’s pretty much no chance that I’m going to get spoiled to the inevitable ending, because it hasn’t officially dropped yet.

The point of all this is, that I’ve made jokes about how the money-grubbing direction of the media market is going to inevitably push people back towards the development of what’s basically old school cable television, but in some regards, by passively going back to methods of the past, all these television platforms are inadvertently re-training the olds, and training the kids of today about weekly episodic releases or programs complete with advertisements, and I feel like within 2-3 years, we’ll be back to the resurrection of formal cable television, but people are actually going to like it instead of constantly threatening to cut the cord. 

Maybe it’ll be delete the apps when this age arrives, and everyone will be so arrogantly gleeful about uninstalling Netflix and Disney+ to sign up for cable services.

Cable2 is going to be so lit.

Praise for NXT Halloween Havoc

Over the last few year and change, there’s been a lot of hullabaloo surrounding the state of the WWE following the company’s sale and eventual restructuring into being an arm of their new parent company TKO.  Questionable decision making as far as staffing, personnel and eventual booking choices, but more primarily how they’re killing the WWE with their flagrant price gauging, cost increases across the board on tickets, merch, and various other microtransactions, masterfully finding each and every nickel and dime to bilk out of wrestling fans.

I often said to my friends that I didn’t really feel impacted by much of it, because I had little interest in going to any live events; I’d been to Wrestlemania twice now, and numerous other ppvs when they were still called ppvs, and at the prices of tickets these days, I would way rather just watch from the comfort of my own home.  Over the summer, I went to NXT’s Great American Bash, solely based on the fact that it was at my favorite venue (Center Stage), but after paying $130 for almost literally the last row of the venue, only to be seated next to 1.75x of humanity, I almost want to swear off going to WWE shows outright, fearing a similar fate the next time I plunk down grown up money just to be in attendance.

Additionally, I would say to my friends that as long as TKO doesn’t fuck around with my viewing experience, then I don’t really have many qualms with how they’re operating the company.  But over the last few months, WWE PLEs have all been shifted over to ESPN++ to some new tier that I can’t get access too without actually having to pay money for it, so I’ve missed the last two major events.  NXT remains on CW which I don’t have access to in a streaming capacity, and I haven’t seen an episode of Smackdown in years because I don’t have the means to watch whatever channel they’re on now.  RAW on Netflix is still available to me, but the production of the show is really wonky and weird, and it’s hard to stay engaged when they’re being so flagrant with performing at 60% so that they can save their ammo for the next PLE.

In other words, TKO has been fucking around with the viewing experience, and it definitely sucks as a fan.  Not knowing what shows are on what platform, if I can even watch them or not, and if and when I can, there being paywalls in order to see things as simply as storyline promo packages and performer entrances.  Obviously, I’m not going to swear off wrestling by any stretch of the imagination, but I am entitled to air out my grievances about the state of the WWE when I find their operational conduct to be annoying.

All that said, I wanted to chirp a little bit about how much of a breath of fresh air NXT’s Halloween Havoc felt like, because it definitely felt like a positive reprieve from the suffocating corporate cloud that the main roster WWE has been feeling like over the last year.

It was on Peacock, which had the occasional commercial break here and there, but the show as a whole had a banger of main song that they spammed throughout the evening, and the replay showed all the promo packages, which helped a viewer like me who can’t actually watch NXT to the minute, to catch up with what to expect in the show.  The show itself was at a smaller venue in a part of Arizona that I’d never even heard of, but it looked like the type of show that I’d have definitely been interested in going to, because it wasn’t a mega arena, and it wasn’t in a clusterfuck of a place like Atlanta, and looked like a fun place to watch wrestling.

And of course, the matches were all pretty entertaining.  Call me crazy, but sometimes some matches don’t really have to have a convoluted storyline behind them, and you can really just take a bunch of entertaining workers and throw them in a match together to great effect, and that’s how I felt with the opening match of Je’Von Evans and Leon Slater vs. La Parka* and Mr. Iguana.  No real story, just an NXT guy teamed with a TNA guy against two AAA guys, and they tore the house down to open the show.

*What’s funny is that on this exact date, there was a Lucha show in Atlanta that advertised La Parka on the card, so I’m amused by the fact that one of these shows got the actual current La Parka, while the other got an imposter, or they’re up to like La Parka IV or V at this point, like the Villanos, but whomever NXT had that night was wayyyy too talented of a La Parka than what fans of his from WCW might have remembered.  Motherfucker was doing picture perfect Asai moonsaults out of the ring and press slams into gutbusters, a far cry from the dumpy fat luchador in WCW that swung a chair and strutted his way to the bank.

Mariah May Blake Monroe got to flex a little bit of her actual wrestling skill in her win against Zaria for the women’s North American title, and I’m pleased that she’s allowed to do some of the work that elevated her so much in AEW, and I really enjoyed Ethan Page’s match against El Hijo de Dr. Wagner, and despite being the heel, Vic Joseph’s commentary about how much of a fighting champion Page has been, it’s hard to not respect the work the man puts into the business.  But the match had some really brutal spots, and it was enjoyable from start to finish.

The Hardy Boyz vs. Darkstate was an entertaining disaster, even if I don’t believe in all at the long-term viability of Darkstate.  They’re like a Temu-grade Shield, with less charisma, but given the fact that the Hardyz are still TNA guys, it seemed likely that they were going to have give those NXT blets back sooner rather than later.

Honestly, it’s not that the Ricky Saints vs. Trick Williams match was necessarily bad, it’s just that other matches on the card were more entertaining and compelling, that theirs just kind of didn’t stand out in comparison.  Both are talented workers, but in the context of the evening their fairly vanilla wrestling match just wasn’t as exciting as all of the matches that preceded it.  Plus, the finish seemed really wonky and almost rushed, and when it was over, I was just kind of like, that’s it?

But let’s really talk about Tatum Paxley’s ascension to the top of the mountain, beating Jacy Jayne for the NXT Women’s championship.  Firstly, I do want to give my flowers to Jayne for a respectable run with the top prize; I know her win was a surprise, considering she beat the aura-filled Stephanie Vaquer, but I didn’t hate it, because she was a solid hand that was easily the most talented worker of Toxic Attraction, and I always like seeing hard workers get rewarded with solid pushes.

However that being said, the same could very easily be said about Tatum Paxley, whom I get some Liv Morgan-like, love of the game vibes from, and like Jayne, her hard work has been noticeable and palpable over the course of the last 12+ months, and I’m pleased to see her get this honor of getting to be the women’s champion.  I think she’s more athletic than Liv ever has been and works pretty cleanly in spite of her general level of experience, but her character work and portrayal of the weird but talented goth girl seems to have captured the audience, and I’d be lying if I didn’t stop and let the look linger on her; she’s cute as hell.

But when she won the title, I definitely got those similar vibes to her championship that I felt when Liv won the women’s title for the first time, or when Iyo won the World championship the last time; it was a sense of satisfaction that a hard worker was getting their justly reward.

Overall, Halloween Havoc was a breath of fresh air of how good the WWE is capable of operating in a manner that I wish were the norm all throughout the company, and not just in NXT.  It kind of reminds me of that period between 2016-2017 where NXT was just firing on all cylinders so well that it was clear that they were the best brand in the company.  Look forward to the next NXT event, that is until they’re spontaneously sold off to start showing on like Tubi or Fubo or some other rando platform.

Oh, Atlanta #897

Urbanize Atlanta: legendary gentleman’s club/piece of iconic real estate aka The Cheetah to become lame student housing for Georgia Tech

A long time ago, when I moved back out to the ‘burbs, I had a moment of feeling that I would miss living and/or working within the city.  There was a piece of me that felt some sort of importance to have proximity to the city in order to have a feel for the pulse of it, and that residing outside of it would make me lose touch with all the news and happenings within Atlanta city proper.

Sure, it is accurate to say that I’ve lost touch with the general, boots-on-the-ground minutiae of the city, but it’s still entirely possible to keep up with the general main happenings in and around the city by virtue of, the internet.  There are plenty of sites and outlets that do a good job of keeping me abreast to stuff like restaurants and events, not that I have a tenth of the extroverted desires to go out in the world anymore for the most part.

But when the day is over, I just don’t really give a shit anymore about needing to know much about what’s going on in the city like I used to.  I don’t miss going into the city, and I feel no real need to have a finger on the pulse of it anymore.  The pandemic only accelerated this detachment from things, but it’s like every time I do go into the city, I’m always surprised to see new things, and alterations to the general city skyline, primarily within a 2-mile radius around Georgia Tech; encapsulating Midtown, and the at some point-christened West Midtown neighborhoods.

In the past, I used to work pretty much right next to The Cheetah, right in Tech Square.  There was a break room that I used to sit in to eat my lunch that had a window that looked right out onto Spring Street, and The Cheetah, and not much else, because at the time there was only a giant-ass dead lot that was used for pay parking.

I’ve never really been one for strip clubs, since there’s little more of a turn off knowing that the broads prancing around trying to separate you from your cash, resent your existence by being there, and a headcase like me needs to have some degree of emotional connection in order for my wires to heat up.  But all the same, I always respected the existence of The Cheetah, as it was kind of an icon of the city, often in the same breath as other notorious locations in the city like The Clermont Lounge, Murder Kroger, Center Stage, Little Five Points, etc.

Plus, I really enjoyed it when I found a random $20 bill on the sidewalk while I was passing by, and it helped contribute to my very first iPad acquisition way back in the day.

But in spite of my general ambivalence for strip clubs, it did give me a case of meh-face when I learned that The Cheetah was next on the city’s chopping block in order to make room for more lame student housing.  Like, there are so many other dilapidated and/or useless plots of land remotely close to Georgia Tech that could make for land for student housing as opposed to sacrificing The Cheetah.  And it’s not like over the span of the last decade there aren’t like 5-6 other new student housing buildings that have popped up to house all these Georgia Tech nerds.

I dunno, it just leaves me feeling sour, knowing that Atlanta seems to slowly be sacrificing all of the little quirks and idiosyncrasies that made Atlanta, Atlanta, the way they keep cannibalizing shit with character for boring ass shit like moar student housing, egregiously priced condominiums, or corporate headquarters.  It’s like they’re going to run out of insufferably elevated words and names to use for all these soulless towers at the rate they’re going, and the last time I was in the city, for a wrestling show at Center Stage, there were literally two new apartment towers that had sprouted up that weren’t there just months prior.

When the day is over, I’m not going to lose any sleep over the demise of The Cheetah.  But it’s stuff like this that makes it easier to reinforce the notion that I don’t miss being in the city or needing to be close to the city, at all.  Almost all of the restaurants I used to like to go to are all gone, and little landmarks that I could always give people ten-cent tours over are all being razed for boring shit.  It makes me sad knowing that the city that I do rep is voluntarily forfeiting their character and charm, over the need for a bunch of useless and aesthetically soulless real estate that contributes very little to the long-term life of Atlanta.

Happy Trails, Roy Hobbs

AP: Actor and activist, Robert Redford dies at the age of 89

Throughout the long history of the brog, I’ve been saddened by the passing of many notable figures and shared my words and thoughts for those whom have meant the most to my general existence.  I’ve stated numerous names, of individuals who really had massive imprints on my general state of life, those whom help mold, shape or have a permanent residence at the forefront of my brain.

Guys like Sonny Chiba, Dikembe Mutombo, Kevin Conroy emerge quickly, as people for whatever reason or contributions to the shit I’ve seen in my life, always maintained permanent resident status in my head, and even to this day, guys whom I’ll make references to or think about when it comes to the countless analogies and metaphors and comparisons that I make when thinking about things around the world.

Well, Robert Redford is up there on that echelon of individuals in the world that left an indelible mark in my life, and I’m feeling melancholy about hearing about his passing.  I can’t really say that I’m so much sad about it considering he was 89 years old and had clearly lived a full and prosperous life, but for those that will miss him the most, my heart goes out to.

However, I should be more specific, that my general fandom and appreciation for Robert Redford stems from a role he played in a film, based on a book that also left an indelible impression in my life, which is The Natural by Bernard Malamud.  After falling in love with the book, the movie was enjoyable, which really opened my eyes to who Robert Redford was, as he was portraying the intrepid Roy Hobbs, the former pitcher turned old rookie wunderkind, crushing home runs all over the place with this homemade baseball bat.

And although the film didn’t portray it like the book did, Roy Hobbs was a human vacuum cleaner of a legendary eater, prompting one of my oldest friend groups and I to use his name as inspiration for whenever we wanted to destroy buffets all across Northern Virginia and eat like Roy Hobbs was trying to fill the void left in his heart from the early baseball career he never had.

Furthermore, Roy Hobbs became something of a pseudonym for me through a variety of online endeavors, like the pen name I wrote through on Talking Chop and a variety of other Vox websites, and was usually my go-to when it came to utilizing an online handle on gaming platforms like Xbox Live or League of Legends.

Regardless, through Roy Hobbs I learned Robert Redford, and although Roy Hobbs was but just a single role played in a legendary career, whenever the thought of Roy Hobbs emerges in my brain, it’s Robert Redford that I see, and for that alone, made me a fan of Robert Redford.

It’s funny, because as learned of his existence was I made aware of just how much work he’s done in Hollywood, for Hollywood, and the film industry in general, but it wasn’t until really reading several obituaries and tributes to the man did I realize just how much more he did, as far as his support for independents beyond just Sundance, as well as his activism, trying to make the world a lesser pile of shit than it is on the regular.

Robert Redford was truly an extraordinary human being, and it’s like I discovered him in a reverse order sort of fashion; gravitating towards him on account of a singular role, but then learning more about him after the fact, as opposed to the other way around.

It’s a sad day in Hollywood, film and even literature to hear about the passing of Robert Redford, but at least as far as I’m concerned, he’ll always be relevant and worth mentioning, if for anything at all, being the guy who was Roy Hobbs.

I would like to have a DragonZord tail too pls

Apparently this is news from six years ago which goes to show just how out of touch I can get with the rest of the world, but supposedly Japan has developed robotic tails for the elderly to equip in order to help them with balance.  For whatever reason, this just started popping up in my socials recently, leading me to get that spark of inspiration because when I saw the, what I’m guessing were AI-generated images, all I could think of was how much they looked like DragonZord’s tail from Mighty Morphin Power Rangers.

And how I too would really like to have a DragonZord tail too; not just for something to help me maintain my own balance, but the obvious desire to be able to rear back and whip the sparks out of any motherfuckers who cross me, or try to take over the Earth on my watch.

I mean, anyone who’s ever watched as much Power Rangers as I did probably knows that despite how cool it looked or the idea of the DragonZord tail whip is, the fact of the matter is that it was really often times portrayed as an extremely ineffective attack.  It’s like short of the debut of DragonZord, where it would whip the shit out of Tyrannosaurus or MegaZord when it was being controlled by Evil Tommy, once on the side of good, DragonZord and its tail whip were nerfed into oblivion.  Either Goldar or bad guy of the day would duck it easily, or they would just tank the hit for no damage; and so often times was the case, an opp would just grab the tail and use it to pick up DragonZord and swing it into a nearby building or mountain range.

But I don’t care, if a DragonZord tail were made available to the people, I for one would still like to have one.  I’m sure as I continue to age, my balance will worsen, as I’m seeing is the case with my own dad, and it wouldn’t be the worst idea in the world to get ahead of the degradation and go ahead and start equipping my own DragonZord tail.  Being able to whip motherfuckers with it would only be a bonus, and if it would be possible to get a drill-tip upgrade like DragonZord, I think it goes without saying that I’d have to have it, because you just never know when you really could use the ability to drill a hole into something, in a clean fashion, and not have to resort to some makeshift spike or some unsymmetrical blade in order to do so.

Anyway, for all the nonsensical and useless shit Japan makes to solve even the most first world of first world problem minutiae, I will concede that creating DragonZord tails definitely sounds like a real W of an invention, and I would very much like to have one pls.

If this man is 12, then I’m 35

AP: Taiwan wins the Little League World Series, riding the arm of their 5’8 wunder pitcher, who throws 82 mph

Being the consummate sports fan, news of the Little League World Series always pops up for me on whatever feeds peruse on the regular.  I was cognizant of the fact that Taiwan was in the tournament, and I had heard that they had an alleged 12-year old who was 5’8 and was hurling fireballs at 82 mph, which is the MLB equivalent of being able to throw around 107 mph, and my first thought when I heard about this kid was, a Danny Almonte.

Frankly, the Little League World Series is no stranger to parents who lie about their kids’ ages to get them in for whatever selfish reasons, but Danny Almonte was one of the most famous cases, since he was actually 14 years old, throwing 80 mph, leading his team from the Bronx deep into the tournament.  He was eventually found out, and unfortunately became the poster child for age cheating, despite the fact that it was his parents and his team that orchestrated the whole ruse.

Anyway, when I saw a picture of Taiwan’s flamethrower, my red flat went up immediately – there’s no way this kid is 12 years old.  The little man has the pizza face of that of a 15-16 year old, and at 5’8 is nearly a full head taller than most of his teammates and opposition.  And I feel like the Taiwanese were banking on the fact that people in the west can’t tell Asians apart much less be able to deduce age based on appearance, and snuck him into the tournament with the added cushion of racial sensitivity.

But yeah, there’s no way this man is 12 years old.  As the title of this post says, if he’s really 12 years old, then I’m 35 years old, it’s that egregious of a claim.  Obviously it was pretty easy for Taiwan to win the tournament, when they’re trotting out a grown-ass man to play against actual children, and it sucks for all these kids who get obliterated by a ringer, who might then start to give up on baseball and get all jaded from the experience.

All I’m saying is that if it emerges at a later date that this kid turned out to obviously not be 12 years old, don’t be surprised.  I’d like to make the joke about how you heard it here first, but one I don’t have any readers, and two I know that I’m far from the first person to be making this claim. 

#GGLLWS