Thoughts on WWE Evolution

Warning: there will probably be spoilers; not that it really matters because who knows how many eons past Evolution it will take before this ever sees the light of day on the internet.

When it was announced that WWE was going to do an all-women’s pay-per-view show, I had a couple of knee jerk reactions.  One was that it had the capability to be the best show of the year, due to the kid gloves that the WWE would undoubtedly have to treat a show of such a nature, and two, that it was a show that could not absolutely afford to fail.  Failure would wreck a tremendous amount of work and equity that the women superstars have put forth to building their brand, and would send things back in time at least a decade.

Fortunately, with the level of talent and the volume of it now present in the WWE, it didn’t seem like failure seemed very likely, especially since the WWE is known to be capable of putting a good show together when they actually give a shit about it.

To no real surprise, Evolution was an outstanding show that I feel lived up to the hype, and truly delivered on what the primary goal of the show was supposed to be: this is women’s professional wrestling.  Sure, there were some booking choices that I probably wouldn’t have made as an armchair booker, but when the show had ended, I can confidently say that the good of the show far outweighed the negatives.

Even some of the matches on the undercard that I didn’t really expect to be that great were better than expected, as if viewers could feel the sheer will and empowerment of the superstars, or the WWE actually let a lot of these women unleash a little bit more from their arsenals than they normally would be allowed to on television.

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The Mae Young Classic, or just Toni Storm?

After the semi-final match between Toni Storm and Meiko Satomura, I thought to myself: man, I can’t remember the last time I ever felt so vested in a match before.  Usually, whenever I have a that thought, my mind races back way in time in order to exaggerate how long it’s been, which took me back to like Wrestlemania XX, when Chris Benoit (pre-psychotic murderous suicidal breakdown) had Triple H in the Crippler Crossface, and I’m on my feet at my friend’s house screaming at the television TAP TAP TAAAAP.  Then I realized that I was pretty vested and captivated by the Andrade Cien Almas vs. Johnny Gargano match that happened just earlier this year, but the point is, matches that manage to capture the suspense and excitement of a jaded smark like me are still few and far between.

Toni Storm vs. Meiko Satomura managed to do just that, have a match where I had an idea of who I thought was going to win, and I like think I have a good read on professional wrestling direction, but still managed to execute a match that was able to make me unsure of my choice, scoot me towards the edge of my seat, and make my eyes widen with what-ifs.  Several close calls, repeated kicking out of signature maneuvers and just plain great work from two very competent wrestlers made for an extremely good match that might not get five stars from Dave Meltzer, but damn was I pleased with it.

And for the second year in a row, I have this thought that this is why the Mae Young Classic is so great, is because they put on center stage, a bunch of female wrestlers whom the casual WWE audience probably isn’t aware of, so the idea of predicting things is kind of negated and it creates this completely fresh wrestling environment for fans to indulge in.  However, when I think of the matches that stood out the most from last year’s Mae Young Classic and this one, I also realize that there’s a correlation between those too: Toni Storm.

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Does the show always have to go on?

One of the first thoughts that went through my head when I heard the news that Roman Reigns had leukemia and was going to relinquish the Universal title and take a leave of absence from the WWE was: this is what the WWE was going to start the show with?

Sure, I’m as surprised as the most casual of wrestling fans are, because I don’t use Twitter nor do I have any sort of sources be on top of every little tidbit of wrestling news, and it’s certainly surprising and sad to hear of one of the top guys in the industry to be derailed like this due to a terminal illness.  Obviously as both a wrestling fan and a human being, I would like to see Roman Reigns beat leukemia back into remission again and return to the ring, and I hope treatment is both manageable and successful.

But my skepticism and disappointment, as cliché as it may seem, remains with the WWE itself, whom as all die-hard wrestling fans know about the business, is that the show must go on.  No one man or woman is bigger than the industry, and the show does not stop for anybody.  The Royal We get it; however that’s more applicable to the unpredictable and unexpected, the things that cannot be controlled or anticipated, like injury, emergency and death.  The fact that the WWE continued on with Over the Edge in 1999, even after Owen Hart fell to his death in the middle of the show is proof to this staunch and concrete mentality.

Roman Reigns’ leukemia announcement though, that’s different.  Despite the fact that the biggest tryhard internet smarks probably all knew what was up before the cameras started rolling, as much as the WWE might not want to believe it, there are more casual fans out there that do not live and die with the minutiae of the internet and might not have been aware of the news.  The choice of when to air the Roman Reigns segment was entirely controllable, and I have to question the WWE’s choice to emotionally powerbomb the audience in the first 25 minutes of the show, and then expect business to go on as usually for the remainder of a three hour program.

I see both sides of the coin, because it’s no secret that the third hour is kind of a drag, and the WWE often times phones it in, in hour three.  It’s later, fewer eyes might be on the tv by then, and if the goal is to get as many eyes on the segment as possible, then hour three is not the logical placement, even if the idea of “the main event” is supposed to be saved for last.  An announcement of this importance should be done when peoples’ attentions are at their peak.

However, this is the kind of announcement that absolutely derails everything.  Reality doesn’t often permeate into the world of professional wrestling, and when it does, it’s very much a big deal.  And as much as professional wrestling is full of trolly smark fans who love to troll live shows and act contrarian to fuck with the business, they’re still going to these shows and buying merchandise because at the end of the day, they’re still fans; and still human beings, who will most likely be impacted by the very real news of a cancer diagnosis of a very prominent figure in their preferred entertainment.

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Waynesboro, Virginia, the land where professional wrestling stood still

I recently went to an indy wrestling show out in the sticks of Virginia.  Waynesboro, to be exact.  This was actually the impetus for a trip I made in order to spend some time with my family, since I frankly don’t really spend nearly enough time with them.

The decision to go to this show was really quite an easy one, because when it first came onto my radar, Juventud Guerrera was listed to be on the card, among a pretty star-studded guest list, especially for an indy show as this one was; guys like Sting, Lex Luger, Vader, Ron Simmons, and the Rock ’n Roll Express were also slated to be at this show.

But as legendary as some of those guys are, I have this ironic love for the weird, and the jobbers, and the guys that don’t get nearly the credit they deserve, like Juventud Guerrera.  Plus, I really wanted a Juvi mask to essentially complete my collection of luchador masks on my shelf, since the Juice is somehow considered “too old” in Mexico itself, to have his masks for sale on the streets of la Playa del Carmen. Without question, Juvi was really the only reason that I wanted to go to this show at all.

So plans were made, flights were purchased, tickets were acquired, and I was on my way back to Virginia for a long weekend of family, friends and Juvi Juice.  I was looking forward to it greatly.

And then as the show neared, I went to the promotion’s website to refresh my memory of what else was in store; and noticed that Juventud’s profile was no longer a part of the promotional banner.  To make matters worse, all mention of Juvi was gone from the site.  My friend messaged them on Facebook, but because they’re a yokel backwater promotion, they never responded, but all signs were pointing to the idea that Juventud was no longer going to be a part of it.

“Card subject to change” is one of the bigger tropes of the business, and because professional wrestling is full of flakes and bums, it’s the thing said to easily Mentos out of just about any sort of card changing, like Juventud Guerrera not being a part of it.  Unfortunately for those of us outside of the business, the real world doesn’t work as conveniently as the scripted one inside of it.  I still had plane tickets and vacation time punched out at work.  Juvi or no Juvi, I was still going to be going to this show, disappointed as hell that I wouldn’t get to meet the Juice and pick up la maskara for the colleccíon.

Oh yeah and Vader died, so that was another blow to the card that was going to be hard to cover up.

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WWE’s got to ease up on the historic international events

I have a theory about WWE pay-per-views; do we still call them pay-per-views anymore, considering they’re all included with the WWE Network anyway?  But anyway, I have a theory about the monthly shows that the WWE puts out: the less effort it looks like they put into their title logo cards, then the less effort viewers should expect from the show itself.

Naturally, this isn’t perfect, definitive and doesn’t apply to all shows; WWE Fastlane had quite the impressive graphic treatment in the production of its marketing, buildup and actual show, but the card itself actually turned out to be quite lackluster.  But for the most part, it’s no secret that the WWE dumps more money into their big four ppvs of the year (Royal Rumble, Wrestlemania, SummerSlam, Survivor Series), than they do any other show throughout the year.

And as of this year, 2018, WWE’s gotten into this hysteria over producing shows in other countries, almost for no other reason than to call them historic first-time events, to help drum up interest, hype and other attention.  It started with “The Greatest” Royal Rumble in Saudi Arabia, and was followed by the United Kingdom Championship Tournament, where it was held at, for the very first time, the Royal Albert Hall in London.  This past weekend was the WWE Super Show-Down, which was held, for the very first time, in Melbourne, Australia.  And during Super Show-Down, I found out that there was yet another international show on the horizon, Crown Jewel which is going to be in Saudi Arabia again, but instead in, for the very first time, Riyadh.

As historically monumental as the WWE likes to tout these international events, make no mistake that they are NOT immune from the shitty logo, shitty show logic.  Look no further than the fact that “The Greatest” Royal Rumble logo was literally the same logo used in January’s Royal Rumble, but had the word “Greatest” added to the top of it, and had their accent colors changed to Saudi red, green and white.  Surprising nobody, the show was horribly sub-par, and the events of the show had nearly no impact on storylines, save for the Reigns vs. Lesnar feud.

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Being unsatisfied is what being a wrestling fan is all about

Since I don’t have cable television anymore, I can’t watch RAW or Smackdown anymore.  I keep up with storylines primarily by the convenient litany of condensed highlight packages that YouTube channels generate that have extremely short shelf lives before the WWE Internet Police™ gets them all taken down.  But by the good graces of a close friend, I have WWE Network access, and I’m still able to enjoy NXT on a weekly basis, as well as the monthly pay-per-view shows, that are the culmination of each month’s storylines.

There are lots of weekends where during the evenings, I find myself with a dearth of things to do, and I think to myself, “man, I wish this were [name of WWE ppv] weekend.  Now would be the best time to sit back and enjoy some wrestling.”  But because it isn’t, I ultimately end up laying on the couch and playing Fire Emblem Heroes on my phone, and wonder why it’s suddenly 11 p.m. and that I should probably get ready to get some rest for work or a Sunday morning jog.

And then there are weekends like this past one, where it was in fact, SummerSlam weekend, where wrestling fans not only were privy to watching the annual SummerSlam, but by virtue of being a big show, also NXT TakeOver: Brooklyn 4, on Saturday night.

It goes without saying that fans like me look forward to the NXT show more than the main roster show, but frankly, there were reasons to be optimistic for SummerSlam as well.  Smarks probably looked forward to matches like AJ Styles vs. Samoa Joe, based on their history of solid matches in Ring of Honor and ironically, TNA, and the Seth Rollins vs. Dolph Ziggler match seemed like a sleeper show stealer, since both guys are obsessed with trying to steal the show.  Personally, I was looking forward to the Daniel Bryan vs. the Miz match, since it was clearly one of the storylines that has been slowly built for years, and could have been one of the more entertaining matches on the card.

Smarks also probably bemoaned the presence of matches like Brock vs. Roman #68, Jeff Hardy vs. Shinsuke Nakamura because Jeff Hardy is old and busted now, and personally I didn’t want to see the inevitable squashing of Alexa Bliss at the hands of Ronda Rousey.  But maybe that one is just me.

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Batista will be in for a rude awakening

I know Dave is on this little high of thinking he’s a something big shot because he’s a former WWE champion and that he played Drax in the Guardians of the Galaxy franchise, but I don’t think he realizes that he doesn’t have as much clout as he thinks he does.  But thinking that anyone is going to join him much less care, by threatening to walk away from the franchise if Marvel-Disney doesn’t reinstate director James Gunn after firing him for inappropriate tweets from a lifetime ago, he’s going to be in for a very rude awakening at the results that will ensue.

I’m sure he got the impression that the actors could make a difference, after Chris Pratt’s earnest attempt to pen an open letter and get all the stars of the franchise to sign off on it, but in spite of his experience in the public eye as a public wrestler, he’s still relatively green when it comes to the world of Hollywood, which at the very core of it, gives zero fucks about any human being, cares only about money, and fully understands that absolutely anyone is expendable and replaceable.

Furthermore, I’m sure ol’ Dave thought that the cast and crew of Guardians were tight as knots when he made his declaration of wanting to opt out of future Guardians films if they didn’t bring back James Gunn, but the reality is that Gunn or not, the franchise is going to continue, and ain’t nobody from the righteous and current-hotness Chris Pratt all the way to James’s own brother Sean, who has been a bit part in the both films so far would be willing to walk away on solely principle from the money, prestige and exposure that a Marvel Studios film provides to all those involved.

Frankly, Dave Bautista has a tremendous amount to learn about way Hollywood works, and as much as admire his determination to stick to his guns, it’s simply not the best idea for a guy that barely has a handful of films worth mentioning under his belt to be trying to make such waves in an industry where the ensemble cast around him is most certainly not as willing to join the cause. 

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