FX’s Atlanta is a sneaky good show

Atlanta isn’t one of those shows where you can watch the pilot episode and then get on social media and tell all of your internet friends that this show is great, and that you should really watch it.  Like Cobra Kai.  No, Atlanta is the kind of show where you watch it at your own leisure, and you think about every episode for a little bit, and then come to a pretty definitive opinion after pondering about the layers upon layers of each episode.

I just finished season two of Atlanta, and much like finishing up the first season, I had to think about it for a little bit, but my general consensus is that it’s a really good show.  I think the best ways to describe it is that Atlanta is most certainly not the kind of show that’s going to immediately be everyone’s cup of tea, but for those of whom it is, it’s a really good show in that it provokes thought, thinking from alternative perspectives, provides a wealth of situational humor and is pretty well shot from a visual standpoint.  The writing is stellar and gets most of its points across without having to lean on the crutch that most everyone in the show is black and doesn’t really require blacking it up in order to convey the story, except when it’s deliberately trying to so.

I think Atlanta is the kind of show that anyone who liked Netflix’s Master of None would be able to appreciate, except Atlanta is a little more socially acceptable right now since Donald Glover or anyone else in the cast of Atlanta hasn’t yet been accused of sexual harassment.  But both shows come from the modus operandi of having strong, creative writing, serious societal observation and discussion, and plenty of situational humor to keep the mood from getting too preachy.  Both are kind of on a similar level, and in spite of the misconducts of Aziz Ansari, I still really like both shows unapologetically.

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Initial D, fin

Not a lot of people know this, but Initial D is one of my all-time favorite anime out there.  Easily in my top ten, quite possibly in my top five.  I’ll be the first to say that it’s far from high quality in terms of plot, progression or quality of animation, but when the day is over, there isn’t any other anime that I’ve revisited the status of availability over the span of 18 years, to make sure that I’m caught up to all the episodes.

That’s longer than my interest in Ranma 1/2, Rurouni Kenshin, Kare Kano, Kodomo no Omocha or Neon Genesis Evangelion, all other series that I could say would be up in my top ten.  Not many of them had nearly the longevity of Initial D, much less a variety of movies, OVA and live-action adaptations made for them, in spite of them probably being considered bigger traditional classics.

I recently finished watching the series after I discovered that the Fifth and the Final Stage seasons were available; after the cheesy way that the Fourth Stage had concluded, I was eager to see if the series could get back some of the gearhead excitement that defined the series as a whole.

To no real surprise, the last two seasons were by no means blockbusters, as the series in general is nothing really complex – dudes who love driving cars and racing, racing against other dudes who love driving cars and racing.  The only things that really change are the competitors to the Project D team, and occasionally the course does too.  At first blush, it’s hard to imagine the types of cars that are losing to a Toyota Corolla AE86 or an RX-7 FD3S, but the show surprisingly takes the initiative to explain and justify the mechanics to how such can happen.

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Cobra Kai was good, but can only go downhill from here

When I first heard news about Cobra Kai, I cringed.  The phrases “spin-off” and “reboot” have become so frequent and so often yielding in sub-satisfactory product, that I’ve become somewhat sensitive and triggered whenever I hear them.  Worse, when they’re attached to a property I’ve loved for nearly my entire life, The Karate Kid franchise.  I felt immediate dread and a grave concern that The Karate Kid was next in line to become bastardized by the Hollywood machine that feels the need to bilk and ruin everything that was once successful, in order to attempt to cash in on nostalgia, and feast upon the wallets of the past, in the present.

The pessimistic feelings intensified when I heard that the show had been green lit, and then was actually in production.  And then the press releases emerged with actual drop dates and that it was going to be a YouTube:RedTube exclusive, and the reality started to sink in that this was actually going to happen.  I avoided all teasers and preview trailers, and tried to unsee whenever I caught any glimpses of any promotional materials, because frankly I didn’t want to accept that Cobra Kai was actually going to happen.

A friend of mine began telling me how pumped up he was that the show was coming, and how it was going to get him to actually pay actual money in order to get a RedTube subscription so that he could watch it.  When I said that I didn’t really want to watch it, he called me a hipster that was being contrarian for the sake of being contrarian, and that I should be more open minded.  I leveled with him, and told me that if he legitimately thought it was good, then I would give it a chance, but his judgment would be on the line if that were to be the case.

When the show dropped, my friend started texting me about how good it was.  It’s easy to get caught up in the early episodes, but I didn’t want to watch something that was going to disappoint me in the long haul.  The texts kept coming, spoiling some non-essential situational plot points that admittedly intrigued me.  And then the next day, I get a text detailing how tired he was at work, because he had stayed up to just watch the whole series.  Then my brother texts me asking me if I’d started watching yet. 

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Unpopular opinion: Jessica Jones is a weak show

Yes, I have seen Iron Fist.  Yes, I agree that Danny Rand is a bitch and a square simultaneously.  But when the day is over, after finishing the second season of Netflix’s Jessica Jones, I can still say that I found Iron Fist to be the more enjoyable show.

Granted, this is like debating on Pizza Hut or Papa John’s over who’s the worst pizza, and both shows sit at the bottom of the barrel in my opinion when it comes to Netflix’s ever expanding library of Marvel properties set primarily in Manhattan.  But for reasons I can’t comprehend, Jessica Jones always seems to have this pass that the majority of the populous I ever speak with in regards to these shows always seems to think that it’s such a fantastic show.

I get that it’s a show with a strong female lead created by a crew with primarily females in key roles, so I understand the importance of the show from that standpoint, but from just the sheer storytelling and enjoyment factor, I just don’t see it.

The main takeaway I had after I finished the last episode of season 2 of Jessica Jones was it was a season with an objective of deconstructing all of the characters in the series, and presumptuously setting up for a third season that hasn’t even been confirmed yet.  I will say that I do think it was better than the first season, which literally reset three times, versus the actually linear singular plot of season 2, but again, that’s another comparison of two low-grade things.  I walk away from Jessica Jones S2 with feelings of unsatisfied disappointment, little excitement for another season, and a general loathing of the Trish Walker character.

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Danny’s watch list, winter-spring 2018

Over the last few months, I’ve been watching a lot more television instead of burning every single evening playing League of Legends.  I still enjoy the game, but I’m not going to pretend like my interest in the game is nearly what it was a year or three ago; it’s kind of like how my baseball mania peaked and tempered back down a happy medium, to where I wanted to pursue other interests instead of letting myself get so completely absorbed in it.  I don’t follow professional play anymore, and I don’t even bother reading patch notes, and have gotten blindsided by some new in-game mechanics here and there, but I just don’t care. 

I could easily write more about why I’ve grown distant to the game, but that would be long enough to be another post for another time.

Television, has kind of filled the space in my free time that was so fervently accounted for by playing League.  Every now and then, I feel like I’m falling behind the ever-growing libraries of content being produced at a breakneck pace, and sometimes I just want to sit back and watch something and not be so interactively vested in my entertainment.  Sometimes it’s just nice to have stories told to you, without having to exert any more effort than pulling the tab on my recliner to sit back and enjoy television on my projection screen.

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Comparing the White House to Waffle House is an insult to Waffle House

Now I like Saturday Night Live.  No, I’m not going to go on some nostalgic tangent and name drop Mike Myers, Dana Carvey and Tim Meadows and shit, but I can say that I’ve watched a lot of SNL in my life.  I can’t say that I’ve watched that much of it within the last few years because it’s been long since I’ve cut the cord, and haven’t had the capabilities to watch network television in quite some time.

One would also have to be pretty much blind and deaf to the knowledge that throughout the last two years or so, SNL has been absolutely killing it with politico segments, primarily focusing around mocking the guy elected to presidency as well as key members of his administration.  As much as the liberal left bemoans to this day the result of the last election, frankly it could almost be said that nothing could have been better for SNL than what had actually occurred, due to the sheer volume of material now available as a result.

I’ll admit, I think Alec Baldwin’s impersonation is pretty funny, and I get a kick out of the faces he makes upon the completion of statements.  The fact that the elected guy himself addresses each slight and mocking skit on social media just adds to the ownage, and then the cycle repeats itself over and over again.

But taking a jab at Waffle House?  Aw hell naw, son.  That’s too far.

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The end of humanity starts in Boston

Obviously, I’m not the only person to make this parallel, but yeah if we want to start pointing our fingers to where the inspiration for Black Mirror’s Metalhead episode 4 in the second season came from, we don’t have to look much further.  Boston Dynamics creates this robot dog that’s supposedly impossible to knock over, but now it can open doors?

Yep, humanity is well on its way to being utterly fucked now. Once they team up with the robot that can do box jumps and backflips, the allied powers of SkyNet will realize that their creators are soft and fragile compared to them, and that they can easily overpower and overtake them with minimal robotic effort.

Seriously, what is the point of making robots like these??  Why does the world need acrobatic robots and invincible, door-opening dogs?  Don’t these egghead fuckers at Boston Dynamics watch Black Mirror?  Don’t they watch Netflix?  Everyone in the world watches Netflix, I know this because my mom watches Netflix now.

Instead, we have these nerds poring over the ever-growing intricacies of robotics, and basically accelerating the clock in which humanity’s mortality begins ticking down faster and faster as they churn out machines that will make us all obsolete.

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