Tag: comparison

Netflix’s Resident Evil was terrible and I don’t know why I watched all of it

~ dannyhong ~ Leave a comment

  1. Something that was surprisingly difficult to do for this post was finding a good image to use with it. Despite the fact that the show is about how the world is mostly overrun by zombies, they sure didn’t show a whole lot of zombies, and they ones that they did show really weren’t particularly impressive and for a Netflix production they sure weren’t much better than a low-budget HK zombie film.  The main cast were so often away from zombies or any of the traditional Resident Evil baddies, that a single solitary Cerberus dog image, wins by default.
  2. A long time ago, when I was in Las Vegas in my brother, we for some reason went to the ESPN Zone in New York, New York for dinner, instead of the numerous alternate places to go eat, like Ellis Island. I think there was a WWE pay-per-view on that night, and we thought that they would be showing it, which is what caused us to go in the first place.  There was no PPV and worse off we phoned it in and stayed for dinner, and it was so mediocrely unimpressive, it’s basically become a go-to analogy for us to describe anything at all that is as unimpressive, even to this day.

Speaking of my brother, it was while I was down in Texas visiting him, that we watched the first episode of Netflix’s Resident Evil rendition.  I remember when it was first announced, there was a lot of hullaballoo about how the show had the audacity to cast a black guy as Albert Wesker, and I theorized on whether who cared more about it between black people and white guilters.

But in spite of the general clunkers the Resident Evil franchise has had as far as live-action adaptations, Netflix still has a good track record of putting out hits, and I tend to favor television format over film, so that stories can breathe and have better pace, so I was optimistic that RE:Netflix couldn’t really be that bad.

Welp, I was fucking wrong.  I will admit that freely.  It was without question one of the worst things I’ve watched in recent memory, and I have nothing but regret in how much time I sunk into watching it, when I could’ve watched absolutely anything else in the seemingly endless queue of shit that I want to watch.  Mythical wife and my au pair, as well as everyone else I’ve ever brought up the series with all asked why the fuck I was continuing to watch it despite my complaining of how bad it was, and it really boils down to the fact that I’m a fan of the franchise and I was always holding on to hope that things would get better as the season progressed.

But it just didn’t.  It never even got any better as it went on.  It wasn’t like The Witcher S1, which started off slow as fuck but then started getting really interesting up until the end of the season.  It wasn’t like Moon Knight, which I thought also sucked, but did have a few moments here and there where I realized that I sort of cared of what was going on.  It just fucking sucked from start to finish.

None of the characters are really likeable.  Kid Jade and Billie are naïve obnoxious teens versus the world, and their adult counterparts aren’t much better.  As much as I was willing to give black Wesker a chance, since I didn’t think Lance Reddick was a bad actor, he clearly played down to his competition, and up until one of the plot twists, he was rigid, robotic and as putrid as the rest of the show.

Jade Wesker is about the stupidest character in television since like, Andrea from The Walking Dead in the sense that she just can’t stop fucking shit up, no matter how good intentioned she might be, there’s always some very critical and tragic collateral damage in the process.  There’s literally an episode where I’m resorting to yelling at the television to get the fuck out of here with this bullshit, because she’s written so recklessly stupid, that it’s just my natural instinct as a viewer with a brain to be that flabbergasted that someone be portrayed to being that goddamn stupid.

Aside from being about Albert Wesker and his kids, the show makes a few other references to core Resident Evil IP by having lickers, showed a Tyrant, a character named Barry, mentions of the Arklay mountains, and name dropping an actual RE character late in the season, but none of it really helps, nor does it really make you feel like you’re in the world of Resident Evil.  In fact, Netflix could really do Capcom a huge favor replace the names Wesker and Umbrella which are the two main things that anchor it to the RE franchise, and just call this show by a new name and chalk it up as a clunker, because the franchise already has a bad enough history of nobody seemingly being capable of turning such a successful video game franchise into a palatable live action series.

The funniest part of this series is that they clearly were banking on there being a second season, based on all the loose ends, unanswered questions, and plot ropes they set up at the end of the season.  They didn’t even really answer the question of how the world got to where it was in the present, although it doesn’t take a genius to make an easy assumption.  And the news of the show’s cancellation was something that I already knew going into it, which added to the amusement of how the show presented itself as something that was assuming was going to go beyond a first season.

All the same though, Netflix’s Resident Evil was basically like the ESPN Zone of television watching for me.  Completely mediocre and regrettable to have invested my precious time into, and I wish I had spent that time on so many other possible options instead.  It makes me sad that one of my favorite video game franchises just can’t ever get it right with a live-action adaptation, and at this point, I just want Hollywood to just stop trying, because they’re not doing the franchise any favors.

  1. One of the episodes I watched was on Plex, so I could watch it on a device that didn’t have Netflix. The version of the episode had audio narration for the visual impaired, and I couldn’t turn it off; but the funny thing?  It actually helped the viewing experience, because it filled in the gaps of character names that the show doesn’t really put much effort into trying to educate viewers on, and it really helped pinpoint the endless back-and-forth time skips between the past and the present.
  2. Netflix’s 1899 wasn’t a bad show. It was pretty intriguing up until the weird Matrix-like ending.  Resident Evil, however stunk from start to finish.  What do both have in common?  They’re both cancelled!

Looks like someone else forgot to carry a one

~ dannyhong ~ Leave a comment

Something to mull over in pound-me-in-the-ass federal prison: Zulily employee attempts similar scheme from Office Space to similar results, but isn’t bailed out by an arsonist

Ultimately, the best part about this whole story is that it’s just a great excuse for everyone to make Office Space references all over again.  Like, people don’t realize just how timeless of a film Office Space really is, and that it was so perfectly created that it could very easily be watched in any decade with minimal age cringe, and still be relatable.

I just like how there were people out there who actually thought 20 years was sufficient time past the release of the film to think that they could actually get away with trying to enact the same plan as from the movie.  But then they somehow manage to make the same critical error in their program, and basically come to the exact same result as in the film, which was roughly around $300,000.

I mean, if fictional Initech were going to notice $300k, then a real company like Zulily was definitely going to notice $300k.  I don’t know if this guy and his team forgot to carry a one over somewhere in their code, or more likely just weren’t particularly bright, but it’s hilarious to think that they thought they would get away with this.

Worst part about the changing of the times is that companies like Zulily are largely virtual and decentralized now, so even if they did have an arsonist in place to be their contingency plan, all their data was probably all cloud-based anyway, so short of knowing what server farm in what continent it was running off of, the likelihood of them burning down the right one probably wouldn’t have been very high.

All the same, thanks to this story, Office Space is back in the forefront again, and perhaps the worthless kids of today can watch it and get a glimpse of what waits for them in the future, and bring them back down to earth a peg or two.

Too bad this wasn’t a Waffle House market

~ dannyhong ~ Leave a comment

Mmm… sweet, savory butter: “River of butter” flows through Wisconsin town after fire rips through dairy plant

Although this wasn’t in Georgia, or any of its adjacent interstates, or even on a road at all, I still felt compelled by this news story, because I don’t know why, I’m always so fascinated when large quantities of food are spilled/strewn/exploded all over the place.  There’s just something so carnal, so chaotic and fantastical about the idea of food being wasted in such a horrifically tragic manner, especially considering the state of the planet and how there are so many more mouths to feed than food being produced.  It’s like vicariously being involved in a food fight, but without having to feel the guilt of wasting food myself or being responsible for any of the actions of it.

Either way, it’s the descriptions and imagery of this story that were fascinating and prompted a post in the first place.  I can only imagine being a resident of this small Wisconsin town, walking or driving down the street, but then there’s this giant stream of yellowish-white flowing down towards me, and not having any clue in the world what it is.  And when it’s inevitable to step or drive in it and realizing that it’s slippery as hell, knowing its butter, and being mortified at the thought of just how much butter had to have been incinerated to have ended up with such a tragic flow.

My first thought was that it must have smelled amazing, with all the butter in the dairy plant getting melted, and that there were probably dogs and fat humans going apeshit over the delicious savory scene that had to have been all over the air, but EPA and hazmat people kind of ruin the fun by stating that such events typically conclude with the stinkiness of dairy going rancid in the wild.

The visuals of the whole situation are what was really the most intriguing though.  A canal getting coated in melted butter is pretty incredible to see.  Sure, it’s a colossal mess, but I’d have to guess that they really just needed the stuff to settle and harden on top, and it should be somewhat manageable to remove it afterward, and in fact probably help clean the water somewhat by all the crap the butter can capture on the surface that will be disposed of with it once it is cleaned.

But going back to the introductory joke, had this been in a Waffle House market and not way the fuck up north in Wisconsin, Waffle House could have totally come to the rescue and sent 2-3 griddle masters to the streets and cooked maybe 10-12 All-Star Breakfasts with the ton of melted butter, so that it wouldn’t have to go to waste.  It’s not like regular Waffle House customers wouldn’t be used to dirt, debris and cigarette butts mixed in with their food in the first place.

Wrestle Kingdom 17 and the greatest dunk in history

~ dannyhong ~ Leave a comment

Despite my criticism of the ugliest blet in the industry and my oft-criticisms of Kenny Omega, I still thought that the card for NJPW’s Wrestle Kingdom 17 looked completely stacked, and if not for the whole eastern hemisphere timezone thing, I most definitely would have loved to have seen the show live.  I’m still interested in watching it after the fact, but only time will tell on if I can even find out how to watch it, much less actually have the available time in order to.

So like most wrestling on the other side of the world, I’m left with written results and YouTube clips to piece together how things went.  For the most part, as stacked as the show was, professional wrestling is still professional wrestling, and for the names and narratives that I was aware of going into the event, few things were really any surprises as far as the results went.

All jokes aside, Zack Sabre, Jr. winning the ugliest blet in the industry NJPW Television Championship seemed like a layup of a prediction, as did Kairi retaining the IWPG Women’s Championship.  FTR is clearly wrapping up the blet collector gimmick and were obviously dropping the IWGP Tag Team championships, presumably so that Cash Wheeler can actually heal up from whatever has been hampering him over the last six months.  And it was very obvious that Karl Anderson was going to drop the NEVER championship to Tama Tonga, considering he’s a contracted WWE talent, clearly loaned to the event solely to exchange the strap.

Kazuchika Okada winning the IWGP World Championship was also fairly predictable in my opinion, because NJPW’s formula seems to be, when in doubt, Okada, because he’s basically their Hulk Hogan, and will always draw no matter what, regardless of the fact that I think they could’ve gotten some more mileage out of Jay White being the guy.

The only real surprises of the night were, when Sasha Banks was going to show up, and the fact that Kenny Omega defeated Will Ospreay for the IWGP US Championship.  Obviously, Sasha, now going under Mercedes Mone showed up in the aftermath of Kairi’s match, because why wouldn’t she be immediately thrust into the World title picture?  But I’ve got lots of thoughts and words about Sasha Mercedes that I’ll get to in a separate post, but the rest of this one is basically going to be about Ospreay and Omega.

Firstly, I didn’t think there was chance that Omega was going to go over Ospreay, considering the fact that Omega is contractually obligated to another company, regardless of the positive working relationship between AEW and NJPW.  For the second time now, the IWGP US championship will be taken back to the United States, where it will get more screen time on another promotion’s television time than its own, and it may as well be rechristened the AEW US championship [which they can maybe exchange for the IWGP All-Atlantic Championship which gets equally no domestic television screen timeWill Ospreay is also one of NJPW’s top guys, but he’s still not necessarily a household name to the global audience, and a rub from Kenny Omega would definitely have helped him out tremendously.  Now the loss could very well be a promotion disguised as a demotion, and Ospreay could be positioned for a World title storyline, but considering the post-match press conference, it looks more like a potential character reset is impending, seeing as how he’s now lost the IWGP US and the RevPro championship over the span of the last four months.

But speaking of the post-match press conference, what happened during it is what spawned this entire post coming to fruition.  And as much as I’ve blathered tons of words questioning Kenny Omega the performer, I will have to give credit to him for delivering possibly the greatest verbal dunking on an adversary in the history of the business:

Don Callis: Will Ospreay, you wanted to be Michael Jordan, you wanted to be the man, you wanted to be the GOAT.

Kenny Omega (mumbling): you’ll have to settle for being scottie pippen

DC: Tonight, you’re Scottie Pippen.  That’s what you are, right now.

I legitimately had one of those OHHHHHHHHH moments when I heard that line.  Followed by raucous laughter, and replaying the quip about 15 times.  And then another 15 times with the volume cranked up so that I could actually make out Kenny Omega’s precise words so that I could meme-ify caption the above image to immortalize it and hope it shows up in Google images when people search for “Ospreay Omega Wrestle Kingdom.”

I just don’t think anyone other than me understands just how insulting it is to be called Scottie Pippen.  It’s not just being called a metaphor for being a #2 guy.  A silver medalist.  B+ performer.  It’s not entirely accurate to compare it to being called a Robin to Batman or a Luigi to Mario.  Those are guys that are content and know their role as being sidekicks, second-in-commands.

Scottie Pippen is a guy who believed in his heart that he was on the same level as Michael Jordan.  He thought he didn’t need MJ to win a championship, and on multiple instances, had his chance, and failed.  He’s the living totem of being supremely talented, but not THE man, not QB1, not the first pick in the draft.  He’s just Scottie Pippen, the guy that’s not the best, not the GOAT, and the guy that falls short when it really matters the most.

I’ve said a lot of things about how I don’t think Kenny Omega isn’t as complete of a package as he and the rest of the internet might think.  I think his in-ring work is amazing, but still has some struggles connecting to American audiences.   I think his mic work is average at best, and there’s a reason why he is paired with Don Callis, so he can do the heavy lifting in promos for him.  I still don’t think his heart will ever truly be with AEW in spite of being one of the foundation blocks of the company.

But as far as delivering an atom bomb of a strike in a promo goes, short of the instances where people have crossed lines in digging into the personal, real-lives of their opponents, I don’t think anyone has ever dropped such a devastating, legendary dunking-on, than Kenny Omega did to Will Ospreay at Wrestle Kingdom 17.  I’m hard pressed to believe anyone ever will surpass it, unless they make a better, harder comparison to Scottie Pippen.

NJPW Television Championship blet: WTHF

~ dannyhong ~ Leave a comment

While I was chatting wrestling with my bros, I thought about how New Japan’s upcoming Wrestle Kingdom, which is the equivalent to their Wrestlemania, was looking like a really stacked show, and if not for the fact that it started at 3AM the following day for us in the west, I would totally be interested in watching it.  Just the two matches between Kenny Omega vs. Will Osperay and Jay White vs. Kazuchika Okada are enough to sell the entire show, but really NJPW doesn’t ever have a bad Wrestle Kingdom, top to bottom.

Looking at the rest of the card, most of the other matches seem very appealing, even if it does contain the further stripping of titles off of FTR who will undoubtedly lose the IWGP titles in the triple threat match they’re in, and seeing the new IWGP Women’s champ Kairi (Sane) on the card seems as good as place as any for the rampant news that Sasha Banks will be appearing, to come to fruition.

But the one match that caught my attention immediately, and one that I had no idea was even developing was the finals of a tournament . . . for a brand new championship, the NJPW Television Championship.Obviously this means that there’s a new blet, and when there’s blets, there’s me, hoping it’s awesome so that I could hope to get a replica for my collection, but at the same time hoping it sucks, so that I won’t be tempted to plop down $300-400 I don’t have for something that’s useless and I don’t really need.

Well the good(bad) news is that the design of the blet is this gigantic ball of what the fuck, as in this is the worst fucking designed blet since the days of the NWA territories, and their blets were basically made out of scrap aluminum and Peg Bundy’s pants.

Seriously, I haven’t had a blet boner go flacid so quickly since the old Ring of Honor TV blet whose plates were so vertically long that it couldn’t not be a literal cockblock.  The NJPW TV blet does absolutely nothing for me except say what the fuck, every time I look at it, because nothing about it makes any god damn sense.

Firstly, it’s completely boring and uninspiring, with the shapes of the plates being some fucking rectangles.  The baby shit brown color of the strap with the weird gold piping trim don’t do it any favors, and I just don’t get why all promotions seems so determined to steer away from traditional, classic black straps.

But then the designs of the plates themselves, are nothing but eye-scrunching puzzling.  For starters, it’s deviating from the norm and is not being classified as an IWGP championship; for the matter it’s not really being classified as just an NJPW championship but an NJPWWorld.com title.  As in it is a championship belt that represents a website and nothing else.

And despite the fact that they’re calling it the NJPW Television championship, the word “television” doesn’t appear anywhere on the strap itself, but don’t worry the URL NJPWWorld.com is on it five fucking times, so that anyone who sees the blet who misses it the first four times might still see the address on the fifth spot on the left side plate.

The only thing that gives any hint that it’s for television is on the side plates, which basically has a clipart of an early 2000’s monitor with a gigantic PLAY button on it next to the NJPW lion crest, naturally accompanied by one of the five NJPWWorld.com URLs, so I guess it sort of represents digital media.

I know IMPACT! gets a lot of flack being the spiritual successor to TNA, but at least they have the wherewithal to name their blet the “Digital Media (world) championship,” have the name of it on it, and have a blet that doesn’t look like shit.  For all the weeb-y praise and credit NJPW gets, in this regard, they just got dunked on, hard, by fucking IMPACT! of all other promotions.

Finally, the last criticism I have for this turd blet is the silhouette behind the primary NJPW World wordmark on the center plate.  I have no idea what that is supposed to be.  Usually, blets like to have silhouettes of continents or countries, to signify the regions they’re supposed to represent, but I can’t really make out what’s in the background of this one.  Despite being for a Japanese website, the silhouette kind of looks like North America if global warming raised the sea levels, sunk most of Mexico and western Canada and thinned Florida out.  Or maybe it’s eastern Asia despite the fact that NJPW doesn’t operate in any of those countries.  But all the same, I think the heat can get off of the NXT UK Tag blets for not actually having the UK visible on their plates, because at least some recognizable country is comprehensible.

The bottom line is that the NJPWWorld.com YouTube Championship blet looks like garbage.  If I’m Zack Sabre, Jr., I’m pleading with whomever has the book in New Japan to not have me win the championship, because it would be a colossal embarrassment to be seen having to carry around a shitty looking title as such.  It would undoubtedly be better to be a non-champion than have to carry around a clown championship, and if there’s one thing the WWE and WCW has taught wrestling fans throughout the years, there very much are championships that sandbag careers than benefit them.

The NJPWWorld.com Digital Streaming NJPWWorld.com Championship definitely, definitely is one of them.  What the holy fuck indeed.  There’s absolutely no desire for me to track down a Pakistani bootleg replica of this, even if Rusev/Miro were to set Tony Khan on fire and burn AEW to the ground and make the jump to New Japan that I foretold years ago and won this piece of shit en route to fulfilling his destiny as IWGP World champion.

Marvel Comics imagined by someone who doesn’t know Marvel Comics

~ dannyhong ~ Leave a comment

The following is a painting by the world renown famous Thomas Kincade Studios®.  From what the product description states, this is supposed to represent the Battle of Wakanda, that I have no idea is actually sourced from, but my knee-jerk reaction was that this was just a hilariously bad imagining of the climactic fight from Avengers: Infinity War.

Because Thanos’ forces weren’t Skrulls, nor did they have the Hulk/Wolverine Hulkerine abomination in their ranks, and I didn’t know why one of the troglodytes had Loki horns and was carrying Stormbreaker.  Nor was Storm involved in the battle, much less any mutants at all because phase one of the MCU most definitely didn’t have any of the M-words anywhere, at least in name.

But in all fairness, the product description actually discloses that it’s some other battle of Wakanda, and discloses the Skrulls by name, so it really isn’t just a tragically terrible imagining of the Infinity War battle, as much as I would have loved for it to have been.

All the same, it’s still terrible in its own right, and there’s a legendary degree of shark-jumping and DJ Tanner wrestling in play here with Disney actually allowed for the vaunted Marvel comics to do a collaboration with Thomas Kinkade, which is best known for the overly fluffy artwork of horses, cottages and forest fantasy scenes on plates and forgettable artwork hanging at your white grandma’s house.

And all the same, it’s fairly clear that whomever did paint this horrendous piece probably doesn’t know Marvel comics at all.  I know there were other super Skrulls that emerged throughout the years, but most all comic followers usually are aware of the OG Super Skrull and that his additional powers were only that of the four members of the Fantastic Four.

I just love how there’s the primary focal point of the Skrull army being some nondescript super Skrull who is as big as the Hulk, has one flaming arm of Human Torch, and is sprouting Wolverine claws out of the other.  And then you have the other hulking Skrull in the background carrying two Asgardian weapons, leading one to believe that if these are the bad guys, how are they worthy to be holding two Asgardian weapons?

And then there’s the weird golem in the background that looks like a cross between Mach I Iron Man and Juggernaut, but for some reason he has Thing’s arm.  Furthermore, none of the Skrulls have the multiple cleft chins that they’re pretty known for physically.

But what I like about this piece is that due to the multiple points of focus, and the strange right-to-left directionality of the conflict, and to those who might actually not follow comics and were to look at this, it really is kind of ambiguous to whom the artist of this piece had envisioned the bad guys to be.  For all the casual viewers would know, the Skrulls are the ones defending their land and their futuristic looking city in the background from an army of invading black people, and not vice versa.

Considering the general demographic of Thomas Kinkade’s usual consumer base, this was either done intentionally, or completely unconsciously by the artist.  Neither of which is good, but at least it’s something for comic fans to all collectively point and laugh at.

Starting at $950, the fuck out of here

Ho hum, just more Korea > Japan

~ dannyhong ~ Leave a comment

Not surprising when you think about it: Korean webtoons surpassing Japanese manga in terms of popularity, profitability

Usually in my friends’ group chat, we talk about politics, futbol (right now), and an inordinate amount of conversation about fried chicken.  But out of the blue one of my friends posts this story, and it’s definitely the type of story that chubs me up, about how Korean webtoons are surpassing Japanese manga.  And when you stop and think about the state of the world and how in spite of what I primarily do for a living, everything is advancing towards a digital medium, it’s a pure no-brainer and not at all surprising.

Everyone has a phone, Korean or Japanese.  Or French, Portuguese, German, American or Canadian for that matter.  And regardless of one’s attitude about such a notion, among everyone who has one, the vast majority of these users are probably looking at their phones way more than they should be.  That being said, at least in Asia, it’s not a surprise that Korean webtoons are passing Japanese manga in popularity and profitability.

It really does boil down to the adage that the medium is the message, and that if you’re not using the right medium, the message might as well not exist.  The fact that webtoons are accessible on mobile devices that everyone already is carrying in the first place, will always make them more appealing than the need for a physical edition, or worse of, having to go hunt down the physical edition and risk not getting it.

But what I love about the article is the also-obvious observation of Japan’s tendency to be too Japanese, and always try and justify instances where they’re falling behind in the world under a bullshit veil of traditionalism and art.  Sure, there is some weight to the argument, but in the sheer rat race of the world and business, printed manga isn’t going to be able to keep up with the rise of artists who learn how to cater their art style to a digital medium.

If someone tells me about the next Squid Game or Itaewon Class and I’m interested, I’m going to want to check it out immediately.  Sure, it would be cool to have a physical edition of something, but as far as a customer experience goes, being unable to get it will definitely sour me on the property, even though such was out of their control.  But being able to hop on my phone and download it immediately and be immediately able to check it out, that’s the very definition of convenience and an immediate win for webtoons.

I understand the tradition argument, and there is merit to having physical shit.  But what all this really boils down to is the obvious conclusion that is the title of this post: ho hum, another instance where Korea has shown their superiority over Japan.  No matter how much all the fucking weebs of the world try and defend it, it’s hard to compete tangible evidence of dollars yen won.