China and Japan being jealous fatties over Squid Game makes me smile

I’m not sure how theFacebook algorithms got me so good, but I guess I shouldn’t have been surprised to see that there was a site actually called Koreaboo and it wasn’t just a slang term that I used amongst my friends.  And obviously a site with such a name would have an obvious bias, but there were some interesting articles that piqued my interest and served as a little bit of fuel for some words to be spit up.

Obviously, when something becomes white hot popular as Netflix’s Squid Game has been, there are all sorts of detractors that come out of the woodwork or go out of their way to go all contrarian on it; I’d be the first to admit that I’ve most definitely done that on all sorts of things that I was late to the party on, so I just decided to shun it instead of embrace it late.

Naturally, since Squid Game game to the world courtesy the entertainment kings of Asia in South Korea, this would draw the skepticism, ire and jealousy from those in other, lesser Asian countries.

China, in spite of their general fear of Korean media, and even going so far as to basically ban K-Pop, citing that Chinese men needed to be more masculine and not as seemingly as fluffy as K-Pop boy band stars, responds to Squid Game, by basically ripping the whole fucking show off in order to create a variety show.

I mean, this was about the least surprising thing in the world as China as a country gives absolutely no fucks when it comes to copyrights and intellectual properties, and counterfeits anything and everything at all, without any shame.  It’s like that internet rule where if it’s ever existed, there’s porn of it on the internet, but if there’s anything that’s ever existed, it has most definitely been ripped off in China.

Titled literally “Squid’s Victory,” it will be something of a variety show or a game show, where people will play kids games for cash prizes.  So unfortunately, there will be no people killing themselves for money, but as the above title card shows, there’s literally zero shame by the Chinese company of ripping off the title card of the Korean Squid Game.  Little else is known yet of Squid’s Victory, but I’m going to go out on a limb and assume that whatever set the show will take place on will have all sorts of maze-like colorful doors and stairs that is a completely original idea.

And then we have the Japanese, who are of course jealous over the juggernaut that Squid Game, going as far as to proclaim it’s position on Netflix rankings had to be due to some sort of cheating manipulation, and then proclaiming that Japan had the OG lock on the death game genre, which they’re not entirely wrong with, seeing as how Battle Royale came out two decades prior.

The real salt emerges when pondering why Squid Game is so popular globally, while films like Battle Royale really only won over weebs and convention nerds, which is a pretty easy question to answer, because the quality of the writing, the acting, and simply the plot itself was just far superior when comparing the two stories.  Firstly, live-action Japanese actors can’t act for shit, and as entertaining of a film Battle Royale was, the acting is pretty terrible save for Takeshi Kitano himself.  Then the fleshed out plot of Squid Game, centralized around the despair people feel when they’re economically facing drowning in poverty is something that people can relate to a whole lot better than getting randomly selected in a government lottery to have to fight to their death without any choice.  And of course, there’s the obvious medium, where just everyone can access Squid Game, and unless you purchased a VCD or a region-free DVD on eBay, there was no real way to watch Battle Royale.

Regardless, seeing the jealousy bubble up from entire countries over the success of Squid Game is very amusing to me, and now that Korea has set the bar so high, it’s going to be amusing to see what all these lesser countries do to try and get a piece of the yellow fever for Asian media that the rest of the world is starting to get, thanks to Korea.

You’re welcome, China, Japan and all you other 개새끼 countries.

Blet Money, a year later

I will always maintain that one of the better things I’ve ever incorporated to my brog, would be the On This Day plug-in that lets me narcissistically look back at the posts I made on the day in all prior years where I’ve posted.  Presumably, fewer things are going to inspire words to write other than myself, and every now and then I’ll see an old post that will inspire me to write pretty immediately.

That being said, a year ago on this day, I wrote about how I’d earned a not-insignificant amount of money from noting but doing internet surveys, earning anywhere from 29¢ to $1.58 a survey, sometimes taking a minute, sometimes 20, but covering a vast gamut of topics, whether I had any business opining about them or not.

Sometimes I had idea of what the surveys were collating information about, but there were tons of times where I had absolutely no reason to be taking these surveys, but it was supposedly $1.58 for 8 minutes of survey, so sure I’m now an IT manager for a large enterprise company sharping opinions about cloud deployment and SaaS whatever.  I treated it like LAIRE from Role Models, where I was role playing as things that I didn’t really have any substantial knowledge of.

Anyway, it’s been a year where I was humblebragging over $401.  I’ve been continuing on doing what I was doing then, and since then, the above is what I’ve currently got in the PayPal account designated for this little endeavor: literally one thousand more dollars than I did a year ago, for doing rando internet surveys for pocket change at a time.

I should also point out that this was originally done to earn money to buy wrestling blets with, and this amount seen above is after I’ve purchased two blets for myself (NXT UK, NWA Television), as well as a pair of WWE Women’s Tag Team Championships for my two daughters.  In all, I’ve made a fair amount more than what’s in this PayPal account, and I don’t see much reason to stop, as long as I’ve got the ability to earn something, when I’m doing nothing, which isn’t always, but I can make some here and there at least once a day.

Recently, I was spying on eBay one of my unicorn blets that happened to pop up: an original Figures Toy Co. Ring of Honor world championship blet, which is something that I’ve wanted for a little while now, but I didn’t want to spend $600 to meet the buy it now price the seller was asking.  I floated a few low-ball offers to test the water, which were predictably auto-declined, but I was hoping to wait until the end of the selling window and maybe float in $500. 

Unfortunately for me, there was someone who was willing to walk in the door and just pony up $600, and just like that the blet I wanted was gone.  Who knows when the next time this specific blet shows up again.

The thing is though, I was mentally prepared to unload this $500, but thanks to anonymous money bags, I didn’t.  But as far as I’m concerned, this $500 is truly disposable, and it’s almost like I want to do something reckless with it.  Sure, I could be the bigger person and donate it or give it to someone who could really use it, but I never claimed to be a saint, and I kind of do feel like gambling it in some degree.

And since I’m not about to go to any casinos any time soon, my mind has been very curious about dabbling my toes into the marketplace, and seeing what investing is like, because I know dick from butt when it comes to it.  I just know that I’ve always been fascinated with films like Boiler Room, the Wolf of Wall Street and The Big Short, and I see a very realistic chance to take a little bit of risk with some truly expendable money.

I asked around, and didn’t get much excitement or real fun-sounding options, but $500 isn’t necessarily too small to take a chance on.  All the same, if I don’t find something intriguing enough soon, the feeling will fade, and I’ll just sit on it until the day my unicorn blet shows up again.

Anyway, what started out as blet money has grown into something a little more substantial, and with the potential to take the plunge with something a little more high stakes than internet surveys.  All I know is that the time I’ve spent writing all this bullshit, I could’ve been making a $1.80 on what I like to call, over-max surveys, when for a short period, there’s suddenly a number of surveys that exceeds the usual maximum $1.58 threshold, and my eyes get big and excited at the thought of making a whole thirty more fucking cents.

This just makes me want to see it more

Funny how things work out: segment of internet looking-for-things-to-get-mad-about-people decide to get mad over Awkwafina’s “blaccent,” citing cultural appropriation, racism, hypocrisy or all of the above; and declare a boycott to Marvel Studios’ Shang-Chi and the Legend of the Ten Rings.

I’ve actually never heard of the property Shang-Chi ever, until news of an actual Marvel film featuring Asian people began to emerge.  I have zero clue to the property, whether it features mutants, or supers based on myth, magic or cosmic, or if Shang-Chi ever crossed paths with any X-property, the Avengers, or even had a run-in with Juggernaut since it seems like at some point, everyone has a run in with Juggernaut.

That being said, I kind of wasn’t really that interested in seeing it, because in spite of the equity that the Marvel Studio sand the MCU had built, it was beginning to feel a little bit like a checkbox situation where kind of like how Black Panther lit a fire under the black community, and based on how Crazy Rich Asians performed at the box office, Disney and Marvel decided to take a stab at tapping into the Asian community with a Marvel film, with an Asian-based story.

I wasn’t interested in seeing what I thought was going to be the affirmative action of the MCU, even if it had the legendary Tony Leung in it, making me wonder just how many times if at all, showed up in American film.

But as is often the case, when news like this hits, and I see people on the internet acting like buffoons, all it really serves is to make me want to defy them and see their stupid efforts fail, and therefore go see Shang-Chi.  Not quite to the point where I want to risk my health and go out into a theater, but I definitely have some intention to watch this now, for sure.

I mean seriously, people getting upset over the way Awkwafina speaks?  Because she occasionally uses a black affect when speaking, as if the terms wiggers and chiggers haven’t been a thing for the last 25 years, but is only taboo when a celebrity does it? 

Would Eminem have a career at all, if he showed up in this generation?  He’s white and therefore should not be rapping, because that might be considered cultural appropriation since apparently only black people are allowed to rap and speak in a certain manner.

Anyway, my favorite part of the article was when they cited that this isn’t the first time people had wanted to boycott Awkwafina:

It is worth noting that similar accusations of culture appropriate were lobbied against the Asian American actress when she voiced the dragon Raya in Raya and the Last Dragon, currently available on Disney+ and made 122.7 million USD at the Box Office 

So the SJWs didn’t learn their lesson from Raya and they think they’ll fare much better with Shang-Chi?  Yeah, I look forward to seeing just how much money Shang-Chi is going to bulldoze in when it drops, and see just how effective these so called boycotts are actually going to be.

Let’s not even discuss the thousands of people out in the world that aren’t Asian, but have some sort of Asian text tattooed onto themselves.  I’d wager there’s a substantial overlap of non-Asians with Asian characters tattooed on themselves with those who are pretending to be outraged and claim they’re going to boycott.

It’s okay though.  The internet doesn’t need to find out when these peoples’ friends talk about how decent of a film it might actually be, and whether it’s peer pressure, hypocrisy, or just being full of shit, they’ll still watch it anyway, all the same.

Black Widow: Just because it could be made, doesn’t mean it should be made

Let’s just get this out of the way: Black Widow is probably the worst film in the entire MCU.  Down there with the various Hulk films, but at least still better than other non-MCU turds like Ghost Rider and all attempts at The Fantastic Four.  But that’s not saying that much. 

The point is, Black Widow was not that great of a film, and probably should not have been made.  Its existence serves no benefit to the equity that the Marvel Cinematic Universe has built, and has in fact added unnecessary weight to the cash-printing spaceship the MCU franchise has been throughout the last decade, having produced and actually released such a turd.

Needless to say, before I proceed with this post, in the event that any of my zero readers have not been privy to the happenings of the MCU, I will put the rest of this behind the cut, because that’s just the kind of guy I am, act as if the whole world is reading, even if I know that nobody is.

Continue reading “Black Widow: Just because it could be made, doesn’t mean it should be made”

Presented without context

I am not above watching pirated content.  We’re still in a pandemic, no matter how many white people are running around without masks these days, so I am not about to start going to theaters willy-nilly to watch movies, even if it is another Fast & Furious installment.  Not to mention that I got a toddler with a second baby on the way within literal days at this point, so I don’t have the time or the disposable income to make some special occasion to go watch movies, so yes I am not above watching pirated content.

Anyway, this screen grab from F9 basically says everything that there is to say about where we are with the FF franchise.  The Chinese subtitles on it just adds to how hilarious everything is frankly, and justify why I’m glad that I didn’t actually spend any money to watch this.

As much as I love the series, both legitimately and ironically, F9 was pretty bad.  In both actually bad, as well as so bad, some parts were kind of okay, but I’m glad that I didn’t spend any money to see it, otherwise, that would’ve undoubtedly tipped the scales to being just plain bad.

It is and it isn’t, hard to believe that the series started out with a loosely organized crime racket, of hijacking semi-trucks for DVD players to re-sell on the black market, to where now we’ve got black guys in space in a homemade rocket ship made out of a Pontiac Fiero, but in spite of the stark difference, the giant NOS can is still intact.

I knew the second I saw this scene, that I had to screen cap it.  It’s almost like, social media banner worthy, if not for the fact that my current ones with my daughter(s) are neigh unmovable.

As bad as this film was, there were plenty of parts where I was basically doubled over in laughter at the absurdity of things.  And I feel like I might have missed something in the post-credits or something, because of all the family memes that have arose from this, I haven’t really been able to piece together the origins of it.

Anyway, because I don’t want to spend too many words or minutes glossing over a pretty weak edition to the FF franchise, I have to say the loss of Paul Walker is still felt to this very point, and it’s like the crew hasn’t figured out how to keep going effectively without him.  I get why they don’t want to re-cast the role, but in the inevitable 10th edition to the series, it’s going to be hard to try and cover another motion picture without the guy and expect viewers to assume he’s just babysitting and being late for family dinner yet again.

F9 clearly pulled punches and held something back, because they’re clearly still trying to figure out how to move on from Brian O’Connor, as well as keep some shit in the bag for the inevitable FFX, which is kind of great that they can be referred to like Final Fantasy games, because much like those, everything after 6 kind of went downhill anyway.

Doesn’t mean I won’t invest the time to see it when it comes out in the future though.

High praise for Cruella

I’m not sure if it’s because I haven’t really watched a feature-length film in a long time, or if it was actually a great movie, but I really enjoyed Disney’s Cruella. 

The film is full of cinematography that is appealing to me as someone who knows squat about what constitutes good cinematography or high fashion, but I know what I like to see.  The soundtrack is an endless array of outstanding tunes from the 1970s, one of the best decades of music as far as I am concerned.  And I like Emma Stone, and I thought she did an outstanding job portraying the rise of Cruella Deville.

Put it all together and it was an entertaining film that I found to be enjoyable on several accounts, and probably something I could watch again if I hypothetically happened to be flipping channels and I came across Cruella on television, regardless to how dated such a metaphor has become this day and age.

The interesting thing about the film as a whole is that by actually giving a deep backstory to Cruella, Disney has canonically created a narrative that is capable of garnering sympathy and empathy for the character, and I think the real interesting thing will be to one day watch 101 Dalmatians, the original animated film, and see how I or anyone else, feels about the character, now that we all know about her upbringing and life in general.

I mean just the groundwork laid down in Cruella, with her interactions with dogs in general already kind of fills in some narrative to why she does the things she wants to do in Dalmatians, and eventually when I watch the original film with my daughters, I’m curious to see how I’ll feel about cartoon Cruella, knowing what I know about her backstory.

Either way, I thought the film was pretty outstanding.  From a visual standpoint, soundtrack, to the performances of the actors themselves, I was into the film, and it was paced well and easy to not get bored during the whole thing.  Plus the guy who plays Nandor from What We Do in the Shadows is in it, and once I realized who he was, it was impossible to not laugh whenever I saw him screen.

Venom 2: Poor Woody

I saw an ad on theFacebook for a second Venom movie, and my first thought was, surprisingly, whyyyyyyy?  I never saw the first one because I thought it couldn’t possibly be anything but suck, and although from what I read, lots of critics seemed to agree with that assessment, the almighty financial results seemed to prove contrary to that notion, grossing $856 million during its run.

So regardless of if the movie’s story, plot, acting or production sucked, it’s still a success if it rakes in money, and if it rakes in money, a sequel is all but inevitable.  So here we are, on the doorstep of a Venom 2, the sequel to a movie that has everything to do about Spider-Man but somehow doesn’t have a single thing to do with Spider-Man.

Frankly, I could save all zero of my readers the trouble and just say to go back and read the post about the first Venom (above) and just swap out “Tom Hardy” with “Woody Harrelson,” because the sentiment is exactly the same for Woody as I felt for Tom Hardy.  In spite of the star power a guy like Woody can bring to the table, and in spite of all the positive credibility he’s built up over the last decade with stuff like True Detective and getting into the Star Wars universe, he’s pissed his chance to get implemented into Marvel, by tying himself up to a Sony Pictures Marvel film and not a Marvel Studios Marvel film.

By doing so, not only does he follow in the footsteps of a guy like Tom Hardy who blew his shot at getting onto the money printer bus of the Marvel Cinematic Universe, he’s also going to be mentioned in the same breath as the walking STD Jared Leto whom last I heard, was going to be in a Morbius film, which is another Spider-Man sub-property that will try to have a film that has nothing to do with Spider-Man.

Frankly, I’m lukewarm on Tom Hardy, and I couldn’t think any less of Jared Leto, but I actually like Woody Harrelson.  I’m sad for him that his people have steered him into such a stinky detour into the Marvel family, and I figure he could’ve been so much better as a lesser character in the MCU than a pretty high-tier villain in the Sony…verse, because at least he’d have an actual adversary to go up against.

I don’t have any doubts that Woody will probably be able to squeeze a good bit of watchability portraying Cletus Kassady who eventually becomes Carnage, but when the day is over, it’ll be like polishing a turd.  With no fucking SPIDER-MAN to ultimately oppose him, there’s only so much road for he and Venom to actually be able to go down before they run into a brick wall of failure because you can’t really have a bunch of villains going at each other without their origin being seemingly legally forbidden from interacting with them.

Either way, much like the first Venom, I have zero intention of watching the second.  I wouldn’t watch either of them short of being paid to do so, and even then I’d probably demand my professional freelance hourly rate in order to do so, and I’d probably still bitch about wanting my money back afterward.  I shed exactly one tear for Woody’s involvement in this film, and wish that he could’ve been some rando third-tier property in the MCU than to be a first-tier villain under Sony.