Comics and character assassinations

When I was growing up and was really getting into comic books, like many of my time, the X-Men were the cream of the crop.  My favorite character was Gambit, and as a young romantic at heart that tried to hide behind a tough adolescent man exterior, I was all aboard the Remy x Rogue ship when reading comic books on my own. 

I would say that the peak of that comic book fandom was probably about 3-4 solid years, between grades 5 through 9, where somewhere in the middle, anime came into the picture and that fandom ramped up, while American comics phased out.  Amidst that period of time however, I enjoyed a lot of major storylines and arcs that really got me entrenched in X-fandom as well as Marvel by proximity.  X-Cutioner’s Song and Fatal Attractions were probably my favorite arcs, but I was all about large-scale crossover events like Infinity War, as well as one of the last things I really remember following, Onslaught.

Throughout all this time, I had lots of solid opinions and my mind waffling around lots of feelings about particular characters, and when it comes to one my life’s beliefs that life is way more relatable to professional wrestling than normies want to admit to, comics and wrestling overlap tremendously more than what comic fans probably want to admit to as well.

However, there was one opinion that did not waver at all, once it came to fruition: Cyclops was a pussy.

It didn’t matter if it were when he was being Cyclops, leader of the X-Men, or when he was just plain Scott Summers, the (in my opinion) unworthy main character level tier white guy with red sunglasses who seemed to always be at the center of attention when it came to a lot of my favorite storylines.

He was a big white guy dork with lame powers who shot lasers from his eyes, Gambit and Wolverine were clearly presented as better fighters, and yet all the hunnies wanted him, having all sorts of complicated romance/lust relationships with sexy telepaths from Jean Grey, Psylocke to even Emma Frost.  Mr. Sinister was obsessed with him, Apocalypse and Stryfe basically made him the center of attention in X-Cutioner’s Song, and for whatever reason, despite being the lamest X-Man of them all, Cyclops was always in the thick of things.

The cartoon didn’t do him any favors, giving him the whitest man’s voice, and presenting him as nothing but this tactical cheeser who just stood from afar using his optic blasts to fight with.  And later on when Capcom got a hold of a partnership with Marvel and Cyclops started appearing in their fighting games, I always raised an eyebrow against Cyclops and took enjoyment in beating him up, regardless if it were a human or an AI opponent.

This was all before I learned and understood what character assassinating was, but once I did, it became apparent that it seemed like few in comic book lore had dealt with such severe character assassinating as much as Cyclops has.

Bring us to present day, and a litany of writers, creators and artists have done yeoman’s work over the last decade or so, repairing a generation’s worth of character assassinating on Scott Summers.  He’s still kind of a square, but they’ve done a pretty impressive job of tightening up his general lore, clarified the specificity of his powers, shown him capable of actual combat beyond spamming optic blasts, and the kicker being that at the time I’m writing this, he’s broken kind of bad, very much coming into his own thoughts and belief systems, instead of just clinging to the dreams and ideologies of Professor X.

If there’s one consistent throughout storytelling, the most compelling antagonist-type characters, are the ones who believe what they’re doing is right, and live in a gray space, instead of just being flagrantly bad for the sake of doing supervillain shit.  I feel that that’s where Cyclops has ended up in current character development, no longer restrained to always let everyone live and save everyone, and isn’t afraid to ramp up the aggression to get shit done.

And it’s pretty great.  I don’t think the appreciation for where Cyclops is ending up today really could happen the way it is happening, if he hadn’t been dragged through the metaphorical mud for decades, and presented as the ultimate boy scout, before turning him heel.

He’s basically the Marvel Comics equivalent of Hulk Hogan turning to the dark side, and in a way, his current iteration of mutants under his charge carrying the X-Men name are kind of like the original nWo, in terms of pecking order.

However, with the rise from the ashes of one character, the scales have to be balanced somewhere, where someone has to be knocked down, and that brings us to Professor Charles Xavier, who seems to be having his character assassinated, both in actual canonical storylines, as well as general fan perception of him from the various mediums he’s portrayed in.

Like in the comics, sure, he basically destroyed the minds of a lot of his opponents, mainly Magneto, and he always does it in the name of saving the world to some capacity, but as time passes, his visions of the world inevitably fail to come to fruition because humankind is a hateful species and resent peace and unity until their dying breaths, people end up growing resentful, impatient and nihilistic when it comes to the hopes for peace by Professor X.

Characters like Cyclops begin to come to their own judgments that Xavier’s visions and hopes are pipe dreams, and after eons after eons of failures, retcons and a sheer lack of progress, eventually they evolve and move on in directions that might yield better proof than constantly being passive and playing defensively throughout life.

Also, the whole Professor X was in love with Jean Grey in spite of their controversial age difference storyline seems like a silver bullet to the heart as far as trying to assassinate his character goes, beyond any of the mind fucking and failure to progress previously mentioned.

The rebooted X-Men ’97 didn’t do him any favors, reminding everyone that he faked his own death to go live in the stars with the Shi’ar Empire, get jiggy with Lilandra and basically hand the keys to mutantkind to his greatest frenemy Magneto, and when he was busted and came back to earth to summon “my X-Men” before Bastion and his Sentinels fuck over the planet, but of course he goes and fucks Magneto in the head again, and on a long enough timeline, I can get why people begin to favor Magneto over Professor X.

The memes are pretty great, like fans pointing out how many times Xavier basically mentally makes Magneto re-live the Holocaust throughout the series, as his go-to move to neutralize Erik, and asking who really is the villain in this situation.  Also pointing out how many other guys he does the same thing, in making them re-live their biggest traumas on the spot as his most effective way of putting an opponent down, and it does seem kind of fucked up as opposed to just beating them up in physical combat, in spite of his handicap.

And kind of unrelated, I was thinking in the car, of just how ironic it is that Professor X has been rendered incapable of walking throughout the entire history of comic books, despite the fact that the Marvel Universe has probably 5-6 actively viable solutions to solve his inability to walk, from like Tony Stark making some sort of robotic replacement legs, to Dr. Strange and the mythical, maybe using Dormammu magic to give him his legs back, to when he had remnants of the Legacy Virus in his system which somehow temporarily gave him the ability to walk.

I get that Professor X is also symbolic of representation in comics, of having an extremely powerful person with a handicap to inspire readers that handicap ≠ incapable, but I don’t know why I didn’t think about it until recently that choosing to not capitalize in a universe where solutions are numerous, just kind of makes him a whiney martyr, just adding to the whole Professor X is actually an asshole narrative.

What it all really boils down to is that in today’s Marvel Comics environment, Cyclops is somehow kind of cool now, and Professor X is basically the biggest villain in the entire universe.  He released Onslaught after mind-fucking Magneto for the fifth time, nearly wiping out the Marvel Universe, and it’s taken several retcons and reboots for the jaded writers of today to run with the whole, maybe Professor X really isn’t that great of a guy narrative, and here we are today.

Funny how on a long enough timeline, the Harvey Dent line of ‘you either die a hero, or you live long enough to see yourself become the villain’ is so applicable to the evolution of many comics out there, with the X-Men being no exception.

X-Men ’97 S2: the speedrun continues

As part of my holiday weekend, I had the luxury of being able to do something I hadn’t really done in a long time, which was to sit down and simply shotgun a show.  I had X-Men ’97 season 2 on my list of things to watch, and I admittedly drug my feet a little starting it, mostly because I had such questionable feelings about the first season of the reboot.

Primarily the fact that the pace of the show moved at a breakneck speed, rushing through a number of arcs that in the comics would’ve been 5-9 months worth of storylines, somehow condensed and absolutely blown through in a single episode, and sometimes two, when they’re rushing right into the next one without any sort of pallet cleansing.

So after sitting down and watching all of S2 of X97, I can say that nothing changed, and the show picked right up going 280 mph, and covering at least five notable arcs and touching on at least two others, within the span of nine 30-minute episodes, which seeing that in writing is absolutely bonkers.  To my recollection, they dealt with Days of Future Past, X-Cutioner’s Song, X-Tinction Agenda, Fatal Attractions, that one arc surrounding the Brood, and a couple of other arcs that I don’t remember the names to and can’t really reference the plot without giving things away.

The series moves so fast between everything that it’s difficult to breathe, and I admittedly like to glance at my phone sometimes when I’m lazily imbibing in television, but I can’t really do that with X97 because they’re cramming so much context into every second of the episodes, that I found myself having to constantly rewind 10-20 seconds to figure out what’s going on before punting on multitasking.

It actually becomes comical just how fast they’re moving, because there are events that happened in the last episode of season 1, and they come full circle in 4-5 episodes in season 2, which was funny to me, because it took nearly three years in the comic books from event A and event B occurring, with a tremendous amount of fleshing out and making some interesting storylines in between.

The Brood are basically reduced to a single episode, and Apocalypse’s Horseman of Death is limited to the final 2.5 episodes of the season, and the crazy thing is that by this point, I became very casual with my following of X-Men comics, and even still I think that these were rushed to the moon and I can’t believe just how rapid-fire the series executes.

That being said, I’m not sure I’m going to continue watching future seasons should there be more coming.  It’s absolutely nothing like the FOX Kids cartoon from the actual 90s, that gave episodes time to breathe, and for viewers to develop rapport and attachment to characters.  I know all the players, but the show doesn’t really ever stop to let viewers care about anyone that the show isn’t intending on you to focus on.  It’s clear the show has a real big hard-on for Rogue, and Gambit by proxy, and they spent a lot of time on Professor X, and feeding into the current narrative of his general slow burn character assassination of today, seeing as how Charles’ go-to attack tactic is to make his opponents re-live traumatic moments in their lives.

It’s ADHD pace makes me less inclined to want to continue watching it, and seeing as how the show is close to having caught up to as far as in the general X-Men comic arcs that I actually followed, it might not be a bad place for me to bail on the show, seeing as how I’d be missing things that I hadn’t even known existed, so out of sight, out of mind.

Batman: Caped Crusader – tf did Alfred do to deserve all this disrespect?

When it comes to mediums outside of comic books, it’s no secret that DC Comics has struggled bringing to life most of their property, regardless of how iconic, how much potential and how much of a layup it really should seem.  Fortunately, James Gunn and John Cena seem to be on what I think is a positive direction with a potentially entertaining DC Cinematic Universe akin to what Marvel has accomplished, and I love the idea that Peacemaker, that John fucking Cena seems to be the lynch pin that could be the basis for it all, much like Robert Downey, Jr. did as Iron Man for the MCU.

Animation, has clearly been the strong suit for DC, and they’ve done a pretty good job of bringing stories to life in animated form throughout the years.  The whole saga starting with the Flashpoint Paradox was pretty enjoyable, and of course, a lifelong top-10 possibly top-5 show for me was and always will be, Batman the Animated Series.

It seems kind of surprising that it took nearly two decades for a proper spiritual successor to Batman TAS to come out, but then again, TAS holds up so well that it really didn’t need any successor, but all the same, Batman: Caped Crusader on Amazon Prime has been doing an adequate job of spiritually succeeding TAS, as far as I’m concerned.  It doesn’t hurt that Bruce Timm is back in the driver’s seat, along with JJ Abrams, one of the lord of the nerds who has a knack for breathing love into projects that many might think would be too lofty of endeavors.

I don’t know if I would go so far as to say that it’s remotely close to bettering TAS, but it has still been a refreshing watch, and at the time I’m writing this, I’m over halfway through S2, but felt a compulsion to write about it now and often times I have to strike when the iron is hot, but it’s been good.  I don’t think S2 has been as good as the first season was, but I imagine it will conclude with a massive upshot, considering what the show has obviously been doing throughout the season.

But it has done a good job of partially recapturing the magic of TAS, no doubt due to the completely lifted character design and complete auditory homage to the original, but they gain a little distance by going a little further back in the Batman timeline, as well as taking a much more adult theme, clearly intending this show to be nowhere near the after-school FOX Kids lineup or anything like it.

Batman is undoubtedly nerfed, seeing as how he’s earlier in his crime-fighting career, and definitely takes his share of getting damaged, but most of the differences are very heavy handed throughout this universe, primarily with the mass re-imagination of just about everyone from the series, in various ways.

Jim and Barbara Gordon are now black, Harleen Quinzel appears to be possibly Asian in appearance, Selina Kyle is now raven-haired, the Riddler has been made to be more of a bruising gunman, and the Mad Hatter is now a woman.  Renee Montoya is getting a ton more screen time now, but she’s also been made to be kind of fridge build Latina.  Harley’s also been thicc’ened up, deviating from her lithe petite pixie stature of TAS.

I can imagine that there’s a lot of discriminative takes on the massive wave of changes in CC from those who were passionate about TAS, or just traditional source material.  I notice all the differences, but when the day is over, I really couldn’t care about a lot of the characteristic swaps made throughout the cast, except for one: Alfred Pennyworth.

For some reason, Caped Crusader has decided to make Alfred fat, and look more like “Mean Gene” Okerlund than most traditional variations of Alfred, who is usually of a medium-to-lean, unsuspecting build, which is perfect considering the history of the character was that he was basically an MI5 espionage spy in his younger, active days.

Why CC decided to make him fat is completely beyond me, and one of the few things about the show that I really can’t stand by, and get triggered every time I see him. 

To make matters worse, the show has made the younger Bruce Wayne more of an asshole, pretending way too hard to be a pretentious womanizing socialite billionaire playboy when he’s in his alter ego, but the behavior doesn’t seem to end when he’s back under the mask.  Primarily the fact that he only refers to Alfred as “Pennyworth” like he were the senior jock quarterback of the school while Alfred were some sniveling maggot freshman, lucky enough to be in the stratosphere of Bruce Wayne.

The severe disrespect for Alfred Pennyworth throughout the series is the only true serious beef I have with Caped Crusader.  It’s otherwise a very good show, and an adequate successor to TAS, but it annoys the piss out of me whenever Alfred is disrespected so flagrantly.  Seeing as how I haven’t finished S2 yet, I hope this course corrects at some point, and we get back to an Alfred getting a modicum of the respect that he is deserving of.

Hilarious and sad at the same time

I prefer to not waste writing on ‘Murican politics, but the whole thing about Mitch McConnell’s state of mortality is legit one of the funniest subplots in ‘Murica right now.  I mean, I feel like it should be pretty obvious that the old white cocksucker is deader than Spirit Airlines, but he’s getting the same treatment as Hulk Hogan was getting right before it came out that he had in fact, passed away.

In one hand you have, for lack of a better term, reputable sources stating that the man is braindead, which to me is the same thing as being dead at this point, because regardless of the state of one’s heartbeat, being a vegetable ain’t really living either.  But in the other hand, you have all sorts of pathetic bureaucrats all over the place claiming that they’ve spoken to ‘ol Mitch, and fabricating all sorts of agenda-driven talking points that they claimed to have discussed.  Seriously, combine the time of all the supposed 20-30 minute conversations that these shitheads are claiming to have spoken with McConnell, and it’s basically a 27-hour day.

Naturally, my knee-jerk reaction that is that is a very big difference between speaking to and speaking with, and I guess it wouldn’t be lying if all these assholes are calling him up and speaking to dead air, and then claiming to have spoken to, a vegetable, which in itself is pretty funny, but like the subject of this post says, it’s also sad, because this is just continued trope of ‘Murican misinformation, lying to the people, and making shit up for no other reason than to preserve the fake-ass power dynamic that unfortunately runs the country.

Because his carcass still has a heartbeat, he still apparently holds a measure of power, and it’s the least surprising thing of all that it’s a very different scenario of dead Mitch versus when Ruth Bader Ginsburg passed away, and the clusterfuck that took place in order to replace her seat with a hand-picked stooge.

I like to imagine that the GOP has a machine that’s exactly just like the Bat Syllable Device from the old Adam West Batman show, where Alfred could electronically fabricate Bruce Wayne’s voice to speak with Commissioner Gordon in the presence of actual Batman, and it came out all robotic and obviously fake, but Gordon still bit, because everyone in the show was a fucking idiot.

And even though the technology and AI exists to where it’s probably extremely easy to have an AI Mitch McConnell speak in his actual voice and tone, the GOP is so full of antequated old white fucks, that the Bat Syllable Device is still what they would have instead; and because 50.75% of ‘Murica are fucking idiots, they would believe it all the same.

Either way, sad as it is that there are still very real-life decisions, impacts and outcomes hinging on the fake-ass mortality of McConnell, it is still entertaining to see the GOP basically performing real-life Weekend at Bernies with his corpse.

Sigh.  This really is ‘Murica.

Is there a more perfect show than Batman the Animated Series?

This is more of a rhetorical question because the answer is no, there really isn’t.  Obviously this is subject to personal preference, but I can’t imagine that I’m the only one out there who has this particular opinion.

I had finished watching WWE Elimination Chamber, and it was a pretty mediocre show overall; although the men’s and women’s chamber matches had outcomes that I didn’t get right, the Becky vs. AJ and the Balor vs. Punk matches were very obviously predictable.  Danhausen being the mystery crate reveal made me feel like the whole buildup is this generation’s Gobbledy Gooker, but probably more accurately the WWE’s need for a wacky character they can push towards the younger audiences and kids to help move merch and gain wider appeal.

But the overall feeling I had once the show was over was general disappointment and apathy, but mostly disappointment that mythical wife had actually paid real money for ESPN Unlimited so that I could watch PLEs, and it just so happens that the first one I come across is a relative clunker.  I think it might be a safe bet that once Wrestlemania passes, to pull the plug on the service since we already have like four other services we’re subscribed to.

Anyway, seeing as how the night wasn’t quite too late even though I would benefit from getting more sleep than I do on the regular, I felt like I didn’t want to end my television watching experience with an underwhelming wrestling show, so I switched to HBO Max where I knew that they had the entire library of Batman the Animated Series, and where I’d been watching an episode here or there, because it was perfect in the sense that it was high quality content that I’d already seen a million times and could multitask during, and the episodes are just 22 minutes, which means they’re no major time commitment.

It was while watching the episode of Clayface’s debut, it dawned on me that the reason why I seem to feel that Batman TAS has become somewhat of a default fallback, is because of what I just said, that it was the perfect show.  Not just for the aforementioned reasons, but holistically, the show is just perfect, in just about every other way as well.

Art direction, execution, writing, music, an entry of DC comics storytelling, light years ahead of its time, parading around as a kid’s show.  Believe me, I have seen every single episode of the show, and I’m having a really difficult time at thinking of any episodes that are actual 100% clunkers, with no redeemable quality to them, and by that criteria, I can’t say there are really any.  Sure, there are some episodes that I may want to skim or possibly skip, like the one where Batman is gassed by the Penguin, and he has to be saved by some kids, but by and large, I anticipate myself going to really enjoy the steady, gradual and methodical rewatch of Batman TAS with an episode or two every now and then.

And anyone who knows me knows that I almost never rewatch anything, because there’s so much content out in the world, lots of which I want to watch, that I very seldom go back and rewatch anything, because that time could be spent imbibing on something I haven’t seen before.

But Batman TAS?  It’s perfect in just about every subjective and measurable metric, and the most important thing is that it’s extraordinary ability to chase any shitty example of viewing media and bring me back believing that there’s good television out there, and that there’s really no bad time to catch an episode of the TAS.

The James Gunn Superman: Not bad, DCU

Perhaps it was the sporadic clips of the film I’d catch occasionally on theFacebook algorithm, but I finally broke down and decided to actually watch the James Gunn variant of Superman.  And I have to say that the general takeaway from the experience was that it wasn’t a DC comics flim that left me wondering why DC even bothers trying to compete in the comic book film space in the first place.

Considering how low the bar is for DCU films, I do have to admit that JG Superman was pretty decent.  For starters, they jump right into the film without any sort of lore-building for Superman, because at this point in existence, it’s a safe bet that anyone who is taking the time to watch this film more than likely already knows the general nuts and bolts about the character without needing to expend 30 minutes of build-up.

That being said, that’s one of the endearing things about the film, is the fact that they don’t really treat the viewer like they’re idiots.  That, and occasionally injecting some moments of levity and humor, like the MCU had been doing over the last few decades was a good touch to help give brief reprieves and passive reminders that this was still a comic movie and comics are supposed to be entertaining and sometimes humorous.

Mr. Terrific was probably my favorite character in the film, and I’ll be honest I have no idea who he was prior to this, but after watching the film, I’m more inclined to Google him and learn more about him, and potentially be excited to see him again if he ever pops up in a future DCU production in the future.

But I think what made the film better than most other Superman films in the past, is the fact that this was a very vulnerable and generally nerfed edition of Superman.  As the comics have demonstrated throughout history, when Superman is too overpowered, he gets old, really, really quickly.  Like it’s no fun at all if every adversary is a finger flick away from defeat, and there are all sorts of plot holes that can emerge from an over-reliance on Kryptonite in order to create any modicum of adversity to ‘ol Kal-el.

However, JG Superman starts off the flick by getting his ass beat, and throughout the duration of the film, without giving too much away, Supes definitely gets his ass beat up quite a few times, and actually faces hardship and difficulty throughout the film, and although we the viewers all know he’ll prevail in the end, at least we might actually feel like he’s earning it, instead of just spamming his god-like power minutely and winning decisively.

That’s really all this post is about, the JG Superman was a DCU film that didn’t suck.  I don’t feel compelled to blurt out hater-iffic bullshit like, stick to animation, why does DCU even try, and things that thousands of other nerds on the internet have probably already said before.  Sure, it is mostly on account of it following a lot of MCU tropes, but if something works and you’re not utilizing it, that’s on you.

It will be interesting to see if the DCU can actually parlay this variant of Superman into an actually decent overarching DCU universe, much like Marvel did, and if they can built up a streak of positive equity, or if it will crash and burn like a lot of their previous attempts to world-build.

I think I’m entering that stage of life

Actually, there’s no thinking that I’m entering it, the reality is that I’ve already entered it, it’s just that there’s a part of me that has been kind of in denial about it, and the reality is that we’re like at, phase 2 or 3 of it now instead of just entering it.

I’m talking about the point in our lives where a parent(s) begin to lose their independence, and for lack of a better term, we’re entering the end game phase of life.  It’s been going on with my dad for the better part of the last two years, with an increase of health ailments and incidents, loss of balance and falls, and an increase of medications, doctor appointments as well as just general concern for well-being from my sister and I.

My dad is getting up there in age, and it’s a tough pill to swallow that with every single medical incident, he’s getting closer and closer to the exit, than rebounding back to the independent and capable hard-working dad that’s been in my life.

Naturally, this is nothing out of the ordinary for most kids who care about their parents, and I’ve bore witness already to many close confidants in my life to have gone through this stage of life themselves.  I’ve been to more funerals over the years than I care to admit, but at the same time, such seems to be one of those rites of passage that simply exists on the passage of time, and if we’re being honest here, it’s probably only going to increase as time progresses.

However, it’s different in the sense that it’s now in progress with my own parent now, seeing him gradually deteriorating from the effects of Father Time, he who is undefeated and undefeatable.  It’s not just a sense of sadness and melancholy at it being my turn, as much it’s a whole lot of increasing stress at working with my sister to make sure that he’s not being preyed upon by predatory service providers, from home repairs, realtors, to any crook  out there hoping to take advantage of vulnerable seniors.

It’s frustrating, because my sister and I are constantly skating around this line where my dad is struggling with losing his independence and facing his own mortality and making a lot of questionable decisions independently, but then there are times in which the man won’t make a decision to save his life, and is waiting on my sister or I to make them for him, before he inevitably doesn’t like it and then protests it.  It’s like dealing with my 4-year old sometimes.

In his perfect world, he’s able to tie up all loose ends, sell his home and seamlessly transition into some sort of senior/assisted living to where he can live out the remainder of his life comfortably.  Obviously, seldom is life that accommodating, so in my perfect world, my sister and I are able to get him out of his house where he’s one really bad slip trip or fall from dying discreetly, into a good senior/assisted living facility, and then we can close up shop on our own, retroactively.  It’s just that we’re dealing with his abrupt changes of mind and quick trigger when it comes to deviating from any sort of plans that have already put into motion, mostly on account of his all-too Korean tendency to listen to friends and peers above his own children.

Honestly, I’m trying to get my dad down to Georgia, to get a clean slate and live out the remainder of his life down here closer to me.  I have a place in mind that I think would be very ideal, and unlike the money-driven cesspool that Northern Virginia is, rent is not asset-based flexible (read: flexes based on how much liquidity you have), and my dad would probably be able to comfortably sustain his living conditions on his SSI and retirement income without bleeding out financially.

But the clock is definitely ticking, in that we have to move expediently to get him out of isolated living, and into a facility where he can at least get daily wellness checks to make sure that he doesn’t fall and there’s nobody remotely close to help out with.

All the same though, I feel as if I’m in end game, and I hope to make the best of the time that I do have left with my dad, and bringing him down to Georgia would be a very positive initial step.