Tag: comics

I’m so envious of Earth-1610 Aunt May’s Spider Cave

~ dannyhong ~ Leave a comment

In my most recent episode of I don’t have any fucking space for myself, I began to fantasize about how great it would be if I could just have a underground bunker like Spider-Man (E-1610) had in the backyard of Aunt May’s house, perfectly hidden by a nondescript and dilapidated looking toolshed, as shown in Into the Spider-Verse (amazing film, btw).

And not just because it was full of all sorts of shit that’s right up my alley, like the gym full of free weights, the spacious computer area, as well as a generous amount of space allocated to workshopping, but just because of the sheer space that existed, available to use.

I have no personal space of my own.  Like literally, I don’t have any designated space that is mine and mine alone, and my blets are in storage, all my personal effects are in storage, and I have like a shelf, a desk, and a Ron Swanson poster in the corner of my master bedroom that’s the closest thing I have to personal space, and that’s when mythical wife isn’t taking a nap.

The rest of my house is absolutely overflowing to the gills full of kids things, and every now and then when my mind can grasp how ridiculously full my home is, I feel despair and hopelessness about how things will never improve.  When I bought my home, it was two adults in a four-bedroom home where one bedroom hardly saw any use, one was a guest room, and I had a room designated to be my office where I could store and display all of my personal effects.

Now it’s three adults, two kids, no spare bedrooms, no office, and me having angst about having no personal space, whenever I have the time to have angst, and writing about how I fantasize about a fictional underground bunker that ignores the existence of infrastructure, code and architectural integrity which is the least unbelievable thing about this specific world which has teenagers flinging themselves all around New York on spider webs, and travel between alternate realities.

But yeah back to the point, I’m so envious of the Spider Cave underneath Aunt May’s house, and if I had something remotely close to having an underground bunker of my own, without any hesitation, it would be the go-to place to store all the shit that’s taking up space in the house proper, and maybe allocating half of it to becoming my personal private office space.  Because don’t I deserve a place to get some peace and quiet too??

I would take all of the holiday shit in the attic and it’s going into the Spider Cave.  All of mythical wife’s teacher shit that sits in a number of crates in the garage; all that shit’s going into the Spider Cave.  The large tubs that are accumulating with kids clothes, artwork and toys that they don’t play with – Spider Cave.  Tubs of DVDs and BluRay discs?  Spider Cave.  The lawnmower I haven’t used in three years?  Spider Cave.

The irony is that all this offloading into a Spider Cave wouldn’t actually free up enough space within my house proper to where I could actually have some private space again.  Objectively speaking, the more efficient thing would be to leave everything where it is, and use the Spider Cave solely for my own personal space and use, since it would hypothetically fulfill my desire to have even just a little bit of space for myself.

But the knee-jerk reaction to a fantasy fulfilled of having a Spider Cave was churning reallocation of crap from one place into another place, where it could be better out of sight and out of mind.

All the same though, having a magical bonus 250-350 sq ft. of usable space really is a fucking fantasy.  And it would be truly incredible to have my very own Spider Cave; I don’t even need or want any of the Spider Tech, because I don’t want to have the great responsibilities that would come with inheriting such great powers, I just want a place where I can hang my blets, display all of the crap that I’ve accumulated that’s worth displaying, and having a space to myself that’s just, me.

DC’s Absolute Universe logos absolutely suck

~ dannyhong ~ Leave a comment

I don’t dislike DC Comics, but I’m definitely one of those fans that feels like no matter what they do, no matter what they try, it always seems like it falls flat, and when they’re inevitably compared to Marvel, they’re always this extraordinary distant second place.  I love Batman, and I have no qualms with really any other DC property, but in my opinion, I just feel like DC in particular has fallen a little too victim to the changing of the times and ideals of the world, and have been way too quick to pull the plug on long-term storytelling, and retconned things so rapidly and so frequently that it’s hard to even tell what’s canon versus what’s just some blow-off one-off.

It’s like the comic industry is truly no different than the rest of the working world in that nobody stays put long enough to see through any chances at some good long-term storytelling or even just a year’s worth of comics these days, and the industry as a whole is full of convoluted, clunky crap that I have little interest in reading on the monthly, and prefer to read about it later on Wikipedia synopses, so that I can then go, what the fuck?

Anyway, in yet another reconning of the universe, DC Comics is apparently going in the route called the Absolute universe, which I’m guessing is a lot like when Marvel launched the Ultimate universe, but the fact of the matter is that it’s still a hard reset of all the flagship properties, with hopes of boosting sales, engaging the newer, even more ADD generation, and that it’s easier to start over from scratch versus even attempting to pick up the pieces from the latest wave of employee turnover.

And part of the entire reconning of the company, for some reason, they saw fit to redesign a bunch of logos of notable properties.  And if there’s one thing I’ve learned throughout my career as a creative, fewer things (attempt to) mask mediocrity than the changing of logos of a notable brand(s), or making them in the first place, for inconsequential purposes.  I mean, the City of Atlanta probably burns $10M a year on making logos and branding stupid bullshit while half of that is probably skimmed into the pockets of corrupt bureaucrats to begin with.

But most noteworthy among the rebrandings were the new logomarks for three of their most flagship properties: Batman, Wonder Woman and Superman.  And as the title of this post clearly states, they all absolutely suck.

Batman’s new logo silhouette has been transformed into a multi cutter tool’s blade, seeing as how it’s a very lightly serrated rectangle now.  It seriously looks like if I were to trace this as a stencil onto a piece of sheet metal, cut it out and jerry-rig it into my Ryobi, I could probably use it to fairly efficiently cut through plastics or foams, if I were still at the stage of my life where I would make costumes for Dragon*Con.

Wonder Woman’s logo now isn’t too far from its old iteration, but much like many things that are feminine in nature and display now, it’s been widened, fattened and made to look all thicc, because it’s okay if not all women don’t look like Jim Lee interpretations of females, especially in comics.  But in doing so, it’s almost as if they’ve been successfully bullied out of their own original identity by the growing Whataburger company, who didn’t really do a good job with their own branding to not act like they weren’t completely lifting the original Wonder Woman emblem in the first place.

So let the record show that the regional fast food burger company has successfully bullied the vaunted Wonder Woman out of using her own fucking identity.  Poor form, DC.

Finally, we have Superman’s logo, which at least, manages to at least salvage their traditional five-sided pentagon shape, and is the one logo that seems to retain the closest to its original iteration.  But much like in the world of typography, the original serifs have been lopped off of the S, and for whatever reason, the top left part of the emblem looks really fucking weird to me, because there’s no break in the red from the S and the edge of the emblem and it all bleeds together looking sloppy.  I can interpret that the general thickness of the S probably wouldn’t accommodate for there needing to be any space near the edge of the emblem, but it just looks really off, like Capcom’s shitty logo for not putting any space in the second C and the O of their wordmark that bothers the shit out of me.

And if you were to focus on the yellow parts alone, it looks like a really erect dick about to really overshoot the toilet underneath it, and I hope that any of my zero readers were to read this observation, they would become unable to unsee it, and spread the opinion out to the rest of the world like an obnoxious virus.

So, in conclusion, DC Comics felt the need to reset their shitty universe once again, and for some reason decided to rebrand some of their most iconic properties in the process.  And in changing logos that never needed to be changed in the first place, we’re left with a saw blade, a fat version of the Whataburger logo, and a dick and toilet emblem in the end.

gg dc, wp.

Damn, the new Chick Fil-A looks like Avengers HQ

~ dannyhong ~ Leave a comment

CFA: Chick Fil-A opens brand new, state-of-the-art restaurant in Bumfuck, Georgia that is two stories, drive-thru only, featuring multiple lanes, including several app-only lanes

My first thought when I saw this brand-new Chick Fil-A was exactly what the title of this post is: damn, this place looks like a baby Avengers HQ.  And frankly, it might as well be, considering the company’s hard reliance on drive-thru service when it comes to their bottom line, it makes sense for them to have a location that’s entirely drive-thru only, featuring the feature that I love best, the app-only lanes for the evolved class of human being that understands how easy, efficient and optimal using Chick Fil-A’s app is when it comes to food service.

What doesn’t really make much sense are CFA locations that have scrapped drive-thru outright, and I think there’s one up in North Druid Hills that does that, and I can’t imagine that their business is nearly as fruitful as those CFA locations that have efficient and reliable drive-thru service, like the ones near my own home that my household tends to go to, at least 2-3 times a month, but that’s neither here nor there for the purpose of this specific post.

However, the one drawback to this Baby Avengers HQ of a Chick Fil-A is that it’s located way the fuck outside of Atlanta, and barely even deserves to be considered metro area in the first place.  McDonough is one of those areas that’s literally like an hour outside of city proper, but because there are enough psychopaths that commute to the city from there, they get to be considered Metro enough to get the occasional nod in morning traffic reports because there’s usually some apocalyptic traffic coming out of I-75 in their location.  Frankly, that’s the only reason why I even know the name of the street it’s on, Jodeco Road.

Needless to say, I can’t see myself making a trip just to experience this location, because they’re not Tim Horton’s, they’re not Buc-ee’s, nor are they Wawa.  Even though I would probably take joy in the expedient manner in which an app-only line could be, it would be the same food that I could get at any of the CFAs that are within 1-2 miles from my own home.

All the same, I hope this location does gangbusters, so that the company can start replacing all the other CFAs throughout the city, as well as all over the country, with these mini Avenger HQs that can show the rest of the fast food world up, on how to optimally run the fast food business.

Let’s talk about Avengers: Doomsday

~ dannyhong ~ Leave a comment

So over the weekend, it was unveiled that part of phase 57 of the Marvel Cinematic Universe would be the release of an eventual film, Avengers: Doomsday, where the MCU would be introducing Doctor Doom, presumably to be the next big bad in the series.  But the biggest bombshell to come out of the announcement would be that Doctor Doom would be played by none other than, Robert Downey, Jr.

Now I didn’t see any of the internet outcrying or rage to have come from this, as I don’t pay an iota of attention to anything that isn’t fed to me these days, but I did notice people talking about what people are talking about, so I suppose that in segments of the world, there are people who are salty and disappointed with the notion of RDJ returning to the MCU after publicly declaring his departure from it after Avengers: Endgame.

I mean, I couldn’t care any less about RDJ picking up a second role in the MCU, so many people are quick to forget that Chris Evans was Johnny Storm before he became Captain America, and I’m sure there are several other lesser knowns who have picked up second roles at some point during the 27 years of Marvel movies in existence.  And with the MCU having already established the existence of the Multiverse, Pandora’s Box is wide open for whatever recasting, retconning and changes on the fly as they want.  Earth 6XX is just a digit change away from being able to re-write whatever the fuck Marvel Studios wants to write that will keep the money printer operating.

I’m sure that RDJ will portray Doom with justice, even though Doom is all about dignity and his own code of honor, while RDJ is best when he’s playing kind of an asshole, like Tony Stark was, but I’m still confident that he’ll knock it out of the park when all is said and done, and all the keyboard warriors who are complaining now will be surreptitiously STFU’d and cautiously singing his praises, while worrying about tryhards who keep screen grabs and e-receipts of dumb shit they might be saying now.

However, this isn’t to say that I don’t reaction to the announcement of Avengers: Doomsday without any trepidation myself.  In fact, I actually had to stop and think for a few seconds when I saw the name of the film, because when I hear the phrase “Doomsday,” in the context of comic books, my mind immediately goes to the big ass gray Kryptonian gorilla that killed Superman, which is a DC Comics IP and not Marvel.

Dr. Doom isn’t that far behind at this point, but the fact of the matter is that whenever I think about Dr. Doom in the context of Marvel Comics, to me, he’s a villain that I associate first and foremost with the Fantastic Four, and not the Avengers.  This isn’t to say that there’s not numerous instances in comic history where Doom has scrapped with the Avengers, but comic enthusiasts like me tend to forever mark a guy with whatever property they appeared first in, which in the case of Dr. Doom was Fantastic Four #5 in 1962.

But at least to me, it’s never going to not feel like Dr. Doom is being forced into the Avengers, because to me, he’s not an Avengers villain.  He is, and always will be a Fantastic Four big bad, and for that reason alone, it will permanently temper my ceiling of how good Doomsday can possibly be.

Although I’m sure the writers at the MCU will spin up a storyline that makes it feel organic and will be portrayed, acted and executed marvelously, I just don’t think of Dr. Doom as an Avengers adversary.  He’s the yang to Reed Richards’ yin, but an intellectual equal all the same.  Although he does some pretty extreme things that often results in death and destruction, Doom still has a strong sense of justice and integrity, and has more than once throughout history flipped sides for the greater good, and is one of those bad guys with honor, like Magneto, or even the Joker whenever anyone tries to hurt Batman that isn’t him.

That being said, I personally think that we’re approaching a crossroads for the MCU with Avengers: Doomsday, because ever since Endgame wrapped up phase whatever #5, the MCU has been stretching itself thinner and thinner and risking dilution, overexposure and burning out fans with the rapid releasing of so many spinoffs and trying to produce television and films all while trying to keep them somewhat tangenally connected for the sake of creating the next Infinity War.

Some may disagree and think we’ve already passed this point long ago, and some might think I’m nuts and there’s nothing wrong with the amount of exploding comic media still to come, but speaking for myself, I’m at a point where I’m becoming increasingly unable to keep up with every Marvel production released, and of the things that I have been able to see, not everything has really felt like it’s been worth the time investment.

Moon Knight sucked, Ms. Marvel, She-Hulk  and surprisingly Hawkeye were pretty decent.  I haven’t seen Echo, nor have I finished What If?  I haven’t seen The Marvels or The Eternals, but I’ve heard little but negative about them, and Black Widow was still a film that I didn’t think even needed to exist, save for the end credits scene. 

Tom Holland’s Spider-Man films are still quality, as are the animated Spider-Verse films, but they’re obviously still Sony’s properties first, no matter how badly the MCU wishes they weren’t.  But it’s evident that the MCU is really stretching thin with properties that aren’t X-Men and the reality that contains mutants in them, because we all know they’re sitting on this for phase-616 where they can try to reignite the comics movie craze all over again in the future.

The point of this recollecting of more recent MCU productions is to illustrate the picture that the MCU is kind of treading water in quality since Endgame, and I feel like the journey to Doomsday is going to be a critical one that will either cement the MCU as one of the greatest collaborative collections of media in history, or having fans be wishing for a merciful end to all this fucking comics-based media.

The return of RDJ might be seen as a panic move, or maybe the man just wanted to take a break from comics and go enjoy his Oscar for Oppenheimer, or perhaps this was all part of the plan.  I’m not going to assume that this journey to Doomsday will be bad, and will remain optimistic that RDJ and the MCU A-team can carry the torch back to an entertaining high road again, but at the same time, I wouldn’t be surprise if it doesn’t come with a lot more speed bumps, hiccups and some rougher patches than it did in the earlier phases.

X-Men ’97: the speedrun for those with ADHD

~ dannyhong ~ Leave a comment

I just finished watching X-Men ’97 on Disney+ and hoo boy do I have a lot of opinions.  I don’t quite really know specifically where I stand on it on how good I thought it was, but this is where I’m hoping that writing out my thoughts might help me come to a conclusion.

This is also where I disclaim that there is the possibility that I give some things away by virtue of feeling unable to avoid specificity but hopefully I don’t, but it’s not like I have any readers at all, so this is just old habit of trying to be courteous when I really don’t have to be.

1.
First of all, regardless of where I land on my overall opinion, one thing is very clear in my opinion: the show operated at a breakneck pace, and there was basically no time to breathe throughout the season as the show went from storyline into the next into the next and into the next without any pauses in the action, minus one specific Jubilee mini-arc.

The show tackled numerous actual storylines that I could recall from the days when I was a massive X-Men reader, but it was almost laughable at just how little time was dedicated to what were epic arcs in the comics, rendered to literally 5-6 minutes in the show.  Like for example Inferno, with Madelyne Pryor becoming the Goblin Queen; this was an epic event that transcended the X-universe and even bled into other Marvel properties, but in X97, Inferno literally starts and ends within a ten minute window, leaving me with this great big feeling of, wtf.

One of the most iconic moments from the Fatal Attractions storyline was tucked into one of the last episodes of the season, and given the sheer lack of context and time given to everything else, honestly probably didn’t even need to occur, but by this point of the show, they were clearly so determined to cram in as many X-storylines as possible and using as little airtime as possible to do so, so here we went.

The best way I would describe X97 is exactly what the title of this post is – it’s X-Men comics presented in a medium that caters to those most likely with ADHD and are incapable of sitting through multiple seasons worth of storytelling to get around several epic story arcs when they can all be crammed into the confines of a ten-episode season.  I used to think that when I was a kid, I probably was an undiagnosed ADD kid because of my sheer struggles to pay attention and listen and follow directions, but after watching X97, I don’t really think that that could’ve been the case.

2.
The X-Men, and mutants in general seemed to have been nerfed as fuck throughout this show.  All throughout the season, mutants were getting their asses handed to them by humans that had Sentinel tech, as well as Sentinels themselves, in contrast to the original 1992 series where Sentinels were about as capable as the Putty Patrol from Power Rangers at neutralizing their intended targets.

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The manufacturing rights to the Batmobile go to Nissan??

~ dannyhong ~ Leave a comment

Apparently, it happened nearly a month ago, but because I live under a rock, I obviously missed out on it until it was spoon-fed to me from a targeted ad; but there was some car show out in Japan where all the manufacturers unveil new shit, and among all the general noise, emerged the fact that Nissan is basically making, the Batmobile.

They’re calling it the Nissan Hyper Force, which sounds more like it should be a Power Rangers Zord, but from the looks of the concept, come on, it’s the goddamn Batmobile.  The sharp lines, the design meant for optimal aerodynamics, that every flare and angle, basically looks like Lucius Fox himself designed it.

I don’t care enough to deep dive into reading everything about it, but this snippet I saw basically encapsulates the vehicle as a whole:

The Nissan Hyper Force is designed for racing enthusiasts and gamers who crave the adrenaline rush of the racetrack but are also eco-concious.

There are a lot of assumptions being made here, like assuming mutual exclusivity between being gamers and those who have the balls and means to get out onto the racetrack and I feel like such couldn’t be any more incorrect, but in the land of marketing, people will say whatever the fuck sounds like it can capture the imagination of some gullible saps into thinking that they can not only tackle Akina, but also do it green.

But not likely to be in the brochure are that drivers will feel compelled to tap into their inner vigilante and go out and fight crime.  Also, hack their car and find out ways to install sophisticated self-drive mechanisms to drive to you on command, as well as have hidden compartments for smoke bombs, gatling guns, and my favorite Batmobile gizmo, the grappling hook to make the smoothest 90 degree turn without having to slow down in history.

Either way, kudos to Nissan for being the car maker who decided to have the stones to take on the Batmobile, and all the tryhards in the future who will get one for absolutely no other reason than that it’s unofficially, the Batmobile.  I think if I don’t get another Tesla outright, I’m leaning towards something a little more conservative and subtle, like the re-release of the Honda Prelude, the updated Fairlady Z, and much to my own surprise, even the new Prius is looking pretty alright these days.

Happy Trails, Bob and Arleen

~ dannyhong ~ Leave a comment

Talk about an absolutely brutal week as far as fandoms, nostalgia and symbols of millennial childhood go.  Wrestling fans had to endure the passing of a legend, and a sudden departure of a star that wasn’t anywhere near the heights he was destined for, but then fans of the same television I grew up watching had to bear witness as a legend passed, and an icon that defined basically an entire television series.

I don’t particularly have a ton to say about Bob Barker or Arleen Sorkin, at least nothing new from one of the many countless tributes on the internet there are for either of them, but it hit me enough in the feels when both of them left us to where I still feel like at the very least, documenting it in my own brog to try and emphasize at the very least, my appreciation for them and what they did.

Obviously, at 99 years of age, it’s easy to say that Bob Barker did not leave us to soon, and he most definitely lived a full and successful life and career.  Cue the bittersweet jokes about how if anyone was going to ace the big wheel game of getting as close to 100 without going over, it’s Bob Barker.

But like many, the OG Price Is Right was the show that we all watched when we were home sick from school, or over summer vacations, because at least where I grew up, it was always on at 11 am, obviously not a time in which we could watch it at school.  But Bob Barker’s talent was so effortlessly immense that it didn’t matter if you were nine years old, 29 years old, 59 years old or 79 years old, his delivery, his smooth on-screen charisma and charm made him watchable, made him entertaining and made the show the legendary program it was, all because of him.

I always enjoyed watching the show, playing along with the showcase, screaming at the television when contestants didn’t ever seem to realize that the items on the show were always marked up 5000% and undershot their estimates, and of course loved Plinko.

Drew Carey’s variant of the show is garbage in comparison, and as far as I’m concerned, the show ended when Bob Barker retired.  There was once an incident where a contestant hit the nail on the head in the final showdown at the end of the show, and Drew Carey immediately deadpanned him and killed the episode, because he thought that the guy must have been cheating; most everyone was quick to point out that if that had happened under Bob Barker’s watch, he would have sold it like the greatest achievement of mankind, and made it into a memorable event. 

There are just some things that can never be replaced, and Bob Barker is most definitely one of them.  The show is better off discontinuing, than to let Drew Carey sink the prestige and equity that Bob built with his legendary run.

Continue reading “Happy Trails, Bob and Arleen” →