Greatest or not, Jeopardy James changed the game

Man, that was some good Jeopardy! last night.  I felt like a black guy watching the NBA slam dunk contest at certain points of the consecutive matches, like whenever any contestant went all-in on a daily double or Final Jeopardy and got the question right.  And to think there are several more nights of this, I think it’s safe to say that there are at least two more solid nights of some solid Jeopardy! entertainment to be had.

Ken Jennings may have taken the first win of Jeopardy! GOAT tournament, and could very well  win it all; but I think it’s safe to say that when the smoke settles “Jeopardy James” Holzhauer is still the one who really changed the game.

It didn’t take a lot of time to see that from the very start, the contestants started with the high-dollar answers, a staple of the Holzhauer tactic, with the ultimate objective being finding the Daily Double(s), and then going all-in to either run away with the game, or crash and burn trying.  This was definitely not something that either Ken Jennings or Brad Rutter did in their previous runs, but by virtue of Holzhauer standing at the podium next to them, forced them to adapt.

Basically what it boils down to is that if you don’t play like Jeopardy James, there’s little way to actually beat Jeopardy James.  Contestants are forced to clear the Daily Doubles and wipe out all of the high dollar answers so that he can’t build any bank, because he’s so good at the game that he can win any game where he’s capable of remaining in striking distance.

Both Jennings and Rutter played a Holzhauer game where they sniffed out all the high dollar questions first, and unfortunately for Jeopardy James, between the two of them, they basically found every single Daily Double in the two matches of the night.  Rutter, who was there solely on his legacy from 19 years ago, found 3-4 of them, and blew it and zeroed out each time, and it’s painfully evident that in spite of his imprssive lifetime earnings through Jeopardy, he really has no place being in this tournament today.

It was a clear two-horse race between Holzhauer and Jennings; I think most assumed that would be the case from the start.  But even Jennings admit to being out of his comfort zone when he bet his entire 3,800 on a Daily Double, and you could see the immense relief in his face when he happened to get it correct.  But it no more clear the importance of playing like Jeopardy James than in the first match’s Final Jeopardy where all three contestants going all-in on their wagers, with Jennings getting the win solely based on him building a strong lead in the first two rounds.

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The Mandalorian has what a lot of Star Wars lost sight of

It was kind of interesting watching through The Mandalorian leading up to, as well as after watching The Rise of Skywalker.  Going into The Rise, I can’t say with much certainty that I was particularly looking forward to it other than the fact that there’s always some sort of nerdy obligation to see Star Wars films fairly immediately upon their release.  In contrast to after watching the first two episodes of The Mandalorian, I bought in, and as Disney+ released them at an agonizing weekly episodic pace, I looked forward to each on a weekly basis.

Now it’s a little unfair and partially not quite an adequate balance comparing a television series to film, but when I sit back and think about everything I’d taken in that are all part of the Star Wars universe, the ultimate takeaway I really have is how much I really enjoyed The Mandalorian, versus how lukewarm I am as it comes to not just The Rise of Skywalker, but just about all Star Wars films released within the last decade.

In all fairness, I did really enjoy Rogue One, but when the day is over, Solo just kind of existed, and I’m at a push when it comes to the latest trilogy; The Force Awakens was a fantastic film, but The Last Jedi was pretty awful, and The Rise of Skywalker spent 80% of the film digging itself out of the chasm its predecessor put it in.  But as a whole, the decade’s Star Wars films all add up to a widely mediocre median.

But The Mandalorian, I thought was exceptional.  If I had a Disney+ subscription, I’d say that this show is probably easily the hard carry of the entire service so far, but that’s really not saying that much considering it’s basically the only piece of original content they have so far, but I guess what I’m really saying is that it’s almost worth the price of a subscription just for this show, it’s that good.

To cut to the chase, what I really loved about The Mandalorian, aside from how it was short and sweet, was that boiled down, the show simply has a heart.  They don’t waste a lot of time trying to piece together a complex plot, or weave a web of characters and potential storylines; they move in a very linear path from episode to episode, introduce characters who are immediately used, and then move right along.

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Not art + design

Because every gym on the planet is seemingly contractually obligated to be airing ESPN on at least one television, I saw this story about how the coach of the Cleveland Browns was spotted wearing this t-shirt that said “Pittsburgh started it,” as commentary over an incident a few weeks ago where the Browns’ Myles Garrett and the Steelers’ Mason Rudolph got into a scuffle ending with Garrett ripping Rudolph’s helmet off of him and swinging it at his head.  Garrett has been suspended indefinitely by the NFL for basically assault, and Rudolph was fined a bunch of money for remarks that supposedly started the whole incident which may or may not have been racist.

But this isn’t a post about the incident, because when the day is over, I really don’t give two shits about an organization that somehow thinks organized dog death fighting is a lesser crime than kneeling during the national anthem.   No, I’m more incensed over the fact that on the aforementioned t-shirt, is an actual signature on it from a supposed “art + design” company as if printing a t-shirt with three words in the Garfield font (Cooper Black) is remotely anything considered art or design.

This is the kind of shit that really makes me jaded towards the creative industry as a whole.  A bunch of hacks out there that take the most low-effort bullshit, slap a logo or take credit for it, and call it “design.”  And when challenged, comes a deluge of bullshit about minimalism or simplicity.  And then there’s legions of like-minded sheep who think it’s the most innovative idea in the world, and then it goes viral and people actually benefit from it.

Amazingly, the “company” that signed this shirt that I could easily plagiarize in 2 seconds, appears to be an actual company that actually makes all sorts of Cleveland-centric apparel and merch, almost all of which is 78,000% more creative and contains actual design than Pittsburgh Started It.  But because they’re an actual company, they do have the audacity to try to monetize their low-hanging fruit, and to no surprise at all, are selling these bullshit shirts for $28 a pop.  But realistically, even if it was some individual who calls themselves a studio, they’d still try to sell them for $35, because they’re broke-ass poor and trying to capitalize on going viral.

Naturally, people are buying them because they clearly have way too much money.

Either way, if I had more than 0 readers, I’m sure I’d inevitably be accused of being jealous that someone out there is making money on such a low-budget idea.  And they’d be entirely right, because I would love to make actual money on such little effort.  Why the fuck can’t something controversial and nationally known happen for an Atlanta team, that I could easily make into some sort of meme, call it design and cash in on?

Oversaturation shouldn’t result in shortchanging everything

More often than I’d like to admit, I run into the scenario where I sit down with the intent to watch television, but then burn 30 minutes solely looking for something to watch, before deciding that what I do want to watch will exceed the time of day in which I want to be getting ready for bed.

Primarily, I use a Piss4 or XBONE to watch television, and between two consoles, I typically am skimming through Netflix, Amazon Prime Video, WWE Network, HBO Go, ESPN, TLC Go, or whatever network app the sports game I want to watch is airing on.  And then there’s PLEX where I’m connected to two different servers chock full of content that may or may not overlap with the shit available on all other mentioned media options.

The wife and I haven’t even plunked down for Disney+ yet.  That’s another trillion hours of content available if and when we do.

Needless to say, it’s easy to burn all my time searching for something to watch instead of actually watching something, because when the day is over, and I know that I’m far from the only person who feels this way, but there’s just too much god damn content out there, and not enough god damn hours in any day to watch all of it and actually stay on top of things.

Whether shows are being churned out, or acquired from overseas and distributed in America, it seems like every single time I turn on the television, there’s always a whole bunch of new shit that’s available to watch, and all I can really do is [add to list] everything and then continue browsing titles and watching previews in hopes of finding things that are so compelling, they’re capable of breaking the browsing cycle and be watched immediately.

But most of the time, things are just [added to lists] and then never get watched, not without a tremendous amount of effort and determination.

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90 Day Fiance: The Other Way power rankings

Just finished up watching 90 Day Fiance: The Other Way, on the greatest network in the history of television, TLC, and I must say that TLC did well putting together yet another classic train wreck that I so very thoroughly enjoyed.  Just when I was beginning to think that the classic 90DF formula was getting a little stale, considering how formulaic the show had become, with a woman from South America, a woman from the Pacific Islands, one guy with deeply conflicting beliefs than the American girl’s family, the couple with the massive age difference, and then the one layup couple, that usually had a religious crutch to stabilize them throughout the show, TLC flips the script and jettisons a bunch of Americans to other countries for some fresh perspective and cringey Americans being Americans behavior.

Anyway, kudos to TLC for breathing some new life into the series.  Not that it would’ve stopped me from watching in the first place, and at the time I’m writing this, I’d already seen a preview for 90DF-Prime, which is supposedly going to be premiering soon, which gives me little time to enjoy the aftermath of The Other Way before we embark in another season of regular 90DF.

Regardless, let’s get to the point of this entire post, which is to do a power ranking of the couples of The Other Way.  And when I say “power,” I really mean just how terrible of human beings they are.  And for the sake of simplicity, instead of ranking them as individuals, I’m just going to rank them by the worst member of each couple, because when the day is over, as long as the cameras are rolling, the couples always stick together like glue no matter what.

#6 Deavan & Jihoon – nothing was more telling about how low-maintenance and lacking in drama compared to their counterparts were, than the fact that Deavan and Jihoon weren’t even introduced into the show until like four episodes in.  And it’s not at all that surprising, because despite how much TLC tried to make it sound like the crime of the century, Jihoon’s checkered past of buying and re-selling cell phones in Seoul was pretty small.  Frankly, their arc was most anchored by the fact that Deavan’s previous child was a demon, and the atypical judgey Korean parents that really were uncomfortable with the fact that their son was marrying a train wreck of an American girl.

Neither were particularly memorable.  Deavan used to be kind of an Instagram camwhore, and Jihoon was more or less an underachiever in terms of Korean culture.  Ironically, Deavan was the one with more grown-up priorities, and Jihoon was just kind of a horny pussyhound, but when the day was over, neither were particularly memorable; except for the horrifically stereotypical Asian music played by the show whenever the perspective shifted back to them.

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Not a fan of split NXT

When it was announced that NXT was going national, I was most definitely in the camp that met the news with a feeling of dread.  Not just because I’m a cheapskate that doesn’t have access to the USA Network, much less cable television in general, but also because I was very puzzled and dubious about the whole planned execution of NXT, with the first half of the show being exclusive to the USA Network on cable television, and the second hour being exclusive to the WWE Network streaming.

When the day is over, the medium that brings in advertising revenue is going to win out, and I didn’t have to watch New NXT to have guessed that they were going to stack the first hour and then take their foot off the gas once the cameras switched over to streaming for hour two.  Look no further to the hour by hour comparison in matches/segments and come to your own conclusion:

Hour 1 (Nationally televised on USA):

  • Io Shirai vs. Bianca Bel Air vs. Mia Yim vs. Candice LeRae, Fatal 4-Way for #1 Contender to NXT Women’s Championship
  • Cameron Grimes vs. Sean Maluta
  • Roderick Strong vs. Velveteen Dream for NXT North American Championship

Hour 2 (Exclusive to WWE Network subscribers):

  • Pete Dunne vs. Arturo Ruas
  • Xia Li vs. Aaliyah
  • IMPERIUM promo
  • Lio Rush vs. Oney Lorcan for #1 Contender to WWE Cruiserweight Championship
  • Matt Riddle vs. Killian Dain

Sure, it’s hard to count the Grimes/Maluta match considering it was a squash where the entrances took 5x longer than the match itself, but two long-form matches featuring the top talents in both the men’s and women’s divisions, it’s clear that WWE is putting nationally televised first, and taking their foot hard off the gas in hour two, because fewer things denote a reduction in effort than an Aaliyah or Arturo Ruas match, regardless of whom they’re up against.

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Saved by the Bell Rema-Governor Zack Morris???

Because nothing from our childhoods are ever allowed to stay dead and buried, NBC has apparently decided to dig up the remains of Saved by the Bell and resurrect the property as a rebooted spinoff for their inevitable shitty streaming service.  Given the fact that the vast majority of shows that I grew up watching have all been rebooted, spun-off of brought back in whatever shameful and cringey manner, this is no surprise, and further exemplifies the sheer pain and suffering of the death of creativity, especially in the television entertainment business.

I pray to god nothing ever comes to fruition with Married With Children, because then I’d really be sad and upset.

Honestly though, this is probably one of the less surprising… I wanted to use the phrase “revitalizations,” but nothing about this general concept seems remotely revitalized, but for all intents and purposes, it is one of the less surprising corpses dug out of the grave to trot back out.  Aside from AC Slater, just about everyone else from the SBTB crew hasn’t really done much noteworthy work with their careers in a while, and I’d imagine they all jumped at the idea of getting to cash in on the low-hanging nostalgia fruit for some easy paychecks.

In some regard, as disappointed as I am to hear that they’ve finally caved and agreed to reprise, I can’t really say that I’m at all that surprised.  I guess it really is only a matter of time before everyone caves, because when the day is over, everyone’s gotta eat, integrity or legacy be damned.

But seriously, I didn’t really think it was possible for a show to jump the shark/DJ Tanner Wrestling before the show even begun airing, but SBTB or whatever they’re going to call this reboot, has.  And it only took five words from the official description to achieve this distinction:

When California governor Zack Morris

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