I can only fantasize about being Agent Kim

Normally, I tend to steer clear of lots of K-Dramas, mostly on account of the fact that Koreans are notoriously long-winded (like me) and it shows in their television programming, because most seasons of Korean television are usually like 26 episodes, 95 minutes each or something that signifies an intimidatingly long time commitment, and as I’ve gotten older, the more I find merit in shows that are shorter in episode count as well as run-time cumulatively.

And if you do watch a K-Drama, they are in fact the crème of the crop when it comes to Asian media, but in most cases with Korean television, the storylines do tend to get a little convoluted at times, usually there are some red herring storylines that either don’t go anywhere, or are poorly inserted to deliberately misdirect the viewer, or they drag on for the sole purpose of creating ambiguous endings, as if they’re always leaving the door open for future seasons when (usually) one is enough.

But thanks to some clever reels I saw over social media outlets, I found myself sucked into watching 김부장 or Agent Kim: Reactivated on Netflix.  At the root of the fairly simple plot is the story of a dad who just wants to protect his daughter, and such a premise is all I really need to hear to be interested in it.

The kicker is, “Mr. Kim” is a former North Korean military agent with basically super soldier training and a ruthless killer instinct ingrained into him, and when his daughter goes missing, it isn’t really so much a police drama as much as it’s a triggered vigilante doing whatever it takes in order to pursue his child.  Although the genre of such a story can be categorized as thriller or crime, to parents like me, this is definitely in the realm of fantasy, as in I fantasize about having such skills, and the tenacity and opportunity to flex them onto criminals who would dare endanger my children.

Needless to say, I found the show to be entertaining and satisfying, even if I know my mom would immediately label this as 엉터리 테레비 or trash television.  It feels like Taken but in television form, and the star of the show 소지섭 looks like Korean Bob Saget, except he’s going around beating the ever living piss out of gangsters and anyone else who would dare stand in his way.  No obstacle or situation seems insurmountable, and the rate in which he defeats people feels like a speedrun, except in Korean television speeds, meaning ten episodes at 70+ minutes.

And true to Korean television standards, just when I thought the show had ended, seeing as how the general core plot of the show seemed to wrap up in seven episodes, after returning to the Netflix menu after watching episode 7, I was mortified to see that there were still three more episodes left.

Naturally, they were wholly unnecessary and honestly served to eliminate a position where the show could have easily milked it into a season 2, but in a way, I’m glad that they wrapped it up in ten, instead of did seven, and then make me wait another year for a second season of 7 moar convoluted episodes before getting to a nicely gift-wrapped ending.

But again, the appeal of the show is simple in the fact that it’s basically just a story about the lengths a dad will go through in order to protect his children, and that’s definitely something that resonates deep in my psyche, and gives me something to live vicariously through, watching dad pwn the shit out of all sorts of opps who cause danger and harm to his family.

WTF is WWE doing #312

Turnabout is fair play, and I can be just as critical about the WWE as I can about AEW or anyone else when I think they’re doing something stupid and asinine questionable.

And the topic in question is the decision the E made to not air the Worlds Collide show that took place and was taped on September 26, and held it off until September 30.  The originally described rationale was that the E did not want to explicitly go head-to-head against AEW’s All Out show, which happened on the same night, also in the city of Chicago, and that they would save the airing of the show until the following Wednesday, so they could plop it down right on top of a similar time slot to AEW’s weekly Dynamite programming.

In doing so, it’s kind of like they symbolically threw in the towel at remotely even trying to compete with AEW on the 26th, and thought that they could use the content to muck with the ratings game on the 30th, but the issue I had was the fact that the internet has no capability of shutting the fuck up, and that it would be inevitable to make it from the 26th to the 30th, without some, if not all of the results of Worlds Collide being spoiled by then.

It also didn’t help that in the gap between taping and airing, was a live RAW episode, and whether they took it into consideration or not, they basically spoiled another Worlds Collide match when Roxanne Perez was featured on RAW, not carrying the AAA Reina de Reina’s Championship blet, which spoiled the fact that she did not defeat La Catalina, and anyone with a brain paying attention would know that when it airs on the 30th.

This, was extra salty for me, as I’ve grown quite high on Roxanne Perez and her match at Worlds Collide was one that I was really looking forward to watching.

One thing that nobody could have ever anticipated either, was the unfortunate and untimely sudden passing of Benjamin Satterley AKA Pac AKA Neville on the 27th, because everyone knew that the Dynamite on the 30th was going to immediately pivot into being a tribute show to Pac, and the optics are poor on the WWE to try and run counterprogramming to a tribute show, for a guy that was apparently very well liked, respected and cared for by performers all across the industry, regardless of who they were working for.

Naturally, the WWE didn’t budge, and they still plopped Worlds Collide on the 30th.  Despite how much I wanted to see it, preferably live, I didn’t watch it yet, because like many wrestling fans, I was upset by the passing of Benjamin Satterley, and I had tuned into AEW; a little weird to see the decisions to bring Bryan Danielson and Wardlow back on this specific night, but the Will Ospreay and Ricochet match was amazing, and it was a pretty good night of just pure wrestling and working, in the name of honoring the life of Pac.

But overall, poor form on the WWE and their gradually deteriorating soulless operations.  The choice to not run Worlds Collide live to me, seemed cowardly in not wanting to run in direct opposition to AEW, as well as disrespectful mostly to the AAA talents that were on the card, because they don’t get nearly the same exposure as all of the main roster and NXT talents do, and needlessly manipulating the airing of a show where they were going to get some larger billing, seems disrespectful and inconsiderate to their travel and effort.

I will watch the show when I get a chance, because I’m high on the AAA product, and anything they’re involved in is usually very fun and good quality, but massive egg on the E for handling this the way it was done.  Tf are you bean counting cocksuckers thinking?