I’d vote for that

So it’s been a little bit of time since the rise and fall of Renaissance, Georgia, ironically before it even got to be risen officially.  It’s actually been quiet since then, which means the twisted local government is either plotting their next attempt to deceive the people and roll something out without any of their representation, or perhaps they’re busy watching Netflix instead.  Either way, with the failure that was Renaissance, the name of the area remains the cold and callous sounding “South Fulton.”

And unless you’ve been living under a rock, Black Panther-mania has taken over the world for this hot second, and few people in the world can actually say anything bad about the ground and record-breaking film.  Needless to say, all things Black Panther has been on the tips of everyone’s tongues this week, as just about everyone in the world is still seeking out tickets and trying to go see the film for the first, or third times.

I saw this “joke” pop up on my old neighborhood’s Nextdoor account, and my first thought was “too easy.”  A city in the Metro area that’s like ~80% black wanting to call themselves “Wakanda?”  You don’t say!

But then I thought about how alternatives would have been shit like “Renaissance” or “Atlanta Heights” or something else shitty, and suddenly Wakanda doesn’t seem like such a bad option.  Not only is it ironically funny if it were officially in place, I have to imagine that just about every person who’s seen Black Panther at this point would be completely on board with it, thus eliminating the whole “you can’t change shit without us the people” conflict would be out of the equation.

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Thoughts on Black Panther

When mythical gf and I got to the theater and took our seats, they happened to be like in the third row and way off to the left.  Granted, theaters have come a long way to where it’s not nearly as bad closer up front than it used to be, and we had seats angled to face the screen that also reclined, so it could easily have been way worse, but there was a brief moment where I thought that it might’ve been preferable had we waited just a little bit and gotten more direct facing seats.

However, the following morning, I kept hearing from every interested movie goer that they couldn’t find a single theater that had any available tickets left for any reasonable showtime of Black Panther.  Showings were being shown as sold out just about everywhere across the Metro Atlanta area, and suddenly getting to see the movie when we saw the movie didn’t seem like such a bad thing after all.

Anyway, I have a lot of thoughts about Black Panther, and to cut to the chase, none of them are at all bad.  Full disclosure, I’ve never really been a fan of the comic book, and I’ve always held Black Panther on the tier of Marvel superheroes like Thor and Daredevil but still above shit like Iron Fist or Quasar, as properties that I knew existed, I knew their place in the Marvel Universe, but I just didn’t really give a shit about.  I liked X-Men the most, enjoyed singular properties like Iron Man and Spider-Man, and I’d been on and off with properties like the Avengers and the Fantastic Four. 

Needless to say, the prospect of a Black Panther film wasn’t something that excited me much when I heard about it, but the Marvel Cinematic Universe had made me capable of enjoying properties I was lukewarm about like Thor and Ant-Man, so it was also safe to be optimistic about a stand-alone Black Panther, especially with the exciting manner in which he was introduced in Captain America: Civil War.

I think it goes without saying that no single Marvel film has had the magnitude of hype that Black Panther has had, and there’s very obvious reasons of why such was the case, given the tumultuous social climate we live in today in the 2010s.  One of the challenges that I had during the hype, arrival, viewing and post-thinking of the film was creating separation between the film itself and everything that the film stood for in modern society.

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Exposing convenient revisionist history

With Marvel Studio’s Black Panther on the horizon, spouting all sorts of racial rhetoric about it being historic and things other than a comic book movie, Washington Post contributor Sonny Bunch drops Mjolnir on the truth of the matter: before Black Panther, there was Blade.

Obviously, Blade happened way before the Marvel Cinematic Universe, and long before there was an odd existence of Marvel movies between FOX, Sony, and whomever produced the turds of Ben Affleck’s Daredevil, Nicolas Cage’s Ghost Rider, and the poor Jessica Alba Fantastic Fours that I’m too lazy to expend the few seconds to Google.

But for all intents and purposes, Blade is still a Marvel property, and therefore seeing as how the title of the film is named after him, makes him the first ever Marvel production starring a black person in the titular role.  As much as the internet and the rest of the world really want to claim Black Panther is this evolutionary revolutionary, in the grand spectrum of comic book films, it’s really not.  It’s just another addition to a library that’s way bigger than lots of people want to believe, for the sake of pushing a very expensive agenda in order to expedite the recouping of a gargantuan budget.

I love this article because Bunch does a great job of anticipating arguments to his article, and stomps them out before they can even be made, like pointing out all the other films, as small and as obscure as they may have been, being made in ages prior to the current internet, that have long beaten Black Panther to the punch as far as identifying black directors, black soundtracks, and other black things that are especially under the microscope now that we’ve traversed into February, the vaunted Black History Month. 

I hope he dropped a mic after this piece went to publish.

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Content choice paralysis

I highly doubt it, but I wonder if I’m the only person who goes through this: I sit down to watch some streaming television, and after I open Netflix/Plex/Hulu/WWE Network, I find myself browsing and searching through these gargantuan catalogues of content, and before I know it, 45 minutes have passed, and the time I earmarked to watch some television is mostly gone.  A 60+ minute episode/movie doesn’t really fit into the schedule, and nothing I want to watch is one of those 22 minute shorts.  Ultimately, I end up watching nothing, but have added ten new things to the watchlist that I’ll inevitably ignore in the future and repeat the process all over again.

To say that there’s a wealth of content out there is an understatement.  The catalogues of crap out there are never ending, and the fact that it’s all over the internet reinforces the notion that it can be cycled in and out of circulation at the drop of a hat at any given time of the day, week, month or year.

This is why shows have such short lifespans, because the pressure to immediately succeed is so high, and failing to get an 11 out of 10 often times means cancellation, or falling by the wayside by the next avalanche of programming that’s waiting in the wings at all time. 

Frankly, it’s mind-boggling just how much stuff is out there, and I’m having a really hard time of keeping track of what’s decent, what’s not worth investing time into, and I’m finding that my standards are kind of molding into modern standards, because I’m not giving shows enough time to mature and develop, because they themselves aren’t giving themselves enough time to do such, and begin to suck, and I’m already thinking of what I could be/could have been watching instead.

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Star Wars: The Last Jedi thoughts (spoiler-free)

It was good.

Three-star Yelp review, A-OK. 

I walked into the theater completely blind, because I staunchly avoided seeing anything and everything in regards to the film because previews and even teasers give away more information than is remotely necessary.  I wanted to know jack shit going into it, so that I wouldn’t have any preconceived notions or expectations, and nothing but my own predictions formulated from the events from prior film.

The Last Jedi wasn’t the best installment of the series, but it was far from being remotely close to the trash that the first three episodes were.  I do not think it was not better than its predecessor, The Force Awakens, and if I had to rank the series, it would go as such:

  • Empire Strikes Back
  • A New Hope
  • The Force Awakens
  • Return of the Jedi
  • The Last Jedi
  • 37 pounds of cat poop
  • Jar-Jar I
  • Jar-Jar II
  • Jar-Jar III

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Photos: Dragon*Con 2017

[2020 note]: Among many of the things random visitors might be remotely interested in seeing, would be convention pictures from years past.  And of the several cons where I took my camera with me to take photos, Dragon*Con 2017 would be one of them.

I’ll be honest, this was a particularly trying D*C for me, and there was a lot going on in my personal life that was justifiably distracting me from having any semblance of genuine enjoyment during the weekend, and it was pretty evident as far as I was concerned.  But it wasn’t to say I didn’t enjoy the company of many friends that I did get to see.

However, the fact that there’s literally only a singular gallery from the convention itself should say enough about where my head really was, but there’s still some good stuff amongst the photo dump.

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When a movie is treated like more than a movie

I don’t really planning on going out and seeing Wonder Woman.  Not because I’m a sexist pig that refuses to support a film with a strong leading woman, but because I’m just not really that interested.  One, it’s a DC Comics film, and I know there’s a fallacy of predicting the future based on the past, but if the last few stinkers were any indication, it’s probably not going to be that great.  And two, the monumental amount of attention and press that this film has received, regardless of it was actually about the film or not, has put this movie on a plateau of expectations that I just don’t think can realistically be reached.

Had Wonder Woman just been released like any other comic book movie, I might’ve had more interest in seeing it.  I mean, this variant of Wonder Woman was introduced in such an epic manner, giving a modicum of life and interest to the steamer known as Batman v. Superman, that it really shouldn’t have been too difficult to expect that a stand-alone Wonder Woman should be just fine.

Now I know that as a man, it’s not really my place to speak on behalf of women, but I still have a lot of opinions on how the buildup and arrival of this movie has basically taken on a life greater than the film itself, and I think that it’s kind of unfair to the film and those who worked on it, that it’s being treated as anything other than a feature film that people will pay money to hope to be entertained by, and little else.

Don’t get me wrong, I think Gal Gadot is awesome.  If anything at all, I feel like I’ve been a fan of hers longer than most sudden Wonder Woman fans are, because I’ve enjoyed her throughout the later Fast & Furious films, where she plays Gisele, who isn’t just eye candy, but another strong female protagonist not defined by her role in the lives of men.  I know she served in the Israeli army, which explains why she’s so rock hard and convincingly tough, because she actually is, and nobody needs to give me an elaborate dossier for me to know that I appreciate her.

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