FEH’s game pass subscription is more like MEH

When I first heard that Fire Emblem: Heroes was introducing a monthly subscription “Feh Pass,” my initial reaction was more like, not mad… just disappointed.

I mean, there’s little reason to get mad about a gatcha game introducing more ways to make more money, because when the day is over, the ultimate goal of every gatcha game is to make money.  But like most F2P mobile games I ever come across, my goal is to always spend as little or no money at all.  At the very moment I’m writing this, I’ve played both Pokémon Go and Fire Emblem: Heroes consistently since their respective launch dates, and I’ve spent approximately a total of $14.99 in total.  Yet, I’ve gotten tons of enjoyment and have pretty stacked accounts in both games, mostly out of longevity, but the point is that I haven’t spent much money but still gotten just about all that I’ve wanted from them.

FEH has always kind of had kind of a pay2win methodology available at all times prior to the introduction of the Feh Pass, but it was still required to have some skill in the game’s mechanics, as well as the luck of the draw of actually getting the random characters that you’re aiming for.  But the Feh Pass, by virtue of giving those who pay for it an actual statistical stat boost, now un-levels the playing field, and truly becomes a game where you can buy superiority over players that do not.

However, I’m actually writing this after the launch of Feh Pass, and aside from the fact that I’ll always have this annoying glorified ad trying to get me to pay for a Feh Pass, in order to cash in on some rewards I’ve already fulfilled the requisite tasks for, it hasn’t really been all too intrusive to my every day playing of FEH.  I imagine that will change in time, as Feh Pass subscribers begin amassing more and more subscription exclusive character variants with stat boosts, and then I’ll start running into them in modes like Arena and Aether Raids, but for the time being, it hasn’t affected me yet.

Regardless of the inevitability of things like this, I’m still a little disappointed in FEH for going down this route.  It’s already basically the most lucrative mobile game in Nintendo’s portfolio, so to me this is like them just being greedy on top of being already greedy.  It’s not going to stop me from playing the game, but now I’ve got this automatic instant resentment for Feh Passers, and I’m looking forward to taking down these whales with my Klein+10 and three dancers cheese method.

I shouldn’t have left the house

Ever have one of those days where something feels amiss?  Like there’s a sinking feeling in your stomach or in your mind that something is off?  I can recall a few here and there in my life, and without much question, they’ve often times things have gone bad in some way shape or form.  But the important thing is to identify when days like this are transpiring, and knowing when to be extra careful with the little things, that might seem like auto-pilot in other times, like driving around.

I got pulled over for speeding on a road not that far from my house, because I mostly just wasn’t paying any attention.  I took for granted the typical behavior in which I drove on this particular road, and didn’t really consider the speed limit, and when I saw the cop standing in the middle of the road with his hand outstretched, I thought “oh shit,” and immediately knew what was happening.

Honestly, I’m not upset with the police, after all they’re just doing their job, and I happened to be in the wrong place at the wrong time, and I was the unlucky schlub who got caught.  I’m more upset with myself, because one, I should have identified how the day was going, because I had been in a funky mood the entire day prior, and two, I frankly didn’t even need to leave the house in the first place.  I went out, because I was bored, and I was on my way to go play some Pokémon Go because I thought it might cheer me up.

Yeah, I got a ticket for speeding while on my way to go play Pokémon Go.  It’s embarrassing to admit it, and it’s like the worst possible reason to ever get a ticket.  I wasn’t late for an important meeting, I wasn’t late to meet up for dinner or anything, nah, I just went out on a whim to try and go catch some Pikachus, and I got punished for my negligent driving while being out when I totally didn’t have to.

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This is what will get me back to real gaming

Call a spade a spade: creators of Left 4 Dead, now going under Turtle Rock Studios, announce zombie co-op shooter entitled Back 4 Blood; insist that it is not a sequel to Left 4 Dead

Turtle Rock can insist all they want, there’s little reason for anyone to believe that Back 4 Blood isn’t basically, Left 4 Dead 3.  The internet has already gotten their hold of the unofficial designation, and it’s going to be declared as such until it’s unofficially official.

That being said, it’s about fucking time there’s been a sequel to Left 4 Dead 2.  L2D was getting to the point where it was basically just like another one of Valve’s iconic games that fans have been begging for a sequel of in Team Fortress 2, and no amount of fan-made maps or campaigns would be able to fill the void that was official, canonic content that everyone demanded more of.

In spite of their claims and insistences, which I’m guessing is kind of their way of trying to temper expectations and hedge their bets, the bar that’s set for Left 4 Dead 3 Back 4 Blood is going to be monumental.  There are few games in the history of video games that I played more than both L4Ds, and despite the fact that I haven’t really played a console game for the better part of the last two years, I could very easily see myself coming back to it, for a sequel to the beloved “zbs” that was indicative of playing L4D, probably 340 out of 365 days of the year, for at least 3-4 years.

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Hi praise for Hi Score Girl

I really wanted to say that it was surreal to be binging on an anime again, as if it were the year 2000, but that wouldn’t be that accurate.  Within the last year alone, I watched stuff like the last two seasons of Initial D, and I watched through Kakegurui on Netflix, so I have in fact watched some anime beyond 2000.  Regardless, over the last week, I binged through an anime series, and as if I were 16 years old again, I’m looking forward to when Netflix gets the reigns to the rest of it.

I’m going to assume it’s either Castlevania (which I guess would have classified as anime) or all the Mighty Morphin Power Rangers episodes I’d been watching over the last few months that prompted Hi Score Girl to populate in my recommendations on Netflix, but I guess I have to admit that Netflix does kind of know me, because the preview got my attention enough to where I’d fast track and actually watch it, as opposed to putting it into my list and then never actually watching it until like a year later.

And I absolutely loved it.  Without question, Hi Score Girl is a love letter to old school video games and video game culture, and all too often, I felt rushed back to my own childhood watching the daily gaming mania and obsession with video games of Haruo Yaguchi.  I was super into Street Fighter II, and I poured hours upon hours into the game, and at differing points of my life, thought I was the best player in the world, until I went to the arcade and occasionally got my ass handed to me by players better than I was.  I can’t say I was as maniacal about improvement and wanting to be the best, but I’m still attuned enough to gaming culture to completely understand and relate to some degree.

Intertwined through all the gaming nostalgia is a sweet and fairly innocent love story between children growing up, and the trials and tribulations that come with different classes in school and society, the expectations of a family name, and the innate need and want to simply live our own lives.

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DDR the Movie: How bad can it really be?

For some reason, Konami has given the green light for a Dance Dance Revolution film to be created… with a general plot of how the “world is on the brink of destruction where the only hope is to unite through the universal language of dance.”  Or whatever the hell that is supposed to mean.  But yeah!  Film about DDR, a video game where people mash buttons in step to music, with their feet, in an attempt to emulate, dancing.

It goes without saying that this sounds like a colossal flop waiting to happen, but then again Konami, much less the entire video game industry hasn’t been known for success when it comes to translating gaming franchises into somewhat passable films, with few exceptions.

Really though, I’m extremely curious to know what kind of plot a DDR film could possibly have.  If anything at all, I’d imagine the world needing to all start dancing at the same time in order to save the world would have more of a detrimental effect on a planet, what with 6 billion people stomping their feet on the surface simultaneously, creating loads of seismic destruction across the globe, but whatever.  I really hope that there’s some shade thrown to DDR players that hold the rail, because I feel like they’re the ones that have effectively ruined the franchise by making it not so much about the dancing aspect, but the obsessive requirement to get high scores and succeed at clearing stages, even if it makes them look like kids learning to roller/ice skate for the first time in their lives by the way they lean and hold onto the rails for dear life.

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The retro gaming fad is stupid

Let me clarify: I don’t have a problem with playing old video games on old consoles.  I do however, have a problem with video game companies throwing in the towel on creativity and effort, and simply repackaging old hardware and software, calling it retro and then selling them at prices that don’t exactly match the end product, all in the name of preying on the nostalgia of nerds like me and around a similar age.

Nintendo made ludicrous amounts money selling miniaturized versions of both the NES and the SNES systems that are basically glorified emulators with a safe set of classic games, most of which weren’t really that high in demand.  Sony decided to hop on the same boat and announced the creation of a miniaturized Piss1 console that will basically be the same thing with Playstation’s early library.

More recently, the software companies themselves have decided to produce such retro collections, such as Capcom releasing their Beat ‘Em Up Bundle, which is a bunch of ROMs of some of their unlicensed side-scrolling fighting games.  And just a few days ago, I saw that Konami has decided to re-release arguably the most successful Castlevania game of all time, Symphony of the Night.

Undoubtedly, all of these things have and will continue to make money, because if they were projected to not make money, they would never be happening in the first place.  But the fact of the matter is that I can’t help but think that this is all really stupid, and I can’t help but cringe at the idea of so many people, and plenty that I know personally, who are going to take the bait and spend absurd amounts of money for systems and games that we evolved and moved away from, for a reason.

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Photos: Dragon*Con 2018

[2020 note]: this is unposted content from 2018’s Dragon*Con.  I actually sat on these photos for nearly two full years, because as my post-2018 Dragon*Con post alluded to, I had kind of a forgettable time, and I skipped out in 2019 to zero regrets, and had no plan on going to 2020, even if coronavirus weren’t a thing.

It wasn’t until I began to chronologically catch up to Dragon*Con 2018 did I realize that I never touched the RAW photos, and I broke my posting stride just to make sure that these didn’t slip through the cracks and never get posted.

Looking back at these photos, the sheer fact that there are only 60 photos should be sign enough of just how unenthused my heart was going into this convention.  I used to want to shoot hundreds of pictures, but a combination of my inability to enjoy the con, not really seeing things that make me want to shoot, and I guess being at the wrong places at the wrong time to not see the things I wanted to see, leads to a really small photo count.

But it’s the ones with friends that matter the most, and ultimately I’m okay if there’s more of those photos than of people I don’t necessarily know.

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