El Grande Americano: how can you not be romantic about lucha libre?

I never really wrote about it because I just never really had the time or the opportunity or the perfect timing to put my thoughts to brog about it, but I’ve been a fan of El Grande Americano since Chad Gable first put the mask on and began parading around as an obvious goof on lucha libre as well as Mexican culture.  Not because it was a goof on Mexican culture, but the sheer hilarity of the notion that Chad Gable put a silly mask on and worked with the expectation that nobody would know that he and El Grande Americano were one and the same, despite the fact that the ring attire was almost entirely the same save for the tassle-ey boots.

It was a little bit of a throwback in a time where fans and followers of the industry are smarter and more connected than ever, and for the most part, the WWE had figured out that fans actually appreciated it more when their intelligences weren’t being tested, but El Grande Americano instead did go back in time, and for weeks and months, Chad Gable would often be performing double duty on television, as regular all-American Chad Gable, and then acting as if El Grande Americano were a completely different human being outright.

And under the El Grande Americano mask, he would clown and he would cheat, but the fact of the matter was that he was starting to win more matches, and I’d never been more entertained than when he started putting the metal “plate” into his mask and using loaded headbutts to win matches underhandedly.

But then Chad Gable got hurt, with some sort of shoulder injury, and my immediate reaction was, what’s going to happen to El Grande Americano???  Fewer things are more deflating in the world of professional wrestling than when a talent finally begins to start to gain some traction and momentum with a gimmick that appears to be working, only to be derailed by injury.  As a fan, I felt crushed for Gable, whom I’ve often been high on as a worker, as well as the fact that he really was beginning to blossom into an entertaining personality as well, only for an injury to completely derail all the hard work that was starting to pay off.

I figured the El Grande Americano storyline was going to die right there without its rightful mask wearer.  Even when the also-underutilized Marcel Barthel AKA Ludwig Kaiser took over the mantle in a second-tier goof of Who Is El Grande Americano, I figured this was an instance of Ludwig basically taking over the mantle just so that they could tie up loose ends with the persona and eventually kill it off, so that El Grande Americano didn’t just abruptly vanish and make it obvious for the two fans out there that didn’t actually know the identities that El Grande Americano was Chad Gable.

I don’t know how much the creation of the El Grande Americano character coincided with the E purchasing Mexico’s AAA promotion, but when the E really started to take over operations of AAA, it was very apparent that there was no better place for the El Grande Americano persona to apply their trade than there, since he was basically the anti-luchador, pretending to be a luchador, going up against real, authentic luchadores.

And at first, El Grande Americano did his job as was to be expected; being booed the fuck out of Mexican venues, by Mexican people who were supposed to be incensed and offended by a guy who was obviously not even Mexican, pretending to be a luchador, cheating and defeating actual luchadores.  And it didn’t help that he was aligning himself with Dominik Mysterio, who was supposed to be the rudo (read: heel), invading AAA and setting his sights on the AAA Mega Campeonato, and even went as far as helping him upend El Hijo del Vikingo for their top championship.

But the thing is, Mexican fans really loved and really popped for all of the WWE talents that were crossing the border to make appearances for AAA, and in spite of their expected alignments, Dom was getting pops that were almost Stone Cold Steve Austin in the 90s-level in Mexico, and everyone in his gravitational pull, including El Grande Americano was benefitting from the proximity.

Continue reading “El Grande Americano: how can you not be romantic about lucha libre?”

I haven’t felt this disconnected to the WWE since my parents took cable away

This is something that I’ve often wanted to write about, but mostly on account of the chaos that is my life, and/or not feeling like writing about it when I actually have a few minutes to write, it’s just constantly been put back on the shelf

And then other things would emerge from the passage of time, in the WWE universe, and my general notes of what to write about when I get to it modifies, tweaks and I always hope it stays connected enough to where I can consolidate it to all one singular post instead of branching out into separate ones that give me anxiety of an ever-growing topic list of things I want to brog about if I ever had the time (and the drive).

But as the topic of this post clearly states, I’ve never felt so disconnected from my general fandom of the WWE and professional wrestling as a whole, than I am feeling these days.  By now, it’s no secret to fans that parent company TKO has done a number of things that have gotten the attention of fans of the industry, such as cutting a large swath of the WWE roster, reports of requesting massive pay cuts out of those who are still left, and the subsequent voluntary departures of others who did not want to yield their contractually obligated salaries, among numerous other acts of The Man.

Television, which for me is currently limited to just RAW on Netflix, because I don’t want to pay for ESPN Unlimited for PLEs, I don’t want to pay for Peacock for sporadic SNMEs, and I don’t want to pay for whatever service is necessary in order for me to be able to watch theCW for NXT and FOX for Smackdown.*

*I don’t want to jinx it, but there’s also AAA, free on YouTube, which has been extremely gratifying to watch, as it fills a metaphorical void left behind with the closure of NXT UK, where it’s a smaller, grassroots territory with a ton of talent and I’ve been enjoying its product immensely, especially since the book was given to the Undertaker

RAW is next to unwatchable nowadays because at least 65-69% of the broadcast is commercial breaks, stacked on top of the near cartoonish amount of ads that are strewn about the guardrails, on the ring apron and printed on the mat itself.  Wrestler entrances are what really makes wrestling into pro-wrestling, and almost every match has one superstar getting the shaft of having their entrance covered up by 7-8 minutes of commercials.

I genuinely don’t remember the last time I saw Roxanne Perez’s entrance, Io Sky seems to have fallen down to the tier that is at risk of having commercial break entrances, and the New Day’s fantastical entrances have been on perma-commercial break.

Speaking of the New Day, they’re probably the most notable names to emerge from recent events as talents who refused to budge from their contractually obligated compensation, and were subsequently forced into departure as a result.  In one hand, it makes me really sad to see Xavier Woods and Kofi Kingston leaving, but in the other, I’m so proud of both of them for sticking up for themselves, their worth and basically saying fuck no to TKO.

Normally, I think AEW’s track record of converting those who jump into lasting successful results isn’t very high, but if there’s ever been talents that probably have the potential to make a noteworthy splash, it’s The New Day’s who will obviously have to change their names, but the field has been set up to embark on a list of what-if programs, with FTR, Edge and Christian Cope and Cage, and of course, The Young Bucks.  And if they can somehow miraculously both pry Big E away from the E, and get him medically cleared, insert Kenny Omega into the mix for the long-fantasized Elite vs. The New Day.

Speaking of departures, the recent departure of Asuka under ambiguous circumstances was another massive blow, as far as my fandoms were concerned, because there were few more talented packages in the women’s division than Asuka.  Reportedly, she’s not released, she’s not quitting because of salary cuts, but I can’t help but feel that such things weren’t in her head when she chose to step away for a spell.  The firing of her partner Kairi Sane while in the midst of an active storyline, and the lame duck finish to an interesting arc are probably things that she considered, regardless if she refuses to admit.

And just in general, the quality of the product has gotten really poor, in general.  A lot has been made about the reduction of house shows and live events, and yeah it’s great that the talent doesn’t have to kill themselves on these televised events, but it’s not like these events existed solely to cash grab smaller towns.

Live events are basically live training and practice fields for talent to work things out and practice and grow chemistry with their partners.  When you take a lot of these events away, talents have less opportunity to build rapport and practice spots and move sequences in real time, and when it comes time to do them on live television, the results have been noticeably more sloppy.

Take for example, Sol Ruca.  Frankly, I think she is the very obvious face of the women’s division in the future, but her recent demotion promotion to the main roster has been anything but impressive.  And it’s not really any fault of her own, she’s been booked to lose to all the current mainstays, which is not illogical, but when you’re trying to build up a callup, jobbing them to oblivion isn’t the way to go.

But it’s the fact that she’s been thrown to the wolves with very little rapport building with the likes of Liv Morgan and Iyo Sky, both of whom she’s already lost to, but the matches were clunky, disjointed, and way below the standard that the level of talents should be capable of.

The reason why Sol was such a standout in NXT is the quality of the matches she had with all the girls down there, but the difference is that down there, Sol and all the other girls worked out a ton at the Performance Center, NXT runs live events throughout the state, and Natalya Neidhart runs an open training facility for all the local talent.  But on the road with the main roster, Sol has looked exposed and completely devoid of chemistry, because there’s frankly not enough opportunity for it to build.  On paper, there’s no reason why she should have clunkers with the likes of Iyo Sky and Liv Morgan, but if they’re not getting enough reps in off-camera, then it’s definitely going to show on-camera.

Overall, at a holistic level, it just feels that there’s an overwhelmingly oppressive amount of corporate meddling going on in the WWE by their parent company, and although the likelihood of the same result occurring being very low, seeing as how the E is still a veritable money printer, I get a lot of vibes of WCW’s tail end, with how much corporate meddling going on.  AOL Time Warner’s constant interference, and standards and practices basically killed WCW by a thousand cuts, and every time I hear or read some inkling of the corporate meddling by TKO to the WWE, I keep seeing some dudes named Ari and Shapiro at the root of some decisions that indicate that they really have no idea how to operate professional wrestling, and it always feels like there’s always some dude named Shapiro involved whenever it comes to money micromanagement in any arena, be it wrestling, baseball, or any other multi-million dollar industries.

The bottom line is that the WWE has been really, really hard to want to continue to support, and I feel this nihilistic line of thinking that TKO is really deliberately trying to alienate older, passionate fans of the product and industry, preferring to draw in fresh and younger and looser with their money audiences, which isn’t necessarily a bad strategy, but one that can only have fatal consequences down the line for when the ADD-ness of them all decides they don’t like, or wants to cancel wrestling.

There’s a popular saying that, nobody hates X more than X fans, so in this case, it would be that nobody hates wrestling more than wrestling fans, but I used to jokingly add “and Bret Hart” to the end of it, since ‘ol bitter Bret has absolutely nothing positive to say about the current state of professional wrestling, but nowadays, it seems like it’s more accurate to say that nobody hates wrestling more than TKO, because it just feels like with their obsessive pursuit of profit, they’re absolutely killing a property that has proven for generations how profitable and sustainable it can be, when managed by the right parties.

Backlash came and went, and it was one of the first PLEs that I didn’t watch in a while.  I tinkered with VPNs for the Royal Rumble, and plunked down a month for ESPN Unlimited in order to watch Wrestlemania, but the way Backlash’s card set up, it just didn’t look like it was even worth the effort to try and swindle my way to watch it por gratis; apparently my assertion wasn’t wrong, as it turned out to be a very mid card.

The last few weeks have been hectic for me, and I missed RAW last week and didn’t feel like I missed anything (I didn’t), and the latest episode, I kind of watched it for lack of anything better to do with that amount of time, and as I’ve been saying to mythical wife who’s often sitting next to me while I’m watching, the worst part of every Monday night is when I catch up to the live feed, because that means I’m not subject to have to watch the commercials.

As a wrestling fan, I’ve put up with the loss of kayfabe, the steroid scandal almost killing the business, oversaturation of product, AEW’s fans, Katie Vick, the Gobbedly Gooker, and all sorts of shitty stories, wrestler deaths, and tasteless storylines, and stuck around.  But at this current trajectory, there is a very realistic possibility that I’m just going to stop watching RAW, because all the commercials just makes it unbearable, and when it is on, the quality of the performing going downhill isn’t going to help its cause.

Going back to the title of this post, I just haven’t felt this alienated from something I’ve loved for as long as I’ve almost been alive, and it’s kind of sad, and I would wager that I’m not the only one who’s feeling this way out there.

Praise for NXT Halloween Havoc

Over the last few year and change, there’s been a lot of hullabaloo surrounding the state of the WWE following the company’s sale and eventual restructuring into being an arm of their new parent company TKO.  Questionable decision making as far as staffing, personnel and eventual booking choices, but more primarily how they’re killing the WWE with their flagrant price gauging, cost increases across the board on tickets, merch, and various other microtransactions, masterfully finding each and every nickel and dime to bilk out of wrestling fans.

I often said to my friends that I didn’t really feel impacted by much of it, because I had little interest in going to any live events; I’d been to Wrestlemania twice now, and numerous other ppvs when they were still called ppvs, and at the prices of tickets these days, I would way rather just watch from the comfort of my own home.  Over the summer, I went to NXT’s Great American Bash, solely based on the fact that it was at my favorite venue (Center Stage), but after paying $130 for almost literally the last row of the venue, only to be seated next to 1.75x of humanity, I almost want to swear off going to WWE shows outright, fearing a similar fate the next time I plunk down grown up money just to be in attendance.

Additionally, I would say to my friends that as long as TKO doesn’t fuck around with my viewing experience, then I don’t really have many qualms with how they’re operating the company.  But over the last few months, WWE PLEs have all been shifted over to ESPN++ to some new tier that I can’t get access too without actually having to pay money for it, so I’ve missed the last two major events.  NXT remains on CW which I don’t have access to in a streaming capacity, and I haven’t seen an episode of Smackdown in years because I don’t have the means to watch whatever channel they’re on now.  RAW on Netflix is still available to me, but the production of the show is really wonky and weird, and it’s hard to stay engaged when they’re being so flagrant with performing at 60% so that they can save their ammo for the next PLE.

In other words, TKO has been fucking around with the viewing experience, and it definitely sucks as a fan.  Not knowing what shows are on what platform, if I can even watch them or not, and if and when I can, there being paywalls in order to see things as simply as storyline promo packages and performer entrances.  Obviously, I’m not going to swear off wrestling by any stretch of the imagination, but I am entitled to air out my grievances about the state of the WWE when I find their operational conduct to be annoying.

All that said, I wanted to chirp a little bit about how much of a breath of fresh air NXT’s Halloween Havoc felt like, because it definitely felt like a positive reprieve from the suffocating corporate cloud that the main roster WWE has been feeling like over the last year.

It was on Peacock, which had the occasional commercial break here and there, but the show as a whole had a banger of main song that they spammed throughout the evening, and the replay showed all the promo packages, which helped a viewer like me who can’t actually watch NXT to the minute, to catch up with what to expect in the show.  The show itself was at a smaller venue in a part of Arizona that I’d never even heard of, but it looked like the type of show that I’d have definitely been interested in going to, because it wasn’t a mega arena, and it wasn’t in a clusterfuck of a place like Atlanta, and looked like a fun place to watch wrestling.

And of course, the matches were all pretty entertaining.  Call me crazy, but sometimes some matches don’t really have to have a convoluted storyline behind them, and you can really just take a bunch of entertaining workers and throw them in a match together to great effect, and that’s how I felt with the opening match of Je’Von Evans and Leon Slater vs. La Parka* and Mr. Iguana.  No real story, just an NXT guy teamed with a TNA guy against two AAA guys, and they tore the house down to open the show.

*What’s funny is that on this exact date, there was a Lucha show in Atlanta that advertised La Parka on the card, so I’m amused by the fact that one of these shows got the actual current La Parka, while the other got an imposter, or they’re up to like La Parka IV or V at this point, like the Villanos, but whomever NXT had that night was wayyyy too talented of a La Parka than what fans of his from WCW might have remembered.  Motherfucker was doing picture perfect Asai moonsaults out of the ring and press slams into gutbusters, a far cry from the dumpy fat luchador in WCW that swung a chair and strutted his way to the bank.

Mariah May Blake Monroe got to flex a little bit of her actual wrestling skill in her win against Zaria for the women’s North American title, and I’m pleased that she’s allowed to do some of the work that elevated her so much in AEW, and I really enjoyed Ethan Page’s match against El Hijo de Dr. Wagner, and despite being the heel, Vic Joseph’s commentary about how much of a fighting champion Page has been, it’s hard to not respect the work the man puts into the business.  But the match had some really brutal spots, and it was enjoyable from start to finish.

The Hardy Boyz vs. Darkstate was an entertaining disaster, even if I don’t believe in all at the long-term viability of Darkstate.  They’re like a Temu-grade Shield, with less charisma, but given the fact that the Hardyz are still TNA guys, it seemed likely that they were going to have give those NXT blets back sooner rather than later.

Honestly, it’s not that the Ricky Saints vs. Trick Williams match was necessarily bad, it’s just that other matches on the card were more entertaining and compelling, that theirs just kind of didn’t stand out in comparison.  Both are talented workers, but in the context of the evening their fairly vanilla wrestling match just wasn’t as exciting as all of the matches that preceded it.  Plus, the finish seemed really wonky and almost rushed, and when it was over, I was just kind of like, that’s it?

But let’s really talk about Tatum Paxley’s ascension to the top of the mountain, beating Jacy Jayne for the NXT Women’s championship.  Firstly, I do want to give my flowers to Jayne for a respectable run with the top prize; I know her win was a surprise, considering she beat the aura-filled Stephanie Vaquer, but I didn’t hate it, because she was a solid hand that was easily the most talented worker of Toxic Attraction, and I always like seeing hard workers get rewarded with solid pushes.

However that being said, the same could very easily be said about Tatum Paxley, whom I get some Liv Morgan-like, love of the game vibes from, and like Jayne, her hard work has been noticeable and palpable over the course of the last 12+ months, and I’m pleased to see her get this honor of getting to be the women’s champion.  I think she’s more athletic than Liv ever has been and works pretty cleanly in spite of her general level of experience, but her character work and portrayal of the weird but talented goth girl seems to have captured the audience, and I’d be lying if I didn’t stop and let the look linger on her; she’s cute as hell.

But when she won the title, I definitely got those similar vibes to her championship that I felt when Liv won the women’s title for the first time, or when Iyo won the World championship the last time; it was a sense of satisfaction that a hard worker was getting their justly reward.

Overall, Halloween Havoc was a breath of fresh air of how good the WWE is capable of operating in a manner that I wish were the norm all throughout the company, and not just in NXT.  It kind of reminds me of that period between 2016-2017 where NXT was just firing on all cylinders so well that it was clear that they were the best brand in the company.  Look forward to the next NXT event, that is until they’re spontaneously sold off to start showing on like Tubi or Fubo or some other rando platform.

Why the Mercedes Mone blet collector gimmick isn’t as impressive as it looks

When I saw that Mercedes Mone was scheduled to fight Zeuxis at their Grand Slam Mexico show, I knew right away that Mercedes was going to walk away with yet another blet.  That’s the problem when someone is booked so invincibly over the last two years, that after a little while, no match seems remotely debatable to what the outcome is going to be. 

And I know that the mouth-breathing troglodytes of the internet wrestling community are always debating on whether or not Mercedes has creative control (AKA makes the call on their own wins and losses), and I really don’t care enough to seek out the answer for myself, but it’s also not like those who believe she does have it, doesn’t have reason to believe it.

Typically, I love blet collector gimmicks, and as a collector of wrestling blets myself, I always appreciate seeing it done in actual industry storylines.  I loved when Ultimo Dragon walked out of Japan with ten championship blets at the Super J-cup, I was a big fan of when Lance Storm when on a collecting spree upon arriving in WCW, winning the United States Canadian championship, the Cruiserweight 100 Kilos or Less championship, and the Hardcore Saskatchewan Hardcore Invitational Title in short order.  I loved when The Miz was holding both tag team championships at the same time as holding the United States championship, carting three blets out every show.  Even though he turned out to be a colossal asshole, I liked the journey of Austin Aries amassing a bunch of blets, and I was a big fan of when Matt Cardona became the King of Independent Wrestling, collecting blets like he were Ultimo Dragon.

AEW has dipped into this well a few times already, with Kenny Omega holding three world championships concurrently (AEW, AAA, TNA), as well as when FTR had their greatest year ever, holding the ROH, AAA and IWGP tag team championships, and I did enjoy those as well, in spite of my oft-criticism of AEW as a whole.

Which brings us to the present, where Mercedes Mone has been hoovering up blets like Thanos collecting Infinity Stones, currently carting around six straps: AEW TBS championship, RevPro Women’s championship, Queen of Southside blet, the AEW Owen Hart Memorial women’s blet, the EWA Women’s championship, and the freshly won CMLL Women’s championship.

Ordinarily, six blets does sound impressive, but my issue is that several of these blets are mostly useless, and (are trying to) make her look more impressive than she really is.  In my opinion, the TBS, RevPro and CMLL straps are the only ones with any actual value, but the other three blets are basically decorations and aren’t real championships:

  • Owen Hart Memorial Championship – this is strap that is awarded to a tournament winner, and isn’t actually defended. Britt Baker carried it around for two weeks tops after winning it the first year, as was the case with Mariah May a year ago, before dethroning Toni Storm for the actual AEW women’s championship.  While Mercedes is still lugging the women’s strap around to boost her blet count, the men’s winner Hangman Adam Page held the men’s strap for two seconds to acknowledge and pay respect to the late Owen Hart and then gave it immediately back.
  • Queen of Southside championship – I don’t follow the British scene much, but a little research shows that the Queen of Southside championship was deactivated in 2019, with its actual value being merged into the RevPro women’s championship. Not sure why the physical blet was still being hauled around six years later, but because it’s been kept around that long, means Mercedes is more than happy to do the same, again to make her look more impressive than she is.
  • EWA women’s championship – I’d never even heard of EWA in my life prior to Mercedes winning their women’s championship, but I suppose that is the point. Based out of Vienna, Austria, they’re an indy promotion more than happy to utilize Mercedes’ name to boost their exposure, and she’s more than happy to carry their championship in order to boost her collector status, even if this is basically the equivalent of Norman Smiley invading a backyard wrestling group and absconding with their tin foil championship blet

In all fairness, the three that do have value, are still respectable championships, and put her on a similar tier of collector as Kenny Omega and FTR, but I just don’t like the fact that she’s hauling around three blets that are mostly useless with the intention of making her look more impressive than she actually is.

Frankly, AEW/ROH missed the boat on really boosting Mercedes’ odyssey by not having her go after Athena’s ROH women’s championship, after their actual banger of a match a few months ago in the Owen Hart tournament, but considering Athena has been champion for over 800 days, it’s evident that they didn’t want to job her out just for Mercedes’ burgeoning ego trip, nor did they really want to cannibalize within their own ecosystem, at least not yet.

Instead, they’re going to feed their crown jewel to Mercedes, when Timeless Toni Storm, not long removed from winning back the AEW Women’s championship, will effectively become a transitional champion when she has to drop her blet to Mercedes, capping off the insane run of blet collecting.

Frankly, the real interesting story is going to be, when inevitably all the partner companies start wanting their blets back, what is going to happen with Mercedes.  Her whole career can mostly be defined by her massive resistance when it comes to taking L’s, which is undoubtedly the biggest reason why Sasha Banks left the WWE, and since she became Mercedes Mone, has almost never lost, and in fact has taken a fall just two times in the last three years, with one of them being on account of an improvised finish due to legitimate injury.

So it’s going to be a real telling story when RevPro, CMLL want their championships back, and it’s going to be an even more telling one when minor leagues like EWA wants theirs back, and Mercedes is going to be expected to not win a match in some backyard fed in Wien.  The Owen Hart strap will just magically disappear in the mass exodus, but ultimately all that’s really going to matter is the AEW women’s championship, which will undoubtedly be the last blet standing.

But still, Mercedes will be expected to do the business back to all the partners who have been helping boost her, and as history as shown us in the past, we can’t be too sure on if that’s going to work for her – brother.

The best advertising, is free

That’ll get the brand out there: US border agents uncover $4.6 million dollars’ worth of meth hidden inside of numerous The Home Depot signature buckets

That’s one of the downsides of slapping such prevalent branding onto very useful and utilitarian things like 5-gallon buckets; occasionally, someone’s going to do something bad with them, and next thing you know, your company’s name is being mentioned in the same breath as terms like “methamphetamine” and “cocaine.”  Then there will be all sorts of people who will waltz into a Home Depot over the next few weeks and point and snicker at the stacks of 5-gallon Homer buckets for sale at every store in America and wonder if it comes with any meth.

Forget about the hilariously futile attempt by some shitty drug runners to try and hide 216 lbs. of meth inside of a couple of buckets, because that’s a lot of fucking meth to be hauling inside of a single Ford F-150.  I mean seriously, didn’t they watch Breaking Bad?  Gus Fring barely smuggled like 2 lbs. of meth inside of entire shipping trucks, and that was dunked inside of fry batter and hidden among 100 other buckets inside of a refrigerated truck.

It’s the fact that they used Home Depot’s bright-ass orange buckets and thought nobody would notice these plastic cylinders that are brighter than the fucking sun, and maybe hoped it would be so obvious that nobody would look, but then they tried to smuggle over 200 lbs. of likely shitty pre-Walter White grade meth over the border.

Regardless, I had to smirk and laugh to myself when I saw this story, because inadvertent as it may be, it’s impossible to not disclose The Home Depot’s name when describing this story, and I like to think that somewhere at HQ, sure they’re not worried about it affecting their bottom line, but still wince and cringe at the simple fact that their brand, name and identity is momentarily attached to drug runners, meth and trafficking.

But hey, there’s no such thing as bad advertising, right??

Right on so many levels

Love this so much: Mexico City science teaching assistant discovers ways to engage students’ attention – by dressing up as Spider-Man.

This right here, is some absolutely amazing (no pun intended) ingenuity and outside-the-box thinking.  Students of today ADHD and Ritalin generation have no attention spans, and need shiny objects and fluffy curriculum to hold their hands into growth.  They’re also being raised to believe that the only acceptable movies out there are all based on comic books.  What better way to kill two birds with one stone than teaching dressed as a comic book character?

This guy, Moises Vazquez, hits the nail on the head on so many levels that absolutely love it.

Continue reading “Right on so many levels”

Spoilers: True Detective Season 2 talk

Introductory sentence to explain that I am going to talk about True Detective plot points now that the second season has recently concluded.

There’s a lot to say in regards to the finale of season 2 of True Detective.  Agree, that it was overall way weaker than season 1.  Agree, that it was disjointed, filled with weakly-written characters, unmemorable characters that make the viewer go “who the fuck is that?” And agree, way more analogy and veiled commentary over plot.

There’s no sugar-coating it, season 2 of True Detective wasn’t that great.  Not in comparison to season 1, with Matthew MacConaughey stealing the show with his broody detective-turned-vigilante, but it just wasn’t that great in general.

Continue reading “Spoilers: True Detective Season 2 talk”