Tag: wwe

I guess too much salt can be a health violation

~ dannyhong ~ Leave a comment

There is a remote possibility that at some point in the life of the brog, that I may have posted about this place in the past.  Either here, or on one of my social profiles when I was probably trying to be funny.

Either way, the thing is, I know exactly where this place is, seeing as how I used to be a resident of the south side of Metro Atlanta.  I used to live within reasonable driving distance to this place, and I in fact used to shop at the grocery store that was in the same plaza occasionally.

That being said, aside from the fact that the place is clearly named after the legendary WWE superstar/manager, it’s my familiarity with the place that adds to my general amusement of the fact that Mr. Fuji Japanese Steak House somehow managed to get a staggering 18 U rating on their State of Georgia Food and Safety Inspection score.

I mean, it seems pretty apparent that the food rating grading scale isn’t that far off from general public school grading scales.  100 the obvious goal, 90-99 is generally positively looked upon,* 80-89 being that solid B that lets patrons know that they’re still mostly safe, 70-79** being that dreaded C grade that might make a patron reconsider their choices, and anything below that would probably have someone who walked in the door turn around and leave immediately.  Frankly, that latter rating probably means the business has to shut down and address all transgressions until they’re legally allowed to operate again, but I don’t care enough to verify.

*unless your parents are Asian in which you’ve disappointed them for not just being perfect, but that you were probably 1-2 careless errors away from it

**writing this all out makes me realize that restaurant grading scales really is more Asian than American, because once you hit that C or below, it might as well be first-degree murder

So with all that in consideration, massive props to Mr. Fuji for violating so much shit that they got an almost unbelievable 18 score.  I remember back when I was in the 3rd grade and really struggling to get my multiplication tables, we had these daily drill worksheets that had like 100 math problems, and we all had 3 minutes to do as many of them as we could.  And the class had this board with every student’s name on it, and upon successful completion (80% or higher), students would get a sticker and advance to the next level.

I’m not sure how much this would be deemed acceptable in today’s standards, but like I said I struggled tremendously, and I got hung up on the third worksheet for the longest time.  One can imagine the number it was doing to my self-esteem to see the class chart when I was the last student stuck on level 3, while the rest of my class was pulling more and more ahead with each successive day. 

Eventually, multiplication just clicked for me and I would eventually go on a heater where I smashed #3, caught up to the rest of my class, and actually surpassed some of my peers before the entire introduction to multiplication drills came to a conclusion.

However, unnecessary as it was for me to write out that last paragraph beyond trying to ensure that any of my zero readers doesn’t think I’m still a mathematical luddite, backing back up to the point of why I brought up that nostalgia in the first place, there was once a day where while I was still struggling on #3 for probably the 11th time, I had bombed so badly that the teacher X’ed out the first ten or so wrong answers, and then just scrawled a giant red X throughout the rest of my worksheet, even though I did have 9×9=81 correct, because for whatever reason that one always stuck with me.

My teacher was that disgusted with my performance, that they basically threw in the towel on my worksheet that day, in exasperation.

I feel like whatever inspector came into Mr. Fuji to do their safety check, probably had to have hit a point throughout their visit, and just scrawled a giant red X on their checklist, before remembering that they were doing a state-mandated task, and then being thorough with their inspection, and writing down all the infractions as ticky-tack as “employee’s personal effects too close to food service area” to “entire planet of mutant cockroaches discovered in food storage areas.”

But 18 is a pretty legendary score of futility.  I remember teachers in the past would tell all the delinquent students who had a tendency to not do their work or turn things in outright, that a 60 F was still better than a zero in the grade book; sure 18 is going to be better than a zero for state safety inspections, but in this case, not by a whole fucking lot.  It’s like doing the SATs, writing down your name and banking those 100 points, but then turning in a blank scantron at the end.

Either way, pour one out for Mr. Fuji, as well as Peachtree City.  As a former resident there, I can tell you that there’s almost no diversity when it comes to eateries down there, and Mr. Fuji was probably one of the only places down there to get anything remotely tasting close to a flavor of the wondrous Orient, short of making it one’s self or befriending any of the Japanese residents that worked in the area.

El Grande Americano: how can you not be romantic about lucha libre?

~ dannyhong ~ Leave a comment

I never really wrote about it because I just never really had the time or the opportunity or the perfect timing to put my thoughts to brog about it, but I’ve been a fan of El Grande Americano since Chad Gable first put the mask on and began parading around as an obvious goof on lucha libre as well as Mexican culture.  Not because it was a goof on Mexican culture, but the sheer hilarity of the notion that Chad Gable put a silly mask on and worked with the expectation that nobody would know that he and El Grande Americano were one and the same, despite the fact that the ring attire was almost entirely the same save for the tassle-ey boots.

It was a little bit of a throwback in a time where fans and followers of the industry are smarter and more connected than ever, and for the most part, the WWE had figured out that fans actually appreciated it more when their intelligences weren’t being tested, but El Grande Americano instead did go back in time, and for weeks and months, Chad Gable would often be performing double duty on television, as regular all-American Chad Gable, and then acting as if El Grande Americano were a completely different human being outright.

And under the El Grande Americano mask, he would clown and he would cheat, but the fact of the matter was that he was starting to win more matches, and I’d never been more entertained than when he started putting the metal “plate” into his mask and using loaded headbutts to win matches underhandedly.

But then Chad Gable got hurt, with some sort of shoulder injury, and my immediate reaction was, what’s going to happen to El Grande Americano???  Fewer things are more deflating in the world of professional wrestling than when a talent finally begins to start to gain some traction and momentum with a gimmick that appears to be working, only to be derailed by injury.  As a fan, I felt crushed for Gable, whom I’ve often been high on as a worker, as well as the fact that he really was beginning to blossom into an entertaining personality as well, only for an injury to completely derail all the hard work that was starting to pay off.

I figured the El Grande Americano storyline was going to die right there without its rightful mask wearer.  Even when the also-underutilized Marcel Barthel AKA Ludwig Kaiser took over the mantle in a second-tier goof of Who Is El Grande Americano, I figured this was an instance of Ludwig basically taking over the mantle just so that they could tie up loose ends with the persona and eventually kill it off, so that El Grande Americano didn’t just abruptly vanish and make it obvious for the two fans out there that didn’t actually know the identities that El Grande Americano was Chad Gable.

I don’t know how much the creation of the El Grande Americano character coincided with the E purchasing Mexico’s AAA promotion, but when the E really started to take over operations of AAA, it was very apparent that there was no better place for the El Grande Americano persona to apply their trade than there, since he was basically the anti-luchador, pretending to be a luchador, going up against real, authentic luchadores.

And at first, El Grande Americano did his job as was to be expected; being booed the fuck out of Mexican venues, by Mexican people who were supposed to be incensed and offended by a guy who was obviously not even Mexican, pretending to be a luchador, cheating and defeating actual luchadores.  And it didn’t help that he was aligning himself with Dominik Mysterio, who was supposed to be the rudo (read: heel), invading AAA and setting his sights on the AAA Mega Campeonato, and even went as far as helping him upend El Hijo del Vikingo for their top championship.

But the thing is, Mexican fans really loved and really popped for all of the WWE talents that were crossing the border to make appearances for AAA, and in spite of their expected alignments, Dom was getting pops that were almost Stone Cold Steve Austin in the 90s-level in Mexico, and everyone in his gravitational pull, including El Grande Americano was benefitting from the proximity.

Continue reading “El Grande Americano: how can you not be romantic about lucha libre?” →

I haven’t felt this disconnected to the WWE since my parents took cable away

~ dannyhong ~ Leave a comment

This is something that I’ve often wanted to write about, but mostly on account of the chaos that is my life, and/or not feeling like writing about it when I actually have a few minutes to write, it’s just constantly been put back on the shelf

And then other things would emerge from the passage of time, in the WWE universe, and my general notes of what to write about when I get to it modifies, tweaks and I always hope it stays connected enough to where I can consolidate it to all one singular post instead of branching out into separate ones that give me anxiety of an ever-growing topic list of things I want to brog about if I ever had the time (and the drive).

But as the topic of this post clearly states, I’ve never felt so disconnected from my general fandom of the WWE and professional wrestling as a whole, than I am feeling these days.  By now, it’s no secret to fans that parent company TKO has done a number of things that have gotten the attention of fans of the industry, such as cutting a large swath of the WWE roster, reports of requesting massive pay cuts out of those who are still left, and the subsequent voluntary departures of others who did not want to yield their contractually obligated salaries, among numerous other acts of The Man.

Television, which for me is currently limited to just RAW on Netflix, because I don’t want to pay for ESPN Unlimited for PLEs, I don’t want to pay for Peacock for sporadic SNMEs, and I don’t want to pay for whatever service is necessary in order for me to be able to watch theCW for NXT and FOX for Smackdown.*

*I don’t want to jinx it, but there’s also AAA, free on YouTube, which has been extremely gratifying to watch, as it fills a metaphorical void left behind with the closure of NXT UK, where it’s a smaller, grassroots territory with a ton of talent and I’ve been enjoying its product immensely, especially since the book was given to the Undertaker

RAW is next to unwatchable nowadays because at least 65-69% of the broadcast is commercial breaks, stacked on top of the near cartoonish amount of ads that are strewn about the guardrails, on the ring apron and printed on the mat itself.  Wrestler entrances are what really makes wrestling into pro-wrestling, and almost every match has one superstar getting the shaft of having their entrance covered up by 7-8 minutes of commercials.

I genuinely don’t remember the last time I saw Roxanne Perez’s entrance, Io Sky seems to have fallen down to the tier that is at risk of having commercial break entrances, and the New Day’s fantastical entrances have been on perma-commercial break.

Speaking of the New Day, they’re probably the most notable names to emerge from recent events as talents who refused to budge from their contractually obligated compensation, and were subsequently forced into departure as a result.  In one hand, it makes me really sad to see Xavier Woods and Kofi Kingston leaving, but in the other, I’m so proud of both of them for sticking up for themselves, their worth and basically saying fuck no to TKO.

Normally, I think AEW’s track record of converting those who jump into lasting successful results isn’t very high, but if there’s ever been talents that probably have the potential to make a noteworthy splash, it’s The New Day’s who will obviously have to change their names, but the field has been set up to embark on a list of what-if programs, with FTR, Edge and Christian Cope and Cage, and of course, The Young Bucks.  And if they can somehow miraculously both pry Big E away from the E, and get him medically cleared, insert Kenny Omega into the mix for the long-fantasized Elite vs. The New Day.

Speaking of departures, the recent departure of Asuka under ambiguous circumstances was another massive blow, as far as my fandoms were concerned, because there were few more talented packages in the women’s division than Asuka.  Reportedly, she’s not released, she’s not quitting because of salary cuts, but I can’t help but feel that such things weren’t in her head when she chose to step away for a spell.  The firing of her partner Kairi Sane while in the midst of an active storyline, and the lame duck finish to an interesting arc are probably things that she considered, regardless if she refuses to admit.

And just in general, the quality of the product has gotten really poor, in general.  A lot has been made about the reduction of house shows and live events, and yeah it’s great that the talent doesn’t have to kill themselves on these televised events, but it’s not like these events existed solely to cash grab smaller towns.

Live events are basically live training and practice fields for talent to work things out and practice and grow chemistry with their partners.  When you take a lot of these events away, talents have less opportunity to build rapport and practice spots and move sequences in real time, and when it comes time to do them on live television, the results have been noticeably more sloppy.

Take for example, Sol Ruca.  Frankly, I think she is the very obvious face of the women’s division in the future, but her recent demotion promotion to the main roster has been anything but impressive.  And it’s not really any fault of her own, she’s been booked to lose to all the current mainstays, which is not illogical, but when you’re trying to build up a callup, jobbing them to oblivion isn’t the way to go.

But it’s the fact that she’s been thrown to the wolves with very little rapport building with the likes of Liv Morgan and Iyo Sky, both of whom she’s already lost to, but the matches were clunky, disjointed, and way below the standard that the level of talents should be capable of.

The reason why Sol was such a standout in NXT is the quality of the matches she had with all the girls down there, but the difference is that down there, Sol and all the other girls worked out a ton at the Performance Center, NXT runs live events throughout the state, and Natalya Neidhart runs an open training facility for all the local talent.  But on the road with the main roster, Sol has looked exposed and completely devoid of chemistry, because there’s frankly not enough opportunity for it to build.  On paper, there’s no reason why she should have clunkers with the likes of Iyo Sky and Liv Morgan, but if they’re not getting enough reps in off-camera, then it’s definitely going to show on-camera.

Overall, at a holistic level, it just feels that there’s an overwhelmingly oppressive amount of corporate meddling going on in the WWE by their parent company, and although the likelihood of the same result occurring being very low, seeing as how the E is still a veritable money printer, I get a lot of vibes of WCW’s tail end, with how much corporate meddling going on.  AOL Time Warner’s constant interference, and standards and practices basically killed WCW by a thousand cuts, and every time I hear or read some inkling of the corporate meddling by TKO to the WWE, I keep seeing some dudes named Ari and Shapiro at the root of some decisions that indicate that they really have no idea how to operate professional wrestling, and it always feels like there’s always some dude named Shapiro involved whenever it comes to money micromanagement in any arena, be it wrestling, baseball, or any other multi-million dollar industries.

The bottom line is that the WWE has been really, really hard to want to continue to support, and I feel this nihilistic line of thinking that TKO is really deliberately trying to alienate older, passionate fans of the product and industry, preferring to draw in fresh and younger and looser with their money audiences, which isn’t necessarily a bad strategy, but one that can only have fatal consequences down the line for when the ADD-ness of them all decides they don’t like, or wants to cancel wrestling.

There’s a popular saying that, nobody hates X more than X fans, so in this case, it would be that nobody hates wrestling more than wrestling fans, but I used to jokingly add “and Bret Hart” to the end of it, since ‘ol bitter Bret has absolutely nothing positive to say about the current state of professional wrestling, but nowadays, it seems like it’s more accurate to say that nobody hates wrestling more than TKO, because it just feels like with their obsessive pursuit of profit, they’re absolutely killing a property that has proven for generations how profitable and sustainable it can be, when managed by the right parties.

Backlash came and went, and it was one of the first PLEs that I didn’t watch in a while.  I tinkered with VPNs for the Royal Rumble, and plunked down a month for ESPN Unlimited in order to watch Wrestlemania, but the way Backlash’s card set up, it just didn’t look like it was even worth the effort to try and swindle my way to watch it por gratis; apparently my assertion wasn’t wrong, as it turned out to be a very mid card.

The last few weeks have been hectic for me, and I missed RAW last week and didn’t feel like I missed anything (I didn’t), and the latest episode, I kind of watched it for lack of anything better to do with that amount of time, and as I’ve been saying to mythical wife who’s often sitting next to me while I’m watching, the worst part of every Monday night is when I catch up to the live feed, because that means I’m not subject to have to watch the commercials.

As a wrestling fan, I’ve put up with the loss of kayfabe, the steroid scandal almost killing the business, oversaturation of product, AEW’s fans, Katie Vick, the Gobbedly Gooker, and all sorts of shitty stories, wrestler deaths, and tasteless storylines, and stuck around.  But at this current trajectory, there is a very realistic possibility that I’m just going to stop watching RAW, because all the commercials just makes it unbearable, and when it is on, the quality of the performing going downhill isn’t going to help its cause.

Going back to the title of this post, I just haven’t felt this alienated from something I’ve loved for as long as I’ve almost been alive, and it’s kind of sad, and I would wager that I’m not the only one who’s feeling this way out there.

Is there a more perfect show than Batman the Animated Series?

~ dannyhong ~ Leave a comment

This is more of a rhetorical question because the answer is no, there really isn’t.  Obviously this is subject to personal preference, but I can’t imagine that I’m the only one out there who has this particular opinion.

I had finished watching WWE Elimination Chamber, and it was a pretty mediocre show overall; although the men’s and women’s chamber matches had outcomes that I didn’t get right, the Becky vs. AJ and the Balor vs. Punk matches were very obviously predictable.  Danhausen being the mystery crate reveal made me feel like the whole buildup is this generation’s Gobbledy Gooker, but probably more accurately the WWE’s need for a wacky character they can push towards the younger audiences and kids to help move merch and gain wider appeal.

But the overall feeling I had once the show was over was general disappointment and apathy, but mostly disappointment that mythical wife had actually paid real money for ESPN Unlimited so that I could watch PLEs, and it just so happens that the first one I come across is a relative clunker.  I think it might be a safe bet that once Wrestlemania passes, to pull the plug on the service since we already have like four other services we’re subscribed to.

Anyway, seeing as how the night wasn’t quite too late even though I would benefit from getting more sleep than I do on the regular, I felt like I didn’t want to end my television watching experience with an underwhelming wrestling show, so I switched to HBO Max where I knew that they had the entire library of Batman the Animated Series, and where I’d been watching an episode here or there, because it was perfect in the sense that it was high quality content that I’d already seen a million times and could multitask during, and the episodes are just 22 minutes, which means they’re no major time commitment.

It was while watching the episode of Clayface’s debut, it dawned on me that the reason why I seem to feel that Batman TAS has become somewhat of a default fallback, is because of what I just said, that it was the perfect show.  Not just for the aforementioned reasons, but holistically, the show is just perfect, in just about every other way as well.

Art direction, execution, writing, music, an entry of DC comics storytelling, light years ahead of its time, parading around as a kid’s show.  Believe me, I have seen every single episode of the show, and I’m having a really difficult time at thinking of any episodes that are actual 100% clunkers, with no redeemable quality to them, and by that criteria, I can’t say there are really any.  Sure, there are some episodes that I may want to skim or possibly skip, like the one where Batman is gassed by the Penguin, and he has to be saved by some kids, but by and large, I anticipate myself going to really enjoy the steady, gradual and methodical rewatch of Batman TAS with an episode or two every now and then.

And anyone who knows me knows that I almost never rewatch anything, because there’s so much content out in the world, lots of which I want to watch, that I very seldom go back and rewatch anything, because that time could be spent imbibing on something I haven’t seen before.

But Batman TAS?  It’s perfect in just about every subjective and measurable metric, and the most important thing is that it’s extraordinary ability to chase any shitty example of viewing media and bring me back believing that there’s good television out there, and that there’s really no bad time to catch an episode of the TAS.

I guess OnlyFans wasn’t as lucrative as she had hoped

~ dannyhong ~ Leave a comment

There’s a lot of turnover in the professional wrestling industry.  Budget cuts on account of oversaturation, poor television ratings, general societal changes where the industry just isn’t as hot as it once was, etcetera, etcetera.  However, I have this belief in wrestling that even if a talent is released, they are always one idea and a phone call away from being brought back into the business.  Over the years, we the fans have witnessed such revivals countless times, and as long as a released talent doesn’t go out of their way to scorch earth and set fire to any bridges they used, there’s always the possibility that they will be back, and hopefully to more success in the future.

Well, when the WWE released Cora Jade, she didn’t take it particularly well.  From the moment she was released, she was up on social media taking shots at the company, vaguebooking over some of the colleagues and personnel she wasn’t a fan of, and after the initial shock and resentment period that most people whom might have been fired from their jobs might harbor, Cora Jade didn’t really stop.  Seemingly at times, she would go out of her way, or inject herself into debates and discussions about the business in order to keep taking digs at the WWE, and how she didn’t need them, and how her future endeavors would definitely be more lucrative or make her more famous and in demand than if she had remained a WWE superstar.

Needless to say, it’s apparent that nobody in her personal life had ever told her the importance of not burning bridges, and that there is definitely a time and place for popping off, but it’s really generally not wise most of the time.

Regardless, with her bridge particularly singed, she embarked on an endeavor that would mostly ensure her being able to generate income utilizing one of her more prominent wrestling attributes: her body, and starting up an OnlyFans account.

Of course, she went way out of her way to put over OnlyFans while still taking digs at the WWE, as if she were trying to convince herself on top of all of her social followers that OnlyFans wasn’t something to be ashamed about.  Unsurprisingly, she seemed to be shot out of a cannon when she started, because of course she was quick to boast about her earnings by making a post about the luxury car that she was now capable of affording.

I mean, Toni Storm and Jordynne Grace both made gobs of money when they were on the platform, however, neither of them were shitting on the business while they were doing it, they were just capitalizing on a money-making venture while they awaited their next opportunity, which inevitably came, since the two of them were way better wrestlers than Cora Jade was, and they actually had something to offer their respective companies.

So honestly, it was a little surprising to see Cora Jade emerge back in TNA, under her old name, Elayna Black.  She had made such a big deal about how much she was over the professional wrestling industry, that even if she really didn’t want to step away, many in the business might be turned off by her general lack of appreciation for the industry, but here we are anyway.

The funny thing is that over the last few months before the return of Black, I actually hadn’t heard much from her, as far as the algorithm went at feeding me content.  And considering that she came crawling back to the industry that she said she didn’t need anymore, it leads me to believe that perhaps the OnlyFans train wasn’t doing as well as she had thought it was going to do, and that perhaps it might not be a bad idea to remain in the pro-wrestling space.

Either way, it must kind of suck to be Elayna Black/Cora Jade.  She had a great big Gen-Z crashout after she lost her job, and made herself look like an idiot with all of her bridge burning on social media.  Relegated herself to selling risque pictures of herself to creeps, but when that well seemingly began to dry up, she came crawling back to the business she had spent the last year trying to bury.

Owned.

Welp, I guess it’s time to really become an AEW fan

~ dannyhong ~ Leave a comment

The night before Thanksgiving, mythical wife and I were talking about how it might be nice for the girls to wake up and watch some of the Macy’s Thanksgiving Day Parade; they might be entertaining by the giant floats, maybe they’ll see some characters they recognize like Bluey or Pikachu, and the real motive from mythical wife was that HUNTR/X from K-Pop Demon Hunters was performing but the reality is that my kids love the film as well.  A cursory search showed that we could watch it on Peacock, which was good because we did have a Peacock login.

That is, until the following morning when I booted up the projector and opened up Peacock, there was the lock icon on the Macy’s Thanksgiving Day Parade.  Seriously?  A paywall for this?

But then I noticed that pretty much everything else had the lock icon on it.  Feeling a sense of dread, I clicked on the WWE tab, and sure enough, all of the wrestling content that I pretty much use Peacock exclusively for, all locked.  I double-checked the login to make sure that I was still logged in, and we were.  I logged out and logged back in, and couldn’t even make it to the menus I was in previously, because I was met with the plan options, and it’s apparent that Peacock had kiboshed the free tier that I was on previously, and it quickly dawned on me that short of RAW on Netflix which has been more mediocre than Kentucky Fried Chicken, I was now incapable of watching any WWE programming.

Thankfully for the morning of Thanksgiving, I could find some free livestreams of the parade on YouTube, so the kids could still see floats and characters, but it definitely left a sour taste in my mouth and started churning some gears in writing out this post in my head.

When the WWE sold and TKO came into existence, yeah, they made a whole lot of shitty business decisions that really fucked over a lot of wrestling fans.  But most of all that shit seemed to pertain to the live experience and I’ve long since cared about live events, and said that as long as they don’t fuck with my viewing experience, I’d be okay.

But then the E sold all their premium live events to ESPN, which held them hostage behind a tier-2 paywall that I didn’t have access to, so now I couldn’t see any of the big shows anymore, which definitely sucks.  But Peacock still would get all of the NXT shows which I always thought were usually better in the first place, plus they still had an extensive library of original content, so I would make do with just using RAW to keep abreast on the product.

And now Peacock has turned full heel and restructured their tiers to ensure that people like me no longer had a means to access WWE and NXT content, so again, my only remaining means of watching WWE product is now solely Netflix, and RAW hasn’t really been particularly good since it debuted and Hulk Hogan was still alive and got booed the fuck out of Los Angeles.

So, like the subject of this post says, I guess it’s time to go full tryhard fan mode into AEW, seeing as how I can still access their product reliably between HBO Max, where they run both their television and PPV products.  Or perhaps I can log in through a tv provider and get the AMC app and see if they’ll allow me to watch TNA.  Shit, I have a Roku, I could feasibly get NWA Powerrrrrrrrrrrrrrrr for free there too.

But fuck if I’m going to pay even more money for 2-3 different streaming platforms just to watch WWE.

As I’ve said multiple times, the streaming wars have gotten so out of hand, that we’re rapidly approaching the precipice where the ensuing result is going to be a company to emerge from the ashes, where they’ll consolidate ALL networks through a singular service, for a single price, but all programming will be supported by advertising. 

And it will be called . . . cable2.

PWI be drinking that blet kool-aid

~ dannyhong ~ Leave a comment

SI: Pro Wrestling Illustrated drops their Top-250 women wrestlers, topped off by Mercedes Moné

I had to laugh when I saw this list, because not only do I disagree that Mercedes Moné isn’t the #1 female wrestler this year, I barely think she’s top-5, and mostly on account of industry impact and not necessarily strength of work.  Also, I always love how whenever people make all-industry encompassing lists, there’s always what seems like some forced integration of talents from promotions not in the Americas.

Obviously I can’t speak for anyone but myself, but I have this suspicion that short of having infinite time on your hands, there aren’t a lot of people who contribute to a North American publication are always up to the minute on all of the wrestling going on in AAA, CMLL, New Japan and in the case of this women’s list, Stardom.

Don’t get me wrong, any time I see Stardom highlights, they’re incredible, they’re intense, and Japanese women work with a level of stiffness that would make Fit Finley, Vader and Gunther wince and cringe while watching.  Their level of in-ring work probably eclipses a lot of the women on PWI’s or anyone’s top-women workers lists, but the problem is that most people aren’t on top of their product like they are with the mega promotions of the Americas, and I say all this to preface and cover the fact that when it comes to listing talent, I simply cannot factor them in, due to general unfamiliarity.

But if I were to make a top-5 or top-10 list, it all starts with Iyo Sky, whom not only is the best female wrestler of 2025 in my opinion, she’s frankly the best wrestler in general throughout the calendar year.  She’s had incredible matches all year long with Rhea Ripley, Stephanie Vaquer, Naomi and Bianca Belair, and I’m still hard pressed to think of a single match this year better than Iyo vs. Ripley at Evolution.

#2 is Toni Storm, because she’s not only the hard carry of AEW’s entire female roster, she’s arguably the most entertaining talent they have on their entire roster outright.  I know I get critical about AEW in general, but there’s no questioning my love for Timeless Toni, and she’s simply the greatest character to have emerged from that land of chaos.  But the main reason I don’t rank her above Iyo is that when it comes to in-ring work, Toni is nowhere close to Iyo’s level.  Which is ironic, because young Toni was an absolute technician in the ring, but over the years, she’s clearly put way more work into her character, and less in the ring, and maybe it’s just the general green-ness of AEW’s women’s roster, it’s harder to find high quality matches that don’t devolve too hard into props, weapons and gimmick, versus just straight great wrestling matches.

#3 goes to Stephanie Vaquer who had the year of all years, having won three* different championships throughout the calendar year.  She’s a counting stat monster, having won the NXT North American and NXT Women’s championships, and then moving up to the main roster where she eventually won the WWE Women’s World championship.  She’s also a master technician in the ring, and frankly in pure technical skill, she’s probably better than Iyo, but she also hasn’t been really tested into a real masterpiece, save for her match against Giulia in NXT.

*I don’t count the blood money Saudi blet as a championship

#4 would be Rhea Ripley, for whom was the main reason why Iyo is #1, because it takes two to tango, and her and Iyo are basically one of this generation’s rivalries that could be on the echelon of Stone Cold Steve Austin and the Rock or Ric Flair and Ricky Steamboat, because the two just have such nuclear chemistry where every time they get in the ring together, it’s brilliance, regardless of if there’s an extra player involved or not.  Frankly, the only reason she’s not higher is because she didn’t get as many matches, and with talents like Vaquer which helped push Iyo over the top.

And #5 is where I’d put Mercedes Moné, and like I said, it’s mostly on account of her impact on the business and not necessarily her strength in the ring.  She’s (still) horrible on the microphone, and staying on the train of AEW nerfing women’s technical skill, her in-ring work in AEW is nowhere as clean as it was when she was still in the E.  It’s ironic that AEW keeps spamming the narrative that it’s where the best wrestle, but that must apply to men only, because a lot of the women known for great talent, aren’t having their best work under the Turner banner. 

However, what Mercedes has been doing all year, touring the indies and getting out in the world and lighting fires, collecting blets not-withstanding, is unprecedented, and in a holistic sense, worth giving her some rank on a top-women’s list.  Bonus points for the rumored stories about how she’s donating a ton of her independent bookings to local charities of the places she’s touring, and despite my general critical skepticism of her, I do think she’s doing a lot of good with her platform, albeit while obnoxiously leaning into the heel persona, but deserves does deserve respect.

#6-10, I would put rank, in this order: Athena, Tiffany Stratton, Asuka, Naomi, Becky Lynch.

Toni Storm might be the hard carry of the AEW women’s division as far as presence and entertainment go, but Athena is honestly, the best pure wrestler that exists in the AEW/ROH ecosystem.  As far as my previous comment about how AEW nerfs talent, Athena has remained immune, and has demonstrated to have good, watchable matches with anyone she’s been paired up with, and her match against a motivated Mercedes Moné is probably the AEW/ROH women’s match of the year as far as I’m concerned.  The endless ROH Women’s champion might not have a large pool of talent to work with, but it’s not just for lack of better options that she’s been holding her title for nearly three straight years.

Tiffany Stratton, is one of those talents that as far as her character went, had a really quiet year in general.  After winning the WWE Women’s championship, cashing in on Nia Jax, she had one heated program with a 60%-ready Charlotte Flair for Wrestlemania, but really not much else throughout the rest of the year except repeated matches trying to carry Jade Cargill. 

I feel like one of the comps I think for Tiffy is that of Mr. Perfect, in the sense that her character work is still pretty uncomfortable and needs work, but once she steps into the ropes, she’s a natural in the ring.  She’s managed to pull off respectable carry jobs on Cargill, and didn’t get outclassed when in the ring with a master like Vaquer and frankly dropping the title in her fourth or fifth match to Cargill can only help her grow some more, now unburdened with the duty of having to be the champion.

As far as Asuka and Naomi rank for me, Asuka is very much someone on the upswing, having returned in the middle of the year, and has been one of the most entertaining and watchable character on television as she’s working the heel sempai role to Kairi Sane and gaslighting Iyo Sky, and if she pulls this off for a whole calendar year, there’s no doubt that she’s a top-5 next year.

Naomi on the other hand, would have been an easy top-5, as her heel turn, Money in the Bank win and cash-in, and rise to the Women’s World championship were all booked outstandingly, and she was really picking up steam and momentum to be the top female heel in the company, but ol’ Big Jim decided to derail her career once again, and she’s been knocked out of the ring for the next year on account of having gotten pregnant.  I mean there’s fewer better reasons to go on the shelf, but the unfortunate byproduct of it was that it happened right at the biggest push of her career.  But if she can come back and pick up where she left off, there’s little reason to believe that she couldn’t get back to that upper tier.

And #10 I have to give to Becky Lynch, even in spite of how unpopular she is among the unwashed masses of the internet.  Her character work has been upper-tier, playing the obnoxious, gaslighting heel, and her in-ring work will probably never be above a 6/10, but she’s one of the few workers, male or female, that still understands telling stories in the ring, working body parts and maximizing her skillset to work logical and digestible matches.  But she’s clearly accepting of what’s asked of her at this current juncture, which is to remain in the mid card, elevate the Women’s Intercontinental championship and bringing the best out of lesser talents, like her current endless feud with Maxxine Dupri.  As much as the internet pretends to hate her and call her shit like Becky Hogan, I think she’s a consummate professional and a team player and seems to be down and willing to do anything that is asked of her, and doing it well.  She deserves better than what internet fans and PWI think of her.

The point to this whole diatribe is that PWI’s women’s rankings are dumb, and they clearly put way too much weight in Mercedes’ blet count, and not nearly enough on the bodies of work and the impact of character development, ring talent and entertainment, and artificially injected some Stardom names to make them look worldly.